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News : Codex Onboard Recorder

Codex to Showcase New Products at IBC 2013-Hall 11, G-30
News: Codex to Showcase New Products at IBC 2013-Hall 11, G-30—Codex will demonstrate new products, including Codex Review, Vault 2 and Data Logger One at IBC 2013, September 13th to 17th at the RAI in Amsterdam.
published 7 months ago   read more
Cinematographer Lorenzo Hagerman Chooses Codex for Amat Escalante’s Thriller “Heli”
News: Cinematographer Lorenzo Hagerman Chooses Codex for Amat Escalante’s Thriller “Heli”
Mexican writer/director Amat Escalante won Best Director as this year’s Cannes Film Festival for his new thriller" Heli." The film is the eagerly-anticipated follow-up to Escalante’s previous films "Sangre" and "Los Bastardos" which similarly drew critical praise (and numerous festival awards) for their unflinching portraits of the lives of ordinary Mexicans. "Heli" is also one of the first films produced by Mexico’s burgeoning independent film industry to be captured with an ARRIRAW workflow based on ARRI’s Alexa camera and Codex’'s Onboard Recorder.
published 8 months ago   read more
Walking West Entertainment, Gnarlynow Entertainment Complete Principal Photography on Feature Documentary Why We Ride
Bryan H. Carroll Captures the Heart of the Motorcycle Community
Walking West Entertainment and Gnarlynow Entertainment have completed principal photography on Why We Ride, the first feature documentary of its kind in years to explore all aspects of the motorcycling community and its riders.
published 9 months ago   read more
Codex Provides Recording Technology for Douglas Trumbull’s 120 FPS Experimental Short “UFOTOG”
News: Codex Provides Recording Technology for Douglas Trumbull’s 120 FPS Experimental Short “UFOTOG”Filmmaking pioneer Douglas Trumbull recently used Codex recording technology in the production of UFOTOG, the world’s first high-frame rate (120 fps), stereoscopic 3D film. Trumbull and his production team at Trumbull Studios employed Codex Onboard S Recorders to capture 4K raw data from a pair of Canon C500 cameras, each shooting at 60 fps. The project, which is currently in post production, is designed to demonstrate the potential of high frame rate imagery and Trumbull’s vision for a new form of immersive cinematic entertainment.
published 9 months ago   read more
Codex to Show Vault 2 at Cine Gear in Hollywood
News: Codex to Show Vault 2 at Cine Gear in HollywoodThe new Codex/ARRI internal recording module for Alexa will also be on view.
Codex will demonstrate Vault 2, the latest iteration of its industry-leading line of location-based media management environments, at Cine Gear Expo, May 31 through June 2 in Hollywood. The Vault, which has been used on a number of recent feature productions including Marvel’s blockbuster Iron Man 3, now supports Sony’s F5 and F55 cameras. It also includes support for REDMAGs used by RED Epic and Scarlet cameras.
published 11 months ago   read more
ARRI Pro Camera Accessories Bring ARRI Quality To More Setups
News: ARRI Pro Camera Accessories Bring ARRI Quality To More SetupsWith ARRI Pro Camera Accessories (PCA), cameras from a plethora of manufacturers can benefit from ARRI’s renowned ergonomic designs and robust quality. New PCA offerings complement cameras including ARRI ALEXA, Sony F5 and F55, Blackmagic Cinema Camera, Red Epic, 1DC/1DX/C Cameras from Canon, and many others.
published 1 year ago   read more
ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAW
News: ARRI and CODEX Co-Develop XR Module For In-Camera ARRIRAWARRI and Codex have co-developed a new upgrade option for all ALEXA cameras that allows internal recording of ARRIRAW up to 120 fps. The XR Module is an affordable new side panel with various in-camera recording options, replacing the current SxS Module. It allows ALEXA owners to embrace the latest advances in recording technologies without having to purchase a new camera, exemplifying the concept of modular upgradeability that was built into the ALEXA design from its very beginnings.
published 1 year ago   read more
Codex Travels the Globe with “Zero Dark Thirty”
News: Codex Travels the Globe with “Zero Dark Thirty”Codex recorders and digital labs support Codex/ARRIRAW workflow.
Codex digital cinema technology continues to prove its metal under the most challenging production conditions. Its latest test came on Zero Dark Thirty, Kathryn Bigelow’s gripping telling of the hunt for Osama bin Laden. Codex recorders and digital labs were employed to capture, manage and process camera data for a production that traveled to remote locations, accumulated huge amounts of original camera media, and shot some scenes in near-total darkness.
published 1 year ago   read more
Four Best Picture Nominees Captured by Codex
News: Four Best Picture Nominees Captured by CodexOscar nominees relying on Codex recorders and workflow systems include “Amour,” “Argo,” “Zero Dark Thirty,” “Life of Pi,” “Skyfall,” “Kon-Tiki” and “The Avengers.”
Four of the nine films nominated for this year’s Academy Award for Best Picture relied on Codex technology for digital recording and workflow management. They include Amour (Michael Haneke, director; Darius Khondji, cinematographer), Argo (Ben Affleck, director; Rodrigo Prieto, cinematographer), Zero Dark Thirty (Kathryn Bigelow, director; Greig Fraser, cinematographer) and Life of Pi (Ang Lee, director; Claudio Miranda, cinematographer).
published 1 year ago   read more
"Cuban Fury" Streamlines On-Set Workflow With Codex's The Vault
News: "Cuban Fury" Streamlines On-Set Workflow With Codex's The VaultStudioCanal comedy is one of the first film productions to use new standalone workflow solution.
The move to digital acquisition has transformed many film and television sets into something akin to the control center for a moon launch as they have taken on a hoard of high-tech equipment for capturing, storing, processing and backing-up digital camera data. Not so with Cuban Fury, StudioCanal’s new romantic comedy, which was among the first film productions to use The Vault, Codex’s new on-set digital laboratory solution that reduces the technology required to manage camera data to a single box the size of a small suitcase.
published 1 year ago   read more
Codex Appoints Rainer Hercher As Development Manager For Europe And Asia
News: Codex Appoints Rainer Hercher As Development Manager For Europe And AsiaCodex, the leading developer of digital media recorders and media management systems for film and television production, has appointed Rainer Hercher to the post of Business Development Manager for Europe and Asia. Formerly Managing Director of Band Pro, Munich, Hercher will lead the company’s customer relations and sales effort in film and television production markets across both continents.
published 2 years ago   read more
Codex Vault Will Support Sony F65 Workflow
News: Codex Vault Will Support Sony F65 WorkflowCodex, the leading developer of digital media recorders and media management systems for film and television production, today announces that the Sony SR-D1 SRMemory reader module for the Codex Vault will be shown for the first time at IBC 2012 in Amsterdam on the Sony booth (12.A10) and the Codex booth (11.F41).
published 2 years ago   read more
Codex Announces Onboard S Support For Canon Cinema RAW
News: Codex Announces Onboard S Support For Canon Cinema RAWCodex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its compact Onboard S recorder supports Canon Cinema RAW. Codex will demonstrate the Onboard S (and other products) at IBC 2012 in Amsterdam (Stand 11.F41). It will be the first time that the Onboard S will be seen at a European tradeshow.
published 2 years ago   read more
Framewright/Codex On-Set Color Solution Used on “Hope Springs”
News: Framewright/Codex On-Set Color Solution Used on “Hope Springs”As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to “pre-visualize” color on the set in order to have better control over the look of their footage from dailies through post production.
published 2 years ago   read more
“Bayonet” Captured on Codex
News: “Bayonet” Captured on CodexIndependent short uses Codex Onboard recorder to create “studio quality” look.
Bayonet, a short political thriller from Bergen Films and Director Gregory Horoupian, recently completed principal photography using digital recording technology from Codex. The short was shot by cinematographer Lyle Vincent using an ARRI Alexa Studio camera paired with anamorphic lenses and a Codex Onboard M recorder.
published 2 years ago   read more
Cinegear 2012: Codex to Showcase Recording and Workflow Solutions
News: Cinegear 2012: Codex to Showcase Recording and Workflow SolutionsCodex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.
published 2 years ago   read more
Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI ALEXA camera and the Codex ARRIRAW recorder.
published 2 years ago   read more
Codex And ARRI Continue Successful Partnership
Codex, the leading developer of digital media recorders and media management systems for film and television production, and ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, have had an incredible year with the ARRI Alexa camera and the Codex ARRIRAW recorder.
published 2 years ago   read more
Codex Announces Support For Canon Cinema EOS Cameras
Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces that its Onboard Recorders will support both the Canon Cinema EOS C300 and the new Canon Cinema EOS C500 and C500 PL digital cinematography cameras, which are currently under development.
published 2 years ago   read more
New ARRI Quality Pro Camera Accessories for NAB 2012
News: New ARRI Quality Pro Camera Accessories for NAB 2012With a wide range of modular matte boxes, follow focus units and support systems, ARRI is able to offer complete shooting kits for almost all types of digital cameras, from small, handheld units and HD-capable DSLRs, to broadcast HD and high-end digital cameras.
published 2 years ago   read more
Codex Introduces New 4:4:4 Recorder
News: Codex Introduces New 4:4:4 RecorderCodex Debuts and Ships Onboard S Recorder
Codex, the leading developer of digital media recorders and media management systems for film and television production, today announces the latest addition to its product range, the Codex Onboard S Recorder.
published 2 years ago   read more
Codex Introduces Support for ARRI Alexa Studio
News: Codex Introduces Support for ARRI Alexa StudioCodex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces full support for the new ARRI Alexa Studio.
published 2 years ago   read more
Codex and ARRIRAW Mark a Breakthrough Year in 2011
News: Codex and ARRIRAW Mark a Breakthrough Year in 201150 feature films shot with the ALEXA/CODEX/ARRIRAW workflow.
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that Codex Onboard Recorders have been used on approximately 50 feature films in 2011.
published 2 years ago   read more
FSI Introduces Custom Monitor Scaling Mode for Codex ARRIRAW Onboard Recorders
Flanders Scientific is pleased to announce that firmware version 9.43 is now shipping on all new FSI monitors and is available for download to all existing customers.
published 2 years ago   read more
Codex and ARRIRAW in Production
Principal photography has now been completed on some of the first movies to utilize an ARRI Alexa/Codex ARRIRAW workflow, whilst production continues on many others around the world.
published 3 years ago   read more
Codex and ARRI announce 60fps ARRIRAW
News: Codex and ARRI announce 60fps ARRIRAWCODEX SUPPORTS 60fps ARRIRAW ON ALEXA
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced that they have introduced 60fps ARRIRAW capture on the Codex Onboard Recorder.
published 3 years ago   read more
Codex And P+S Technik Announce Collaboration
CODEX TO SUPPORT PS-Cam X35
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announced a collaboration with P+S Technik to provide a workflow for the new PS-Cam X35 digital camera.
published 3 years ago   read more
The Camera House Acquires Codex Digital Technology to Support File-based Production
News: The Camera House Acquires Codex Digital Technology to Support File-based ProductionCalifornia-based The Camera House, a premier provider of camera equipment to the film and television industries, has made a major investment in digital recording and workflow technology from Codex Digital.
published 3 years ago   read more
Major Productions Rely On ALEXA ARRIRAW And Codex For Uncompromised Recording
The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
published 3 years ago   read more
Codex Digital, Assimilate to Demonstrate ARRIRAW Workflow at NAB
At NAB 2011, Codex Digital and Assimilate will conduct joint demonstrations of a new on-set workflow for ARRIRAW. The demonstrations will employ Codex’s Onboard Recorder and Transfer Station and Assimilate’s SCRATCH Lab, and will show the processing of ARRIRAW files (recorded with an ARRI Alexa camera) with visual quality checking, primary color grading, deliverables production, file back-up, and project management.
published 3 years ago   read more
Codex Digital to Demonstrate IIF/ACES Workflow at NAB
At NAB 2011, Codex Digital will demonstrate a first-of-its-kind dailies workflow for television and film utilizing the new IIF/ACES post production process. The demonstration will use Codex’ Onboard Recorder and Desktop Transfer Station to produce deliverables, with IIF/ACES dynamic range, for editorial, post production and dailies review. The demonstration will be conducted at the Codex Digital Booth, C8615.
published 3 years ago   read more
ARRI and Codex Digital release OEM ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI to manufacture a Codex ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras. The new recorder will be marketed both directly and through ARRI’s worldwide reseller network. ARRI and its resellers will also be selling Codex camera mounts, datapacks and transfer stations.
published 3 years ago   read more
ARRI to Market Codex Digital ARRIRAW Recorder
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that it has reached an agreement with ARRI, the world's largest manufacturer and distributor of motion picture camera, digital intermediate and lighting equipment, to manufacture a CODEX ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras.
published 3 years ago   read more
ARRI CSC to Offer Codex Recorders for Rental in the U.S
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that ARRI CSC, a subsidiary of ARRI, Inc. and the largest, full-service camera equipment rental group in the USA, has made a significant investment in Codex onboard recorders and other equipment and will soon have them available for rental.
published 3 years ago   read more
Codex Receives ARRIRAW Certification on the Alexa Camera
Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today announces that film and digital camera maker ARRI has awarded it an ARRIRAW T-Link (Transport Link) certificate confirming the ability of its recorders to record raw data from the ARRI Alexa film-style camera.
published 3 years ago   read more
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Wow its Monday, where did IBC go ?
Ok, I promised to bring back some info from IBC, however I did not expect the show that I had. The people that know me, I am a pretty busy guy come NAB time, until this year, IBC was much more laid back. Not this year, IBC was almost as...
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