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News : ARRIRAW

Codex Shows Advanced Motion Picture Workflows At Cine Gear 2014
News: Codex Shows Advanced Motion Picture Workflows At Cine Gear 2014Codex, the industry leader in RAW recording and workflow, will highlight how Codex Vault and other Codex-developed recording systems can be easily integrated with the latest technology, from partners including ARRI, Dolby, FilmLight and Ncam, to create streamlined capture-to-post workflows for motion pictures, at the Codex booth (#47) during Cine Gear 2014, June 6-7, Paramount Studios, Los Angeles.
published 3 months ago   read more
Multiple Codex Recorders And Workflow Systems Prove Pivotal On X-Men: Days Of Future Past
News: Multiple Codex Recorders And Workflow Systems Prove Pivotal On X-Men: Days Of Future PastCodex has revealed that multiple Codex recording and workflow technologies were used at the heart of the production to post pipeline on 20th Century Fox’s latest superhero movie "X-Men: Days Of Future Past." A combination of Codex Onboard Recorders, in-camera XR recording, and Vault systems, enabled the filmmakers to deploy a variety of ARRI Alexa cameras, shooting both native 3D and 2D using ARRIRAW, and to maximise image quality on-set and during post production.
published 3 months ago   read more
Colorfront Transkoder 2014 Attracts Major Broadcasters Worldwide
Colorfront, Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion picture, high-end episodic HDTV and commercials production, today announced it has made multi-license sales of On-Set Dailies 2014 with Transkoder option (OSD Transkoder), its standalone, automated system for fast, high-quality digital file conversion, to major broadcasters worldwide, in advance of its US debut at NAB 2014 in Las Vegas.
published 5 months ago   read more
Codex At The Movies In Spring 2014
News: Codex At The Movies In Spring 2014Codex recording and workflow technologies were used in the production of a wide range of Hollywood studio and independent motion pictures on release in the coming months – from touching teenage romances and dance comedies, to high-octane racing dramas and VFX-laden sci-fi fantasies.
published 5 months ago   read more
ARRI Previews New ARRIRAW Converter (ARC) 3.1 at NAB
News: ARRI Previews New ARRIRAW Converter (ARC) 3.1 at NABARRI is currently working on a new version of ARRIRAW Converter that will be optimized for the new Mac Pro and updated to support the latest features in OS X Mavericks. ARC 3.1 will be previewed at NAB.
published 5 months ago   read more
ARRI Releases Software Update Packet (SUP) 9.1 and ARRIRAW Converter 3.0
As technology evolves, ARRI continues to sustain and improve the performance of the ALEXA family of cameras with the release of ALEXA Software Update Packet (SUP) 9.1 and the ARRIRAW Converter (ARC) 3.0. The ARRIRAW Converter is ARRI´s free reference tool for processing ARRIRAW files in the optimal quality. A new, exciting feature includes the ability to uprez to 4K or UHD-1. For ALEXA XT and ALEXA Classic cameras with the XR Module Upgrade, SUP 9.1 increases the camera's DNxHD 444 recording capabilities and provides a better user experience.
published 5 months ago   read more
ARRI Hosts Nebraska & Monuments Men Event
News: ARRI Hosts Nebraska & Monuments Men EventReflecting its long-running association with the Berlin International Film Festival, yesterday ARRI hosted a well-attended Berlinale event at the city’s famous Hotel Adlon with cinematographer Phedon Papamichael, ASC, who recently used ARRI ALEXA cameras and the ARRIRAW format to shoot the anamorphic feature films "Nebraska" and "The Monuments Men."
published 6 months ago   read more
Codex Recruits Rumberg As Director Of Product Strategy
News: Codex Recruits Rumberg As Director Of Product StrategyCodex has hired Jens Rumberg as its new director of product strategy. Rumberg brings over a decade of cutting-edge experience in motion picture image-science, digital camera and workflow development to Codex, and will focus on developing the company’s current and next-generation product ranges for motion picture and high-end TV production and post production.
published 7 months ago   read more
Codex In 2014 Awards Season
News: Codex In 2014 Awards SeasonCodex digital recording and workflow products harnessed by nine motion pictures in 2014 Oscar, Golden Globe, BAFTA and ASC Awards nominations
Codex is delighted to announce that its digital workflow and recording products were extensively used in the production pipelines of nine motion pictures nominated at the prestigious 2014 Oscar, Golden Globe, BAFTA and American Society of Cinematographers (ASC) awards.
published 7 months ago   read more
SIM Digital Toronto to Host Technology Showcase on January 30
News: SIM Digital Toronto to Host Technology Showcase on January 30The latest cameras, lenses, lighting, camera accessories, workflow technology and much more to be featured in Las Vegas-themed event.
Some of the world’s leading manufacturers of camera systems, lenses, lighting equipment, workflow technology and other film and television production gear will be on hand as SIM Digital, along with PS Production Services and Bling Digital, hosts its SIM Technology Showcase on January 30th. Held annually at SIM’s headquarters in Toronto, the showcase has become a can’t miss event for seasoned and emerging production professionals seeking to connect with industry experts. Exhibitors at this year’s event will include ARRI, which will be showing the ARRI AMIRA, its new documentary-style camera, for the first time in Canada. Sony will be demonstrating new workflows for its popular F55 camera system.
published 7 months ago   read more
Camerimage 2013 Award Winners Deliver On-Screen Magic With Codex
News: Camerimage 2013 Award Winners Deliver On-Screen Magic With CodexGolden and Silver Frog, both 3D winners, plus special screeners all shot with Codex workflows
Codex has issued congratulations to the multiple award-winning cinematographers whose digital features, photographed using Codex recording platforms, won in competition at the 2013 Camerimage Festival of Cinematography. Six movies, with budgets ranging from $1m to $100m, screened at the festival with the cinematographers reporting significant on-screen gains having used Codex at the heart of their production workflows.
published 9 months ago   read more
Glue Tools, LLC announces new AVID AMA plugins are now available for both ARRIRAW and Phantom CIne files
News: Glue Tools, LLC announces new AVID AMA plugins are now available for both ARRIRAW and Phantom CIne filesGlue Tools, LLC announces new AVID AMA Plugins are now available - ARRIRAW AMA and Phantom Cine AMA for both Mac and Windows.
published 9 months ago   read more
New Pomfort Silverstack 3.3 Update With ARRIRAW And Transcoding
News: New Pomfort Silverstack 3.3 Update With ARRIRAW And TranscodingThe latest Silverstack 3.3 update includes real-time playback and metadata support of ARRI Alexa RAW sequences and comes with a brand new “First Look Transcoding” functionality that enables the efficient conversion of e.g. RAW sequences or other professional camera formats into QuickTime ProRes and H.264.
Pomfort, a global provider of professional solutions for data and color management on the film set, today releases a new update to its flagship software product Silverstack. The new Silverstack 3.3 adds real-time playback and metadata support both for ARRI AlexaTM RAW and for CinemaDNG RAW sequences – allowing an efficient quality check of footage directly at the film set, and enabling the organization and preparation of clips on the basis of technical and descriptive metadata in the Silverstack library.
published 10 months ago   read more
Award-Winning Image-Science Expert Bill Feightner Joins Colorfront As CTO
News: Award-Winning Image-Science Expert Bill Feightner Joins Colorfront As CTOColorfront, Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion picture, high-end episodic HDTV and commercials production, today announced the appointment of multi-award-winning, image-science expert, Bill Feightner, as its new chief technology officer.
published 11 months ago   read more
Codex Desert Heat
News: Codex Desert HeatCinematographer John Seale Takes Codex into the Namibian Desert to capture “Mad Max: Fury Road.”
"Mad Max: Fury Road" is the fourth installment in writer/director George Miller’s post-apocalyptic action franchise. It is also the first digital film for cinematographer John Seale, whose storied career spans more than 30 years and such iconic titles as "Mosquito Coast," " Witness," "Dead Poets Society" and "Rain Man."
published 11 months ago   read more
Colorfront Unleashes Cutting-Edge Advances Across Dailies And Transkoder Products At IBC 2013
News: Colorfront Unleashes Cutting-Edge Advances Across Dailies And Transkoder Products At IBC 2013IBC 2013, Academy and Emmy Award-winning developer Colorfront will underline its reputation as an industry-leading technology innovator as it previews performance-boosting advances for 4K and Ultra High Definition Television (UHDTV) production and post production, across the 2014 versions of its On-Set Dailies, Express Dailies and Transkoder products at IBC 2013, Amsterdam, 13-17 Sept (c/o AJA 7.F11, Tangent 7.G33 and Sony 12.A10).
published 12 months ago   read more
Codex to Showcase New Products at IBC 2013-Hall 11, G-30
News: Codex to Showcase New Products at IBC 2013-Hall 11, G-30—Codex will demonstrate new products, including Codex Review, Vault 2 and Data Logger One at IBC 2013, September 13th to 17th at the RAI in Amsterdam.
published 12 months ago   read more
Cinematographer Lorenzo Hagerman Chooses Codex for Amat Escalante’s Thriller “Heli”
News: Cinematographer Lorenzo Hagerman Chooses Codex for Amat Escalante’s Thriller “Heli”
Mexican writer/director Amat Escalante won Best Director as this year’s Cannes Film Festival for his new thriller" Heli." The film is the eagerly-anticipated follow-up to Escalante’s previous films "Sangre" and "Los Bastardos" which similarly drew critical praise (and numerous festival awards) for their unflinching portraits of the lives of ordinary Mexicans. "Heli" is also one of the first films produced by Mexico’s burgeoning independent film industry to be captured with an ARRIRAW workflow based on ARRI’s Alexa camera and Codex’'s Onboard Recorder.
published 1 year ago   read more
Colorfront Unleashes Cutting-Edge Advances Across Dailies And Transkoder Products At IBC 2013
News: Colorfront Unleashes Cutting-Edge Advances Across Dailies And Transkoder Products At IBC 2013
Academy and Emmy Award-winning developer Colorfront will underline its reputation as an industry-leading technology innovator as it previews performance-boosting advances for 4K and Ultra High Definition Television (UHDTV) production and post production, across the 2014 versions of its On-Set Dailies, Express Dailies and Transkoder products at IBC 2013, Amsterdam, 13-17 Sept (c/o AJA 7.F11, Tangent 7.G33 and Sony 12.A10).
published 1 year ago   read more
Cinedeck 4.2 Software Upgrade Takes Tape Out Of The Loop
News: Cinedeck 4.2 Software Upgrade Takes Tape Out Of The LoopPowerful playlisting features and RS-422 deck controls support Cinedeck recorders as cost-effective tapedeck replacements in editorial and post operations
Cinedeck LLC, pioneering developer of capture systems for motion picture and broadcast production, will ship a powerful new v4.2 software release on July 1st 2013 that enables its dual-channel RX and quad-channel MX file-based recorders to cost-effectively replace traditional tapedecks in everyday editorial and post production operations. Headline features include Playlisting, RS-422 deck control, LUT shaders, Segment Record, H.264 streaming, plus enhanced Audio options, Burn-ins and Closed Caption recording. This new release will also unleash an array of additional features, including ARRIRAW recording and 3D stereo modes, which further advance the versatility of Cinedeck recorders in digital cinema and broadcast workflows.
published 1 year ago   read more
Foerster and Emmerich Opt for Codex on “White House Down”
News: Foerster and Emmerich Opt for Codex on “White House Down”Director Roland Emmerich and award-winning cinematographer Anna Foerster, ASC used Codex Onboard Recorders on the Sony Pictures feature film "White House Down." The film stars Channing Tatum, Jamie Foxx and Maggie Gyllenhaal, and depicts a paramilitary invasion of the White House in Washington, DC.
published 1 year ago   read more
Colorfront Unleashes Express Dailies 2013 At CineGear Expo
News: Colorfront Unleashes Express Dailies 2013 At CineGear ExpoCutting-edge On-Set Live! grading plus Copy Central toolsets streamline end-to-end production workflows
CineGear Expo, Paramount Studios, Academy and Emmy Award-winning developer Colorfront (http://www.colorfront.com) is now shipping Express Dailies 2013, its high-performance on-set dailies system for commercials, motion picture and high-end episodic HD television production. This latest release delivers a new set of trailblazing productivity features that meet the demand for streamlined end-to-end dailies workflow, including On-Set Live! grading, plus verified copying, faster-than-realtime encoding of multiple deliverables, plus checksum verified ingest, copying and archival via the Copy Central™ capability.
published 1 year ago   read more
Codex to Show Vault 2 at Cine Gear in Hollywood
News: Codex to Show Vault 2 at Cine Gear in HollywoodThe new Codex/ARRI internal recording module for Alexa will also be on view.
Codex will demonstrate Vault 2, the latest iteration of its industry-leading line of location-based media management environments, at Cine Gear Expo, May 31 through June 2 in Hollywood. The Vault, which has been used on a number of recent feature productions including Marvel’s blockbuster Iron Man 3, now supports Sony’s F5 and F55 cameras. It also includes support for REDMAGs used by RED Epic and Scarlet cameras.
published 1 year ago   read more
John Toll, ASC Relies on Codex for "Iron Man 3"
News: John Toll, ASC Relies on Codex for "Iron Man 3"Master cinematographer John Toll, ASC recently made his first feature film foray into digital cinematography on" Iron Man 3": Revealing the Mandarin, Marvel Entertainment’s latest installment of the hugely successful Iron Man franchise. Toll, who won Oscars for Braveheart and Legends of theFall, and took home a third nomination for The Thin Red Line, teamed with director Shane Black and actor Robert Downey, Jr.
published 1 year ago   read more
Pretend LLC Announces new Pseudo at NAB 2013
New product offers timeline with EDL/XML import for creative depth grading of 3D stereoscopic productions.
Pretend LLC, from the original developers of the visual effects software Shake™, today began previews of Pseudo, an upcoming “big brother” application to Stereoid, offering a timeline with EDL/XML import and depth scripts for more creative stereoscopic control of storylines. Pseudo is built on the new Pretend engine which scales linearly on multi-core systems and is optimized for 4k+ resolutions and high frame rates.
published 1 year ago   read more
Glue Tools, LLC announces new lower pricing and NAB specials.
Glue Tools, LLC announces new lower pricing for Cineon/DPX Toolkit and NAB show specials for ARRIRAW Toolkit and Séance™ - Phantom® Camera Control for Mac.
published 1 year ago   read more
ALEXA XT and XR Module Welcomed By Creatives Worldwide
News: ALEXA XT and XR Module Welcomed By Creatives WorldwideFollowing launch events in Los Angeles, Paris, Berlin, Munich, Beijing, Milan, Mumbai and London, the new ALEXA XT cameras (Extended Technology) and XR Modules (Extended Recording) have been welcomed by cinematic storytellers around the globe for upcoming productions.
published 1 year ago   read more
Cinedeck Spotlights “Your Workflow, Your Way...” At NAB 2013 (Booth #SL14911)
News: Cinedeck Spotlights “Your Workflow, Your Way...” At NAB 2013 (Booth #SL14911)Cinedeck teams with industry-leading partners to demonstrate file-based, multi-stream workflow options with Cinedeck MX and latest RX3G
Cinedeck LLC, pioneering developer of capture systems for motion picture and broadcast production, will spotlight “Your Workflow, Your Way”, as it demonstrates versatile, file-based, multi-stream acquisition-to-post, video ingest and playback options at NAB 2013, (Cinedeck Booth #SL14911).
published 1 year ago   read more
Cinedeck Showcases Groundbreaking New Features For Cinedeck RX3G And MX Recorders At NAB 2013
News: Cinedeck Showcases Groundbreaking New Features For Cinedeck RX3G And MX Recorders At NAB 2013Innovations include support for ARRIRAW, CinemaDNG, CanonRAW, JPEG 2000, OpenEXR and ACES, plus significant operational enhancements
Cinedeck LLC, pioneering developer of capture systems for motion picture and broadcast production, will showcase a string of ground-breaking capabilities for its dual-channel RX3G and quad-channel MX record, playback and monitoring systems, at NAB 2013 (Cinedeck Booth #SL14911).
published 1 year ago   read more
Pretend LLC to Preview New Products at NAB 2013
Technology sneak peek to be shown in special sessions: ideal for stereographers, VFX artists, and editors, or anyone ready to work with stereoscopic 3D.
Pretend LLC, a new company launched by the founders of Nothing Real, developers of the visual effects software Shake™, announced today that the company will be presenting new developments to the already successful Stereoid product; stereographic 3D software for under $1,000, plus a first look at an exciting new product in development.
published 1 year ago   read more
Cinedeck Spotlights “Your Workflow, Your Way…” At NAB 2013 (Booth #SL14911)
News: Cinedeck Spotlights “Your Workflow, Your Way…” At NAB 2013 (Booth #SL14911)Cinedeck teams with industry-leading partners to demonstrate file-based, multi-stream workflow options with Cinedeck MX and latest RX3G
Cinedeck LLC (http://www.cinedeck.com), pioneering developer of capture systems for motion picture and broadcast production, will spotlight “Your Workflow, Your Way”, as it demonstrates versatile, file-based, multi-stream acquisition-to-post, video ingest and playback options at NAB 2013, (Cinedeck Booth #SL14911).
published 1 year ago   read more
ARRI ALEXA System Refreshed With New XT Models
News: ARRI ALEXA System Refreshed With New XT ModelsWith the ALEXA XT cameras (Xtended Technology) ARRI is refreshing its ALEXA product line, incorporating new features inspired by feedback from professional users. The ALEXA XT, ALEXA XT M, ALEXA XT Plus and ALEXA XT Studio cameras will replace all previous models except for the original ALEXA. Owners of existing ALEXA cameras will be able to purchase individual upgrades that deliver most of the features of the XT configuration.
published 2 years ago   read more
XR Module ALEXA Upgrade For In-Camera ARRIRAW Recording
News: XR Module ALEXA Upgrade For In-Camera ARRIRAW RecordingConcurrent with its refresh of the ALEXA family with four new ALEXA XT models, ARRI is offering an upgrade that equips all existing ALEXA cameras with one of the major features of the XT configuration: the new XR Module (Xtended Recording), allows ARRIRAW – the highest quality image output from ALEXA – to be recorded in-camera to a state-of-the-art internal digital magazine. With no need for external recording devices, camera setups will be smaller, lighter, faster, more flexible, and less expensive.
published 2 years ago   read more
ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAW
News: ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAWARRI and Codex have co-developed a new upgrade option for all ALEXA cameras that allows internal recording of ARRIRAW up to 120 fps. The XR Module is an affordable new side panel with various in-camera recording options, replacing the current SxS Module. It allows ALEXA owners to embrace the latest advances in recording technologies without having to purchase a new camera, exemplifying the concept of modular upgradeability that was built into the ALEXA design from its very beginnings.
published 2 years ago   read more
ASSIMILATE Ships Support For a Wave of New Cameras and Formats in SCRATCH and SCRATCH Lab
Sony F5/F55, Canon C500, CinemaDNG and Dramatically Faster ARRIRAW Debayering Highlight New Release
ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows, announced today a significant upgrade to its SCRATCH™ and SCRATCH Lab™ software. Following quickly on the heels of its November 2012 delivery of version 7, ASSIMILATE has significantly expanded the SCRATCH arsenal for on-set and post-production professionals as they strive to push the boundaries of digital cinema, TV and commercials.
published 2 years ago   read more
Codex Travels the Globe with “Zero Dark Thirty”
News: Codex Travels the Globe with “Zero Dark Thirty”Codex recorders and digital labs support Codex/ARRIRAW workflow.
Codex digital cinema technology continues to prove its metal under the most challenging production conditions. Its latest test came on Zero Dark Thirty, Kathryn Bigelow’s gripping telling of the hunt for Osama bin Laden. Codex recorders and digital labs were employed to capture, manage and process camera data for a production that traveled to remote locations, accumulated huge amounts of original camera media, and shot some scenes in near-total darkness.
published 2 years ago   read more
Blackmagic Design Releases DaVinci Resolve 9.1 with Support for Retina Displays
Also includes FCP X Audition, new Sony and Avid codec support and DeckLink 4K Extreme integration
Blackmagic Design today announced a major release of DaVinci Resolve 9.1, the latest update to the world’s most advanced color correction tool. DaVinci Resolve 9.1 enables customers to use Resolve with Apple’s Macbook Retina technology, the world’s highest resolution notebook display. Retina based notebooks have quickly become one of the most popular tools in the post production world, and with 9.1, DaVinci Resolve will be able to run on the 15” Retina MacBook Pro at the best image quality setting.
published 2 years ago   read more
Company 3 and EFILM Collaborate on Comprehensive Post Pipeline for James Bond Feature "Skyfall"
Award-winning post houses Company 3 (CO3) and EFILM joined forces to provide Eon Productions' newest James Bond feature "Skyfall"--the first digitally-shot film in the franchise--with a complete, integrated workflow, ensuring consistency from dailies through to digital intermediate (DI). Based on this model, the companies have branded their collaborative location service as EC3, which leverages the technology and personnel of both post houses.
published 2 years ago   read more
"Cuban Fury" Streamlines On-Set Workflow With Codex's The Vault
News: "Cuban Fury" Streamlines On-Set Workflow With Codex's The VaultStudioCanal comedy is one of the first film productions to use new standalone workflow solution.
The move to digital acquisition has transformed many film and television sets into something akin to the control center for a moon launch as they have taken on a hoard of high-tech equipment for capturing, storing, processing and backing-up digital camera data. Not so with Cuban Fury, StudioCanal’s new romantic comedy, which was among the first film productions to use The Vault, Codex’s new on-set digital laboratory solution that reduces the technology required to manage camera data to a single box the size of a small suitcase.
published 2 years ago   read more
Abelcine Training Presents “British Invasion” Workshop Series
Geoff Boyle, Alister Chapman and Den Lennie to Teach Camera Technology and Production Techniques
AbelCine Training has partnered with three prominent British industry professionals to offer a series of workshops covering RAW formats, gamma, large format cameras, and cinematic production. Cinematographers Geoff Boyle, Alister Chapman and Den Lennie will bring their expertise to the US, teaching workshops in New York, Los Angeles and Atlanta in November and December.
published 2 years ago   read more
Colorfront Wins Emmy Award For On-Set Dailies
News: Colorfront Wins Emmy Award For On-Set DailiesColorfront On-Set Dailies continues to dominate file-based production on major motion pictures and episodic TV shows
Academy Award-winning developer Colorfront today announced it has been awarded a 2012 Primetime Engineering Emmy from the Academy Of Television Arts And Sciences for Colorfront On-Set Dailies, the market-leading on-set dailies system for motion picture and TV production.
published 2 years ago   read more
Codex Powers ARRIRAW Workflow for French/Italian Thriller “The Lookout”
News: Codex Powers ARRIRAW Workflow for French/Italian Thriller “The Lookout”The Lookout (Le Guetteur), the new French-language crime thriller from Italian director Michele Placido (Crime Novel, Angel of Death) is a riveting tale of bank robbers, a sniper and hard-nosed cops that plays out in the meanest streets of Paris—it’s also one of the latest films to employ the Codex/ARRIRAW workflow.
published 2 years ago   read more
ALEXA Shines On The Biggest Screens
News: ALEXA Shines On The Biggest ScreensWith IMAX and 4K DCP releases for The Avengers and Skyfall, ALEXA passes the ultimate test of image quality. This year has seen an increase in ARRIRAW recording for big-screen blockbuster movies, with filmmakers praising the efficient workflow and testifying that ALEXA images look incredible on even the largest IMAX cinema screens.
published 2 years ago   read more
ALEXA Updates: Sup 7.0, Extended Warranties & ARRIRAW Tools
The latest free-of-charge software update, as well as new extended warranty options and third party ARRIRAW tools, see ALEXA continue as the most advanced and versatile digital camera system on the market, offering a predictable cost of ownership and a long-lasting return on investment.
published 2 years ago   read more
ARRI and the Foundry drive ARRIRAW forward with support in HIERO and NUKE
The Foundry, a world-leading innovator in visual effects technologies - and developers of the award-winning NUKE VFX compositing tool - announce native support for the ARRI ALEXA camera family´s ARRIRAW capture format in its NUKE 7.0 and HIERO 1.5 software updates.
published 2 years ago   read more
Marquise Technologies announces M I S T solo for dailies on-set
News: Marquise Technologies announces M I S T solo for dailies on-setM I S T solo is the most affordable, fast and reliable software solution for dailies on-set monitoring, storing and transcoding.
Marquise Technologies announced today a dedicated software solution for the on-set management of RAW dailies. M I S T solo has been designed to help all productions, regardless of their size, for feature films, commercial or TV series, in the control and security of their dailies footage, in a professional way.
published 2 years ago   read more
Cache-A Archive Appliances Go On-Set
News: Cache-A Archive Appliances Go On-SetCache-A safeguards camera assets for motion picture, broadcast and commercials productions
Cache-A Corporation, manufacturer of award-winning archiving appliances, has revealed details of how motion picture, broadcast and commercials producers are utilizing its LT0-5 tape-based archive appliances, with the latest LTFS capabilities, in on-set production environments to safeguard the increasing amounts of data and video-related media they generate daily. Cache-A is showing its full product range at IBC 2012, Amsterdam, at Booth 7.E06.
published 2 years ago   read more
One Free Gemini 4:4:4 to be Given Away at IBC
Convergent Design is excited to announce the great Gemini 4:4:4 Giveaway at IBC 2012!
Visitors need only stop at our IBC Booth, 7.D01, and have your badge scanned; no purchase necessary.
published 2 years ago   read more
"Lawless" Captured on Codex
News: "Lawless" Captured on CodexAnnapurna Pictures employed Codex recording and workflow technology during the production of Lawless, the new film, directed by John Hillcoat and starring Shia LaBeouf and Tom Hardy, about a bootlegging operation in the Depression-era South. The film is slated for release August 29th by The Weinstein Company.
published 2 years ago   read more
Codex Announces Onboard S Support For Canon Cinema RAW
News: Codex Announces Onboard S Support For Canon Cinema RAWCodex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its compact Onboard S recorder supports Canon Cinema RAW. Codex will demonstrate the Onboard S (and other products) at IBC 2012 in Amsterdam (Stand 11.F41). It will be the first time that the Onboard S will be seen at a European tradeshow.
published 2 years ago   read more
GEMINI 4:4:4 to Support Canon C500 Raw
4K Cinema Raw Up To 60fps, HD Up To 120fps
As anticipation for delivery of the Canon C500 mounts, Convergent Design is happy to announce support of Canon 4K Cinema Raw on the popular Gemini 4:4:4 external recorder.
published 2 years ago   read more
Framewright/Codex On-Set Color Solution Used on “Hope Springs”
News: Framewright/Codex On-Set Color Solution Used on “Hope Springs”As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to “pre-visualize” color on the set in order to have better control over the look of their footage from dailies through post production.
published 2 years ago   read more
ARRI ALEXA Shines at Cannes
News: ARRI ALEXA Shines at CannesFor the third year in a row, ARRI played host to the Cannes International Film Festival Director’s Fortnight Happy Hour events, bringing together directors, producers, cinematographers and industry professionals from around the world. The beautiful beach side location gave the perfect opportunity for guests to enjoy the view and meet the steadily growing ALEXA family; ALEXA Studio and ALEXA M.
published 2 years ago   read more
Cinegear 2012: Codex to Showcase Recording and Workflow Solutions
News: Cinegear 2012: Codex to Showcase Recording and Workflow SolutionsCodex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.
published 2 years ago   read more
MTI Film Extends Cortex::Capture Giveaway
News: MTI Film Extends Cortex::Capture GiveawayWIN a FREE seat of Digital Camera Decoding Software
In response to the enormous interest generated by the launch of its new, on-location review and color management tool, Cortex::Capture, MTI Film is extending a product giveaway that it began at NAB 2012. Each week from now until the product launch, the company will hold a drawing with the winner receiving a FREE Cortex::Capture license. Names entered in the drawing will roll over to the new drawing from week to week. Everyone who enters will be included in the Grand Prize drawing on July 5th for a FREE seat of Cortex::Convey.
published 2 years ago   read more
Captured On Alexa: "Avengers" Assemble Record-Breaking Weekend At Box Office
Directed by Joss Whedon and shot by cinematographer Seamus McGarvey ASC, BSC, THE AVENGERS, opened in the U.S. this weekend with $207.4 million, breaking the all-time weekend record set last summer by HARRY POTTER AND THE DEATHLY HALLOWS Part 2. The production was one of the very first to use the ARRI ALEXA Plus camera, relying on a total of four ALEXAs shooting ARRIRAW on Codex recorders to capture the iconic super hero team in action.
published 2 years ago   read more
Convergent Design's Gemini 4:4:4 Receives Full ARRIRAW Certification
News: Convergent Design's Gemini 4:4:4 Receives Full ARRIRAW CertificationThe highly-anticipated certification of ARRIRAW for the Convergent Design Gemini 4:4:4 external recorder was achieved Wednesday evening, May 2, 2012. "We are very excited to have achieved the ARRIRAW Certification. We are honored; It truly is a mark of excellence in design and engineering," says Mike Schell, President.
published 2 years ago   read more
Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI ALEXA camera and the Codex ARRIRAW recorder.
published 2 years ago   read more
DFT Receives ARRIRAW ALEXA Certification for its FLEXXITY On-Set & In-Post Software
DFT Digital Film Technology, provider of high-end film and digital post production solutions that preserve, manage, and deliver your pictures, announces that its FLEXXITY software has been approved as an ARRIRAW certified image processing tool to work with material from ALEXA cameras.
published 2 years ago   read more
"Marvel’s The Avengers" Employs Codex/ARRIRAW Workflow
Director Joss Whedon and Cinematographer Seamus McGarvey, ASC, BSC recently employed ARRI Alexa cameras in a Codex/ARRIRAW workflow to capture principal photography for "Marvel’s The Avengers". Produced by Marvel Studios, the eagerly-awaited Super Hero saga is slated for a May 4th release in the U.S. by Walt Disney Studios.
published 2 years ago   read more
MTI Film Unveils Onset Data Management for Less Than $100
MTI Film has unveiled its new on location image and data management tool, Cortex::Capture at NAB Show 2012. This simple and powerful application includes all the functionality needed by DITs and data wranglers with a price tag of only $95.
published 2 years ago   read more
Keanu Reeves’ "Man Of Tai Chi" Employs Codex/Arriraw Workflow
Codex digital recorders and image processing technology are being used in the production of "Man of Tai Chi", currently shooting in China.
published 2 years ago   read more
Colorfront On-Set Dailies Is Premier Choice For Major Motion Pictures And Episodic TV Shows
On-Set Dailies dominates digital camera productions and 4K RAW workflows
Academy Award-winning developer Colorfront today released details of how its On-Set Dailies system has rapidly become the premiere choice for digital production dailies among major motion pictures and TV shows. The majority of features using Alexa ARRIRAW and F65RAW workflows, as well as high-profile HD episodic TV shows shooting ProRes, have all selected Colorfront On-Set Dailies.
published 2 years ago   read more
Colorfront Previews On-Set Dailies 2012 Summer Release
Next On-Set Dailies release extends industry-leading 4K dailies performance
Academy Award-winning developer Colorfront is previewing On-Set Dailies Summer 2012 release, the next version of its Award-winning on-set dailies system for motion picture and TV production, at NAB 2012. With this new release Colorfront continues to raise the quality bar, extend realtime 4K dailies capabilities, and broaden the reputation of On-Set Dailies as the dominant solution with the most advanced feature set of any dailies product.
published 2 years ago   read more
Colorfront Launches Transkoder Engine At NAB 2012
New workflow workhorse fits straight into existing facility architecture
– Academy Award-winning developer Colorfront has launched a new product line that automates fast, high-quality digital file conversion for studios and VFX facilities involved in motion picture and high-end TV production. The standalone Transkoder Engine is based on Colorfront’s award-winning On-Set Dailies architecture and uses cost-effective, commodity hardware, to deliver faster-than-realtime processing to transcode, decode, convert and process files for multiple deliverables.
published 2 years ago   read more
Colorfront Introduces Express Dailies At NAB 2012
New cost-effective system supports grading and data wrangling workflows for commercials, motion picture and TV productions
Academy Award-winning developer Colorfront today announced Express Dailies, a high-performance, affordable and easy-to-use dailies tool for commercials, motion picture and TV production workflows, and the first multi-license purchase of Express Dailies by Hollywood post facility Light Iron for its OUTPOST system.
published 2 years ago   read more
Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI Alexa camera and the Codex ARRIRAW recorder.
published 2 years ago   read more
Codex Introduces Support For Avid DNxHD 444
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces full support for Avid® DNxHD® 444.
published 2 years ago   read more
NVIDIA and Partners Transform Entire Content Creation Workflow at 2012 NAB Show
Creative Professionals increase their Speed, Quality and Productivity through GPU computing
Content creators ranging from 2012 Oscar winners Industrial Light & Magic, a division of Lucasfilm Ltd. ("Rango") and Pixomondo ("Hugo") to up-and-coming independents such as Bandito Brothers ("Act of Valor", "Waiting for Lightning") and smaller creative services shops such as Dawnrunner Productions and Digital Spatula are increasing the speed, quality and productivity of their workflows through the adoption of GPU computing featuring NVIDIA® Quadro® and Tesla® GPUs.
published 2 years ago   read more
Searle Street Post Upgrades Digital Dailies Workflow to FLEXXITY Dailies Software
DFT Digital Film Technology, provider of high-end film and digital post production solutions that preserve, manage, and deliver your pictures, announces that Searle Street Post in Cape Town, South Africa has upgraded its digital dailies workflow from Bones Dailies to FLEXXITY Dailies.
published 2 years ago   read more
DFT Digital Film Technology Certifies Rorke Galaxy Aurora Storage for Digital Film & Archive Workflows
DFT Digital Film Technology, provider of high-end film and digital post production solutions that preserve, manage, and deliver your pictures, has officially certified the Rorke Data Galaxy Aurora RAID and SAN storage devices for a variety of digital film and archive workflows.
published 2 years ago   read more
DFT Introduces FLEXXITY Post Production Software for MAC at NAB 2012
DFT Digital Film Technology, provider of high-end film and digital post production solutions that preserve, manage, and deliver your pictures, announces the eagerly awaited FLEXXITY for the Mac. In addition to supporting a Linux workflow, FLEXXITY (V1.5) for Mac provides the post software tools for dailies, playout, and archive applications for facilities with an existing Apple infrastructure.
published 2 years ago   read more
Colorfront On-Set Dailies Premier Choice for Movies & TV News
On-Set Dailies dominates digital camera productions and 4K RAW workflows
Academy Award-winning developer Colorfront today released details of how its On-Set Dailies system has rapidly become the premiere choice for digital production dailies among major motion pictures and TV shows. The majority of features using Alexa ARRIRAW and F65RAW workflows, as well as high-profile HD episodic TV shows shooting ProRes, have all selected Colorfront On-Set Dailies.
published 2 years ago   read more
Codex Digital Offers Full Support for ARRI Alexa Studio
Codex Digital now offers full support for ARRI's Alexa Studio with Codex ARRIRAW Plus and the Codex Onboard recorders, which can record up to 48 frames per second of ARRIRAW from the Alexa Studio in 4:3, using Codex' new high speed Data Packs. The company is also readying the debut of the Codex Vault at NAB 2012.
published 2 years ago   read more
Marquise Technologies to announce real-time RAW debayering with MOSAIC™
News: Marquise Technologies to announce real-time RAW debayering with MOSAIC™Marquise Technologies announced a new debayering engine, MOSAIC™, able to playback in real-time 2D and Stereo3D RAW footage.
published 2 years ago   read more
Creative Science Introduces Upgraded Mobile Systems For Realtime 4K And High Frame Rate Dailies Workflows
Powerful dailies systems target high-end productions with added support for Sony F65, 4K Dailies, High Frame Rate Cinematography and Background Processing
Creative Science, a Los Angeles based post-production rental and technology company, today announced upgrades to their fleet of mobile dailies systems for support of realtime 4K dailies workflows, 48 or 60 frame per second Cinematography, and background rendering of deliverables. Integrating the first dailies software to provide 4K playback for Sony’s F65 RAW and other high-resolution digital cinema cameras, Colorfront On-Set Dailies software and Creative Science mobile systems open up a host of new creative possibilities for filmmakers and studios.
published 2 years ago   read more
Codex Introduces Support for ARRI Alexa Studio
News: Codex Introduces Support for ARRI Alexa StudioCodex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces full support for the new ARRI Alexa Studio.
published 2 years ago   read more
Colorfront On-Set Dailies Advances Realtime 4K Workflows and High Frame-Rate Cinematography
News: Colorfront On-Set Dailies Advances Realtime 4K Workflows and High Frame-Rate CinematographyNew 2012 Winter Release supports Sony F65 RAW, RED Epic R3D and Alexa ARRIRAW 4K workflows
Academy Award-winning developer Colofront has released the Winter 2012 version of its On-Set Dailies system, introducing real-time 4K display of dailies for motion picture productions using the new generation of high-end cameras flooding the digital cinematography market.
published 3 years ago   read more
Codex and ARRIRAW Mark a Breakthrough Year in 2011
News: Codex and ARRIRAW Mark a Breakthrough Year in 201150 feature films shot with the ALEXA/CODEX/ARRIRAW workflow.
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that Codex Onboard Recorders have been used on approximately 50 feature films in 2011.
published 3 years ago   read more
"Extremely Loud and Incredibly Close" Employs Codex/ARRIRAW Workflow
News: "Extremely Loud and Incredibly Close" Employs Codex/ARRIRAW Workflow"Extremely Loud and Incredibly Close", director Stephen Daldry’s film slated for a Christmas day limited release from Warner Bros. Pictures, expanding to wide release January 20th, was the first major studio production to shoot with the ARRI ALEXA camera in a Codex/ARRIRAW workflow. It was also the first digitally captured film for veteran cinematographer Chris Menges, ASC, BSC.
published 3 years ago   read more
Redefining What a Production Field Monitor Can and Should Be
Introducing the Carrying Bag with Integrated Hood for the FSI LM-2140W
FSI's best selling monitor, the LM-2140W, is now available with a custom Carrying Case with Integrated Hood (CBH21) that makes the LM-2140W even more suitable for dynamic field production environments.
published 3 years ago   read more
ARRI ALEXA In-Camera Recording Using Avid's DNxHD MXF File Format
ARRI announces a major new recording feature for its ALEXA camera range, offering in-camera support for Avid®’s open standard and widely adopted Avid DNxHD® codec.
published 3 years ago   read more
FSI Introduces Custom Monitor Scaling Mode for Codex ARRIRAW Onboard Recorders
Flanders Scientific is pleased to announce that firmware version 9.43 is now shipping on all new FSI monitors and is available for download to all existing customers.
published 3 years ago   read more
Codex and ARRIRAW in Production
Principal photography has now been completed on some of the first movies to utilize an ARRI Alexa/Codex ARRIRAW workflow, whilst production continues on many others around the world.
published 3 years ago   read more
ARRI ships first ALEXA M units to CAMERON | PACE Group
The ALEXA M camera program has achieved its first major schedule milestone, with production prototypes of the ALEXA M starting to ship to James Cameron and Vince Pace, Co-Chairmen of CAMERON | PACE Group (CPG), the industry leader in 3D technologies and production services from slate to screen. CPG announced a strategic collaboration with ARRI at NAB 2011.
published 3 years ago   read more
Codex and ARRI announce 60fps ARRIRAW
News: Codex and ARRI announce 60fps ARRIRAWCODEX SUPPORTS 60fps ARRIRAW ON ALEXA
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that they have introduced 60fps ARRIRAW capture on the Codex Onboard Recorder.
published 3 years ago   read more
The Camera House Acquires Codex Digital Technology to Support File-based Production
News: The Camera House Acquires Codex Digital Technology to Support File-based ProductionCalifornia-based The Camera House, a premier provider of camera equipment to the film and television industries, has made a major investment in digital recording and workflow technology from Codex Digital.
published 3 years ago   read more
Facilis T8 Storage Qualified by ASSIMILATE; Featured in IBC Demonstrations
Facilis Technology, a leader in advanced shared storage solutions for post-production and content creation, announced that its T8 direct-attached SAS storage system has been qualified by ASSIMILATE for its SCRATCH® Six and SCRATCH Lab™ digital cinema and broadcast imaging product line for Windows and Mac OS® X
published 3 years ago   read more
Major Productions Rely On ALEXA ARRIRAW And Codex For Uncompromised Recording
The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
published 3 years ago   read more
YoYotta Brings YoDailies and Portable YoMobile to IBC 2011
See YoYo in Action at Tangent Devices and Sony (Stand 12.A10)
(London, UK--September 2, 2011) YoYotta will be showing the latest version of the YoYo postproduction workflow system at IBC 2011 in Amsterdam, Sept. 9-13. Already deployed around the world at major postproduction facilities, the new YoDailies application was recently installed at a major Los Angeles studio for file-based digital dailies workflows.
published 3 years ago   read more
Tweak Software's RV 3.12 is Now Available
Tweak Software has released the newest version of its RV image and sequence viewer for VFX and animation artists. Introduced earlier this month at SIGGRAPH 2011, RV 3.12 includes a brand new presentation mode, support for ARRI Alexa and RED formats, cost-effective stereo reviews using 3D TVs and a host of new features.
published 3 years ago   read more
AbelCine Announces ALEXA Training Classes in New York and Los Angeles
AbelCine’s Training Department will be presenting a series of ARRI ALEXA Workshops at their New York and Los Angeles facilities. The Los Angeles workshops will be held on August 30-31, and the New York workshops will be held on September 12-13.
published 3 years ago   read more
Tweak Software to Unveil RV 3.12 at SIGGRAPH 2011
New release supports stereo 3D TVs, ARRI Alexa and RED formats
Tweak Software will be previewing the newest features for its RV image and sequence viewer for VFX and animation artists at SIGGRAPH 2011. The company will unveil RV 3.12, which includes support for ARRI Alexa and RED formats, cost-effective stereo reviews using 3D TVs and a host of new features, and will also be demonstrating Python scripting for RV in booth #963.
published 3 years ago   read more
Single Chip Camera Evaluation (SCCE) Makes East Coast Public Debut
Screening Set for Createasphere Entertainment Technology Expo on September 20 & 21
Createasphere, a global community builder for the entertainment technology industry, presents the East Coast public debut of the Single Chip Camera Evaluation (SCCE) at this year's Entertainment Technology Expo - the entertainment and media industry's premier conference for previewing ground-breaking technology and learning about the latest trends in content creation.
published 3 years ago   read more
ASSIMILATE To Unveil Next Innovations Of SCRATCH Six and SCRATCH Lab at IBC 2011
Come meet the ASSIMILATE team and get the latest news!
ASSIMILATE (http://www.assimilateinc.com), the leading provider of powerful post-production tools for digital workflows, invites you to IBC 2011 to discover the latest exciting developments of SCRATCH® Six and SCRATCH Lab™, its end-to-end digital cinema and broadcast imaging product line for 2D/3D stereo post-production, on-location and VFX dailies workflows.
published 3 years ago   read more
ASSIMILATE ships SCRATCH Lab™ Digital Lab application on Mac OS X and Windows
ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, today announced the release of SCRATCH Lab™, the industry’s first digital lab tool for on-location workflows and VFX dailies pipelines.
published 3 years ago   read more
ASSIMILATE ships new SCRATCH® Six data-centric DI suite on Mac and Windows
ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, today announced the eagerly-awaited release of SCRATCH® Six, its renowned, end-to-end digital cinema and broadcast imaging tool for post-production workflows.
published 3 years ago   read more
Pure Digital Services and Pixelution to Supply ARRIRAW Workflows For Their Worldwide Operations
News: Pure Digital Services and Pixelution to Supply ARRIRAW Workflows For Their Worldwide OperationsAfter months of testing, systems integration experts Pixelution has developed a unique solution that delivers the new ARRI RAW format on set, in real-time and at full high quality 3K resolution.
published 3 years ago   read more
Quantel delivers more tools and enhanced workflow for Post and DI
More creativity and flexibility for high-end color and finishing suites
At NAB 2011 Quantel demonstrated toolset enhancements and workflow integration developments for eQ, iQ and Pablo.
published 3 years ago   read more
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Premiere Pro tutorial: Expanded support for formats
Watch more at http://www.lynda.com/Premiere-Pro-tut... . This tutorial reviews the new supported file formats and codecs in Premiere Pro, including ARRIRAW and ProRes. This tutorial is a single movie from the Premiere Pro Technology Preview course presented by lynda.com author Rich Harrington. The complete course duration is 2 hours and 7...
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Working with Raw Video Files in Adobe Premiere Pro CS6
Adobe Premiere CS 6 makes it easier than ever to work with RAW files. Rich Harrington walks you through some of the advantages of Premiere's approach to RAW support, including ARRIRAW and such RED formats as 5K. Working with Raw Video Files in Adobe Premiere Pro CS6 Republished by Richard...
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Post NAB - The NLE Wars between the "A's" will continue, much to the users benefit.
Apple: SInce NAB 2011 the NLE market has been aflutter. Apple announced release of FCPX was heralded until the new version of the App hit the street and Apple, in my humble opinion, placed that product on the market about a year too early for the majority of users to...
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