| | | | News : Codex Onboard Recorder | | | | |
| | | | Codex to Show Vault 2 at Cine Gear in Hollywood
 The new Codex/ARRI internal recording module for Alexa will also be on view.
Codex will demonstrate Vault 2, the latest iteration of its industry-leading line of location-based media management environments, at Cine Gear Expo, May 31 through June 2 in Hollywood. The Vault, which has been used on a number of recent feature productions including Marvel’s blockbuster Iron Man 3, now supports Sony’s F5 and F55 cameras. It also includes support for REDMAGs used by RED Epic and Scarlet cameras.
published 4 weeks ago read more | | | | |
| | | | ARRI Pro Camera Accessories Bring ARRI Quality To More Setups
 With ARRI Pro Camera Accessories (PCA), cameras from a plethora of manufacturers can benefit from ARRI’s renowned ergonomic designs and robust quality. New PCA offerings complement cameras including ARRI ALEXA, Sony F5 and F55, Blackmagic Cinema Camera, Red Epic, 1DC/1DX/C Cameras from Canon, and many others.
published 2 months ago read more | | | | |
| | | | ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAW
 ARRI and Codex have co-developed a new upgrade option for all ALEXA cameras that allows internal recording of ARRIRAW up to 120 fps. The XR Module is an affordable new side panel with various in-camera recording options, replacing the current SxS Module. It allows ALEXA owners to embrace the latest advances in recording technologies without having to purchase a new camera, exemplifying the concept of modular upgradeability that was built into the ALEXA design from its very beginnings.
published 4 months ago read more | | | | |
| | | | Codex Travels the Globe with “Zero Dark Thirty”
 Codex recorders and digital labs support Codex/ARRIRAW workflow.
Codex digital cinema technology continues to prove its metal under the most challenging production conditions. Its latest test came on Zero Dark Thirty, Kathryn Bigelow’s gripping telling of the hunt for Osama bin Laden. Codex recorders and digital labs were employed to capture, manage and process camera data for a production that traveled to remote locations, accumulated huge amounts of original camera media, and shot some scenes in near-total darkness.
published 5 months ago read more | | | | |
| | | | Four Best Picture Nominees Captured by Codex
 Oscar nominees relying on Codex recorders and workflow systems include “Amour,” “Argo,” “Zero Dark Thirty,” “Life of Pi,” “Skyfall,” “Kon-Tiki” and “The Avengers.”
Four of the nine films nominated for this year’s Academy Award for Best Picture relied on Codex technology for digital recording and workflow management. They include Amour (Michael Haneke, director; Darius Khondji, cinematographer), Argo (Ben Affleck, director; Rodrigo Prieto, cinematographer), Zero Dark Thirty (Kathryn Bigelow, director; Greig Fraser, cinematographer) and Life of Pi (Ang Lee, director; Claudio Miranda, cinematographer).
published 5 months ago read more | | | | |
| | | | "Cuban Fury" Streamlines On-Set Workflow With Codex's The Vault
 StudioCanal comedy is one of the first film productions to use new standalone workflow solution.
The move to digital acquisition has transformed many film and television sets into something akin to the control center for a moon launch as they have taken on a hoard of high-tech equipment for capturing, storing, processing and backing-up digital camera data. Not so with Cuban Fury, StudioCanal’s new romantic comedy, which was among the first film productions to use The Vault, Codex’s new on-set digital laboratory solution that reduces the technology required to manage camera data to a single box the size of a small suitcase.
published 8 months ago read more | | | | |
| | | | Codex Appoints Rainer Hercher As Development Manager For Europe And Asia
 Codex, the leading developer of digital media recorders and media management systems for film and television production, has appointed Rainer Hercher to the post of Business Development Manager for Europe and Asia. Formerly Managing Director of Band Pro, Munich, Hercher will lead the company’s customer relations and sales effort in film and television production markets across both continents.
published 9 months ago read more | | | | |
| | | | Codex Vault Will Support Sony F65 Workflow
 Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that the Sony SR-D1 SRMemory reader module for the Codex Vault will be shown for the first time at IBC 2012 in Amsterdam on the Sony booth (12.A10) and the Codex booth (11.F41).
published 9 months ago read more | | | | |
| | | | Codex Announces Onboard S Support For Canon Cinema RAW
 Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its compact Onboard S recorder supports Canon Cinema RAW. Codex will demonstrate the Onboard S (and other products) at IBC 2012 in Amsterdam (Stand 11.F41). It will be the first time that the Onboard S will be seen at a European tradeshow.
published 10 months ago read more | | | | |
| | | | Framewright/Codex On-Set Color Solution Used on “Hope Springs”
 As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to “pre-visualize” color on the set in order to have better control over the look of their footage from dailies through post production.
published 10 months ago read more | | | | |
| | | | “Bayonet” Captured on Codex
 Independent short uses Codex Onboard recorder to create “studio quality” look.
Bayonet, a short political thriller from Bergen Films and Director Gregory Horoupian, recently completed principal photography using digital recording technology from Codex. The short was shot by cinematographer Lyle Vincent using an ARRI Alexa Studio camera paired with anamorphic lenses and a Codex Onboard M recorder.
published 11 months ago read more | | | | |
| | | | Cinegear 2012: Codex to Showcase Recording and Workflow Solutions
 Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.
published 1 year ago read more | | | | |
| | | | Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI ALEXA camera and the Codex ARRIRAW recorder.
published 1 year ago read more | | | | |
| | | | Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI Alexa camera and the Codex ARRIRAW recorder.
published 1 year ago read more | | | | |
| | | | Codex Announces Support For Canon Cinema EOS Cameras
Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its Onboard Recorders will support both the Canon Cinema EOS C300 and the new Canon Cinema EOS C500 and C500 PL digital cinematography cameras, which are currently under development.
published 1 year ago read more | | | | |
| | | | New ARRI Quality Pro Camera Accessories for NAB 2012
 With a wide range of modular matte boxes, follow focus units and support systems, ARRI is able to offer complete shooting kits for almost all types of digital cameras, from small, handheld units and HD-capable DSLRs, to broadcast HD and high-end digital cameras.
published 1 year ago read more | | | | |
| | | | Codex Introduces New 4:4:4 Recorder
 Codex Debuts and Ships Onboard S Recorder
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces the latest addition to its product range, the Codex Onboard S Recorder.
published 1 year ago read more | | | | |
| | | | Codex and ARRIRAW Mark a Breakthrough Year in 2011
 50 feature films shot with the ALEXA/CODEX/ARRIRAW workflow.
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that Codex Onboard Recorders have been used on approximately 50 feature films in 2011.
published 1 year ago read more | | | | |
| | | | Codex and ARRIRAW in Production
Principal photography has now been completed on some of the first movies to utilize an ARRI Alexa/Codex ARRIRAW workflow, whilst production continues on many others around the world.
published 2 years ago read more | | | | |
| | | | Codex and ARRI announce 60fps ARRIRAW
 CODEX SUPPORTS 60fps ARRIRAW ON ALEXA
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that they have introduced 60fps ARRIRAW capture on the Codex Onboard Recorder.
published 2 years ago read more | | | | |
| | | | Codex And P+S Technik Announce Collaboration
CODEX TO SUPPORT PS-Cam X35
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced a collaboration with P+S Technik to provide a workflow for the new PS-Cam X35 digital camera.
published 2 years ago read more | | | | |
| | | | Major Productions Rely On ALEXA ARRIRAW And Codex For Uncompromised Recording
The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
published 2 years ago read more | | | | |
| | | | Codex Digital, Assimilate to Demonstrate ARRIRAW Workflow at NAB
At NAB 2011, Codex Digital and Assimilate will conduct joint demonstrations of a new on-set workflow for ARRIRAW. The demonstrations will employ Codex’s Onboard Recorder and Transfer Station and Assimilate’s SCRATCH Lab, and will show the processing of ARRIRAW files (recorded with an ARRI Alexa camera) with visual quality checking, primary color grading, deliverables production, file back-up, and project management.
published 2 years ago read more | | | | |
| | | | Codex Digital to Demonstrate IIF/ACES Workflow at NAB
At NAB 2011, Codex Digital will demonstrate a first-of-its-kind dailies workflow for television and film utilizing the new IIF/ACES post production process. The demonstration will use Codex’ Onboard Recorder and Desktop Transfer Station to produce deliverables, with IIF/ACES dynamic range, for editorial, post production and dailies review. The demonstration will be conducted at the Codex Digital Booth, C8615.
published 2 years ago read more | | | | |
| | | | ARRI and Codex Digital release OEM ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI to manufacture a Codex ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras. The new recorder will be marketed both directly and through ARRI’s worldwide reseller network. ARRI and its resellers will also be selling Codex camera mounts, datapacks and transfer stations.
published 2 years ago read more | | | | |
| | | | ARRI to Market Codex Digital ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, to manufacture a CODEX ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras.
published 2 years ago read more | | | | |
| | | | ARRI CSC to Offer Codex Recorders for Rental in the U.S
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that ARRI CSC, a subsidiary of ARRI, Inc. and the largest, full-service camera equipment rental group in the USA, has made a significant investment in Codex onboard recorders and other equipment and will soon have them available for rental.
published 2 years ago read more | | | | |
| | | | Codex Receives ARRIRAW Certification on the Alexa Camera
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that film and digital camera maker ARRI has awarded it an ARRIRAW T-Link (Transport Link) certificate confirming the ability of its recorders to record raw data from the ARRI Alexa film-style camera.
published 2 years ago read more | | | | |
| | | | |  Blogs: Wow its Monday, where did IBC go ? Ok, I promised to bring back some info from IBC, however I did not expect the show that I had. The people that know me, I am a pretty busy guy come NAB time, until this year, IBC was much more laid back. Not this year, IBC was almost as...Read Blog Subscribemore blogs »Related Tags | | | | |
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