| | | | ARRI Inc. Taps Jeffrey A. Reyes as Director of Sales, Latin American Markets
 ARRI Inc. is pleased to announce the promotion of Jeffrey A. Reyes to Director of Sales, Latin American Markets. Reyes will now develop strategies and business in the Caribbean, Central and South America, in addition to overseeing the sales team for these territories. Reyes previously served as a Technical Sales Representative at ARRI, working closely with rental houses and customers for lighting and camera products. Fluent in both English and Spanish, Reyes has a background with over 15 years in production.
published 2 weeks ago read more | | | | |
| | | | IKEGAMI and ARRI Introduce The HDK-97ARRI: Broadcast Production Camera With Digital Cinema Image Quality
 New System Represents Elite Marriage of Technologies, Combining ARRI Large Format Super 35MM CMOS Sensor with Ikegami Unicam HD Docking Style Camera
Booth #C5108 - Ikegami, leader in HD cameras and production equipment for TV broadcasters, networks, and other HD content creators, and ARRI, the world's largest manufacturer and distributor of professional motion picture camera, digital intermediate (DI) and lighting equipment, today jointly announced the availability of a pioneering new camera system: The HDK-97ARRI.
published 2 months ago read more | | | | |
| | | | ARRI Completes M-Series Lighting Range With New M90 Fixture
 ARRI introduces a new fixture from the award-winning ARRIMAX/M-Series, thus completing the range between 1,200 W and 18,000 W. The M90 introduces a new power class for daylight fixtures at 9,000 W - exactly half the wattage of the ARRIMAX and just over double the wattage of the M40/25.
published 2 months ago read more | | | | |
| | | | ARRI’s Fiber Remote Option Adds More Features
 Recently employed on an exciting concert film for Coldplay and a televised recording session with Robbie Williams, ARRI’s Fiber Remote Option (FRO) for ALEXA is elevating broadcast visual design with breathtaking, cinematic imagery that the ALEXA digital camera system is known for.
published 2 months ago read more | | | | |
| | | | ARRI Pro Camera Accessories Bring ARRI Quality To More Setups
 With ARRI Pro Camera Accessories (PCA), cameras from a plethora of manufacturers can benefit from ARRI’s renowned ergonomic designs and robust quality. New PCA offerings complement cameras including ARRI ALEXA, Sony F5 and F55, Blackmagic Cinema Camera, Red Epic, 1DC/1DX/C Cameras from Canon, and many others.
published 2 months ago read more | | | | |
| | | | XR Module ALEXA Upgrade For In-Camera ARRIRAW Recording
 Concurrent with its refresh of the ALEXA family with four new ALEXA XT models, ARRI is offering an upgrade that equips all existing ALEXA cameras with one of the major features of the XT configuration: the new XR Module (Xtended Recording), allows ARRIRAW – the highest quality image output from ALEXA – to be recorded in-camera to a state-of-the-art internal digital magazine. With no need for external recording devices, camera setups will be smaller, lighter, faster, more flexible, and less expensive.
published 3 months ago read more | | | | |
| | | | ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAW
 ARRI and Codex have co-developed a new upgrade option for all ALEXA cameras that allows internal recording of ARRIRAW up to 120 fps. The XR Module is an affordable new side panel with various in-camera recording options, replacing the current SxS Module. It allows ALEXA owners to embrace the latest advances in recording technologies without having to purchase a new camera, exemplifying the concept of modular upgradeability that was built into the ALEXA design from its very beginnings.
published 3 months ago read more | | | | |
| | | | ARRI Pro Camera Accessories for Sony F5 / F55 Cameras
 ARRI continues to swiftly deliver high quality Pro Camera Accessories for the latest DSLRs and digital cameras with the release of new accessories for Sony’s new F5 and F55. Now these cameras are fully compatible with ARRI support and all industry-standard matte box and follow focus systems.
published 4 months ago read more | | | | |
| | | | ARRI Cameras and Lighting Flourish in Oscar-Nominated Productions
Out of nine Best Picture nominees for the Academy Awards this year, seven were shot using ARRI cameras: Amour, Life of Pi and Zero Dark Thirty were captured digitally with ARRI ALEXA; Les Misérables and Silver Linings Playbook on 35 mm with ARRICAM; Argo utilized a combination of both ALEXA and ARRICAM while Beasts of the Southern Wild chose Super 16 with the ARRIFLEX 416 and SR3. Additionally, many of these productions relied on lighting equipment from ARRI.
published 4 months ago read more | | | | |
| | | | Change of ownership at ARRI
Robert Arnold, the son of one of the co-founders, is selling his 50 per cent share to the grandchildren of co-founders Richter/Stahl. Both families have shared responsibility for the company since it was founded 95 years ago.
published 7 months ago read more | | | | |
| | | | ARRI Wins Three Technological Awards at Cinec 2012
 ARRI products have won three awards at the 2012 Cinec show in Munich. The ALEXA Studio camera and the L-Series lighting range both received Cinec Award statuettes (collected by ARRI Product Managers Marc Shipman-Mueller and Ryan Fletcher), while the Wireless Compact Unit WCU-4 received a Special Award in the form of a white lion trophy (collected by ARRI Product Manager Hendrik Voss).
published 8 months ago read more | | | | |
| | | | ALEXA Shines On The Biggest Screens
 With IMAX and 4K DCP releases for The Avengers and Skyfall, ALEXA passes the ultimate test of image quality. This year has seen an increase in ARRIRAW recording for big-screen blockbuster movies, with filmmakers praising the efficient workflow and testifying that ALEXA images look incredible on even the largest IMAX cinema screens.
published 8 months ago read more | | | | |
| | | | ALEXA – The Most Complete Digital Camera System Ever Built
 ARRI’s five ALEXA models have built a reputation as the most powerful digital camera systems in the industry, enabling a new era in visual storytelling for a variety of productions. Recent award-winning features like Hugo, Extremely Loud and Incredibly Close, Anonymous, Amour and Melancholia relied on ALEXA for image capture. The camera was also behind-the-scenes on this year’s box office champion, The Avengers -- the third highest grossing film of all time.
published 8 months ago read more | | | | |
| | | | ALEXA Fiber Remote Option Brings The Cinematic To Broadcast
 Now the breathtaking images seen in blockbuster and critically acclaimed Hollywood films are obtainable for the broadcast world through the ALEXA Fiber Remote Option. With a high sensitivity over two stops more compared to typical 2/3’ camera systems, the image quality and dynamic range of ALEXA (progressive and interlaced mode, up to 1080/60) can be applied to typical multi-camera broadcast studio or OB van productions. The shallow depth of field and excellent color rendition achieves higher production value for telenovelas, soaps, sitcoms, events, music concerts, talk shows, magazines, sport specials and more.
published 8 months ago read more | | | | |
| | | | New ALEXA Support Accessories Available
 The ALEXA M D-Bracket provides additional mounting options for the ALEXA M camera head. Now the ALEXA M body can be attached to the head in a 435 camera style. Available in October, The ALEXA M D-Bracket is priced at 212 €.
published 8 months ago read more | | | | |
| | | | ARRI And Carl Zeiss Mark 75-Year Collaboration With New Anamorphic Lenses
 ARRI and Carl Zeiss have partnered for three-quarters of a century in a cooperative effort that is unmatched in the film industry. As we celebrate this commitment, ARRI is pleased to unveil our latest collaboration – the new ARRI/ZEISS Master Anamorphic lenses. Especially developed for the ALEXA Studio, ALEXA Plus 4:3 and ALEXA M cameras - all equipped with a 4:3 sensor and hence perfectly suited to true anamorphic capture - the Master Anamorphics expand creative opportunities for today’s image-makers.
published 8 months ago read more | | | | |
| | | | New ARRI L7-T Tungsten LED Fresnel And Active Cooling Options Added To L-Series
 Fresh off the rapid adoption by the industry of the color-controllable L7-C, ARRI introduces a new addition to the popular L-Series LED Fresnels in a dedicated tungsten model -- the L7-T. As a single-color, 3200 K tungsten version of the popular L7-C, the L7-T provides in excess of 30% more light while maintaining the same size and weight. It offers the same calibrated color quality at a more affordable price than the L7-C, and is particularly suited to applications requiring maximum intensity for a given fixture size.
published 8 months ago read more | | | | |
| | | | ARRI Wet Gate Arriving In Italy
 L’Immagine Ritrovata, one of Europe’s leading film restoration and conservation laboratories, has purchased an ARRI Wet Gate system to enhance the archive and restoration capabilities of its ARRISCAN film scanner.
published 8 months ago read more | | | | |
| | | | Lumières Numériques Acquires ARRISCAN Archive Package
ARRI is pleased to announce that Lumières Numériques is the first facility in France to purchase the full ARRISCAN Archive package. The sale includes an ARRISCAN 4K with all available archive options like the ARRI Wet Gate, and Kodak Digital ICE system. In addition, the Lyon-based post house is the first in Europe to purchase ARRI’s stabilization function. Lumières Numériques plans to implement the ARRISCAN into their workflow for restoration of 35 mm full-length films along with 16 and 35 mm short films.
published 8 months ago read more | | | | |
| | | | ARRI Introduces Ready to Shoot Kits for Blackmagic Cinema Camera
Blackmagic Design today announced that ARRI, the world’s largest manufacturer and distributor of professional motion picture equipment, has introduced Ready to Shoot Kits for Blackmagic Cinema Camera.
Blackmagic Design today announced that ARRI, the world’s largest manufacturer and distributor of professional motion picture equipment, has introduced Ready to Shoot Kits for Blackmagic Cinema Camera.
published 9 months ago read more | | | | |
| | | | New Chief Executive for the ARRI Rental Group
 ARRI, the world’s largest manufacturer and distributor of professional motion picture equipment is pleased to announce the appointment of Martin Cayzer as Chief Executive of its global network of camera and lighting rental operations. In this new role, Cayzer will have global responsibility for ARRI’s diverse rental businesses and service capabilities, with plans to extend global reach, grow the customer base and enhance market leadership.
published 10 months ago read more | | | | |
| | | | Volker Bahnemann Cinematography Awards Honor Pepe Avila Del Pino and Hunter Baker
ARRI is proud to announce the second annual Volker Bahnemann Cinematography Awards have been presented to Hunter Baker (undergraduate division) and Pepe Avila Del Pino (graduate division), two talented cinematography students of NYU’s Tisch School of the Arts Maurice Kanbar Institute of Film and Television. The honorees were selected by faculty based on rigorous criteria, keeping in mind Bahnemann’s legacy, which has become synonymous with excellence in cinematography.
published 11 months ago read more | | | | |
| | | | ARRI ALEXA Shines at Cannes
 For the third year in a row, ARRI played host to the Cannes International Film Festival Director’s Fortnight Happy Hour events, bringing together directors, producers, cinematographers and industry professionals from around the world. The beautiful beach side location gave the perfect opportunity for guests to enjoy the view and meet the steadily growing ALEXA family; ALEXA Studio and ALEXA M.
published 12 months ago read more | | | | |
| | | | ALEXA M cameras Outfit FascinatE’s Omnicam for Interactive, Panoramic Viewing
 The Omnicam, a new panoramic camera system developed by the FascinatE Consortium (Format-Agnostic SCript-based INterAcTive Experience), utilizes six ARRI ALEXA M cameras to capture footage in ultra-high resolution for immersive viewing. On May 26th and 27th, the Omnicam will be employed at Arena Hall Berlin to record a dance performance of the Carmen Suite by the Berlin Philharmonic. This prototype system allows users to interactively view and navigate the video panorama of the live event - no matter what display device they are using. Meanwhile, synced audio automatically adjusts to match the selected view.
published 12 months ago read more | | | | |
| | | | ARRI Hosts VFX Legends for Special Event in Munich
 On Monday 14th May ARRI played host to two legendary names from the world of cinematic visual effects – Douglas Trumbull and Rob Legato. Both of the special guests held meetings with ARRI about future technologies and also gave presentations to an enthusiastic audience at the ARRI cinema in Munich.
published 1 year ago read more | | | | |
| | | | Captured On Alexa: "Avengers" Assemble Record-Breaking Weekend At Box Office
Directed by Joss Whedon and shot by cinematographer Seamus McGarvey ASC, BSC, THE AVENGERS, opened in the U.S. this weekend with $207.4 million, breaking the all-time weekend record set last summer by HARRY POTTER AND THE DEATHLY HALLOWS Part 2. The production was one of the very first to use the ARRI ALEXA Plus camera, relying on a total of four ALEXAs shooting ARRIRAW on Codex recorders to capture the iconic super hero team in action.
published 1 year ago read more | | | | |
| | | | Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI ALEXA camera and the Codex ARRIRAW recorder.
published 1 year ago read more | | | | |
| | | | Dino Pascarelli joins ARRI CSC Florida as Digital Liaison
 ARRI CSC, the largest full service equipment rental group in the United States, is pleased to announce the addition of Dino Pascarelli to the office in Florida. In his role as Digital Liaison Pascarelli will be responsible for guiding and assisting clients with workflow paths that are specific to their needs, monitoring digital technologies and demonstrating digital products.
published 1 year ago read more | | | | |
| | | | Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI Alexa camera and the Codex ARRIRAW recorder.
published 1 year ago read more | | | | |
| | | | ARRISCAN Now Featuring Hoverscan
 The ARRISCAN offers various solutions when working with problematic film material. When scanning film material that is in a delicate condition (shrunken, brittle or damaged), the ARRISCAN registration pin can be retracted. Mechanical pin registration, however, delivers the steadiest possible image, so a pin-less scan does require some post-processing to improve image steadiness.
published 1 year ago read more | | | | |
| | | | New ARRI Quality Pro Camera Accessories for NAB 2012
 With a wide range of modular matte boxes, follow focus units and support systems, ARRI is able to offer complete shooting kits for almost all types of digital cameras, from small, handheld units and HD-capable DSLRs, to broadcast HD and high-end digital cameras.
published 1 year ago read more | | | | |
| | | | Michael Keppler Joins ARRI Inc. as Manager, Lighting Systems
ARRI Inc. Expands into Suspension Systems for the Americas
ARRI Inc. is pleased to announce the addition of Michael Keppler in the position of Manager, Lighting Systems to integrate suspension with ARRI fixtures and other lighting equipment. Keppler comes to ARRI with over 20 years of experience in the design and distribution of manual and motorized rigging systems and lighting control.
published 1 year ago read more | | | | |
| | | | ALEXA Advances Anamorphic Cinematography
True CinemaScope with ALEXA Plus 4:3
ARRI unveils the ALEXA Plus 4:3, a new ALEXA model with similar functionality to the ALEXA Plus but featuring a 4:3 Super 35 sensor, the ability to switch from 16:9 sensor mode to 4:3 sensor mode and built-in licenses for high speed shooting, anamorphic de-squeeze and DNxHD.
published 1 year ago read more | | | | |
| | | | ALEXA Tomorrow
Preview of New ALEXA Features for 2012
ARRI firmly believes that long product life cycles are the basis of a sustainable business relationship with its customers. At its launch, ARRI promised that ALEXA would be a long-lived camera platform; keeping with that promise, new features are continually being worked on to protect the investment of customers. The new ALEXA capabilities scheduled for 2012 are designed to improve ALEXA's already stellar overall image quality with a new Debayer algorithm that provides even cleaner, sharper-looking images, especially on high contrast edges and in areas with fine detail.
published 1 year ago read more | | | | |
| | | | Codex and ARRIRAW Mark a Breakthrough Year in 2011
 50 feature films shot with the ALEXA/CODEX/ARRIRAW workflow.
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that Codex Onboard Recorders have been used on approximately 50 feature films in 2011.
published 1 year ago read more | | | | |
| | | | ARRI CSC brings Digital Media Specialist on board
ARRI CSC, the largest full service equipment rental group in the United States, is pleased to announce the addition of Chris MacKarell. In his role as Digital Workflow Supervisor, MacKarell will be responsible for the creation and support of effective On-Set Digital Workflow products and services for the ARRI CSC digital imaging departments in New Jersey and Florida and Illumination Dynamics, in Charlotte, North Carolina.
published 1 year ago read more | | | | |
| | | | New range of ARRI lighting suspension solutions
ARRI has unveiled a new and vast range of suspension equipment for TV studios and theaters, incorporating pantographs, hoists and telescopes, as well as various rail systems, carriages and accessories. The range encompasses total digital solutions with intuitive control systems, new tools for large studios and entry-level equipment to bring innovation within the reach of small studios and tight budgets. Modularity, good design and safety are all fundamental characteristics of ARRI's new rigging products.
published 2 years ago read more | | | | |
| | | | New ARRISUN 18 Event light fixture joins ARRI’s Event System
The ARRI Event System comprises a series of efficient, high color-rendering daylight lampheads, as well as remote, intelligent ballasts that simplify cable management. Established and successful in the market for over 10 years, the ARRI Event System is used at car shows as well as for sports, fashion and red carpet events where superior light quality is required.
published 2 years ago read more | | | | |
| | | | MAX Technology: new ARRI M40/25 - AS40/25 daylight fixture
At IBC this year, ARRI will unveil a new fixture from its award-winning M-Series, narrowing the gap between the 1800 W M18 and the 18 kW ARRIMAX. Sporting ARRI's unique, patented MAX Technology, the M40/25 is a lens-less system that combines the advantages of a Fresnel and a PAR fixture. The unit is open face and thus very bright, but focusable from 18-52*, producing a crisp, clear shadow. By eliminating the need for spread lenses, the M40/25 speeds up workflows on set and reduces the risk of lost production time because of glass breakage.
published 2 years ago read more | | | | |
| | | | New ARRI Professional Camera Accessories (PCA)
ARRI announces further additions to its expanding PCA range of Professional Camera Accessories, with a new Mini Follow Focus (MFF-2); Shoulder Pad (SP-1); base plate adapters for the Sony NEX-FS100 and Ikonoskop A-cam dII; and a double 4 x 5.65" filter stage for the Mini Matte Box (MMB-2).
published 2 years ago read more | | | | |
| | | | ARRI unveils two new ARRI/FUJINON Alura lightweight zooms
Following the tremendous success of the first two ARRI/FUJINON Alura Zooms, which were released alongside the ARRI ALEXA camera in 2009, ARRI announces two new additions to the range: the ARRI/FUJINON Alura 15.5-45 / T2.8 and Alura 30-80 / T2.8 lightweight zooms.
published 2 years ago read more | | | | |
| | | | ARRI announces working ALEXA M and Studio prototypes
ARRI comes to IBC 2011 with the development of its ALEXA camera system in full swing. The two new models promised at NAB earlier this year - the ALEXA M and ALEXA Studio - are now in an advanced state of readiness, with working prototypes shared between the IBC show floor and high-profile industry leaders.
published 2 years ago read more | | | | |
| | | | ARRI ships first ALEXA M units to CAMERON | PACE Group
The ALEXA M camera program has achieved its first major schedule milestone, with production prototypes of the ALEXA M starting to ship to James Cameron and Vince Pace, Co-Chairmen of CAMERON | PACE Group (CPG), the industry leader in 3D technologies and production services from slate to screen. CPG announced a strategic collaboration with ARRI at NAB 2011.
published 2 years ago read more | | | | |
| | | | XDT Announces Version 3.2 Of Its Unique Catapult® Suite At IBC 2011
Revolutionizing Networked Media Transfers and Review for local and wide area workflows
XDT Pty. Ltd., a developer of advanced software-based solutions for post production and digital film, is introducing version 3.2 of its flagship Catapult suite of products, including new additions to the product family and several groundbreaking enhancements to the Catapult Protocol at IBC2011.
published 2 years ago read more | | | | |
| | | | Major Productions Rely On ALEXA ARRIRAW And Codex For Uncompromised Recording
The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
published 2 years ago read more | | | | |
| | | | ARRI CSC launches Expendables Online Shop and expands its Sales Team
 Rick Schneider joins the Sales team in New Jersey
ARRI CSC, the largest full service equipment rental group in the United States, has launched its own Expendables Online Shop "arricscstore.com". The user-friendly and mobile-optimized site offers a range of high quality camera, lighting and grip products as well as ARRI CSC apparel.
published 2 years ago read more | | | | |
| | | | HBO’s GAME OF THRONES Unleashes Bold Visuals with ARRI ALEXA
Following the highly successful debut of the new series GAME OF THRONES with a viewership of 4.2 million viewers, HBO immediately ordered the second season into production. The show is based on the bestselling fantasy book series A Song of Ice and Fire by George R.R. Martin, which chronicles the violent power struggle among warring families for control of the kingdom. New York Post's Linda Stasi wrote, "The art direction, acting and incredible sets are as breathtaking as the massive scope of the series." To enhance the epic scale of the production, ARRI ALEXA digital cameras were chosen to bring cinematic visuals for the television drama.
published 2 years ago read more | | | | |
| | | | ARRI Professional Camera Accessories Offer ARRI Quality
ARRI Professional Camera Accessories (PCA) are renowned for solid design and rugged construction. Modular, reliable and made to perform with precision, these ARRI products support cameras from other manufacturers like the Sony F-3, Sony SRW 9000, Panasonic AG-AF 101, Panasonic AG3DA1, Canon and Nikon DSLRs.
published 2 years ago read more | | | | |
| | | | ARRI and Codex Digital release OEM ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI to manufacture a Codex ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras. The new recorder will be marketed both directly and through ARRI’s worldwide reseller network. ARRI and its resellers will also be selling Codex camera mounts, datapacks and transfer stations.
published 2 years ago read more | | | | |
| | | | ARRI Unveils Modular Camera System, ALEXA M
ARRI is developing a further model in the ALEXA family of cameras: the ALEXA M - a new, flexible solution consisting of a separate camera head and body. ALEXA M is tailored for action photography, tight corner shots and 3D productions. Based on cutting edge ARRI technologies, the M model features the same exceptional image quality that has made ALEXA the most powerful digital production system ever built.
published 2 years ago read more | | | | |
| | | | ARRI and Tweak Software Announce High-end VFX Support for ALEXA and ARRIRAW
Tweak Software, makers of RV, the next generation image and sequence viewer for VFX and animation artists, and ARRI, makers of the ALEXA digital camera, today announced their collaboration to integrate high dynamic range, uncompromised color support for ALEXA into Tweak's tools for playback, dailies and transcoding.
published 2 years ago read more | | | | |
| | | | The Foundry announces ALEXA support in NUKE and STORM
The Foundry, a world-leading innovator of visual effects and image processing technologies - and developers of the award-winning NUKE VFX compositing tool - has joined the ARRI Partner Program and begun efforts to support the ARRI ALEXA camera in its NUKE and STORM products.
published 2 years ago read more | | | | |
| | | | ARRI and CAMERON – PACE Group Cooperate in 3D Market
Development
ARRI is proud to extend its relationship with the CAMERON - PACE Group (CPG) by announcing a cooperative partnership in the development of the ALEXA M camera system, due for first concept showing at the NAB Show 2011 in Las Vegas, Nevada. Since the launch of the ALEXA digital camera in June 2010, leading directors and cinematographers have adopted the camera as the most sophisticated solution for digital cinematography.
published 2 years ago read more | | | | |
| | | | ARRI to Market Codex Digital ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, to manufacture a CODEX ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras.
published 2 years ago read more | | | | |
| | | | ARRI CSC to Offer Codex Recorders for Rental in the U.S
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that ARRI CSC, a subsidiary of ARRI, Inc. and the largest, full-service camera equipment rental group in the USA, has made a significant investment in Codex onboard recorders and other equipment and will soon have them available for rental.
published 2 years ago read more | | | | |
| | | | Illumination Dynamics Opens Camera Department in North Carolina
Illumination Dynamics (ID) has established a camera division at its North Carolina facility. The addition of cameras will further complement the rental of lighting, grip, generators and power distribution to the entertainment, live broadcast and special event industries.
published 3 years ago read more | | | | |
| | | | ARRI Unveils ALEXA Plus and New ALEXA Accessories
Following the hugely successful launch of the ALEXA digital camera at NAB2010, ARRI is announcing the first modular enhancement to its ALEXA system platform at IBC: the ALEXA Plus. Accessories expanding remote control, wireless networking and 3D options for ALEXA are also being unveiled at the show.
published 3 years ago read more | | | | |
| | | | Cinnafilm and ARRI Refocus Sales Efforts of Texture Control and Associated Technology
Cinnafilm and ARRI announce collaboratively that ARRI will be providing Relativity Texture Control software (version 1.4.x) solutions to its ARRISCAN™ and ARRILASER™ customers, packaging Cinnafilm’s world-class noise management, grain modeling and defect removal technologies; along with upgrade and enhancement bundles for ARRI’s Academy Award-winning film scanners and recorders.
published 3 years ago read more | | | | |
| | | | ALEXA Finds New Homes Across N. America
Alternative Rentals, ARRI CSC, The Camera House, Clairmont Camera, Fletcher Camera, Otto Nemenz International, Sim Video, Stargate Studios, TCS, VER, Videofax and Video MTL have been unveiled as the first companies in North America to take delivery of ARRI’s groundbreaking ALEXA cameras. ALEXA is a compact, lightweight and affordable digital camera that redefines motion picture capture with ultra-fast workflows and image quality akin to 35mm film.
published 3 years ago read more | | | | |
| | | | ARRI Archive Workshop brings industry together
ARRI has hosted its first major workshop on the rapidly growing market for archive and restoration technologies. The two-day event at the company's headquarters in Munich attracted more than 80 attendees from a diverse range of backgrounds and companies, including four national film archives, post houses, broadcasters and manufacturers.
published 3 years ago read more | | | | |
| | | | ARRI announces first ALEXA shipments to customers
ARRI today announced that the new ALEXA camera is currently shipping. Production ramp-up of the new camera is now underway, with initial delivery priority given to customers who purchased the flagship D-21 camera following ALEXA’s unveiling to the market at IBC2009.
published 3 years ago read more | | | | |
| | | | ARRI Taps Abel Cine Tech as Authorized Reseller for ALEXA Camera
ARRI Inc. today announced the selection of Abel Cine Tech as an authorized reseller for the ALEXA camera. Due to the wide appeal and affordability of ALEXA’s groundbreaking technology, this strategic partnership will cover the U.S. market more comprehensively to facilitate sales, service and technical assistance to broader markets.
published 3 years ago read more | | | | |
| | | | ARRISCANs Enable File-Based Workflow for Company 3
Award-winning post production facility Company 3 employs an innovative file-based post production pipeline by relying on the ARRISCAN to handle all film negatives for commercials, music videos and feature films. The ARRISCAN enables tremendous efficiency at high resolution in a non-linear environment.
published 3 years ago read more | | | | |
| | | | Volker Bahnemann Award for Cinematographers Nurtures Creativity for NYU Film School
 In honor of and in recognition of Volker Bahnemann’s more than 40 years of service to the filmmaking industry, ARRI has established “The Volker Bahnemann Award for Cinematographers at New York University’s Tisch School of the Arts Maurice Kanbar Institute of Film & Television”. The grant was conceived to inspire future generations of cinematographers and empower talented students to realize their artistic potential.
published 3 years ago read more | | | | |
| | | | ARRI, ZEISS and FUJINON Join Forces
 ARRI, FUJINON and ZEISS announced a strategic partnership designed to utilize the unique strengths of each company in order to create innovative new products for the entertainment imaging community. The agreement consists of an open exchange of ideas, standards and technologies, as well as close cooperation in the development of new products.
published 3 years ago read more | | | | |
| | | | Digital Vision and Arri Announce Partnership for Digital Dailies
Digital Vision has today announced a partnership with ARRI, the world's largest manufacturer and distributor of motion picture camera, Digital Intermediate (DI) and lighting equipment. Unveiled today at NAB the agreement between the two companies will see the launch of a jointly developed state-of the-art digital dailies product tailored to the ARRISCAN digital film scanner.
published 3 years ago read more | | | | |
| | | | ARRI Introduces New Hybrid Kits
ARRI Hybrid kits, with both LED and Tungsten source lighting fixtures, are a contemporary answer to portable lighting. Combining energy-saving efficiency, control and intensity these convenient kits draw less than 490W @ 120V.
published 3 years ago read more | | | | |
| | | | ARRI And Digital Vision Announce Partnership For Digital Dailies
ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate (DI) and lighting equipment have announced a partnership on digital dailies with Digital Vision. Unveiled today at NAB, the agreement between the two companies will see the launch of a jointly developed state-of the-art digital dailies product tailored to the ARRISCAN digital film scanner.
published 3 years ago read more | | | | |
| | | | ARRI and Kodak spread Relativity across Europe
In cooperation with Kodak, ARRI has sold its Relativity Texture Control to four major postproduction houses in the European market: Ascent 142 in London; Éclair in Paris; Norddisk Film in Copenhagen and Salamandra in Moscow have now joined ARRI Film & TV in Munich and Berlin in offering degrain services at the highest quality.
published 3 years ago read more | | | | |
| | | | New ARRI 2-Perforation Movements
ARRI is releasing new and improved 2-perforation movements for the ARRICAM Studio, ARRICAM Lite and ARRIFLEX 235 cameras. These movements can be quickly and repeatedly exchanged with 3 or 4-perforation movements by qualified technicians, bringing unique production benefits.
published 3 years ago read more | | | | |
| | | | Go Wide And Fast With The Arri/Zeiss Master Prime 12
Offering the largest matched collection of PL mount lenses currently available on the market, ARRI continues to offer more choices with the brand new ARRI/ZEISS Master Prime 12. The lens combines an extreme wide angle with the highest optical quality and a fast speed of T1.3 for the creation of truly unique images.
published 3 years ago read more | | | | |
| | | | ARRI/FUJINON Alura - The Next Generation of Zooms
 ARRI and Fujinon have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/Fujinon Alura Zooms combine the highest optical performance with an amazingly small size, weight and price.
published 3 years ago read more | | | | |
| | | | ARRI ALEXA Camera Offers Native ProRes Capture for Final Cut Studio
 ARRI today announced that its new ALEXA digital camera now includes native support for Apple ProRes codecs used in Final Cut Studio. The ALEXA camera supports Apple ProRes 422 (HQ) and ProRes 4444, and allows stunning HD images to be captured and recorded onto commercially available removable storage media.
published 3 years ago read more | | | | |
| | | | ALEXA Steps Out at NAB: Advanced Camera System Offers Highest Dynamic Range and ProRes Capture
 After much anticipation, ARRI is pleased to unveil ALEXA -- the first model in a new generation of digital cameras for feature, television, commercial, documentary, music video production and more. Compact, ergonomic and lightweight on one hand, robust with ARRI’s legendary reliability on the other, ALEXA’s new Super 35 format sensor delivers amazing images with a base sensitivity of EI 800, low noise and an unsurpassed dynamic range of 13.5 stops. ARRI Imaging Technology (AIT) captures organic, film-like images unlike any digital camera, with natural color rendition and pleasing skin tones.
published 3 years ago read more | | | | |
| | | | Academy Sci Tech Awards To Fete ARRISCAN Innovators
In recognition of the critical role played by science and technology in the movie making process, the Academy of Motion Pictures Arts & Sciences will honor 15 achievements at the annual Scientific and Technical Awards presentation – among them will be three individuals for the development of the ARRISCAN film scanner.
published 3 years ago read more | | | | |
| | | | FotoKem Purchases ARRI Relativity Software
FotoKem, a leading full-service motion picture post production house, has recently added the powerful Relativity software suite to their arsenal of existing ARRI Digital Intermediate Systems products including the ARRILASER and ARRISCAN systems.
published 3 years ago read more | | | | |
| | | | ARRIFLEX D-21 Captures Eclectic TV Slate
Acclaimed for its ability to render filmlike images, the ARRIFLEX D-21 digital camera is an industry workhorse with a slate of TV shows admired by audiences and critics alike.
published 4 years ago read more | | | | |
| | | | |  Blogs: More on Log vs Lin. Ok, So this alexa thingy is really gaining ground, and I have been bombarded by questions about Log vs Lin and how the signals actually look on screen and on a scope, so I did test shoot with my wife working away on her glass jewelry. So lets look at...Read Blog Subscribemore blogs »Related Tags | | | | |
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