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News : Baselight TWO

EFILM Installs First Baselight Grading Suite
News: EFILM Installs First Baselight Grading SuiteColourist Tom Reiser Uses Baselight System to Create Distinctive Look for Action Adventure Release DIVERGENT
Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight colour grading suite from FilmLight.
published 3 weeks ago   read more
Prism & Pixels Grows with FilmLight
News: Prism & Pixels Grows with FilmLightIndia’s Boutique Post-House Expands with Additional Baselight Suites
Prism & Pixels – which has served the post-production market in India for over six years – recently added its third state of the art FilmLight digital intermediate (DI) grading suite to its facilities, and is in the process of ordering a fourth. It now has two Baselight grading theatrical suites, in addition to a Baselight Assist for backroom conform, file management, 3D-stereo alignment and rendering.
published 1 month ago   read more
LipSync Gets Starred Up
News: LipSync Gets Starred UpCompany provides equity investment and full post
LipSync provided equity investment and full post services on Starred Up, the award-winning film starring Jack O’Connell, Ben Mendelsohn and Rupert Friend, telling the story of a troubled and violent teen who meets his father in prison. The film, produced by Sigma Films, will open in the UK on 21 March 2014.
published 1 month ago   read more
Chainsaw Hires Veteran DI Colorist John Persichetti
News: Chainsaw Hires Veteran DI Colorist John PersichettiIndependent post-production facility forges strategic alliance with on-set dailies specialist Creative Science to provide turnkey post-production solutions for feature films.
Continuing to build its post production services for feature films, Chainsaw has hired John Persichetti as Senior DI Colorist. Persichetti brings more than 20 years of experience as a feature film colorist, most recently at Colorworks, Sony Pictures Entertainment’s digital intermediate facility. His credits there included "This Is the End," "The Amazing Spider-Man," "21 Jump Street" and "Hotel Transylvania." At Chainsaw, Persichetti will operate out of the company’s new, 4K digital intermediate theater. His first project will be "A Haunted House 2" for Wayan Bros. Entertainment.
published 4 months ago   read more
Vision On Adds Color With FilmLight
CineSys Oceana supplies Baselight ONE with Blackboard panel for expanded grading department
Specialist New York post house, Vision On, has added a Baselight ONE color grading system from FilmLight in response to client demands for one-stop finishing. Vision On is a boutique retouching facility with a great reputation for high-end work in the fashion and beauty market. With the support of FilmLight’s local partner, CineSys Oceana, it has now elected to move to the industry leader in grading technology to deliver the best finish.
published 5 months ago   read more
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
News: Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight PlusSimple turnkey package complete with Baselight ONE, Slate control panel PLUS Editions licences, hardware and software support for $65k
Leading color grading solutions developer FilmLight is offering its users and boutique post houses a new workflow option for uncompromised grading. Baselight PLUS is supplied as a complete package — including installation if required — with options for editors and with hardware and software support at an unprecedented price point.
published 5 months ago   read more
Filmworkers Helps State Farm Spokesman Aaron Rodgers Find a Seat in “Grill Class”
News: Filmworkers Helps State Farm Spokesman Aaron Rodgers Find a Seat in “Grill Class”Post house provides color, editorial and VFX services for the latest in a series of spots out of DDB.
Filmworkers provided post-production services with a distinctive Windy City accent for the latest spot from State Farm. Conceived by Chicago agency DDB, the spot features State Farm spokesman Aaron Rodgers, who finds himself wedged uncomfortably between a pair of Bears fans during an airline flight. The two fans are played by George Wendt and Robert Smigel in a reprise of their roles as “Bob” and “Carl” from a classic "Saturday Night Live" skit. Bob and Carl poke fun at Rodgers as the “discount double check guy” while tending a pair of tray table grills filled with sizzling brats.
published 6 months ago   read more
Cluster Studio adds FLUX Store from FilmLight
News: Cluster Studio adds FLUX Store from FilmLight- Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands -
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost a decade — recently added FLUX Store, the new post-production storage solution from FilmLight.
published 6 months ago   read more
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
News: Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish- Vancouver based post-house Digital Film Central relies on Baselight TWO to help create a fully ACES-compliant and flexible color pipeline, from VFX to DI -
As the post facility for Neill Blomkamp’s new movie "Elysium," Digital Film Central (Central) constructed a unique 3.3K color and conform workflow that tightly integrated grading with both editorial and VFX. To ensure seamless collaborative working, the entire pipeline used the Academy Color Encoding System (ACES).
published 8 months ago   read more
FilmLight Manages Colour from Slate to finish
News: FilmLight Manages Colour from Slate to finish
- IBC demonstration shows how the professional approach to colour management and grading delivers creative control and a tangible return on investment -
At IBC2013, FilmLight is showing upgrades across its range of products that put colour grading and management of the entire colour pipeline at the heart of the professional workflow—delivering unrivalled creative control, accuracy and consistency.
published 8 months ago   read more
Envy Post Production Selects Signiant Media Shuttle™ for Rapid Delivery of High Res Long and Short Form Programming
News: Envy Post Production Selects Signiant Media Shuttle™ for Rapid Delivery of High Res Long and Short Form ProgrammingEase and Brand-ability of Cloud-based Solution Helps Leading Post Production House Automate Workflows and Collaborate Better with Clients
Signiant, the market leader in intelligent file movement software for media and entertainment, today announced that leading post production house Envy Post Production has become yet another major UK broadcast content company to adopt Media Shuttle™ hybrid SaaS file transfer solution to move large files securely among its business partners and global customer base. Responding to its client needs, Envy Post has standardized on Media Shuttle because of its ease-of-use, the ability to be seamlessly branded and because it is today’s smartest way to move and share large files.
published 9 months ago   read more
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
News: FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013- Latest solutions on display in Mexico from 04-07 June 2013 -
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading software and colour management systems can provide a 'colour pipeline' at every stage of production.
published 11 months ago   read more
Small Tree Shared Storage Plays Vital Role in Boutique Post-Production Company’s Rapid Growth
Company’s Flexible Storage Solution Handles Workflow Requirements
Originally founded in 2012 to handle post-production on two feature film projects, Prodigi House in Jakarta soon acquired additional clients – including Samsung and Honda – seeking support with TV commercials. With additional projects and tighter deadlines, the company installed a Titanium16 shared storage system from Small Tree, the leader in simple, affordable and powerful Ethernet-based shared storage solutions for professionals engaging in the creation, management and delivery of electronic media and entertainment content.
published 11 months ago   read more
Post Factory NY Upgrades to Baselight TWO from FilmLight
- New York based facility adds Baselight TWO to state-of-the-art screening room -
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight TWO colour grading systems from FilmLight.
published 11 months ago   read more
Colorworks Aids in 4K Restoration of “Richard III”
News: Colorworks Aids in 4K Restoration of “Richard III”A few months before the bones of Richard III were discovered below a parking lot in Leicester, England, the infamous British monarch was the focal point of a very different type of reclamation project halfway around the world in Culver City, California. There, Colorworks, Sony Pictures’ digital intermediate facility, applied the finishing touches to an exhaustive 4K restoration of "Richard III", Laurence Olivier’s 1955 film adaptation of the Shakespeare play.
published 12 months ago   read more
Red Echo Post Expands Service Offering with FilmLight’s Baselight
News: Red Echo Post Expands Service Offering with FilmLight’s Baselight- Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients -
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a Baselight ONE colour grading system from FilmLight. The addition of the Baselight means that the company can add top end colour grading services to its clients.
published 12 months ago   read more
FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
News: FilmLight Launches New Products to Provide Professional Colour Control at Every Stage- New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency -
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The range ensures that colour workflows can start on-set and run right through to final post and delivery, staying true to the vision at every stage. It delivers unrivalled productivity and creative control, giving facilities a real edge in delivering uncompromised results.
published 1 year ago   read more
Nice Shoes Expands with New Color Suite and Baselight TWO Systems
News: Nice Shoes Expands with New Color Suite and Baselight TWO SystemsAs an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow for a massive seven-screen film. To kick off 2013, it has added a pair of Baselight TWO systems, one of which will form their brand new color suite.
published 1 year ago   read more
Sony Pictures Colorworks Launches 4K Television Post-Production Facility
News: Sony Pictures Colorworks Launches 4K Television Post-Production FacilityColorworks, Sony Pictures Entertainment’s digital intermediate facility, has opened a new facility focused on 4K television post-production. Located in the Capra Building on the Sony Pictures lot in Culver City, Colorworks 4K Television will provide post-production services for original programming shot in 4K and re-mastering services for film-originated media. It will deliver both HD masters for current distribution and 4K masters for future use.
published 1 year ago   read more
LipSync invests in Blackmagic Videohub as part of facility expansion
News: LipSync invests in Blackmagic Videohub as part of facility expansionAs part of LipSync Post’s recent investment program, the full service post-production facility has installed a Blackmagic Videohub 288 routing switcher to connect and manage the increasing amount of post-production equipment, including LipSync’s recently purchased Baselight grading suites.
published 1 year ago   read more
FilmLight’s Baselight Used to Grade Sony’s “Hotel Transylvania”
News: FilmLight’s Baselight Used to Grade Sony’s “Hotel Transylvania”Hotel Transylvania, Sony Pictures Animation’s monster hit comedy that already broke records at the U.S. box office, went through final colour grading and stereo finishing in full 3D on Baselight. Completed at Colorworks, Sony Pictures Entertainment’s digital intermediate facility, DI Colourist John Persichetti used Baselight to apply the finishing touches to the film prior to its worldwide release.
published 1 year ago   read more
London’s LipSync Grows Grading Resources with FilmLight’s Baselight
LipSync Post, the award winning London-based full-service post-production facility, has significantly added to its colour grading resources through the purchase of two Baselight systems from FilmLight. When fully operational by year’s end the Baselight systems will serve as the facility’s primary grading tools, enabling LipSync to offer a total of five grading suites that can work flexibly to suit client requirements.
published 1 year ago   read more
Finish Adds Grading via FilmLight’s Baselight
News: Finish Adds Grading via FilmLight’s BaselightAward-winning London post house Finish, a specialist in 2D and 3D visual effects for commercials, has broadened its service offering to include high-end colour grading through the purchase of two Baselight systems from FilmLight.
published 2 years ago   read more
FilmLight Releases Baselight for Avid
News: FilmLight Releases Baselight for AvidHigh-end colour grading for Avid Media Composer or Symphony under US$ 1,000.
FilmLight today announces the release of the latest product in its Baselight Editions line, Baselight for Avid® (Mac). Developed in association with Avid, this exciting new product makes the world’s most powerful colour grading toolset available within Avid Media Composer® or Symphony®, the editing software that is the preferred choice among film and television professionals. It’s also a further instance of FilmLight’s commitment to provide solutions for managing colour at every stage in production and post.
published 2 years ago   read more
FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow
News: FilmLight and The Pixel Farm Provide an End-to-End Restoration WorkflowBaselight|PFClean integration supports all DI workflows, including ACES, and allows grading and restoration to proceed in parallel.
FilmLight and The Pixel Farm have formed a strategic partnership to jointly market FilmLight’s Baselight colour grading system and The Pixel Farm’s PFClean™ restoration software as a complete, fully-integrated and affordable workflow for digital cinema restoration. As a result, a branded OEM version of the PFClean restoration and remastering suite equipped with the Baselight integration option will be available to FilmLight customers to purchase directly through the company’s worldwide reseller network.
published 2 years ago   read more
FilmLight at IBC 2012
News: FilmLight at IBC 2012Unique pipeline for managing colour from script to screen.
At IBC 2012, FilmLight will demonstrate its latest solutions for refining looks and managing colour at every stage in production. Several new products from FilmLight’s expanded product line will be on view for the first time in Europe, each designed to address a different point in file-based film and television workflows, and together constituting an integrated, end-to-end colour pipeline.
published 2 years ago   read more
FilmLight announces Baselight ONE ‘ACCESS’ package
News: FilmLight announces Baselight ONE ‘ACCESS’ packageIndustry leading grading and finishing system at less than US$50K
FilmLight is helping boutique post-production facilities to step up to high-end colour grading by offering its award-winning Baselight system at the lowest price ever. The Baselight ONE ACCESS package can now be purchased for less than US$50,000, and includes the latest Baselight 4.3 software, complete installation, FilmLight’s industry-leading technical support and on-site operational training.
published 2 years ago   read more
Filmworkers Grades “Revenge of the Great Camera Shootout”
Event produced by Zacuto and Kessler includes side-by-side comparisons of cameras made by Sony, Arri, Alexa, Canon and others.
Filmworkers recently took part in a unique event testing the performance of the current generation of digital motion picture cameras, from leading edge camera systems used to shoot Hollywood blockbusters to the humble iPhone. The Revenge of the Great Camera Shootout was produced by camera dealer Zacuto and crane manufacturer Kessler Cranes. Like similar events produced by Zacuto in the past, RGCSO features side-by-side tests of camera systems made by Sony, Arri, Red, Canon, Panasonic and Apple. Filmworkers provided color grading services necessary to make direct comparisons between the output of the cameras. Grading was performed by colorist Jimmy Cardenas with additional grading by colorist Brian “Crash” Carlucci.
published 2 years ago   read more
FilmLight’s new products prove an immediate success
News: FilmLight’s new products prove an immediate successOur Blackboard 2 grading control surface and Baselight TWO colour grading systems, can be seen for the first time in Europe at IBC 2011. Both new products are already enjoying record sales among broadcasters, post houses and production facilities worldwide.
published 3 years ago   read more
FilmLight at IBC 2011: Stand 7.F31
Blackboard 2 | Baselight 4.3 | Baselight for Final Cut Pro & NUKE | Truelight On-Set and AatonK
We will be giving the first European presentations of Blackboard 2, our revolutionary new grading control surface. Blackboard 2 caused quite a stir when it debuted at NAB, and since then, it has evolved into a market ready product.. Your eye is drawn to the visually stunning design, but the secret to Blackboard 2 is what we call Adaptive Key Technology—every key is programmable in infinite ways. No grading surface is faster, more ergonomic or, frankly, cooler than Blackboard 2.
published 3 years ago   read more
FilmLight Unveils Revolutionary Control Surface: Blackboard 2
News: FilmLight Unveils Revolutionary Control Surface: Blackboard 2Unique soft-key design for Baselight
At NAB 2011, FilmLight launches Blackboard 2, an entirely new control surface for its award-winning Baselight colour grading system. The unique and revolutionary design of Blackboard 2 promises to transform high-end finishing for feature films, television and advertising.
published 3 years ago   read more
FotoKem Selects Baselight for New Post Production Facility in Budapest
FilmLight today announced that FotoKem has installed Baselight EIGHT and Baselight HD colour grading systems at its newly-built post production facility in Budapest. The systems will anchor two Digital Intermediate theatres with Baselight Eight used for 2K/4K grading of conventional and stereoscopic films.
published 4 years ago   read more
Prime Focus Posts ‘9/11 STATE OF EMERGENCY’ for Nutopia
Two-hour special includes interviews with Condoleezza Rice, Donald Rumsfeld and General Richard Myers
Prime Focus London has provided full post production on a major new feature length documentary for groundbreaking production company Nutopia.
published 4 years ago   read more
Mwnci Chooses Filmlight’s Baselight HD
Mwnci, the leading Cardiff-based TV post production company, has invested in a Baselight HD colour-grading system and Baselight Kompressor from FilmLight, to complement its existing Avid editing workflow.
published 4 years ago   read more
MPC Purchases Baselight Systems for Features & Commercials Projects
FilmLight today announced that world leading post-production company MPC has taken the decision to purchase two new Baselight stereo grading systems for their London, Wardour Street facility.
published 4 years ago   read more
NAB 2010: The Mill, New York, Adds Second Baselight
News: NAB 2010: The Mill, New York, Adds Second BaselightAt NAB 2010, FilmLight today announces that The Mill, New York, has purchased a Baselight FOUR colour grading system—its second. The move is a response to the great success The Mill has enjoyed with its first Baselight FOUR, which has proven to be extremely popular both among the facility’s colourists and its advertising clients. The new Baselight will replace an existing linear colour grading system giving the company more flexibility in its workflow and greater access to Baselight’s powerful toolset.
published 4 years ago   read more
FilmLight Wins Four AMPAS Scientific and Technical Awards
Company’s Development Team Honoured for Northlight, Baselight and Truelight
Eight years is all it took for FilmLight to grow from a very small start-up to the brand leader in digital film technology. The reward for this has now arrived - an unprecedented sweep of the Academy of Motion Picture Arts and Sciences' Sci-Tech awards, recognising the achievements of ten of FilmLight's founding engineers in every one of the company's three main product lines.
published 4 years ago   read more
A Small Act,’ Shot With AG-HVX200 P2 HD Handheld, Screens In U.S. Documentary Competition At 2010 Sundance Film Festival
HBO To Broadcast Documentary in Summer 2010
"A Small Act", premiering in U.S. Documentary Competition at Sundance 2010, tells the inspirational story of an impoverished boy in Kenya, Chris Mburu, whose life was dramatically changed when an anonymous Swedish woman sponsored his primary education.
published 4 years ago   read more
Sony Pictures Entertainment Selects FilmLight's Baselight for New Post Facility
Installation includes three Baselight EIGHT systems for new 4K DI grading theatres
FilmLight today announces delivery of seven Baselight colour grading systems to Sony Pictures Entertainment. The systems will be installed at its newly-built digital intermediate facilities on the Sony Studios lot in Culver City, California, and connected to the studio's Digital Backbone.
published 4 years ago   read more
Medialab, Paris, creates Commercials non-linear workflow with Baselight Kompressor
Medialab Technology, one of the leading providers of post-production services for commercials in France, is among the first facilities worldwide to adopt Baselight Kompressor-the new technology from FilmLight that allows its Baselight colour grading systems to share direct access to media files with Avid systems.
published 5 years ago   read more
Germany's Grundy Uses FilmLight Technology to Create Tapeless Workflow for HD Television
German television producer Grundy UFA has become the first company in Europe to implement newly-developed file sharing technology from FilmLight as part of a "tapeless" workflow for HD television production.
published 5 years ago   read more
Weta Digital buys Nuke site licence
Leading visual effects software developer, The Foundry, today announced that Weta Digital, New Zealand’s premier multi-award winning VFX studio, has purchased a site licence of Nuke to enhance its in-house pipeline.
published 5 years ago   read more
Industrial Light & Magic Purchases Site Licence Of Nuke
Leading visual effects software developer, The Foundry, today announced that Industrial Light & Magic (ILM), Lucasfilm Ltd’s multiple Academy Award-winning visual effects studio, has purchased a site licence of Nuke to complement its in-house pipeline.
published 5 years ago   read more
Frantic Films Software at NAB 2009
Deadline 3.1 Announced; Prize Giveaways and Call for Participation for Awake Beta-Testing Program
Frantic Films Software, the R&D arm of award-winning visual effects company Frantic Films VFX and a division of Prime Focus Group, will be showcasing its software products at NAB 2009 April 20th - April 23rd from booth #SL4430.
published 5 years ago   read more
The Foundry returns to Autodesk Sparks programme
The Foundry, a leading developer of visual effects, image-processing and compositing software, announced today that, under an exclusive arrangement with Autodesk®, it can once again offer support for the Autodesk Sparks range of its Tinder, Furnace and Keylight products.
published 5 years ago   read more
Foundry slashes Sparks prices as Autodesk revokes Development licence
The Foundry, a leading developer of visual effects, image-processing and compositing software, announced today that effective immediately, it has significantly reduced prices on plug-ins for Autodesk® advanced systems, as it is no longer part of the Autodesk Authorised Developer Network programme and can no longer guarantee continued development or support.
published 5 years ago   read more
Prime Focus Group Companies Help Steal the Show for 'The Maiden Heist'
Frantic Films VFX and Prime Focus London Contribute Effects; Post Logic Studios Completes DI
Frantic Films VFX, Post Logic Studios and Prime Focus London, all Prime Focus Group companies, completed visual effects, the main title sequence and the digital intermediate for the forthcoming feature film "The Maiden Heist" from Yari Film Group Releasing, LLC.
published 5 years ago   read more
Ocula 3D Stereo Plug-ins from the Foundry Now Shipping
Pixel-level control removes the headache from stereo post production
Leading visual effects software developer The Foundry (www.thefoundry.co.uk) is now shipping Ocula – the unique collection of plug-in tools that solve common problems with stereoscopic imagery, boost productivity in post production, and ultimately help to deliver a more rewarding stereoscopic viewing experience.
published 5 years ago   read more
Berlin's PostFactory Chooses FilmLight's Baselight and Truelight for New DCI-Compliant Grading Theatre
PostFactory, Berlin, has added digital intermediate colour grading for feature films to its service offering through the purchase of a Baselight HD system from FilmLight.
published 6 years ago   read more
Amsterdam's Filmmore Expands Feature Grading with New Baselight Purchase
Baselight's first facility adds three more
Seeking to capitalise on the current boom in Dutch film and television production, Amsterdam-based post-house Filmmore has purchased three new Baselight colour grading systems from FilmLight.
published 6 years ago   read more
Baselight at IBC: The Non-linear Revolution Arrives in Commercials Grading
Parallel GPU, "Cloud" Connectivity, RED Support, Spirit Control and more!
At the upcoming International Broadcast Convention (IBC) in Amsterdam, FilmLight will demonstrate a series of groundbreaking enhancements to Baselight, the industry's leading non-linear colour grading system.
published 6 years ago   read more
The Foundry - IBC 2008 Preview (Stand 7.F28)
The Foundry expands VFX capabilities with new product releases
There have been many exciting developments at The Foundry during the last twelve months, across all areas of the company’s product portfolio.
published 6 years ago   read more
Post Logic Studios Uses FilmLight’s Baselight to Grade First 4K Feature—“Reach for Me”
In the clearest indication yet that the era of 4K may have arrived, Post Logic Studios recently used FilmLight’s Baselight EIGHT colour grading system to grade and conform Reach for Me, the first feature to be shot and posted entirely in 4K resolution.
published 6 years ago   read more
London’s Splice Adds Colour Grading via FilmLight’s Baselight
Post Boutique Grading Series for Discovery & Channel 5; Takes Aim at Features
Splice, a post-production boutique located in Shoreditch, has acquired a Baselight HD from FilmLight and has already started to offer colour grading services to its clients.
published 6 years ago   read more
News: Evolutions Becomes First U.K Broadcast Post Production Facility to Open in New York
Evolutions, voted Best Post Production House by Broadcast in 2007 and first place in Televisual Producers Poll, announced today that it will become the first U.K. broadcast post production facility to open in New York.
published 6 years ago   read more
News: Ron Brinkmann joins The Foundry
Leading visual effects software developer The Foundry is delighted to announce the appointment of Ron Brinkmann as special advisor to its Nuke development team.
published 7 years ago   read more
News: Scratch Gets Fully Plugged-In
The Foundry announces full OFX support for ASSIMILATE’s SCRATCH system, plus ground-breaking demonstrations with Creative Bridge
Leading visual effects developer The Foundry today announced full OFX support for the latest version of ASSIMILATE’s SCRATCH Data-Centric Workflow Solution for post production/DI. This new development gives SCRATCH users access to The Foundry’s complete range of visual effect and image processing plug-ins.
published 8 years ago   read more
News: FilmLight To Launch Northlight 2 and Show Unique 4K Scanning and Grading Colour Managed Workflow At NAB 2006
FilmLight, a leading provider of digital filmmaking technology, announced today that at NAB 2006 it will exhibit the most comprehensive end to end scanning and grading workflows in the industry ranging from 4K to SD. Technology innovations include the launch of Northlight 2, real-time 4K grading on Baselight Eight and new Truelight capabilities responding to demands from high end film makers.
published 8 years ago   read more
News: More Facilities in NY and L.A. Adopt FilmLight Systems
PostWorks New York, Captive Audience Productions, and Hollywood Intermediate/MDI Add Truelight, Northlight, and Baselight
FilmLight Ltd., a leading provider of digital filmmaking technology, announced today that PostWorks, New York and Los Angeles-based facilities Captive Audience Productions and Hollywood Intermediate/Matchframe Digital Intermediate (MDI) have purchased its digital systems for film scanning, colour grading, colour calibration, and 2K playback.
published 9 years ago   read more
News: Molinare Closes the Loop with Northlight
FilmLight, a world-leading pioneer of digital film technology, is pleased to announce the installation of one of its market-leading Northlight scanners at top London facility Molinare.
published 9 years ago   read more
News: FilmLight and Avid Technology Collaborate To Develop Integrated Colour Management, Editorial and Grading Workflows
FilmLight announced at the NAB show in Las Vegas that it is collaborating with Avid Technology to develop integrated colour management and colour grading workflow capabilities for post production professionals. FilmLight and Avid plan to develop a comprehensive workflow strategy that will enable customers to leverage FilmLight’s colour management and grading systems with Avid’s industry-leading nonlinear editing and finishing systems for SD, HD, and 2K/4K Digital Intermediates (DI) projects.
published 9 years ago   read more
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Should be an interesting April for Apple Color
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