| | | | Brant Fagan, SOC, Relies On Anton/Bauer Batteries For Film Production Around The Globe
 Cinematographer and Steadicam® Camera Operator Brant Fagan, SOC, has traveled the globe, working on countless films, episodic television programs, commercials and the occasional live event production. Working his way up through the ranks of the industry for the past 20 years, he has witnessed much technological change and evolution. And through it all, he has consistently employed batteries, chargers and Gold Mounts® from Anton/Bauer®, part of Vitec Videocom, a Vitec Group company and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video, film and healthcare technology industries.
published 2 weeks ago read more | | | | |
| | | | Emmy® Award-Winning Cinematographer Sean Conaty Selects Anton/Bauer Batteries To Help Fuel Narrative Work
 Beginning with his days as a Master’s student of cinematography at the University of Southern California, Emmy® Award-winning cinematographer of narrative and documentary features, commercials and music videos Sean Conaty has powered countless creative projects with Anton/Bauer® batteries and accessories. Thanks to the rugged build and reliability behind the company’s power solutions, Conaty can count on uninterrupted power no matter where his productions take him on-location—from the dry heat of the desert for the short film Jack and the Dustbowl to the rainy high school football field in rural Ohio for the feature film "Underdogs".
published 4 weeks ago read more | | | | |
| | | | ARRI Completes M-Series Lighting Range With New M90 Fixture
 ARRI introduces a new fixture from the award-winning ARRIMAX/M-Series, thus completing the range between 1,200 W and 18,000 W. The M90 introduces a new power class for daylight fixtures at 9,000 W - exactly half the wattage of the ARRIMAX and just over double the wattage of the M40/25.
published 1 month ago read more | | | | |
| | | | ALEXA XT and XR Module Welcomed By Creatives Worldwide
 Following launch events in Los Angeles, Paris, Berlin, Munich, Beijing, Milan, Mumbai and London, the new ALEXA XT cameras (Extended Technology) and XR Modules (Extended Recording) have been welcomed by cinematic storytellers around the globe for upcoming productions.
published 1 month ago read more | | | | |
| | | | ARRI Pro Camera Accessories Bring ARRI Quality To More Setups
 With ARRI Pro Camera Accessories (PCA), cameras from a plethora of manufacturers can benefit from ARRI’s renowned ergonomic designs and robust quality. New PCA offerings complement cameras including ARRI ALEXA, Sony F5 and F55, Blackmagic Cinema Camera, Red Epic, 1DC/1DX/C Cameras from Canon, and many others.
published 1 month ago read more | | | | |
| | | | Anton/Bauer Invites Attendees To Walk The Red Carpet And Celebrate Academy Award® Win At The 2013 NAB Show
 At the 2013 NAB Show, Anton/Bauer® invites attendees to visit its booth (Vitec Videocom Booth C6025) to see the Academy Award®-winning CINE VCLX Portable Power System and get a glimpse of the Academy Plaque the company recently won for its contribution to the industry. Anton/Bauer, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, recently took home the prestigious Scientific and Engineering Award (Academy Plaque) from the Academy of Motion Picture Arts and Sciences (A.M.P.A.S®) for the design and conception of its CINE VCLX Portable Power System. Anton/Bauer Engineers Joe Murtha, William Frederick and Jim Markland accepted the prestigious award for their roles in the creation of the CINE VCLX.
published 2 months ago read more | | | | |
| | | | ARRI ALEXA System Refreshed With New XT Models
 With the ALEXA XT cameras (Xtended Technology) ARRI is refreshing its ALEXA product line, incorporating new features inspired by feedback from professional users. The ALEXA XT, ALEXA XT M, ALEXA XT Plus and ALEXA XT Studio cameras will replace all previous models except for the original ALEXA. Owners of existing ALEXA cameras will be able to purchase individual upgrades that deliver most of the features of the XT configuration.
published 3 months ago read more | | | | |
| | | | OConnor Support is Crucial for Lonsdale on Bones
 Cinematographer Gordon Lonsdale, ASC, credits OConnor support for allowing his operators to keep moves fresh and innovative on the long running Fox series Bones. “Actually, I’ve been a big fan of OConnor throughout my career,” he says. “When I was an assistant I used the 50 and 100. Then when the lightweight 100 came out, I thought I’d died and gone to heaven.”
published 3 months ago read more | | | | |
| | | | Codex Travels the Globe with “Zero Dark Thirty”
 Codex recorders and digital labs support Codex/ARRIRAW workflow.
Codex digital cinema technology continues to prove its metal under the most challenging production conditions. Its latest test came on Zero Dark Thirty, Kathryn Bigelow’s gripping telling of the hunt for Osama bin Laden. Codex recorders and digital labs were employed to capture, manage and process camera data for a production that traveled to remote locations, accumulated huge amounts of original camera media, and shot some scenes in near-total darkness.
published 4 months ago read more | | | | |
| | | | ARRI Cameras and Lighting Flourish in Oscar-Nominated Productions
Out of nine Best Picture nominees for the Academy Awards this year, seven were shot using ARRI cameras: Amour, Life of Pi and Zero Dark Thirty were captured digitally with ARRI ALEXA; Les Misérables and Silver Linings Playbook on 35 mm with ARRICAM; Argo utilized a combination of both ALEXA and ARRICAM while Beasts of the Southern Wild chose Super 16 with the ARRIFLEX 416 and SR3. Additionally, many of these productions relied on lighting equipment from ARRI.
published 4 months ago read more | | | | |
| | | | Anton/Bauer Honored With Academy Award® For Scientific And Technical Achievement
 Cine VCLX Portable Power System Recognized for Contributing Significant Value to the Making of Motion Pictures
Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, is pleased to announce that its CINE VCLX Portable Power System has been honored with a Scientific and Engineering Award (Academy Plaque) from the Academy of Motion Picture Arts and Sciences (A.M.P.A.S®). Representatives from the company will accept this prestigious award at the annual A.M.P.A.S® Scientific and Technical Awards presentation, taking place on Saturday, February 9, 2013. Anton/Bauer engineers Joe Murtha, William Frederick and Jim Markland have been recognized for their design and creation of the CINE VCLX.
published 4 months ago read more | | | | |
| | | | Encore: Baselight Helps Hollywood Facility Reinvent Television Post-Production for the Digital Age
 Encore is one of the busiest full-service post-production facilities in Hollywood. Part of Deluxe Entertainment Services Group, the company, which also has facilities in New York, Vancouver and London, has built its reputation primarily through its work in episodic television. It services such shows as Body of Proof, Castle, CSI: Las Vegas, CSI: NY, Enlightened, Glee, Hawaii 5-O, Justified, Magic City, Mob Doctor, Nashville, NCIS, The Newsroom, Raising Hope, Last Resort and Revenge, providing near-set dailies, colour grading, editorial finishing and visual effects. It also boasts one of the industry’s most efficient file-based workflows and was the first to implement an ACES workflow for television.
published 6 months ago read more | | | | |
| | | | "Cuban Fury" Streamlines On-Set Workflow With Codex's The Vault
 StudioCanal comedy is one of the first film productions to use new standalone workflow solution.
The move to digital acquisition has transformed many film and television sets into something akin to the control center for a moon launch as they have taken on a hoard of high-tech equipment for capturing, storing, processing and backing-up digital camera data. Not so with Cuban Fury, StudioCanal’s new romantic comedy, which was among the first film productions to use The Vault, Codex’s new on-set digital laboratory solution that reduces the technology required to manage camera data to a single box the size of a small suitcase.
published 7 months ago read more | | | | |
| | | | cinecAwards 2012 - the winners
After two very lively days at the cinec, many exhibitors and guests gathered in the Kaisersaal of Munich’s Residence last night. They celebrated the winners of the cinecAward during a festive state reception.
published 8 months ago read more | | | | |
| | | | Codex Powers ARRIRAW Workflow for French/Italian Thriller “The Lookout”
 The Lookout (Le Guetteur), the new French-language crime thriller from Italian director Michele Placido (Crime Novel, Angel of Death) is a riveting tale of bank robbers, a sniper and hard-nosed cops that plays out in the meanest streets of Paris—it’s also one of the latest films to employ the Codex/ARRIRAW workflow.
published 8 months ago read more | | | | |
| | | | ASSIMILATE’s New SCRATCH Lab v7 Fuels Advanced Dailies Revolution
 The ultimate in shot management and dailies production, with full ACES compliance, married with powerful look creation and color correction, in one truly affordable tool
The RAI – ASSIMILATE, the leading provider of dailies and DI tools for digital cinema and broadcast workflows, has announced the next generation of its production dailies software, SCRATCH Lab® v7. In the rapidly evolving world of digital dailies, where the lines are blurring between production and post-production, SCRATCH Lab v7 empowers DITs and video engineers with the ultimate shot management and dailies workflow tool, enabling them to work at top efficiency and productivity at an amazingly affordable price.
published 8 months ago read more | | | | |
| | | | ALEXA – The Most Complete Digital Camera System Ever Built
 ARRI’s five ALEXA models have built a reputation as the most powerful digital camera systems in the industry, enabling a new era in visual storytelling for a variety of productions. Recent award-winning features like Hugo, Extremely Loud and Incredibly Close, Anonymous, Amour and Melancholia relied on ALEXA for image capture. The camera was also behind-the-scenes on this year’s box office champion, The Avengers -- the third highest grossing film of all time.
published 8 months ago read more | | | | |
| | | | New ALEXA Support Accessories Available
 The ALEXA M D-Bracket provides additional mounting options for the ALEXA M camera head. Now the ALEXA M body can be attached to the head in a 435 camera style. Available in October, The ALEXA M D-Bracket is priced at 212 €.
published 8 months ago read more | | | | |
| | | | ARRI And Carl Zeiss Mark 75-Year Collaboration With New Anamorphic Lenses
 ARRI and Carl Zeiss have partnered for three-quarters of a century in a cooperative effort that is unmatched in the film industry. As we celebrate this commitment, ARRI is pleased to unveil our latest collaboration – the new ARRI/ZEISS Master Anamorphic lenses. Especially developed for the ALEXA Studio, ALEXA Plus 4:3 and ALEXA M cameras - all equipped with a 4:3 sensor and hence perfectly suited to true anamorphic capture - the Master Anamorphics expand creative opportunities for today’s image-makers.
published 8 months ago read more | | | | |
| | | | Marquise Technologies announces M I S T solo for dailies on-set
 M I S T solo is the most affordable, fast and reliable software solution for dailies on-set monitoring, storing and transcoding.
Marquise Technologies announced today a dedicated software solution for the on-set management of RAW dailies. M I S T solo has been designed to help all productions, regardless of their size, for feature films, commercial or TV series, in the control and security of their dailies footage, in a professional way.
published 8 months ago read more | | | | |
| | | | "Lawless" Captured on Codex
 Annapurna Pictures employed Codex recording and workflow technology during the production of Lawless, the new film, directed by John Hillcoat and starring Shia LaBeouf and Tom Hardy, about a bootlegging operation in the Depression-era South. The film is slated for release August 29th by The Weinstein Company.
published 9 months ago read more | | | | |
| | | | Codex Announces Onboard S Support For Canon Cinema RAW
 Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its compact Onboard S recorder supports Canon Cinema RAW. Codex will demonstrate the Onboard S (and other products) at IBC 2012 in Amsterdam (Stand 11.F41). It will be the first time that the Onboard S will be seen at a European tradeshow.
published 9 months ago read more | | | | |
| | | | “Bayonet” Captured on Codex
 Independent short uses Codex Onboard recorder to create “studio quality” look.
Bayonet, a short political thriller from Bergen Films and Director Gregory Horoupian, recently completed principal photography using digital recording technology from Codex. The short was shot by cinematographer Lyle Vincent using an ARRI Alexa Studio camera paired with anamorphic lenses and a Codex Onboard M recorder.
published 10 months ago read more | | | | |
| | | | Hollywood DI Completes Two 3D features Using New Cost-effective Stereo Workflow
Hollywood DI, Globalstor Data Corporation and Maya Digital Studios, Pvt. Ltd. in conjunction with PNY Technologies, Inc. deliver cost-effective solution for 3D color correction and finishing.
Hollywood DI announces the completion of the world's first 3D feature films to be color corrected and finished on Globalstor's ExtremeStor-DI 3D capable systems. Leveraging the power of multiple NVIDIA® Quadro ® 6000 by PNY professional graphics boards and DaVinci Resolve, Hollywood DI delivered stereo 3D grading and finishing for STATIC and SHOLAY 3D. By combining 3D visual effects and 2D to 3D conversions from Maya Digital Studios with the incredible performance of Globalstor's hardware and NVIDIA Quadro by PNY graphics boards, Hollywood DI was able to provide high-end 3D finishing at considerable cost savings over traditional expensive heavy-iron systems.
published 10 months ago read more | | | | |
| | | | Cooke brings its latest lenses to IBC 2012 as demand for PL glass continues to grow
 - Prototypes of new focal lengths on display -
Cooke Optics, the premier manufacturer of precision lenses, will bring lensesfrom its three ranges - S4/i, Panchro/i and 5/i – to IBC 2012, including a prototype of a 65mm lens for the Panchro range. The company also continues to expand its production capacity with more new hires at its Leicester factory to meet increased global demand for PL glass.
published 10 months ago read more | | | | |
| | | | ARRI ALEXA Shines at Cannes
 For the third year in a row, ARRI played host to the Cannes International Film Festival Director’s Fortnight Happy Hour events, bringing together directors, producers, cinematographers and industry professionals from around the world. The beautiful beach side location gave the perfect opportunity for guests to enjoy the view and meet the steadily growing ALEXA family; ALEXA Studio and ALEXA M.
published 12 months ago read more | | | | |
| | | | Cinegear 2012: Codex to Showcase Recording and Workflow Solutions
 Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.
published 12 months ago read more | | | | |
| | | | ALEXA M cameras Outfit FascinatE’s Omnicam for Interactive, Panoramic Viewing
 The Omnicam, a new panoramic camera system developed by the FascinatE Consortium (Format-Agnostic SCript-based INterAcTive Experience), utilizes six ARRI ALEXA M cameras to capture footage in ultra-high resolution for immersive viewing. On May 26th and 27th, the Omnicam will be employed at Arena Hall Berlin to record a dance performance of the Carmen Suite by the Berlin Philharmonic. This prototype system allows users to interactively view and navigate the video panorama of the live event - no matter what display device they are using. Meanwhile, synced audio automatically adjusts to match the selected view.
published 12 months ago read more | | | | |
| | | | Filmworkers Grades “Revenge of the Great Camera Shootout”
Event produced by Zacuto and Kessler includes side-by-side comparisons of cameras made by Sony, Arri, Alexa, Canon and others.
Filmworkers recently took part in a unique event testing the performance of the current generation of digital motion picture cameras, from leading edge camera systems used to shoot Hollywood blockbusters to the humble iPhone. The Revenge of the Great Camera Shootout was produced by camera dealer Zacuto and crane manufacturer Kessler Cranes. Like similar events produced by Zacuto in the past, RGCSO features side-by-side tests of camera systems made by Sony, Arri, Red, Canon, Panasonic and Apple. Filmworkers provided color grading services necessary to make direct comparisons between the output of the cameras. Grading was performed by colorist Jimmy Cardenas with additional grading by colorist Brian “Crash” Carlucci.
published 1 year ago read more | | | | |
| | | | MAXX DIGITAL Announces Production Dailies Cart System Based on SCRATCH Lab Digital Dailies Software
MAXX DIGITAL is proud to announce that they have teamed with ASSIMILATE and offer a turnkey Production Dailies Cart System, built around SCRATCH Lab®, the industry’s most powerful end-to-end production dailies software. Designed to meet the needs of DITs and Video Engineers who produce dailies on-set for television shows, commercials and feature films, the new turnkey Cart provides image acquisition, data management, look refinement and dailies deliverables with support for all popular cameras formats such as ARRI Alexa, Sony F65, and RED Epic and Scarlet.
published 1 year ago read more | | | | |
| | | | Michael Keppler Joins ARRI Inc. as Manager, Lighting Systems
ARRI Inc. Expands into Suspension Systems for the Americas
ARRI Inc. is pleased to announce the addition of Michael Keppler in the position of Manager, Lighting Systems to integrate suspension with ARRI fixtures and other lighting equipment. Keppler comes to ARRI with over 20 years of experience in the design and distribution of manual and motorized rigging systems and lighting control.
published 1 year ago read more | | | | |
| | | | ALEXA Advances Anamorphic Cinematography
True CinemaScope with ALEXA Plus 4:3
ARRI unveils the ALEXA Plus 4:3, a new ALEXA model with similar functionality to the ALEXA Plus but featuring a 4:3 Super 35 sensor, the ability to switch from 16:9 sensor mode to 4:3 sensor mode and built-in licenses for high speed shooting, anamorphic de-squeeze and DNxHD.
published 1 year ago read more | | | | |
| | | | Director Of Photography Robert Shacklady Powers ARRI ALEXA Cameras With Anton/Bauer Batteries
 CINE VCLX/2 and DIONIC HC Batteries Have Quickly Become Trusted Part of Production Team Over Past Six Months of Use
Director of Photography Robert Shacklady has worked his way up in the industry—from camera clapper loader and focus puller—to his current role as a DP with a slew of films and commercials under his belt. So when it came to making an investment in powering his new ARRI ALEXA cameras, he selected CINE VCLX/2 and DIONIC® HC batteries from Anton/Bauer®, part of Vitec Videocom, a Vitec Group company and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries. This way his gear continues to grow alongside his career.
published 1 year ago read more | | | | |
| | | | Pictorvision First to Fly ALEXA M for ARRI Promo at NAB
 Pictorvision, which won an Academy of Motion Picture Arts and Sciences Scientific and Engineering Award this year for their innovative Eclipse system, was recently tapped by ARRI to help create a stunning in-booth promo to be shown at NAB 2012 in Las Vegas.
published 1 year ago read more | | | | |
| | | | “Dallas” Chooses MTI Films’ Remote Control Dailies
 Warner Horizon Televisions’ reboot of the nighttime drama Dallas has become the first production to take advantage of MTI Film’s Remote Control Dailies service to ensure secure, high-quality dailies while shooting on location in Dallas. Remote Control Dailies offers the same complete feature set that MTI Film’s Control Dailies provides in a facility setting, but configured in a portable unit for use on-set or near-set.
published 1 year ago read more | | | | |
| | | | Paradise FX Launches HELIOS 3D Stereo Rig
 HELIOS makes 3D production faster, more versatile and cost-effective than ever
Paradise VFX, the world’s most experienced provider of 3D stereo camera systems and production services, has launched HELIOS™, a wireless, self-contained, 3D stereo rig, whose advanced design and operational features support faster on-set deployment, streamlined post production, and more cost-effective 3D stereo production.
published 2 years ago read more | | | | |
| | | | New range of ARRI lighting suspension solutions
ARRI has unveiled a new and vast range of suspension equipment for TV studios and theaters, incorporating pantographs, hoists and telescopes, as well as various rail systems, carriages and accessories. The range encompasses total digital solutions with intuitive control systems, new tools for large studios and entry-level equipment to bring innovation within the reach of small studios and tight budgets. Modularity, good design and safety are all fundamental characteristics of ARRI's new rigging products.
published 2 years ago read more | | | | |
| | | | New ARRISUN 18 Event light fixture joins ARRI’s Event System
The ARRI Event System comprises a series of efficient, high color-rendering daylight lampheads, as well as remote, intelligent ballasts that simplify cable management. Established and successful in the market for over 10 years, the ARRI Event System is used at car shows as well as for sports, fashion and red carpet events where superior light quality is required.
published 2 years ago read more | | | | |
| | | | MAX Technology: new ARRI M40/25 - AS40/25 daylight fixture
At IBC this year, ARRI will unveil a new fixture from its award-winning M-Series, narrowing the gap between the 1800 W M18 and the 18 kW ARRIMAX. Sporting ARRI's unique, patented MAX Technology, the M40/25 is a lens-less system that combines the advantages of a Fresnel and a PAR fixture. The unit is open face and thus very bright, but focusable from 18-52*, producing a crisp, clear shadow. By eliminating the need for spread lenses, the M40/25 speeds up workflows on set and reduces the risk of lost production time because of glass breakage.
published 2 years ago read more | | | | |
| | | | ARRI announces working ALEXA M and Studio prototypes
ARRI comes to IBC 2011 with the development of its ALEXA camera system in full swing. The two new models promised at NAB earlier this year - the ALEXA M and ALEXA Studio - are now in an advanced state of readiness, with working prototypes shared between the IBC show floor and high-profile industry leaders.
published 2 years ago read more | | | | |
| | | | ARRI ships first ALEXA M units to CAMERON | PACE Group
The ALEXA M camera program has achieved its first major schedule milestone, with production prototypes of the ALEXA M starting to ship to James Cameron and Vince Pace, Co-Chairmen of CAMERON | PACE Group (CPG), the industry leader in 3D technologies and production services from slate to screen. CPG announced a strategic collaboration with ARRI at NAB 2011.
published 2 years ago read more | | | | |
| | | | Single Chip Camera Evaluation (SCCE) Makes East Coast Public Debut
Screening Set for Createasphere Entertainment Technology Expo on September 20 & 21
Createasphere, a global community builder for the entertainment technology industry, presents the East Coast public debut of the Single Chip Camera Evaluation (SCCE) at this year's Entertainment Technology Expo - the entertainment and media industry's premier conference for previewing ground-breaking technology and learning about the latest trends in content creation.
published 2 years ago read more | | | | |
| | | | HBO’s GAME OF THRONES Unleashes Bold Visuals with ARRI ALEXA
Following the highly successful debut of the new series GAME OF THRONES with a viewership of 4.2 million viewers, HBO immediately ordered the second season into production. The show is based on the bestselling fantasy book series A Song of Ice and Fire by George R.R. Martin, which chronicles the violent power struggle among warring families for control of the kingdom. New York Post's Linda Stasi wrote, "The art direction, acting and incredible sets are as breathtaking as the massive scope of the series." To enhance the epic scale of the production, ARRI ALEXA digital cameras were chosen to bring cinematic visuals for the television drama.
published 2 years ago read more | | | | |
| | | | ARRI Unveils Modular Camera System, ALEXA M
ARRI is developing a further model in the ALEXA family of cameras: the ALEXA M - a new, flexible solution consisting of a separate camera head and body. ALEXA M is tailored for action photography, tight corner shots and 3D productions. Based on cutting edge ARRI technologies, the M model features the same exceptional image quality that has made ALEXA the most powerful digital production system ever built.
published 2 years ago read more | | | | |
| | | | ARRI and CAMERON – PACE Group Cooperate in 3D Market
Development
ARRI is proud to extend its relationship with the CAMERON - PACE Group (CPG) by announcing a cooperative partnership in the development of the ALEXA M camera system, due for first concept showing at the NAB Show 2011 in Las Vegas, Nevada. Since the launch of the ALEXA digital camera in June 2010, leading directors and cinematographers have adopted the camera as the most sophisticated solution for digital cinematography.
published 2 years ago read more | | | | |
| | | | Director/DP Dana Christiaansen Joins Bully Pictures
 Director/DP Dana Christiaansen has signed with Bully Pictures for exclusive national representation. Christiaansen is best known for his automotive work and has credits with virtually every major car brand, including recent spots for BMW, Toyota, Jeep, Suzuki and Hyundai.
published 2 years ago read more | | | | |
| | | | MARVIN Joining Band Pro One World Open House
Offering L.A. Filmmakers a First Look at One-Step Digital Cinematography Workflow
MARVIN Technologies will join Band Pro Film & Digital’s One World Open House, Dec. 16, giving L.A.-based filmmakers a chance to check out the new camera data capture system first hand. MARVIN generates all production deliverables right on set, providing an efficient and reliable digital camera workflow.
published 2 years ago read more | | | | |
| | | | IRIDAS Announces Immediate Availability of SpeedGrade OnSet 2010
Newest Version Adds Support for TCube Fig, Enabling DPs, DITs to Pull Reference Images from Live HD-SDI Feeds; Interactively Design, View Looks During Production in Real Time
IRIDAS today announced the immediate availability of SpeedGrade OnSet 2010. Making its industry debut at NAB 2010, SpeedGrade OnSet 2010 adds significant previs innovations with new support for TCube Fig, which enables real-time, interactive color manipulation of HD-SDI signals.
published 3 years ago read more | | | | |
| | | | ARRI Taps Abel Cine Tech as Authorized Reseller for ALEXA Camera
ARRI Inc. today announced the selection of Abel Cine Tech as an authorized reseller for the ALEXA camera. Due to the wide appeal and affordability of ALEXA’s groundbreaking technology, this strategic partnership will cover the U.S. market more comprehensively to facilitate sales, service and technical assistance to broader markets.
published 3 years ago read more | | | | |
| | | | |  Articles and Tutorials: ARRI's big year for products and partnershipsThousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry with Debra Kaufman reporting, Alexa M, LED Fresnels and the Cameron-Pace Group partnership are highlights.Read Article Subscribemore articles » Blogs: NAB 2013 - Day 3 - 5 PMThe traffic on the NAB floor show is usually much lighter than Monday and Tuesday, but today the aisles were still as crowded as the first two days of the show. That's a surprise, and a pleasant one, especially since this is not a "big news" NAB. Thursday is traditionally...Read Blog Subscribe Summer's back, FCPX turns 1, ProFusion2012 Ok, I am back once again. Those that know me, understand that some of my clients are reticent to having me posting/ blogging while working on their long term projects, so if I periodaclly fall off my blog here on the Cow, know that I am working, not just avoiding...Read Blog SubscribeIBC day One, Thunderbolt is here, Aja and Blackmagic are both showing products based around the thunderbolt connector, Offering the desktop level of power for Stereosocpic and Dual Link capture from a laptop, with proper storage, and the others showing the TB logo are Sonnett, G-Tech, Lacie and a new company "mLogic" (from...Read Blog Subscribemore blogs »Related Tags | | | | |
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