| | | | Brant Fagan, SOC, Relies On Anton/Bauer Batteries For Film Production Around The Globe
 Cinematographer and Steadicam® Camera Operator Brant Fagan, SOC, has traveled the globe, working on countless films, episodic television programs, commercials and the occasional live event production. Working his way up through the ranks of the industry for the past 20 years, he has witnessed much technological change and evolution. And through it all, he has consistently employed batteries, chargers and Gold Mounts® from Anton/Bauer®, part of Vitec Videocom, a Vitec Group company and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video, film and healthcare technology industries.
published 3 weeks ago read more | | | | |
| | | | John Toll, ASC Relies on Codex for "Iron Man 3"
 Master cinematographer John Toll, ASC recently made his first feature film foray into digital cinematography on" Iron Man 3": Revealing the Mandarin, Marvel Entertainment’s latest installment of the hugely successful Iron Man franchise. Toll, who won Oscars for Braveheart and Legends of theFall, and took home a third nomination for The Thin Red Line, teamed with director Shane Black and actor Robert Downey, Jr.
published 1 month ago read more | | | | |
| | | | ARRI Pro Camera Accessories Bring ARRI Quality To More Setups
 With ARRI Pro Camera Accessories (PCA), cameras from a plethora of manufacturers can benefit from ARRI’s renowned ergonomic designs and robust quality. New PCA offerings complement cameras including ARRI ALEXA, Sony F5 and F55, Blackmagic Cinema Camera, Red Epic, 1DC/1DX/C Cameras from Canon, and many others.
published 1 month ago read more | | | | |
| | | | Codex Adds The Studio-B&H to Reseller Network
 Codex today announces that it has added New York City-based The Studio-B&H to its worldwide reseller network. The professional solutions division of electronics retailer B&H, The Studio-B&H will represent the full line of Codex products including its Onboard Recorders and Vault, its revolutionary, on-set media management system.
published 3 months ago read more | | | | |
| | | | Oscar Winners “Life of Pi”, “Argo”, “Amour” Captured by Codex
 Several feature productions that relied on Codex technology for digital recording and workflow management were among the winners last night at the Academy Awards. Life of Pi, which employed Codex Onboard Recorders and Transfer Stations, took home four Oscars, including the awards for Best Director (Ang Lee), Best Cinematography (Claudio Miranda) and Best Visual Effects (Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott). Best Picture winner Argo also employed Codex OnBoard Recorders, as did Amour, a winner for Best Foreign Language Film.
published 3 months ago read more | | | | |
| | | | XR Module ALEXA Upgrade For In-Camera ARRIRAW Recording
 Concurrent with its refresh of the ALEXA family with four new ALEXA XT models, ARRI is offering an upgrade that equips all existing ALEXA cameras with one of the major features of the XT configuration: the new XR Module (Xtended Recording), allows ARRIRAW – the highest quality image output from ALEXA – to be recorded in-camera to a state-of-the-art internal digital magazine. With no need for external recording devices, camera setups will be smaller, lighter, faster, more flexible, and less expensive.
published 3 months ago read more | | | | |
| | | | ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAW
 ARRI and Codex have co-developed a new upgrade option for all ALEXA cameras that allows internal recording of ARRIRAW up to 120 fps. The XR Module is an affordable new side panel with various in-camera recording options, replacing the current SxS Module. It allows ALEXA owners to embrace the latest advances in recording technologies without having to purchase a new camera, exemplifying the concept of modular upgradeability that was built into the ALEXA design from its very beginnings.
published 3 months ago read more | | | | |
| | | | Feature and Television Productions Captured by Codex Honored at BAFTA, ASC Awards
 “Skyfall,” “Life of Pi,” and “Game of Thrones” continue the Codex winning streak.
Feature film and television productions produced with Codex digital recording and workflow technology continue to rack up key technical and creative awards. At this year’s British Film Academy Awards (BAFTA) held this past Sunday in London, Skyfall took the Alexander Korda Award for Outstanding British Film of the Year, while Life of Pi won for Best Cinematography (Claudio Miranda, ASC) and Best Achievement in Special Visual Effects.
published 3 months ago read more | | | | |
| | | | Codex Travels the Globe with “Zero Dark Thirty”
 Codex recorders and digital labs support Codex/ARRIRAW workflow.
Codex digital cinema technology continues to prove its metal under the most challenging production conditions. Its latest test came on Zero Dark Thirty, Kathryn Bigelow’s gripping telling of the hunt for Osama bin Laden. Codex recorders and digital labs were employed to capture, manage and process camera data for a production that traveled to remote locations, accumulated huge amounts of original camera media, and shot some scenes in near-total darkness.
published 4 months ago read more | | | | |
| | | | Four Best Picture Nominees Captured by Codex
 Oscar nominees relying on Codex recorders and workflow systems include “Amour,” “Argo,” “Zero Dark Thirty,” “Life of Pi,” “Skyfall,” “Kon-Tiki” and “The Avengers.”
Four of the nine films nominated for this year’s Academy Award for Best Picture relied on Codex technology for digital recording and workflow management. They include Amour (Michael Haneke, director; Darius Khondji, cinematographer), Argo (Ben Affleck, director; Rodrigo Prieto, cinematographer), Zero Dark Thirty (Kathryn Bigelow, director; Greig Fraser, cinematographer) and Life of Pi (Ang Lee, director; Claudio Miranda, cinematographer).
published 4 months ago read more | | | | |
| | | | Codex Fuels 3D Workflow for “Life of Pi”
 Codex recorders capture stereo streams from paired Arri Alexa cameras used to shoot the 3D movie.
Codex technology occupied a key position in a groundbreaking 3D workflow used in the production of Life of Pi, the new, epic adventure film from 20th Century Fox and Academy Award-winning director Ang Lee. Codex recorders were used on the set to capture dual streams of data from pairs of Arri Alexa cameras used to shoot the movie. Additionally, Codex digital laboratory systems were employed near-set to manage and back-up the enormous amount of data generated by the stereo production.
published 5 months ago read more | | | | |
| | | | 4K London chooses Leader LV5330 and LV5380 test instruments
 4K London, one of Britain's most active providers of digital cinematography support services, has invested in Leader LV5330 and LV5380 multi-standard video signal analysers for integration into its high-specification electronic imaging systems. The sales were made via Leader's UK reseller Thameside TV which is based in Shepperton.
published 5 months ago read more | | | | |
| | | | Band Pro Announces Leica Set Delivery at One World Open House 2012
Band Pro Film & Digital has announced that a full Leica Summilux-C lens set will be presented to a leading rental house at their annual One World Open House event next week in Burbank, CA. This marks the first set delivery to the U.S. Mid-West region. Underscoring the increased delivery of Leica sets worldwide over the last year, Leica’s streamlined manufacturing process is credited with responding to the growing demand for these premiere lenses. Managing Director, Gerhard Baier, will be on hand at the December 13th event to make the presentation, and will be exhibiting Leica’s latest Summilux-C offerings: the 16mm, 29mm, 65mm, and 135mm focal lengths.
published 5 months ago read more | | | | |
| | | | Company 3 and EFILM Collaborate on Comprehensive Post Pipeline for James Bond Feature "Skyfall"
Award-winning post houses Company 3 (CO3) and EFILM joined forces to provide Eon Productions' newest James Bond feature "Skyfall"--the first digitally-shot film in the franchise--with a complete, integrated workflow, ensuring consistency from dailies through to digital intermediate (DI). Based on this model, the companies have branded their collaborative location service as EC3, which leverages the technology and personnel of both post houses.
published 6 months ago read more | | | | |
| | | | "Cuban Fury" Streamlines On-Set Workflow With Codex's The Vault
 StudioCanal comedy is one of the first film productions to use new standalone workflow solution.
The move to digital acquisition has transformed many film and television sets into something akin to the control center for a moon launch as they have taken on a hoard of high-tech equipment for capturing, storing, processing and backing-up digital camera data. Not so with Cuban Fury, StudioCanal’s new romantic comedy, which was among the first film productions to use The Vault, Codex’s new on-set digital laboratory solution that reduces the technology required to manage camera data to a single box the size of a small suitcase.
published 7 months ago read more | | | | |
| | | | Colorfront Wins Emmy Award For On-Set Dailies
 Colorfront On-Set Dailies continues to dominate file-based production on major motion pictures and episodic TV shows
Academy Award-winning developer Colorfront today announced it has been awarded a 2012 Primetime Engineering Emmy from the Academy Of Television Arts And Sciences for Colorfront On-Set Dailies, the market-leading on-set dailies system for motion picture and TV production.
published 7 months ago read more | | | | |
| | | | Codex Appoints Rainer Hercher As Development Manager For Europe And Asia
 Codex, the leading developer of digital media recorders and media management systems for film and television production, has appointed Rainer Hercher to the post of Business Development Manager for Europe and Asia. Formerly Managing Director of Band Pro, Munich, Hercher will lead the company’s customer relations and sales effort in film and television production markets across both continents.
published 8 months ago read more | | | | |
| | | | Codex Powers ARRIRAW Workflow for French/Italian Thriller “The Lookout”
 The Lookout (Le Guetteur), the new French-language crime thriller from Italian director Michele Placido (Crime Novel, Angel of Death) is a riveting tale of bank robbers, a sniper and hard-nosed cops that plays out in the meanest streets of Paris—it’s also one of the latest films to employ the Codex/ARRIRAW workflow.
published 8 months ago read more | | | | |
| | | | Codex Vault Will Support Sony F65 Workflow
 Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that the Sony SR-D1 SRMemory reader module for the Codex Vault will be shown for the first time at IBC 2012 in Amsterdam on the Sony booth (12.A10) and the Codex booth (11.F41).
published 8 months ago read more | | | | |
| | | | Cache-A Archive Appliances Go On-Set
 Cache-A safeguards camera assets for motion picture, broadcast and commercials productions
Cache-A Corporation, manufacturer of award-winning archiving appliances, has revealed details of how motion picture, broadcast and commercials producers are utilizing its LT0-5 tape-based archive appliances, with the latest LTFS capabilities, in on-set production environments to safeguard the increasing amounts of data and video-related media they generate daily. Cache-A is showing its full product range at IBC 2012, Amsterdam, at Booth 7.E06.
published 8 months ago read more | | | | |
| | | | "Lawless" Captured on Codex
 Annapurna Pictures employed Codex recording and workflow technology during the production of Lawless, the new film, directed by John Hillcoat and starring Shia LaBeouf and Tom Hardy, about a bootlegging operation in the Depression-era South. The film is slated for release August 29th by The Weinstein Company.
published 9 months ago read more | | | | |
| | | | Codex Announces Onboard S Support For Canon Cinema RAW
 Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its compact Onboard S recorder supports Canon Cinema RAW. Codex will demonstrate the Onboard S (and other products) at IBC 2012 in Amsterdam (Stand 11.F41). It will be the first time that the Onboard S will be seen at a European tradeshow.
published 9 months ago read more | | | | |
| | | | Framewright/Codex On-Set Color Solution Used on “Hope Springs”
 As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to “pre-visualize” color on the set in order to have better control over the look of their footage from dailies through post production.
published 10 months ago read more | | | | |
| | | | “Bayonet” Captured on Codex
 Independent short uses Codex Onboard recorder to create “studio quality” look.
Bayonet, a short political thriller from Bergen Films and Director Gregory Horoupian, recently completed principal photography using digital recording technology from Codex. The short was shot by cinematographer Lyle Vincent using an ARRI Alexa Studio camera paired with anamorphic lenses and a Codex Onboard M recorder.
published 10 months ago read more | | | | |
| | | | Cinegear 2012: Codex to Showcase Recording and Workflow Solutions
 Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.
published 12 months ago read more | | | | |
| | | | Captured On Alexa: "Avengers" Assemble Record-Breaking Weekend At Box Office
Directed by Joss Whedon and shot by cinematographer Seamus McGarvey ASC, BSC, THE AVENGERS, opened in the U.S. this weekend with $207.4 million, breaking the all-time weekend record set last summer by HARRY POTTER AND THE DEATHLY HALLOWS Part 2. The production was one of the very first to use the ARRI ALEXA Plus camera, relying on a total of four ALEXAs shooting ARRIRAW on Codex recorders to capture the iconic super hero team in action.
published 1 year ago read more | | | | |
| | | | Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI ALEXA camera and the Codex ARRIRAW recorder.
published 1 year ago read more | | | | |
| | | | "Marvel’s The Avengers" Employs Codex/ARRIRAW Workflow
Director Joss Whedon and Cinematographer Seamus McGarvey, ASC, BSC recently employed ARRI Alexa cameras in a Codex/ARRIRAW workflow to capture principal photography for "Marvel’s The Avengers". Produced by Marvel Studios, the eagerly-awaited Super Hero saga is slated for a May 4th release in the U.S. by Walt Disney Studios.
published 1 year ago read more | | | | |
| | | | Colorfront On-Set Dailies Is Premier Choice For Major Motion Pictures And Episodic TV Shows
On-Set Dailies dominates digital camera productions and 4K RAW workflows
Academy Award-winning developer Colorfront today released details of how its On-Set Dailies system has rapidly become the premiere choice for digital production dailies among major motion pictures and TV shows. The majority of features using Alexa ARRIRAW and F65RAW workflows, as well as high-profile HD episodic TV shows shooting ProRes, have all selected Colorfront On-Set Dailies.
published 1 year ago read more | | | | |
| | | | Colorfront Previews On-Set Dailies 2012 Summer Release
Next On-Set Dailies release extends industry-leading 4K dailies performance
Academy Award-winning developer Colorfront is previewing On-Set Dailies Summer 2012 release, the next version of its Award-winning on-set dailies system for motion picture and TV production, at NAB 2012. With this new release Colorfront continues to raise the quality bar, extend realtime 4K dailies capabilities, and broaden the reputation of On-Set Dailies as the dominant solution with the most advanced feature set of any dailies product.
published 1 year ago read more | | | | |
| | | | Colorfront Launches Transkoder Engine At NAB 2012
New workflow workhorse fits straight into existing facility architecture
– Academy Award-winning developer Colorfront has launched a new product line that automates fast, high-quality digital file conversion for studios and VFX facilities involved in motion picture and high-end TV production. The standalone Transkoder Engine is based on Colorfront’s award-winning On-Set Dailies architecture and uses cost-effective, commodity hardware, to deliver faster-than-realtime processing to transcode, decode, convert and process files for multiple deliverables.
published 1 year ago read more | | | | |
| | | | Colorfront Introduces Express Dailies At NAB 2012
New cost-effective system supports grading and data wrangling workflows for commercials, motion picture and TV productions
Academy Award-winning developer Colorfront today announced Express Dailies, a high-performance, affordable and easy-to-use dailies tool for commercials, motion picture and TV production workflows, and the first multi-license purchase of Express Dailies by Hollywood post facility Light Iron for its OUTPOST system.
published 1 year ago read more | | | | |
| | | | Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI Alexa camera and the Codex ARRIRAW recorder.
published 1 year ago read more | | | | |
| | | | Codex Announces Support For Canon Cinema EOS Cameras
Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its Onboard Recorders will support both the Canon Cinema EOS C300 and the new Canon Cinema EOS C500 and C500 PL digital cinematography cameras, which are currently under development.
published 1 year ago read more | | | | |
| | | | New ARRI Quality Pro Camera Accessories for NAB 2012
 With a wide range of modular matte boxes, follow focus units and support systems, ARRI is able to offer complete shooting kits for almost all types of digital cameras, from small, handheld units and HD-capable DSLRs, to broadcast HD and high-end digital cameras.
published 1 year ago read more | | | | |
| | | | Codex Digital Ships Vault S at NAB
 The Codex Vault series is the next generation, modular, location-based media management environment. Fast transfers, automated production management, full reporting, rugged design and a compact size make the Codex Vault the hub of any on-set or near-set file based workflow. The Codex Vault supports digital cinema cameras made by ARRI, Sony, Canon and other industry leaders. It is designed to eliminate much of the complexity involved in designing workflows while taking full advantage of the efficiencies of file-based production and the ability to share rich metadata. It provides a single, standardized workflow regardless of the camera with a simple, task-based user interface that anyone can use. It has the capability to generate deliverables in all formats required for dailies review, post production and archive.
published 1 year ago read more | | | | |
| | | | Codex Introduces New 4:4:4 Recorder
 Codex Debuts and Ships Onboard S Recorder
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces the latest addition to its product range, the Codex Onboard S Recorder.
published 1 year ago read more | | | | |
| | | | Colorfront On-Set Dailies Premier Choice for Movies & TV News
On-Set Dailies dominates digital camera productions and 4K RAW workflows
Academy Award-winning developer Colorfront today released details of how its On-Set Dailies system has rapidly become the premiere choice for digital production dailies among major motion pictures and TV shows. The majority of features using Alexa ARRIRAW and F65RAW workflows, as well as high-profile HD episodic TV shows shooting ProRes, have all selected Colorfront On-Set Dailies.
published 1 year ago read more | | | | |
| | | | Pictorvision First to Fly ALEXA M for ARRI Promo at NAB
 Pictorvision, which won an Academy of Motion Picture Arts and Sciences Scientific and Engineering Award this year for their innovative Eclipse system, was recently tapped by ARRI to help create a stunning in-booth promo to be shown at NAB 2012 in Las Vegas.
published 1 year ago read more | | | | |
| | | | Sony Professional Solutions to Open Digital Motion Picture Center at Sony Pictures Studios
Industry-wide Resource for Training and Education will Support Transition to Digital Workflows for Filmmakers
Sony’s Professional Solutions of America group (PSA) unveiled its Digital Motion Picture Center (DMPC) on Stage 7 last night at Sony Pictures Studios. Officially opening May 1, the Center will offer hands-on training for directors, cinematographers and other professionals in the film and television production industries on the use of Sony’s groundbreaking F65 CineAlta™ digital motion picture camera and the production workflows supporting this new, state-of-the art digital acquisition system.
published 1 year ago read more | | | | |
| | | | Codex Digital Offers Full Support for ARRI Alexa Studio
Codex Digital now offers full support for ARRI's Alexa Studio with Codex ARRIRAW Plus and the Codex Onboard recorders, which can record up to 48 frames per second of ARRIRAW from the Alexa Studio in 4:3, using Codex' new high speed Data Packs. The company is also readying the debut of the Codex Vault at NAB 2012.
published 1 year ago read more | | | | |
| | | | Codex Introduces Support for the Sony F65 Camera
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces an agreement with Sony to provide workflows for its ground-breaking F65 CineAlta™ digital motion picture camera.
published 1 year ago read more | | | | |
| | | | Codex and ARRIRAW Mark a Breakthrough Year in 2011
 50 feature films shot with the ALEXA/CODEX/ARRIRAW workflow.
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that Codex Onboard Recorders have been used on approximately 50 feature films in 2011.
published 1 year ago read more | | | | |
| | | | "Extremely Loud and Incredibly Close" Employs Codex/ARRIRAW Workflow
 "Extremely Loud and Incredibly Close", director Stephen Daldry’s film slated for a Christmas day limited release from Warner Bros. Pictures, expanding to wide release January 20th, was the first major studio production to shoot with the ARRI ALEXA camera in a Codex/ARRIRAW workflow. It was also the first digitally captured film for veteran cinematographer Chris Menges, ASC, BSC.
published 1 year ago read more | | | | |
| | | | Codex and ARRIRAW in Production
Principal photography has now been completed on some of the first movies to utilize an ARRI Alexa/Codex ARRIRAW workflow, whilst production continues on many others around the world.
published 2 years ago read more | | | | |
| | | | Codex and ARRI announce 60fps ARRIRAW
 CODEX SUPPORTS 60fps ARRIRAW ON ALEXA
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that they have introduced 60fps ARRIRAW capture on the Codex Onboard Recorder.
published 2 years ago read more | | | | |
| | | | Codex And P+S Technik Announce Collaboration
CODEX TO SUPPORT PS-Cam X35
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced a collaboration with P+S Technik to provide a workflow for the new PS-Cam X35 digital camera.
published 2 years ago read more | | | | |
| | | | Facilis T8 Storage Qualified by ASSIMILATE; Featured in IBC Demonstrations
Facilis Technology, a leader in advanced shared storage solutions for post-production and content creation, announced that its T8 direct-attached SAS storage system has been qualified by ASSIMILATE for its SCRATCH® Six and SCRATCH Lab™ digital cinema and broadcast imaging product line for Windows and Mac OS® X
published 2 years ago read more | | | | |
| | | | Major Productions Rely On ALEXA ARRIRAW And Codex For Uncompromised Recording
The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
published 2 years ago read more | | | | |
| | | | ASSIMILATE To Unveil Next Innovations Of SCRATCH Six and SCRATCH Lab at IBC 2011
Come meet the ASSIMILATE team and get the latest news!
ASSIMILATE (http://www.assimilateinc.com), the leading provider of powerful post-production tools for digital workflows, invites you to IBC 2011 to discover the latest exciting developments of SCRATCH® Six and SCRATCH Lab™, its end-to-end digital cinema and broadcast imaging product line for 2D/3D stereo post-production, on-location and VFX dailies workflows.
published 2 years ago read more | | | | |
| | | | Codex Digital, 5th Kind to Demonstrate Workflow for Processing and Distributing Camera Assets at NAB
At NAB 2011, Codex Digital and 5th Kind will demonstrate a new workflow for capturing, processing and managing digital assets from the camera to the screen. The demonstration will link Codex Digital’s Transfer Station, an on-set solution for dailies processing and deliverables production, with 5th Kind’s web-based production asset management system. The demonstration will be conducted at the Codex Digital Booth, C8615.
published 2 years ago read more | | | | |
| | | | Codex Digital, Assimilate to Demonstrate ARRIRAW Workflow at NAB
At NAB 2011, Codex Digital and Assimilate will conduct joint demonstrations of a new on-set workflow for ARRIRAW. The demonstrations will employ Codex’s Onboard Recorder and Transfer Station and Assimilate’s SCRATCH Lab, and will show the processing of ARRIRAW files (recorded with an ARRI Alexa camera) with visual quality checking, primary color grading, deliverables production, file back-up, and project management.
published 2 years ago read more | | | | |
| | | | Codex Digital to Demonstrate IIF/ACES Workflow at NAB
At NAB 2011, Codex Digital will demonstrate a first-of-its-kind dailies workflow for television and film utilizing the new IIF/ACES post production process. The demonstration will use Codex’ Onboard Recorder and Desktop Transfer Station to produce deliverables, with IIF/ACES dynamic range, for editorial, post production and dailies review. The demonstration will be conducted at the Codex Digital Booth, C8615.
published 2 years ago read more | | | | |
| | | | ARRI and Codex Digital release OEM ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI to manufacture a Codex ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras. The new recorder will be marketed both directly and through ARRI’s worldwide reseller network. ARRI and its resellers will also be selling Codex camera mounts, datapacks and transfer stations.
published 2 years ago read more | | | | |
| | | | Technicolor and Codex to Showcase Digital Production at NAB
 ASC Color Decision List at Heart of Digital Workflows
Technicolor (Euronext Paris: TCH), a worldwide provider of production and post-production services, and Codex Digital, a leading developer of digital media recorders and media management systems for film and television production, today revealed their plans to demonstrate a comprehensive digital production solution at the National Association of Broadcasters (NAB) Show 2011 in Las Vegas, Nevada April 11-14.
published 2 years ago read more | | | | |
| | | | Technicolor & FilmLight Join Forces to Provide On-Location Color
 Technicolor DP Lights™ Powered by Truelight to Launch at NAB
Technicolor (Euronext Paris: TCH), a worldwide provider of production and post-production services, and FilmLight, a developer of film scanning, color grading and color management technology, today announced a technology alliance to grow their respective presence on motion picture and broadcast production sets, bringing together their respective industry leading color grading solutions.
published 2 years ago read more | | | | |
| | | | ARRI to Market Codex Digital ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, to manufacture a CODEX ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras.
published 2 years ago read more | | | | |
| | | | ARRI CSC to Offer Codex Recorders for Rental in the U.S
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that ARRI CSC, a subsidiary of ARRI, Inc. and the largest, full-service camera equipment rental group in the USA, has made a significant investment in Codex onboard recorders and other equipment and will soon have them available for rental.
published 2 years ago read more | | | | |
| | | | Codex Receives ARRIRAW Certification on the Alexa Camera
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that film and digital camera maker ARRI has awarded it an ARRIRAW T-Link (Transport Link) certificate confirming the ability of its recorders to record raw data from the ARRI Alexa film-style camera.
published 2 years ago read more | | | | |
| | | | Codex Digital Teams with Colorfront to Develop ARRIRAW Workflow for Features
 Codex Digital technology used in tandem with Colorfront’s On-Set Dailies System during the production of “Styria,” the first film shot with ARRI Alexa to ARRIRRAW.
Codex Digital’s Digital Lab and Onboard Recorders were recently used in conjunction with a new On-Set Dailies solution, developed by Budapest-based Colorfront, to produce digital dailies and other deliverables on the set of Styria, a Hungarian feature film production that is believed to be the first ever shot with the ARRI Alexa camera in ARRIRAW format.
published 2 years ago read more | | | | |
| | | | Santa Monica’s Tunnel Post Launches Digital Dailies Service via Codex Digital Lab
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that Tunnel Post, a full-service, all-digital post production house based in Santa Monica, California, has purchased its Digital Lab system and will make it the hub of a new digital laboratory service for commercials, television shows and feature films.
published 2 years ago read more | | | | |
| | | | ALEXA Steps Out at NAB: Advanced Camera System Offers Highest Dynamic Range and ProRes Capture
 After much anticipation, ARRI is pleased to unveil ALEXA -- the first model in a new generation of digital cameras for feature, television, commercial, documentary, music video production and more. Compact, ergonomic and lightweight on one hand, robust with ARRI’s legendary reliability on the other, ALEXA’s new Super 35 format sensor delivers amazing images with a base sensitivity of EI 800, low noise and an unsurpassed dynamic range of 13.5 stops. ARRI Imaging Technology (AIT) captures organic, film-like images unlike any digital camera, with natural color rendition and pleasing skin tones.
published 3 years ago read more | | | | |
| | | | Codex Digital Named As Supplier For Sohonet ‘Vessel’digital NEG Service
Codex Digital, specialist in high-resolution media recording systems, has been become a preferred supplier for Vessel, a pioneering digital negative management service for feature productions launched by Sohonet Solutions, the workflow consultancy division of high-speed data connectivity service Sohonet.
published 4 years ago read more | | | | |
| | | | Codex Digital Debuts New Transfer Station At NAB 2009
Complete portable recording and dailies transfer system eradicates tape workflow roadblocks
Codex Digital, specialist in high-resolution media recording systems, arrives at NAB 2009 in an upbeat mood, with its media recording products ensconced on a variety of flagship broadcast and motion picture productions, and a new product combination launching that could spell the end of tape-based acquisition.
published 4 years ago read more | | | | |
| | | | Codex Digital Expands In U.S. With Media Distributors
Leading professional video services and systems provider to sell Codex products
Codex Digital, specialist in high-resolution media recording systems, has signed a reseller agreement with Media Distributors, a leading provider of services, systems, and products for professional audio and video production across the U.S.
published 4 years ago read more | | | | |
| | | | Codex Digital Aims to Eradicate Tape 'Workflow Roadblocks'
 Codex Digital will be c/o BandPro #C10408 at NAB 2009
Codex Digital arrives at NAB 2009 in an upbeat mood, with its media recording products ensconced on a variety of flagship broadcast and motion picture productions, and a new product combination launching that could spell the end of tape-based acquisition.
published 4 years ago read more | | | | |
| | | | Band Pro Hosts One World on HD '07
December 13, 2007 is the date for Band Pro's Annual “One World on HD '07” Open House dedicated to showcasing the newest in HD technology. Band Pro is inviting leading artists, technicians and innovators to share ideas and check out the latest in High Definition technology in a casual atmosphere.
published 6 years ago read more | | | | |
| | | | |  Articles and Tutorials: Zero Dark Thirty’s Pipeline Partners Digilab and CodexLondon-based workflow provider Digilab and manufacturer Codex teamed up to create a rock-solid pipeline for Zero Dark Thirty, which shot in rugged conditions on location in India and Jordan. Digilab's James Eggleton and Codex's Marc Dando describe how they created a custom pipeline to meet the production's needs.Read Article Subscribe Codex Digital Offers Full Support for ARRI Alexa StudioCodex Digital now offers full support for ARRI's Alexa Studio with Codex ARRIRAW Plus and the Codex Onboard recorders, which can record up to 48 frames per second of ARRIRAW from the Alexa Studio in 4:3, using Codex' new high speed Data Packs. The company is also readying the debut of the Codex Vault at NAB 2012.Read Article Subscribe Codex Digital debuts on-set lab for RED, ARRI and SonyThousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Debra Kaufman found at NAB 2011, Codex Digital unveiled The Vault, a standalone solution with its own internal drives, providing a single, standardized workflow for productions employing multiple camera systems. IIF/ACES dailies workflow also demonstrated.Read Article Subscribemore articles » Blogs: NAB 2013 - Day 3 - 5 PMThe traffic on the NAB floor show is usually much lighter than Monday and Tuesday, but today the aisles were still as crowded as the first two days of the show. That's a surprise, and a pleasant one, especially since this is not a "big news" NAB. Thursday is traditionally...Read Blog Subscribemore blogs »Related Tags | | | | |
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