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News : Codex ARRIRAW Onboard

Multiple Codex Recorders And Workflow Systems Prove Pivotal On X-Men: Days Of Future Past
News: Multiple Codex Recorders And Workflow Systems Prove Pivotal On X-Men: Days Of Future PastCodex has revealed that multiple Codex recording and workflow technologies were used at the heart of the production to post pipeline on 20th Century Fox’s latest superhero movie "X-Men: Days Of Future Past." A combination of Codex Onboard Recorders, in-camera XR recording, and Vault systems, enabled the filmmakers to deploy a variety of ARRI Alexa cameras, shooting both native 3D and 2D using ARRIRAW, and to maximise image quality on-set and during post production.
published 2 months ago   read more
Codex At The Movies In Spring 2014
News: Codex At The Movies In Spring 2014Codex recording and workflow technologies were used in the production of a wide range of Hollywood studio and independent motion pictures on release in the coming months – from touching teenage romances and dance comedies, to high-octane racing dramas and VFX-laden sci-fi fantasies.
published 4 months ago   read more
Codex In 2014 Awards Season
News: Codex In 2014 Awards SeasonCodex digital recording and workflow products harnessed by nine motion pictures in 2014 Oscar, Golden Globe, BAFTA and ASC Awards nominations
Codex is delighted to announce that its digital workflow and recording products were extensively used in the production pipelines of nine motion pictures nominated at the prestigious 2014 Oscar, Golden Globe, BAFTA and American Society of Cinematographers (ASC) awards.
published 6 months ago   read more
Camerimage 2013 Award Winners Deliver On-Screen Magic With Codex
News: Camerimage 2013 Award Winners Deliver On-Screen Magic With CodexGolden and Silver Frog, both 3D winners, plus special screeners all shot with Codex workflows
Codex has issued congratulations to the multiple award-winning cinematographers whose digital features, photographed using Codex recording platforms, won in competition at the 2013 Camerimage Festival of Cinematography. Six movies, with budgets ranging from $1m to $100m, screened at the festival with the cinematographers reporting significant on-screen gains having used Codex at the heart of their production workflows.
published 8 months ago   read more
Codex Desert Heat
News: Codex Desert HeatCinematographer John Seale Takes Codex into the Namibian Desert to capture “Mad Max: Fury Road.”
"Mad Max: Fury Road" is the fourth installment in writer/director George Miller’s post-apocalyptic action franchise. It is also the first digital film for cinematographer John Seale, whose storied career spans more than 30 years and such iconic titles as "Mosquito Coast," " Witness," "Dead Poets Society" and "Rain Man."
published 10 months ago   read more
Codex to Showcase New Products at IBC 2013-Hall 11, G-30
News: Codex to Showcase New Products at IBC 2013-Hall 11, G-30—Codex will demonstrate new products, including Codex Review, Vault 2 and Data Logger One at IBC 2013, September 13th to 17th at the RAI in Amsterdam.
published 10 months ago   read more
Cinematographer Lorenzo Hagerman Chooses Codex for Amat Escalante’s Thriller “Heli”
News: Cinematographer Lorenzo Hagerman Chooses Codex for Amat Escalante’s Thriller “Heli”
Mexican writer/director Amat Escalante won Best Director as this year’s Cannes Film Festival for his new thriller" Heli." The film is the eagerly-anticipated follow-up to Escalante’s previous films "Sangre" and "Los Bastardos" which similarly drew critical praise (and numerous festival awards) for their unflinching portraits of the lives of ordinary Mexicans. "Heli" is also one of the first films produced by Mexico’s burgeoning independent film industry to be captured with an ARRIRAW workflow based on ARRI’s Alexa camera and Codex’'s Onboard Recorder.
published 11 months ago   read more
Foerster and Emmerich Opt for Codex on “White House Down”
News: Foerster and Emmerich Opt for Codex on “White House Down”Director Roland Emmerich and award-winning cinematographer Anna Foerster, ASC used Codex Onboard Recorders on the Sony Pictures feature film "White House Down." The film stars Channing Tatum, Jamie Foxx and Maggie Gyllenhaal, and depicts a paramilitary invasion of the White House in Washington, DC.
published 1 year ago   read more
Codex to Show Vault 2 at Cine Gear in Hollywood
News: Codex to Show Vault 2 at Cine Gear in HollywoodThe new Codex/ARRI internal recording module for Alexa will also be on view.
Codex will demonstrate Vault 2, the latest iteration of its industry-leading line of location-based media management environments, at Cine Gear Expo, May 31 through June 2 in Hollywood. The Vault, which has been used on a number of recent feature productions including Marvel’s blockbuster Iron Man 3, now supports Sony’s F5 and F55 cameras. It also includes support for REDMAGs used by RED Epic and Scarlet cameras.
published 1 year ago   read more
John Toll, ASC Relies on Codex for "Iron Man 3"
News: John Toll, ASC Relies on Codex for "Iron Man 3"Master cinematographer John Toll, ASC recently made his first feature film foray into digital cinematography on" Iron Man 3": Revealing the Mandarin, Marvel Entertainment’s latest installment of the hugely successful Iron Man franchise. Toll, who won Oscars for Braveheart and Legends of theFall, and took home a third nomination for The Thin Red Line, teamed with director Shane Black and actor Robert Downey, Jr.
published 1 year ago   read more
XR Module ALEXA Upgrade For In-Camera ARRIRAW Recording
News: XR Module ALEXA Upgrade For In-Camera ARRIRAW RecordingConcurrent with its refresh of the ALEXA family with four new ALEXA XT models, ARRI is offering an upgrade that equips all existing ALEXA cameras with one of the major features of the XT configuration: the new XR Module (Xtended Recording), allows ARRIRAW – the highest quality image output from ALEXA – to be recorded in-camera to a state-of-the-art internal digital magazine. With no need for external recording devices, camera setups will be smaller, lighter, faster, more flexible, and less expensive.
published 1 year ago   read more
ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAW
News: ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAWARRI and Codex have co-developed a new upgrade option for all ALEXA cameras that allows internal recording of ARRIRAW up to 120 fps. The XR Module is an affordable new side panel with various in-camera recording options, replacing the current SxS Module. It allows ALEXA owners to embrace the latest advances in recording technologies without having to purchase a new camera, exemplifying the concept of modular upgradeability that was built into the ALEXA design from its very beginnings.
published 1 year ago   read more
Codex Travels the Globe with “Zero Dark Thirty”
News: Codex Travels the Globe with “Zero Dark Thirty”Codex recorders and digital labs support Codex/ARRIRAW workflow.
Codex digital cinema technology continues to prove its metal under the most challenging production conditions. Its latest test came on Zero Dark Thirty, Kathryn Bigelow’s gripping telling of the hunt for Osama bin Laden. Codex recorders and digital labs were employed to capture, manage and process camera data for a production that traveled to remote locations, accumulated huge amounts of original camera media, and shot some scenes in near-total darkness.
published 1 year ago   read more
Four Best Picture Nominees Captured by Codex
News: Four Best Picture Nominees Captured by CodexOscar nominees relying on Codex recorders and workflow systems include “Amour,” “Argo,” “Zero Dark Thirty,” “Life of Pi,” “Skyfall,” “Kon-Tiki” and “The Avengers.”
Four of the nine films nominated for this year’s Academy Award for Best Picture relied on Codex technology for digital recording and workflow management. They include Amour (Michael Haneke, director; Darius Khondji, cinematographer), Argo (Ben Affleck, director; Rodrigo Prieto, cinematographer), Zero Dark Thirty (Kathryn Bigelow, director; Greig Fraser, cinematographer) and Life of Pi (Ang Lee, director; Claudio Miranda, cinematographer).
published 2 years ago   read more
Codex Fuels 3D Workflow for “Life of Pi”
News: Codex Fuels 3D Workflow for “Life of Pi”Codex recorders capture stereo streams from paired Arri Alexa cameras used to shoot the 3D movie.
Codex technology occupied a key position in a groundbreaking 3D workflow used in the production of Life of Pi, the new, epic adventure film from 20th Century Fox and Academy Award-winning director Ang Lee. Codex recorders were used on the set to capture dual streams of data from pairs of Arri Alexa cameras used to shoot the movie. Additionally, Codex digital laboratory systems were employed near-set to manage and back-up the enormous amount of data generated by the stereo production.
published 2 years ago   read more
"Cuban Fury" Streamlines On-Set Workflow With Codex's The Vault
News: "Cuban Fury" Streamlines On-Set Workflow With Codex's The VaultStudioCanal comedy is one of the first film productions to use new standalone workflow solution.
The move to digital acquisition has transformed many film and television sets into something akin to the control center for a moon launch as they have taken on a hoard of high-tech equipment for capturing, storing, processing and backing-up digital camera data. Not so with Cuban Fury, StudioCanal’s new romantic comedy, which was among the first film productions to use The Vault, Codex’s new on-set digital laboratory solution that reduces the technology required to manage camera data to a single box the size of a small suitcase.
published 2 years ago   read more
Colorfront Wins Emmy Award For On-Set Dailies
News: Colorfront Wins Emmy Award For On-Set DailiesColorfront On-Set Dailies continues to dominate file-based production on major motion pictures and episodic TV shows
Academy Award-winning developer Colorfront today announced it has been awarded a 2012 Primetime Engineering Emmy from the Academy Of Television Arts And Sciences for Colorfront On-Set Dailies, the market-leading on-set dailies system for motion picture and TV production.
published 2 years ago   read more
Codex Powers ARRIRAW Workflow for French/Italian Thriller “The Lookout”
News: Codex Powers ARRIRAW Workflow for French/Italian Thriller “The Lookout”The Lookout (Le Guetteur), the new French-language crime thriller from Italian director Michele Placido (Crime Novel, Angel of Death) is a riveting tale of bank robbers, a sniper and hard-nosed cops that plays out in the meanest streets of Paris—it’s also one of the latest films to employ the Codex/ARRIRAW workflow.
published 2 years ago   read more
"Lawless" Captured on Codex
News: "Lawless" Captured on CodexAnnapurna Pictures employed Codex recording and workflow technology during the production of Lawless, the new film, directed by John Hillcoat and starring Shia LaBeouf and Tom Hardy, about a bootlegging operation in the Depression-era South. The film is slated for release August 29th by The Weinstein Company.
published 2 years ago   read more
Codex Announces Onboard S Support For Canon Cinema RAW
News: Codex Announces Onboard S Support For Canon Cinema RAWCodex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its compact Onboard S recorder supports Canon Cinema RAW. Codex will demonstrate the Onboard S (and other products) at IBC 2012 in Amsterdam (Stand 11.F41). It will be the first time that the Onboard S will be seen at a European tradeshow.
published 2 years ago   read more
Framewright/Codex On-Set Color Solution Used on “Hope Springs”
News: Framewright/Codex On-Set Color Solution Used on “Hope Springs”As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to “pre-visualize” color on the set in order to have better control over the look of their footage from dailies through post production.
published 2 years ago   read more
Mike Leigh’s Olympics Film “A Running Jump” Captured on Codex
News: Mike Leigh’s Olympics Film “A Running Jump” Captured on CodexCodex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that Codex Onboard Recorders were used with ARRI Alexa cameras on Mike Leigh’s short film A Running Jump.
published 2 years ago   read more
Cinegear 2012: Codex to Showcase Recording and Workflow Solutions
News: Cinegear 2012: Codex to Showcase Recording and Workflow SolutionsCodex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.
published 2 years ago   read more
Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI ALEXA camera and the Codex ARRIRAW recorder.
published 2 years ago   read more
"Marvel’s The Avengers" Employs Codex/ARRIRAW Workflow
Director Joss Whedon and Cinematographer Seamus McGarvey, ASC, BSC recently employed ARRI Alexa cameras in a Codex/ARRIRAW workflow to capture principal photography for "Marvel’s The Avengers". Produced by Marvel Studios, the eagerly-awaited Super Hero saga is slated for a May 4th release in the U.S. by Walt Disney Studios.
published 2 years ago   read more
Keanu Reeves’ "Man Of Tai Chi" Employs Codex/Arriraw Workflow
Codex digital recorders and image processing technology are being used in the production of "Man of Tai Chi", currently shooting in China.
published 2 years ago   read more
Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI Alexa camera and the Codex ARRIRAW recorder.
published 2 years ago   read more
Codex Digital Offers Full Support for ARRI Alexa Studio
Codex Digital now offers full support for ARRI's Alexa Studio with Codex ARRIRAW Plus and the Codex Onboard recorders, which can record up to 48 frames per second of ARRIRAW from the Alexa Studio in 4:3, using Codex' new high speed Data Packs. The company is also readying the debut of the Codex Vault at NAB 2012.
published 2 years ago   read more
Codex Introduces Support for ARRI Alexa Studio
News: Codex Introduces Support for ARRI Alexa StudioCodex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces full support for the new ARRI Alexa Studio.
published 2 years ago   read more
Codex and ARRIRAW Mark a Breakthrough Year in 2011
News: Codex and ARRIRAW Mark a Breakthrough Year in 201150 feature films shot with the ALEXA/CODEX/ARRIRAW workflow.
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that Codex Onboard Recorders have been used on approximately 50 feature films in 2011.
published 3 years ago   read more
"Extremely Loud and Incredibly Close" Employs Codex/ARRIRAW Workflow
News: "Extremely Loud and Incredibly Close" Employs Codex/ARRIRAW Workflow"Extremely Loud and Incredibly Close", director Stephen Daldry’s film slated for a Christmas day limited release from Warner Bros. Pictures, expanding to wide release January 20th, was the first major studio production to shoot with the ARRI ALEXA camera in a Codex/ARRIRAW workflow. It was also the first digitally captured film for veteran cinematographer Chris Menges, ASC, BSC.
published 3 years ago   read more
FSI Introduces Custom Monitor Scaling Mode for Codex ARRIRAW Onboard Recorders
Flanders Scientific is pleased to announce that firmware version 9.43 is now shipping on all new FSI monitors and is available for download to all existing customers.
published 3 years ago   read more
Codex and ARRIRAW in Production
Principal photography has now been completed on some of the first movies to utilize an ARRI Alexa/Codex ARRIRAW workflow, whilst production continues on many others around the world.
published 3 years ago   read more
Codex and ARRI announce 60fps ARRIRAW
News: Codex and ARRI announce 60fps ARRIRAWCODEX SUPPORTS 60fps ARRIRAW ON ALEXA
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that they have introduced 60fps ARRIRAW capture on the Codex Onboard Recorder.
published 3 years ago   read more
The Camera House Acquires Codex Digital Technology to Support File-based Production
News: The Camera House Acquires Codex Digital Technology to Support File-based ProductionCalifornia-based The Camera House, a premier provider of camera equipment to the film and television industries, has made a major investment in digital recording and workflow technology from Codex Digital.
published 3 years ago   read more
Major Productions Rely On ALEXA ARRIRAW And Codex For Uncompromised Recording
The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
published 3 years ago   read more
Codex Digital, Assimilate to Demonstrate ARRIRAW Workflow at NAB
At NAB 2011, Codex Digital and Assimilate will conduct joint demonstrations of a new on-set workflow for ARRIRAW. The demonstrations will employ Codex’s Onboard Recorder and Transfer Station and Assimilate’s SCRATCH Lab, and will show the processing of ARRIRAW files (recorded with an ARRI Alexa camera) with visual quality checking, primary color grading, deliverables production, file back-up, and project management.
published 3 years ago   read more
ARRI and Codex Digital release OEM ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI to manufacture a Codex ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras. The new recorder will be marketed both directly and through ARRI’s worldwide reseller network. ARRI and its resellers will also be selling Codex camera mounts, datapacks and transfer stations.
published 3 years ago   read more
ARRI to Market Codex Digital ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, to manufacture a CODEX ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras.
published 3 years ago   read more
ARRI CSC to Offer Codex Recorders for Rental in the U.S
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that ARRI CSC, a subsidiary of ARRI, Inc. and the largest, full-service camera equipment rental group in the USA, has made a significant investment in Codex onboard recorders and other equipment and will soon have them available for rental.
published 3 years ago   read more
Codex Receives ARRIRAW Certification on the Alexa Camera
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that film and digital camera maker ARRI has awarded it an ARRIRAW T-Link (Transport Link) certificate confirming the ability of its recorders to record raw data from the ARRI Alexa film-style camera.
published 3 years ago   read more
Codex Digital Teams with Colorfront to Develop ARRIRAW Workflow for Features
News: Codex Digital Teams with Colorfront to Develop ARRIRAW Workflow for FeaturesCodex Digital technology used in tandem with Colorfront’s On-Set Dailies System during the production of “Styria,” the first film shot with ARRI Alexa to ARRIRRAW.
Codex Digital’s Digital Lab and Onboard Recorders were recently used in conjunction with a new On-Set Dailies solution, developed by Budapest-based Colorfront, to produce digital dailies and other deliverables on the set of Styria, a Hungarian feature film production that is believed to be the first ever shot with the ARRI Alexa camera in ARRIRAW format.
published 3 years ago   read more
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