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News : ARRI Look Files

Telline Debuts New On-Set Dailies Services With Mist
French rental camera company Telline elected MIST to integrate in their on-set dailies management services.
Marquise Technologies announced today that Telline, a dynamic company active for more than 17 years in the camera rental business in France has purchased MIST to offer on-set services.
published 2 months ago   read more
WeLovePost Grades Filipino Film “El Presidente” with DaVinci Resolve
News: WeLovePost Grades Filipino Film “El Presidente” with DaVinci ResolveBlackmagic Design today announced that DaVinci Resolve color correction was used by Manila based post production company WeLovePost for “EI Presidente,” a biopic film about General Emilio Aguinaldo, the first president of the Philippine Republic. The film tells the story of how the Philippines achieved independence and stars E.R. Ejercito in the lead role, with Cesar Montano, Christopher de Leon, Nora Aunor and Cristine Reyes in supporting roles.
published 4 months ago   read more
FotoKem Automates nextLAB Integration with PIX System
News: FotoKem Automates nextLAB Integration with PIX SystemImproved Process Powers “House of Cards” Dailies
The latest version of FotoKem’s award-winning nextLAB™ software for advanced media management now automates the transfer of dailies to PIX System’s industry-leading digital collaboration service. nextLAB transcodes the source media files, and immediately uploads the material and over 60 fields of searchable metadata per take directly into PIX. This strategic relationship increases the efficiency of a dailies workflow, and makes it easier for productions to securely access and leverage not just their media, but all the associated production data.
published 5 months ago   read more
DaVinci Resolve Provides Color Correction for Hit CBS Television Show ‘Elementary’
News: DaVinci Resolve Provides Color Correction for Hit CBS Television Show ‘Elementary’Blackmagic Design today announced that Los Angeles based post production company Encore is using DaVinci Resolve for color grading on CBS’ hit television show “Elementary,” which features Jonny Lee Miller as detective Sherlock Holmes and Lucy Liu as his faithful sidekick Watson.
published 5 months ago   read more
Company 3 and EFILM Collaborate on Comprehensive Post Pipeline for James Bond Feature "Skyfall"
Award-winning post houses Company 3 (CO3) and EFILM joined forces to provide Eon Productions' newest James Bond feature "Skyfall"--the first digitally-shot film in the franchise--with a complete, integrated workflow, ensuring consistency from dailies through to digital intermediate (DI). Based on this model, the companies have branded their collaborative location service as EC3, which leverages the technology and personnel of both post houses.
published 6 months ago   read more
Framewright/Codex On-Set Color Solution Used on “Hope Springs”
News: Framewright/Codex On-Set Color Solution Used on “Hope Springs”As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to “pre-visualize” color on the set in order to have better control over the look of their footage from dailies through post production.
published 10 months ago   read more
MTI Film Appoints Storm FX as Reseller for Australia and New Zealand
MTI Film has added Storm FX Distributions Pty Ltd, a Sydney, Australia-based distributer of design, modelling and finishing solutions, to its international network of value-added resellers. Storm FX will represent MTI Film’s full product line, including its newly-introduced Cortex family of products, throughout Australia and New Zealand.
published 10 months ago   read more
Company 3® Completes Grading for Multiple Versions of "Prometheus" with DaVinci Resolve
News: Company 3® Completes Grading for Multiple Versions of "Prometheus" with DaVinci ResolveBlackmagic Design today announced that Company 3 used DaVinci Resolve for color grading four different versions of 20th Century Fox's, "Prometheus." One of the most anticipated features of the summer, the science fiction thriller was directed by Ridley Scott, the visionary filmmaker behind "Alien" and "Blade Runner," who chose Company 3 to help enhance the stunning visual style for "Prometheus," shot by renowned cinematographer Dariusz Wolski, ASC.
published 11 months ago   read more
DFT Receives ARRIRAW ALEXA Certification for its FLEXXITY On-Set & In-Post Software
DFT Digital Film Technology, provider of high-end film and digital post production solutions that preserve, manage, and deliver your pictures, announces that its FLEXXITY software has been approved as an ARRIRAW certified image processing tool to work with material from ALEXA cameras.
published 1 year ago   read more
"Marvel’s The Avengers" Employs Codex/ARRIRAW Workflow
Director Joss Whedon and Cinematographer Seamus McGarvey, ASC, BSC recently employed ARRI Alexa cameras in a Codex/ARRIRAW workflow to capture principal photography for "Marvel’s The Avengers". Produced by Marvel Studios, the eagerly-awaited Super Hero saga is slated for a May 4th release in the U.S. by Walt Disney Studios.
published 1 year ago   read more
Cinnafilm’s Unrivaled Dark Energy Texture Technology for Film and Video Comes to the Plug-In Market with Release for Adobe After Effects
Overwhelming demand for high quality de-noise and realistic film simulation drives release of Dark Energy for After Effects
Cinnafilm, Inc., a leader in advanced GPU-based post production image enhancement technology, announced today it will unveil its signature Dark Energy™ texture management as a plug-in for Adobe After Effects. Cinnafilm will be demonstrating the plug-in at the NVIDIA booth (SL9215), and HP booth (N5106) during The NAB Show 2012, April 16-19, in Las Vegas.
published 1 year ago   read more
MAXX DIGITAL Announces Production Dailies Cart System Based on SCRATCH Lab Digital Dailies Software
MAXX DIGITAL is proud to announce that they have teamed with ASSIMILATE and offer a turnkey Production Dailies Cart System, built around SCRATCH Lab®, the industry’s most powerful end-to-end production dailies software. Designed to meet the needs of DITs and Video Engineers who produce dailies on-set for television shows, commercials and feature films, the new turnkey Cart provides image acquisition, data management, look refinement and dailies deliverables with support for all popular cameras formats such as ARRI Alexa, Sony F65, and RED Epic and Scarlet.
published 1 year ago   read more
Blackmagic Design Announces DaVinci Resolve 9
News: Blackmagic Design Announces DaVinci Resolve 9Blackmagic Design today announced DaVinci Resolve 9, a major new software update with a completely overhauled user interface for an extremely elegant and modern look, while optimizing the workflow for speed. DaVinci Resolve 9 will be available in July as a free of charge update for all Blackmagic Design DaVinci Resolve customers.
published 1 year ago   read more
Silicon Imaging delivers SMART 3D for 2K/4K RAW and HD-SDI Cameras
Silicon Imaging, the recipient of this year’s International 3D Society Technology Award, announces the patent-pending SI-3D Stereo Monitoring, Analysis, Recording and Transmission (S.M.A.R.T) system.
published 1 year ago   read more
Company 3 Completes 3D and Color Grading for “Underworld Awakening” with DaVinci Resolve
Blackmagic Design today announced that Company 3® used DaVinci Resolve with Resolve Control Surface for color grading the 2D, 3D and IMAX 3D versions of Screen Gems and Lakeshore Entertainment’s, in association with Sketch Films, "Underworld: Awakening". The film, directed by Mårlind and Stein, shot by Scott Kevan, based on characters created by Kevin Grevioux, Len Wiseman and Danny McBride, and with story by Len Wiseman, John Hlavin and screenplay by Len Wiseman, John Hlavin, J. Michael Stracynski and Alison Burnett, is the latest in the hugely popular and visually stunning vampire themed "Underworld" series.
published 1 year ago   read more
Chicago’s Optimus Uses Baselight to Craft an American Icon
News: Chicago’s Optimus Uses Baselight to Craft an American IconA new campaign for American Family Insurance evokes the company’s association with heartland values through finely crafted images of factory workers, motorcycle riders, newborn babies and kids diving into swimming pools. Conceived by Ogilvy & Mather, Chicago, the campaign involved a seven day shoot in Wisconsin, Indiana and Michigan. Post work was completed at Optimus, Chicago, through a workflow anchored by FilmLight’s Baselight colour grading system.
published 1 year ago   read more
20th Century Fox purchases Pablo PA for 'Chronicle'
Quantel's software assist station delivers speed, efficiency and quality for major 2012 movie
20th Century Fox has purchased Quantel's Pablo PA conform, preparation and workflow software and put it into immediate service on the post production of the ARRI Alexa-shot movie 'Chronicle', slated for release on 3rd February 2012. Executive Producer James Dodson reports that Pablo PA has helped him to address three big issues - "speed, efficiency and quality".
published 2 years ago   read more
ARRI Look Files and Look Creator for ALEXA
As of ALEXA Software Update Packet (SUP) 4.0, ALEXA cameras can apply user-defined looks to customize the rendering of video images for different applications and individual preferences.
published 2 years ago   read more
Image Systems’ Nucoda Platform Colours New Worlds in HBO’s "Game of Thrones"
News: Image Systems’ Nucoda Platform Colours New Worlds in HBO’s "Game of Thrones"Image Systems, formerly Digital Vision, has today announced that its Nucoda Film Master DI grading and finishing solution and Nucoda Compose preparation and delivery station has been used by Dublin-based post facility Screen Scene to grade the first series of HBO’s hugely successful television fantasy drama "Game of Thrones".
published 2 years ago   read more
Hollywood-DI Grades “Guido” and “And They’re Off” with DaVinci Resolve 8
Blackmagic Design today announced that West Hollywood based Hollywood-DI completed color correction using DaVinci Resolve Software Version 8 for the upcoming feature films “Guido” and “And They’re Off”.
published 2 years ago   read more
Manhattan Edit Workshop Provides Free Blackmagic Design DaVinci Resolve Training Session For Filmmaking Community
Expert colorist and editor Patrick Inhofer to deliver 2.5 hour lecture on utilizing the DaVinci Resolve’s powerful color correction capabilities
Manhattan Edit Workshop (Mewshop), the cutting-edge authorized digital training destination, in cooperation with Blackmagic Design, will host a free DaVinci Resolve for Mac® presentation on July 20, 2011. The complimentary 2 _ hour session, hosted by expert colorist and editor Patrick Inhofer of Fini, will take attendees through the DaVinci Resolve for Mac – the world’s most advanced non-linear color correction system - showcasing proper set up and integration tips, providing how-to’s, and detailing key Resolve features and capabilities.
published 2 years ago   read more
Band Pro to Sell MARVIN in US and Europe
Helping Filmmakers to Practise Safe Capture with Automated Data Management on Set
Band Pro Film & Digital has signed an exclusive sales agreement with MARVIN Technologies to sell MARVIN systems in the United States, Germany, Switzerland and Austria.
published 3 years ago   read more
Ringside Creative Builds New Digitial Intermediate (DI) Suite At Detroit Facility
RingSide Creative has unveiled a newly-built digital intermediate (DI) color grading suite, providing the production and film community with a powerful resource whose video and audio features far exceed anything else in Michigan.
published 4 years ago   read more
Digital Vision Unveils New Products, Enhanced Stereoscopic Features and Highlights File-based Workflows at NAB 2009
News: Digital Vision Unveils New Products, Enhanced Stereoscopic Features and Highlights File-based Workflows at NAB 2009Digital Vision, the premier supplier of picture enhancement systems for film and television post-production, will unveil a host of new products at this year's NAB in Las Vegas as well as highlighting its ability to work with RED RAW data and leading non-linear editing systems such as Avid Media Composer.
published 4 years ago   read more
MTI Film to Debut New Solution for Processing Digitally-Acquired Dailies at NAB
News: MTI Film to Debut New Solution for Processing Digitally-Acquired Dailies at NABDA Head works with Control Dailies, Control Color and Convey to form a "true" tapeless environment for data.
At the upcoming National Association of Broadcasters Convention, MTI Film (www.mtifilm.com) will debut a new option for its award-winning Control Dailies solution. The DA Head module for Control Dailies enables the faster-than-real-time power of Control Dailies to facilitate the processing of digitally-acquired dailies from virtually any source. Control Dailies for Digital Acquisition (DA) supports Red One,Panasonic P2, Panavision Genesis, Viper FilmStream and Arri D-21 digital cinema cameras, as well as media in DPX file format.
published 4 years ago   read more
Silicon Imaging Announces Integrated 3D Technology Preview
Suite of New Features and Accessories for the SI-2K Digital Cinema Platform at NAB 2008
Silicon Imaging, together with it's partners P+S Technik, CineForm, and IRIDAS, announce a host of platform enhancements to the SI-2K, improving the user experience behind the camera, and enabling a more streamlined post workflow that blurs the line between pre-production, on-set and post-production, creating a powerful non-linear workflow solution that covers the gamut from the initial concept to final delivery.
published 5 years ago   read more
IRIDAS Adds Real-Time RAW Support for DALSA Camera
4K Playback, Grading, and Conform of RAW Footage in SpeedGrade
IRIDAS, the industry leader in real-time RAW playback, today announced support for the DALSA RAW 4K format. This advance allows filmmakers using SpeedGrade to take full advantage of the pristine image quality of the DALSA Origin camera with instant real-time review, conform, re-framing, and grading of native 4K RAW footage.
published 5 years ago   read more
IRIDAS and CineForm Announce Full RAW and RGB Post Solution
IRIDAS and CineForm, Inc. have established a strategic cooperation to advance compressed workflow technologies for movie acquisition and postproduction.
published 5 years ago   read more
News: SpeedGrade DI Drives Pipeline for "The Rebel"
Vietnamese Hit Film Completed Entirely with IRIDAS' Grading and Finishing System
With a record first weekend gross for a domestically produced film, "The Rebel" is a hit in its native Vietnam and at film festivals.
published 6 years ago   read more
News: Director/DP Peter Kagan Selects Panasonic HVX200 For Subway Commercial Starring Reggie Bush
Camera Creates New Opportunities for Kagan on the Shoot and in the Future
According to director/DP Peter Kagan, "When great technology comes along it doesn’t just inform how you shoot something, it affects what you shoot. It creates new opportunities." Kagan, who heads New York-based Streamline Content, believes his new Panasonic AG-HVX200 DVCPRO HD solid-state camcorder has done just that.
published 7 years ago   read more
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Summer's back, FCPX turns 1, ProFusion2012
Ok, I am back once again. Those that know me, understand that some of my clients are reticent to having me posting/ blogging while working on their long term projects, so if I periodaclly fall off my blog here on the Cow, know that I am working, not just avoiding...
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Post NAB - The NLE Wars between the "A's" will continue, much to the users benefit.
Apple: SInce NAB 2011 the NLE market has been aflutter. Apple announced release of FCPX was heralded until the new version of the App hit the street and Apple, in my humble opinion, placed that product on the market about a year too early for the majority of users to...
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More on Log vs Lin.
Ok, So this alexa thingy is really gaining ground, and I have been bombarded by questions about Log vs Lin and how the signals actually look on screen and on a scope, so I did test shoot with my wife working away on her glass jewelry. So lets look at...
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