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News : Calibrated Software

The Look Expands Services Globally with DaVinci Resolve
Leading post facility The Look has invested in three DaVinci Resolve digital intermediate (DI) suites as part of a new remote grading service being offered direct to production companies and agencies with their own in house post production capabilities. At the heart of this new offering is DaVinci Resolve’s collaborative workflow and real time remote grading capabilities.
published 4 weeks ago   read more
Leading Colorist chooses Mistika for Sony's TV series “Chosen”
News: Leading Colorist chooses Mistika for Sony's TV series “Chosen”Juan Ignacio Cabrera leads the way with Mistika
Inspiring Los Angeles-based Juan Ignacio Cabrera recently handled the post production for the second and third seasons of "Chosen," the most successful show on Sony's Crackle TV network. Leading colorist Juan Ignacio Cabrera graded the series on a Mistika 4K system from SGO.
published 2 months ago   read more
Blackmagic Design Announces New "heads up display" for Blackmagic Production Camera 4K
Blackmagic Design today announced the immediate availability of Camera 1.9 software which includes new "heads up display" on screen metering that provides customers with histogram, peak audio meters and recording time remaining for the Blackmagic Production Camera 4K.
published 2 months ago   read more
Setla Film Productions Improves Location Shoots with Zylight F8
News: Setla Film Productions Improves Location Shoots with Zylight F8A trained paramedic, Thaddeus Setla stumbled into a career in video production about 13 years ago, when he started producing short training videos with a consumer camcorder. These days, his San Francisco-based company, Setla Film Productions, is focused on high-end productions for the Web.
published 2 months ago   read more
NewTek Unveils Transformed 3Play Product Family Starting at $9,995
Integrated Sports Production Systems Set New Price-Performance Standards; Breakthrough Pricing Provides Replay Opportunities For Producers At All Levels
NewTek™ today unveiled a new family of 3Play™ sports production solutions that includes major enhancements to the 3Play 4800, the introduction of a new 3Play 440 model, and the 3Play 425 model now starting at $9,995 USD. Unlike most replay systems that typically rely on linear, tape-based workflows, 3Play systems feature a broad range of new integrated production capabilities for creating dynamic sports programs that drive audience growth, brand awareness, and social media engagement––all with the beautiful, network-style look of a professional sports broadcast.
published 5 months ago   read more
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
News: Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight PlusSimple turnkey package complete with Baselight ONE, Slate control panel PLUS Editions licences, hardware and software support for $65k
Leading color grading solutions developer FilmLight is offering its users and boutique post houses a new workflow option for uncompromised grading. Baselight PLUS is supplied as a complete package — including installation if required — with options for editors and with hardware and software support at an unprecedented price point.
published 10 months ago   read more
Colorfront Announces Colorfront Cloud Services
News:  Colorfront Announces Colorfront Cloud ServicesInnovative cloud services facilitate new distributed post-production service model
Colorfront, the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic HDTV and commercials, today announced the introduction of Colorfront Cloud Services.
published 11 months ago   read more
Walking on Water: projectiondesign® Powers Interactive Portable 360-degree Igloo Experience at La Biennale di Venezia 2013
News: Walking on Water: projectiondesign® Powers Interactive Portable 360-degree Igloo Experience at La Biennale di Venezia 2013Reliability, quality and colour ability are key to immersive installation
Immersive specialist Igloo Vision was commissioned by United Arab Emirates to create a 360-degree immersive installation for the La Biennale di Venezia 2013, 53rd annual art exhibition that incorporates F22 projectors from projectiondesign®. Mounted in the Sale d’Armi at the New National Pavilion, Mohammed Kazem’s realization called ‘Directions 2005/2013’ makes a brilliant contribution to ‘Walking on Water’.
published 1 year ago   read more
Katabatic Digital Finishes “Saturday Night Live” Digital Shorts With ASSIMILATE Scratch And Bluefish444 HD-SDI Preview
News: Katabatic Digital Finishes “Saturday Night Live” Digital Shorts With ASSIMILATE Scratch And Bluefish444 HD-SDI PreviewFounded in 2008 Katabatic Digital, a full-service post production company specializing in high end digital cinema workflows for the broadcast entertainment and advertising market, has lived at the forefront of the digital cinema revolution, matching the demand for cutting-edge creative work that could take advantage of the new production techniques and post-production tools to create outstanding moving images.
published 1 year ago   read more
Light Iron Chooses Christie Solaria Projection For Postproduction Needs
Only Manufacturer Offering Integrated Media Block and HD-SDI Inputs
Light Iron, a leading postproduction house based in Los Angeles, has expanded its use of Christie Solaria® Series digital cinema projectors offering rich, saturated color, high brightness and sharp, 4K resolution to its ever growing clientele.
published 1 year ago   read more
Roman Coppola’s ‘A Glimpse Inside the Mind of Charles Swan III’ Colored on DaVinci Resolve
Blackmagic Design today announced that American Zoetrope, a San Francisco based production and post house, and SPY, a FotoKem company based in San Francisco and specializing in visual effects, used DaVinci Resolve Lite and DaVinci Resolve, respectively, for color grading on Roman Coppola’s latest film, “A Glimpse Inside the Mind of Charles Swan III.”
published 2 years ago   read more
Media & Entertainment Luminaries to Showcase Pioneering Work at NVIDIA GPU Technology Conference
NVIDIA's annual GPU Technology Conference (GTC), taking place March 18-21 in San Jose, will offer a special track focusing on media and entertainment, bringing together leading feature film and television producers, visual effects artists, post-production professionals, broadcasters, software developers and more from around the world.
published 2 years ago   read more
EIZO Announces New Lineup of ColorEdge Monitors for Graphics Users of All Levels
News: EIZO Announces New Lineup of ColorEdge Monitors for Graphics Users of All LevelsEizo Nanao Technologies Inc. has unveiled a new lineup of ColorEdge monitors to appeal to both its traditional core of high-end graphics professionals as well as to middle and entry level users requiring monitors that provide accurate color for their creative endeavors.
published 2 years ago   read more
Calibrated Software Delivers Native MXF Editing for Final Cut Pro X
Calibrated{Q} MXF Import Lets Users Import and Work with a Wide Range of MXF Files Directly in Final Cut X 10.0.6
Calibrated Software, an innovator of applications and plug-ins for post-production workflows, announced today Calibrated{Q} MXF Import with native MXF editing support for Final Cut Pro X 10.0.6.
published 2 years ago   read more
MTI Film Solves Post for “Major Crimes”
News: MTI Film Solves Post for “Major Crimes”Picking up where it left off on “The Closer,” Hollywood post facility handles post work for Shephard/Robin’s new digitally-captured crime drama.
In the continuation of a highly successful partnership begun last year, MTI Film is providing final color grading and other post-production services to Shephard/Robin Company and Warner Bros. Television for the inaugural season of the new prime-time drama Major Crimes. MTI Film first teamed with Shephard/Robin ten months ago, midway through the final season of The Closer, when that show made the switch from 35mm to digital capture.
published 2 years ago   read more
Hollywood DI Completes Two 3D features Using New Cost-effective Stereo Workflow
Hollywood DI, Globalstor Data Corporation and Maya Digital Studios, Pvt. Ltd. in conjunction with PNY Technologies, Inc. deliver cost-effective solution for 3D color correction and finishing.
Hollywood DI announces the completion of the world's first 3D feature films to be color corrected and finished on Globalstor's ExtremeStor-DI 3D capable systems. Leveraging the power of multiple NVIDIA® Quadro ® 6000 by PNY professional graphics boards and DaVinci Resolve, Hollywood DI delivered stereo 3D grading and finishing for STATIC and SHOLAY 3D. By combining 3D visual effects and 2D to 3D conversions from Maya Digital Studios with the incredible performance of Globalstor's hardware and NVIDIA Quadro by PNY graphics boards, Hollywood DI was able to provide high-end 3D finishing at considerable cost savings over traditional expensive heavy-iron systems.
published 2 years ago   read more
SpectraCal Ships Monitor Calibration Software for the Motion Picture & TV Broadcast Industries
Software brings new level of digital image accuracy to broadcast, production and post-production operations
Seattle-based software developer SpectraCal, Inc. released CalMAN Studio display calibration software today.
published 2 years ago   read more
New Wacom Cintiqs Paint a Pretty Picture
News: New Wacom Cintiqs Paint a Pretty PictureThe Cintiq 24HD touch and Cintiq 22HD provide an immersive and natural pen-on-screen experience for professional creators of digital content
Tailored around the increasing demands of creative professionals, Wacom® announces two new members of the Cintiq® family of interactive pen displays, the Cintiq 24HD touch and Cintiq 22HD. Artists and designers now have two new options for working directly on screen. As with the Cintiq 24HD, Wacom's latest Cintiqs feature best-in-class widescreen HD displays, ultra-wide viewing angles and premium color performance. To give professional artists and designers enhanced focus on their work and creativity, Wacom introduces the powerful combination of a precision pen and natural multi-touch. With the addition of these models to the Cintiq lineup, anyone, from freelance industrial designers sketching in a small studio to Hollywood animators creating the next blockbuster movie, can find a Cintiq that best fits their workflow.
published 2 years ago   read more
Calibrated Software Boosts Professional Video Workflows with an AVC-Intra QuickTime Encode Codec for PC and Mac
Calibrated Software, an innovator of applications and plug-ins for video, asset management and mobile platforms, has released Calibrated{Q} AVC-Intra Encode, a QuickTime Encode codec that enables exporting of up to 10-bit compressed AVC-Intra .MOV files from PC- and Mac-based applications that support QuickTime. Now available from http://www.calibratedsoftware.com, the product extends new options to professional content creators who need to export or deliver high-quality 10-bit compressed media from Windows or OSX platforms.
published 2 years ago   read more
Titanic 3D: CLIPSTER®, FUZE provide James Cameron with a seamless means to monitor stereo conversion
News: Titanic 3D: CLIPSTER®, FUZE provide James Cameron with a seamless means to monitor stereo conversionLightstorm Entertainment uses multiple CLIPSTER/FUZE digital cinema mastering systems in Los Angeles, Malibu and Sydney to playback and review uncompressed stereo media with unprecedented speed and flexibility.
Before sailing back into theaters, newly and spectacularly rendered in 3D, Titanic went through final inspection via leading edge digital mastering and stereoscopic technology from DVS. Director James Cameron and his team from Lightstorm Entertainment used DVS’s CLIPSTER® and FUZE systems to review scenes from the movie in stereo as it was undergoing the 3D conversion process. CLIPSTER and FUZE facilitated the playback of uncompressed (2K) media in stereo allowing Cameron to view the film on a big screen in precisely the same form as audiences will see it in cinemas.
published 2 years ago   read more
MAXX DIGITAL Announces Production Dailies Cart System Based on SCRATCH Lab Digital Dailies Software
MAXX DIGITAL is proud to announce that they have teamed with ASSIMILATE and offer a turnkey Production Dailies Cart System, built around SCRATCH Lab®, the industry’s most powerful end-to-end production dailies software. Designed to meet the needs of DITs and Video Engineers who produce dailies on-set for television shows, commercials and feature films, the new turnkey Cart provides image acquisition, data management, look refinement and dailies deliverables with support for all popular cameras formats such as ARRI Alexa, Sony F65, and RED Epic and Scarlet.
published 2 years ago   read more
MTI Puts Third Nucoda Film Master into the Equation
News: MTI Puts Third Nucoda Film Master into the EquationTop Hollywood Facility Relies on Nucoda for Versatile Workflow
Image Systems - the leading manufacturer of image enhancement and mastering systems for post production - has announced that MTI Film in Hollywood, California, has installed its third Nucoda Film Master into its state-of-the-art facility. Opened in 2010, MTI Film is a full service post production facility providing high quality dailies, editorial, visual effects, color correction and assembly for film, television and commercial projects. MTI is currently at work on a number of projects, including AMC's Hell on Wheels, CW's Ringer, Good Christian Belles on ABC, and for TNT The Closer, Dallas, and Rizzoli & Isles, as well as a number of feature and restoration projects.
published 3 years ago   read more
ASSIMILATE Announces Support For RED SDK 4.2; Raises The Bar For RED workflows With The Release of SCRATCH 6.1
News: ASSIMILATE Announces Support For RED SDK 4.2; Raises The Bar For RED workflows With The Release of SCRATCH 6.1
Dramatic RED performance gains, Expanded SDI output capabilities and support for the new Tangent Element control surface power latest release
ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, has shipped the 6.1 versions of its renowned SCRATCH® digital intermediate finishing tool.
published 3 years ago   read more
Assimilate announces "Cyber Monday" promotion at expanded online store
Innovative new purchasing channel offers even more third-party workflow tools with special reduced-pricing offer
ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, has announced “Cyber Monday”, a 24-hour sales event on 28th November 2011 at its online Store, when significant price reductions will be offered across a range of ASSIMILATE and third-party products.
published 3 years ago   read more
Assimilate launches innovative online store for SCRATCH
News: Assimilate launches innovative online store for SCRATCHInnovative New Channel for SCRATCH Lab, Third-Party Products and Logo Merchandise Now Available in One Convenient OnLine Store
ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, today announced the ASSIMILATE Store, an online marketplace where artists can discover, trial and purchase the popular new SCRATCH Lab™ workflow tool for production and VFX dailies, as well as third-party software and selected hardware accessories that support the entire SCRATCH® product line.
published 3 years ago   read more
Framestore Integrates IKinema into its Motion Capture Pipeline
News: Framestore Integrates IKinema into its Motion Capture PipelineNew Plug-in Enables Users to Create or Retarget Data Inside Maya in Real-time
Bringing a new age of motion capture processing to the industry, IKinema™ LTD announced today that the leading VFX house in London, Framestore, has incorporated IKinema technology into its motion capture production pipeline. Chosen for its powerful, fast and remarkably controllable design, IKinema’s inverse kinematics (IK) solver is now the key motion capture solving and retargeting tool that Framestore uses to create special effects and animation for both its broadcast and VFX projects.
published 3 years ago   read more
Hollywood-DI Grades “Guido” and “And They’re Off” with DaVinci Resolve 8
Blackmagic Design today announced that West Hollywood based Hollywood-DI completed color correction using DaVinci Resolve Software Version 8 for the upcoming feature films “Guido” and “And They’re Off”.
published 3 years ago   read more
OptiTrack V120:Duo and V120:Trio Tracking Bars Ship
6DoF Object Tracking Systems for Virtual Reality, Animation and Medical Visualization
Bringing innovative and affordable motion capture technology to the desktop, NaturalPoint® today announced the immediate availability of the OptiTrack™ V120:Duo and V120:Trio tracking bars. Offering an out-of-the-box motion capture solution, the new OptiTrack tracking bars incorporate optical tracking technology that is accurate, flexible and very simple to use.
published 3 years ago   read more
Barco showcases integrated broadcast visualization solutions at NAB 2011
On display at this year's NAB show, will be a visually rich wall of content enabled by Barco's latest event projectors and LED displays, driven by recently upgraded display presentation systems.
Visualization pioneer Barco is set to impress the broadcast industry with an expanded array of visualization products designed to optimize and deliver content for a variety of applications. Offering superior brightness, contrast and color rendition, as well as enhanced presentation capabilities, Barco's projectors, LED displays and image processing tools seamlessly mesh with broadcast production platforms to enable single-point control and programming flexibility for live and taped shows.
published 3 years ago   read more
OptiTrack Demonstrates Desktop Motion Capture with new V120:Duo and V120:Trio Tracking Bars at GDC 2011
News: OptiTrack Demonstrates Desktop Motion Capture with new V120:Duo and V120:Trio Tracking Bars at GDC 2011Showcases Comprehensive Six Degrees of Freedom Motion Capture Systems for Under $2,000
As the role of motion capture in virtual production expands, OptiTrack™ continues to offer game developers and animation studios optical tracking technology that is priced to meet an independent budget, but powerful enough to drive AAA development. GDC 2011 marks the release of a new advancement in accessible motion capture: the OptiTrack V120:Duo and V120:Trio tracking systems.
published 4 years ago   read more
The Malta Experience: projectiondesign® brings Malta’s vivid history to the fore
Culture centre benefits from local support and high-performance imaging from projectiondesign® F22 projectors
ptly located in the country’s capital city Valletta, ‘The Malta Experience’ has satisfied over 4.5 million visitors since inception back in 1980.
published 4 years ago   read more
Boris FX Releases Boris AAF Transfer Version 2
News: Boris FX Releases Boris AAF Transfer Version 2Bidirectional Sequence Transfer Tool for Apple Final Cut Pro and Avid
Boris FX, the leading developer of integrated effects technology for video and film, today announced the availability of Boris AAF Transfer Version 2, a set of two Apple Final Cut Pro plug-ins for transferring sequences between Final Cut Pro and Avid editing and finishing systems. One of the plug-ins exports Avid-compatible AAF format files from Final Cut Pro to Avid editing and finishing systems. The other plug-in imports AAF format files from Avid editing and finishing systems to Final Cut Pro.
published 4 years ago   read more
Big Pic Media Brings State-of-the-Art Digital Workflow to BVE 2011
Introducing the Technologies that are Transforming Film and Broadcast Production
Big Pic Media, a worldwide resource for industry-leading postproduction products and services will be exhibiting at the BVE Expo in London on Feb. 15-17 (Stand L.52). BVE is Britain's largest film and broadcast tradeshow. In 2010, BVE drew well over 12,000 visitors and nearly 250 distributors, manufacturers and resellers.
published 4 years ago   read more
MTI Film Debuts New Facility
MTI Film has recently moved to a new, larger facility and expanded its services offerings to include Television, Film and Commercial Post-Production. CEO Larry Chernoff has put together an experienced team of experts to oversee the cutting-edge technology MTI has assembled to create a unique all-digital workflow.
published 4 years ago   read more
Brickyard VFX and Company 3 Team Up to Offer Virtual Telecine in Full HD
Boston VFX boutique provides real-time remote color-grading in HD with CO3 artists
Brickyard VFX in Boston, MA announced today that it is offering full HD Virtual Telecine sessions with Company 3 in Los Angeles, CA.
published 4 years ago   read more
Media 100 Suite Version 1.6 Now Available
Expanded Support for Tapeless Digital Formats, New Support for Adobe After Effects CS5
Media 100, a leading provider of advanced editing systems for the corporate, broadcast, postproduction, and new media industries, today announced that Media 100 Suite Version 1.6 is now available.
published 4 years ago   read more
Calibrated Software Introduces AVC-Intra Decoding Tool
New Product Expands AVC-Intra-Based Post Production by Providing Easy, High-Quality Solution for Viewing and Working with AVC-Intra Files on Multiple Platforms
Calibrated Software, an innovator of applications and plug-ins for video, asset management and mobile platforms, today introduced Calibrated{Q} AVC-Intra Decode, the most recent solution in the Calibrated{Q} product family of QuickTime components that enhance professional video workflows.
published 4 years ago   read more
Cine-tal announces cineSpace version 2.8
News: Cine-tal announces cineSpace version 2.8Colour management software suite for Acquisition, DI, Post-Production, Video Game Development and Exhibition offers new tools, new technology and increased support for 3rd party hardware and software. Available March 31st.
Cine-tal Systems, a developer of image monitoring and colour management solutions, announces a new release of the film and television industry's most widely adopted and flexible colour management solution, cineSpace v2.8.
published 4 years ago   read more
Colorfront Team Wins Academy Award®
Award-winning team now focusing on fresh challenges in streamlining motion picture production and post
Colorfront, one of the world’s most advanced digital intermediate (DI) and post production facilities, based in Budapest, Hungary, has announced that its software development team is to be honoured with a Scientific and Engineering Award® from the Academy of Motion Picture Arts and Sciences®.
published 5 years ago   read more
Calibrated Software Announces Importing and Decoding Tools to Speed HD Camera and Editing Workflows
Product Suite Bridges Post-Production Gaps with Native Editing of MXF and MP4 Files from Popular HD Cameras and Cross-Platform Viewing for Proprietary-Format QuickTime Media
Calibrated Software, an innovator of applications and plug-ins for video, asset management and mobile platforms, today announced an enhanced family of cross-platform tools to streamline and speed the process of viewing and using high-definition camera and other video files within popular post-production systems and editing packages.
published 5 years ago   read more
The Studio Acquires VICON T10 Motion Capture System
New York Design Facility Specializes in Animatics; Plans Expansion into 3D Animation with Advanced Mocap System
VICON, developer of Academy Award®-winning motion capture systems, today announced the sale and installation of its T10 motion capture system at graphic design and 2D animation company The Studio, located in New York City.
published 5 years ago   read more
Panasonic Announces High-Resolution BT-LH2550 Premium 25.5" LCD HD Monitor
1920 x 1200 Resolution Monitor Offers Wider Color Gamut with Six Color Settings, Ideal for Print, Graphics as well as Broadcast and Production Environments
Panasonic announced the immediate availability of its new high-resolution BT-LH2550 LCD HD production monitor. With a full 1920 x 1200-pixel In-Plane Switching (IPS) panel, the 25.5” LCD production monitor features an expanded color gamut, exceeding the NTSC standard, to ensure vivid, true-to-life color for critical monitoring at a cost far less than premium-priced reference monitors.
published 6 years ago   read more
Cine-tal Systems to Showcase LCD Monitors, Portable Video and DI Processor, and Color Management Technology at IBC
At IBC 2008, Cine-tal Systems plans to display its entire line of display, image processing and color management solutions. Featured products will include DAVIO™, the company’s new, portable HD video and DI image processing system, which will be seen in Europe for the first time.
published 6 years ago   read more
JVC Introduces Monitor Calibration Software For Its Professional HD DT-V Series Monitors
JVC's new Monitor Calibration Software provides DT-V professional monitor users with the flexibility to adjust color temperature, gamma curves and luminance levels to accommodate specific application needs.
published 6 years ago   read more
Cine-tal’s Cinemage Helps Breathe Life into “Open Air”
Display System Used for On-Set Monitoring & Color Previsualization for Indie Drama
Cine-tal’s Cinemage HD calibrated display system was recently used during the production of Open Air, a political drama from Arcady Bay Entertainment, to perform instant review of data captured by a Sony F23 digital cinema camera and to apply color grading LUTs in real time on the set.
published 6 years ago   read more
Calibrated Software Ships Calibrated{Q} MXF Import Version 1.1
New Tool Enables Native P2 MXF Workflow in Apple Final Cut Pro
Calibrated Software, an innovator of applications and plug-ins for video, asset management, and mobile platforms, announced today the release of Calibrated{Q} MXF Import Version1.1.
published 6 years ago   read more
IRIDAS and Partners to Present End-to-End RAW Workflow at NAB 2008
Integration and Efficiency: Realizing the Promise of Digital Filmmaking Technologies
IRIDAS, an industry leader in integrative filmmaking technologies, will join a group of pioneering companies at NAB 2008 to present the "End-to-End Digital Workflow," demonstrating start-of-the-art RAW pipeline tools for production, post, and finishing.
published 6 years ago   read more
News: Cintel unveils new technology at IBC2007
Cintel, a leading provider of film scanning solutions, will be showcasing its latest technological advances at IBC this year and unveiling several products new to the global market on stand number 7.118.
published 7 years ago   read more
News: Kodak and Cintel join Forces to Improve Motion Picture Film Scanning
Continuing in its efforts to support the advancement of high quality scanning within the motion picture industry, Kodak has recently collaborated with Cintel to provide Cintel's diTTo customers with key Kodak scanning technology.
published 7 years ago   read more
News: SPIN Turns to FrameCycler 2007 for Uncompressed Playback
Site License Installed at Award-Winning VFX Facility's Toronto Location
IRIDAS, who introduced the first software-based solution for uncompressed playback in 2001, announced that SPIN Productions has added a universal site-license of FrameCycler Professional 2007 at its facility in Toronto.
published 7 years ago   read more
News: The Pixel Farm Releases PFClean 2.5
The Pre-Grade Tool Of Choice Continues To Get Better
PFClean, the resolution independent, automated film review and clean up system moves to version 2.5 at this year’s NAB.
published 7 years ago   read more
News: Cine-tal releases Cinemage software version 2.1 and SDK
New software release adds DVI and Standard Definition inputs--Now supporting 3D LUTs from Quantel iQ, Discreet Flame, Assimilate Scratch Kodak CMS, and FilmLight--Software Development Kit (SDK) provides extensible platform for custom software applications, automation and integration into existing software packages
Cine-tal, a leading developer in image processing, display and collaboration solutions, announced the release of version 2.1 software for the Cinemage intelligent display server. Cinemage 2.1 provides a host of new features and a software developer’s kit. An important new feature is the DVI input. With the DVI input Cinemage provides a calibrated desktop monitor and an HDSDI/SDI reference monitor integrated into a single package. Cinemage version 2.1 adds compatibility with standard definition video formats. Both standard definition and 720p video formats may be viewed pixel to pixel or scaled to full screen for optimum viewing accuracy.
published 8 years ago   read more
News: Divergent Media Introduces ScopeBox
The First Full-Featured Video Monitoring and Disk Recording Software Suite for the Mac
Divergent Media announced today the immediate availability of ScopeBox™, the first ever high-end suite of Mac-based image monitoring, capture, and analysis software for video production and post production. This unique solution replaces thousands of dollars of traditional hardware waveforms, vectorscopes, preview monitors and direct-to-disk recording tools.
published 8 years ago   read more
News: IRIDAS Comes Onboard at Industrial Light & Magic
Legendary Facility Standardizes on FrameCycler Professional for Uncompressed Playback
IRIDAS the industry leader in uncompressed playback and review technologies today announced that Industrial Light & Magic has purchased universal site licenses of FrameCycler Professional 3.5 for their facility in the Letterman Center in San Francisco, Lucasfilm Animation in Singapore, and the Skywalker Ranch in San Rafael. Now artists at all three locations will have immediate access to uncompressed frame-based playback for review and analysis of their work on every workstation.
published 8 years ago   read more
Avid Announces New Versions of Media Composer Adrenaline HD and Avid DS Nitris
HD, DI, and Tapeless Workflow Capabilities Broaden Creative Choices for Film and Video Postproduction Professionals
Avid Technology, Inc. (NASDAQ: AVID) today announced the latest versions of the industry's leading postproduction solutions for advanced film and video professionals - the Media Composer® Adrenaline™ HD 2.1 system and the Avid® DS Nitris® 7.6 family.
published 9 years ago   read more
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Workflow Update: iMac, Adobe and the "X" Factor
Apple iMacs As I noted in my previous blog, the iMacs are fast becoming my machine of choice and the newest models are even more impressive than the two we have running. At this time, barring any major announcement from Apple that changes my mind, my plan is to replace...
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Post Production is NOT an afterthought. So why do so many clients treat it that way?
Why is it that Producers treat Post Production as an afterthought? As in, “I need to spend all my money on Production so it looks great, but the editing we can do on the cheap.” The editor is the LAST person to touch your film. As in the person who...
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Calibrated {Q} Another native MXF importer
Here's something interesting. An app that gives you native MXF in all QuickTime applications including FCP. Calibrated Software's unique solution successfully joins the separate video and audio P2 MXF files so that Final Cut Pro sees them all as ONE file - complete with TimeCode and Reel Name. PullDown can...
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