| | | | Major Update to Adobe Creative Cloud Now Available
Includes Next Generation of “CC” Desktop Applications and Delivers New Community and Publishing Capabilities
Adobe (Nasdaq:ADBE) today announced that a major update to Adobe® Creative Cloud™, the company’s flagship offering for creatives, is now available. Unveiled at Adobe MAX, The Creativity Conference, in early May and packed with new features, this Creative Cloud release reimagines the creative process through a stunning set of “CC” desktop applications and sophisticated cross-device collaboration and publishing capabilities. Creative files can be stored and shared, via Creative Cloud, on Mac OS, Windows, iOS and Android; and Behance, the world’s leading online creative community, is now integrated with Creative Cloud, so customers can showcase work, get feedback on projects and gain global exposure.
published 22 hours ago read more | | | | |
| | | | Mistika Brings Real-Time Grading Power In All Dimensions To Moscow At RSS Production
 Mistika brings Real-time Stereo broadcasting from stage to screen in Russia
Moscow-based RSS Production has invested in SGO's Mistika system to upgrade their newly launched post production studio predominantly for colour grading in 2D and Stereo 3D work. The Company provides technical and creative expertise in 2D and Stereo 3D film and television productions for commercials and documentaries and they also specialise in delivering corporate media events.
published 4 days ago read more | | | | |
| | | | Colorist Jack Lewars Joins Technicolor – PostWorks New York
 Technicolor – PostWorks, New York, Manhattan’s largest independent provider of post-production services, has brought on Jack Lewars as Senior Colorist. Lewars, who arrives with more than 80 features to his credit, will be available for feature and television projects both through Technicolor – PostWorks and through The Room, the finishing boutique located within the Technicolor – PostWorks facility.
published 1 week ago read more | | | | |
| | | | Digital Arts Trailblazes New Age Of Digital Audio And Picture Post Production In New York City
 In anticipation of the mass adoption of 4K/Ultra High Definition (UHD) technology worldwide, New York’s Digital Arts is blazing a trail in the feature and TV communities with the first true-4K post production facility on the East Coast. This ground-breaking advance fuses the latest 4K color grading and finishing capabilities with state-of-the-art audio technologies, in a landmark, ultra-modern, environment – unleashing new and exciting possibilities for feature and broadcast producers to create and deliver compelling 4K and UHD content.
published 2 weeks ago read more | | | | |
| | | | Colorflow Applies Theatrical Treatment to Concert Film “Electric Ascension”
 Colorflow recently provided color grading and other post production services for Electric Ascension, a full-length concert film documenting the Rova Saxophone Quartet's remarkable reimagining of John Coltrane's legendary 1965 free jazz recording Ascension. Lead Colorist Kent Pritchett applied the final grade, working alongside veteran documentary filmmaker John Rogers to give the piece a sparkling, feature-caliber look. Electric Ascension is slated to screen at film festivals and music events prior to its theatrical and home theater release later this year.
published 2 weeks ago read more | | | | |
| | | | HPA Awards Creative Category Early Bird Entry Fees Ends June 14
 Engineering Excellence, Creativity and Innovation Deadlines Also Approaching
The Hollywood Post Alliance has announced that several important deadlines are approaching for the 8th Annual HPA Awards Call for Entries. Early Bird pricing, which will end June 14, 2013, provides reduced entry fees for the Creative Categories. The Creative Categories cover feature film, television and commercials and include Outstanding Color Grading, Editing and Sound, as well as an expanded Visual Effects category, which replaces the Compositing categories. Regular, non-discounted entry fees will apply for these categories from June 15 through the final Creative Category entry deadline of July 12, 2013. The final entry deadlines for the HPA Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation are also nearing.
published 2 weeks ago read more | | | | |
| | | | Quantel Pablo Rio Takes Seagull Post To New Heights Of Performance And Interactivity
Top Italian post house enhances color correction and finishing services with Quantel
Rome-based post-production house, Seagull Post, has recently upgraded its Quantel Pablo 4K and Pablo PA to two of the latest Pablo Rio color correction and finishing systems. Seagull Post is built on 15 years of experience, offering services from scene to screen in 2D and S3D for the film, television and commercials markets. The facility has worked on 3D films including, ‘Com'è bello far l'amore’, the television series, ‘Intreatment’ for SKY, and documentary film, ‘Giuseppe Tornatore - Every Film My First Film’, as well as commercials for Ferrarelle and Salmoiraghi & Vigano.
published 2 weeks ago read more | | | | |
| | | | Canon Cinema EOS C100 Digital Video Camera Helps TV News Station Promos Stand Out With Cinematic Style
 As a former photojournalist, Director of Photography Erik Naso knew that large-format, single-sensor cameras provide the shallow depth of field he needed to create cinematic-style TV news promos. Because Naso wanted each spot to have a cinematic quality that differed from the station’s regularly aired ENG-style videos, Naso turned to a brand and toolset he was vastly familiar with from his time as a photojournalist, Canon U.S.A., Inc., a leader in digital imaging solutions. To create these promos with true cinematic quality, Naso chose a Canon Cinema EOS C100 digital video camera, which features an Emmy® Award winning technology: Canon’s Super 35mm CMOS Image Sensor. As a longtime user of digital SLR cameras – including Canon’s EOS 5D Mark II – Naso appreciated the ergonomic convenience of the EOS C100 camera, and its ability to use all of the Canon EF-Series photographic lenses he already owns.
published 2 weeks ago read more | | | | |
| | | | Arby’s New National Ad Campaign Shot on Blackmagic Cinema Camera
 Blackmagic Design today announced that Glendale, CA based production and post house Fisher Film Works used Blackmagic Cinema Camera to film Arby’s recent “King's Hawaiian Roast Beef Sandwich” commercial, a nationally syndicated co-promotion with Adult Swim. The television spot, which features an artist painting a picture of the sandwich, was also colored using Blackmagic Design’s DaVinci Resolve, the world’s most advanced color correction tool.
published 2 weeks ago read more | | | | |
| | | | Award Winning Film “The Lunchbox” Benefits from StorageDNA’s LTO/LTFS Solution
Producers save time and streamline workflow with The Bridge’s On-Set Lab powered by DNA Evolution for camera master archives and conforms from LTO
StorageDNA, Inc., a leader in intelligent storage and archiving workflow solutions for media professionals, today announced that The Bridge’s On-Set Lab is delivering significant performance increases and substantial cost and time savings with archive and retrieval workflow solution, DNA Evolution™ for several feature film projects in India including winner of the Cannes Film Festival’s International Critics Week Grand Rail d’Or Award, Ritesh Batra’s Dabba (The Lunchbox).
published 2 weeks ago read more | | | | |
| | | | Colorfront Unleashes Express Dailies 2013 At CineGear Expo
 Cutting-edge On-Set Live! grading plus Copy Central toolsets streamline end-to-end production workflows
CineGear Expo, Paramount Studios, Academy and Emmy Award-winning developer Colorfront (http://www.colorfront.com) is now shipping Express Dailies 2013, its high-performance on-set dailies system for commercials, motion picture and high-end episodic HD television production. This latest release delivers a new set of trailblazing productivity features that meet the demand for streamlined end-to-end dailies workflow, including On-Set Live! grading, plus verified copying, faster-than-realtime encoding of multiple deliverables, plus checksum verified ingest, copying and archival via the Copy Central™ capability.
published 3 weeks ago read more | | | | |
| | | | Alphadogs Finds Love With Zombie Bigfoots
 Color played a vital role in telling the suspenseful, yet humorous story of zombie bigfoots traipsing through the dark woods of Northern California.
Zombie bigfoots have taken over AlphaDogs in the comedic/horror film "Love In The Time Of Monsters." Directed by Matt Jackson., this outrageous tale of love follows two sisters as they travel to a cheesy tourist trap and battle toxic monsters dressed in bigfoot costumes to save the ones they love. While violent and scary at times, the premise of the story is about sacrifice, courage, and forgiveness.
published 3 weeks ago read more | | | | |
| | | | Jean-Pierre Jeunet's “The Young and Prodigious T.S. Spivet” - Graded in Mistika
““The French film industry is vibrant and growing with an increasing demand for Mistika owing to its reputation as a reliable, powerful colour grading asset. ...
SGO’'s Mistika was chosen by Digimage Cinema for the complete post production including colour grading of highly anticipated film, The Young and Prodigious T.S. Spivet, directed by award-winning French director Jean-Pierre Jeunet. It will be digitally re-mastered in the IMAX 3D format using Mistika, with plans for its début release on 16 October 2013 across IMAX theatres in France.
published 4 weeks ago read more | | | | |
| | | | Gavin Barclay Joins Bling Digital
 Former “Suits”/”Covert Affairs” Co-Producer to oversee expansion of on-set/near-set post-production services.
SIM Digital has appointed veteran television producer Gavin Barclay as Vice President of its Bling Digital unit. Barclay, whose television credits include such shows as "Suits, "Covert Affairs", "Nip/Tuck" and "Knight Rider", will oversee the expansion of Bling’s on-set and near-set post-production services, which include solutions for dailies processing, color grading, offline Avid rentals, online editorial and other operations. He will have both operational and client services responsibilities.
published 4 weeks ago read more | | | | |
| | | | Method Studios Appoints Chris Webb as Executive Producer in Chicago
 Webb To Focus On Supporting Both Commercial And Feature Markets
Visual effects house, Method Studios, a Deluxe Entertainment Services Group company, is pleased to announce the appointment of Chris Webb as Executive Producer of Method Chicago. Webb will work closely with Creative Director Gil Baron in the continued expansion of the Chicago office, which opened its doors in July 2012.
published 4 weeks ago read more | | | | |
| | | | FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
 - Latest solutions on display in Mexico from 04-07 June 2013 -
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading software and colour management systems can provide a 'colour pipeline' at every stage of production.
published 4 weeks ago read more | | | | |
| | | | Small Tree Shared Storage Plays Vital Role in Boutique Post-Production Company’s Rapid Growth
Company’s Flexible Storage Solution Handles Workflow Requirements
Originally founded in 2012 to handle post-production on two feature film projects, Prodigi House in Jakarta soon acquired additional clients – including Samsung and Honda – seeking support with TV commercials. With additional projects and tighter deadlines, the company installed a Titanium16 shared storage system from Small Tree, the leader in simple, affordable and powerful Ethernet-based shared storage solutions for professionals engaging in the creation, management and delivery of electronic media and entertainment content.
published 4 weeks ago read more | | | | |
| | | | Technicolor Announces Color Assist 1.5, Adds Support for Adobe After Effects
New Version Adds Powerful Tools for Fast, Professional Results, Plus a New Fully Functional Trial Version
Technicolor, a worldwide technology leader in the media and entertainment sector, today announced the latest version of Technicolor Color Assist, its video color correction and grading software package. Key improvements of version 1.5 include compatibility with Adobe® After Effects® and support for AVCHD video and still images, meeting the needs of an ever-expanding universe of creative artists.
published 1 month ago read more | | | | |
| | | | STS-GRIOT Gets Organized with Facilis TerraBlock SAN
 Michigan-based creative editorial boutique STS-GRIOT offers clients a complete post-production experience – delivering rough cuts, finishing, motion graphics, compositing, color grading, sound design and more. Award-winning editors at the mid-size studio collaborate with local and national ad agencies to deliver TV and web spots for high-profile companies such as Toyota, Ford, Chevy, Comcast and the US Navy.
published 1 month ago read more | | | | |
| | | | SCRATCH and SCRATCH Lab Are Key to Rolling Out Red Carpet for Cannes Film Festival 2013
ASSIMILATE Congratulates SCRATCH Artists on Festival de Cannes 2013 Entries
At the 66th Festival de Cannes, May 15 - 26, several films on the competition roster have been created by filmmakers whose post-production companies used ASSIMILATE’s SCRATCH® DI software in their digital workflows for conform, color grading, and finishing, and/or SCRATCH Lab® for their production dailies or VFX reviews. The Cannes Film Festival is the world’s premier showcase for independent and international filmmakers. (http://www.festival-cannes.fr/en.html)
published 1 month ago read more | | | | |
| | | | Bavaria Film GmbH Purchases ASSIMILATE SCRATCH Site License
 SCRATCH Site License Significantly Enhances Efficiency, Productivity and Creativity
ASSIMILATE®, a leading global provider of dailies and post-production tools for digital cinema and broadcast workflows, today announced that one of Europe’s largest production houses, Bavaria Film and D-Facto Motion, the creative house of Bavaria Film, have purchased a company-wide site license for ASSIMILATE’s SCRATCH® finishing software and SCRATCH Lab®, its advanced production dailies and VFX tool.
published 1 month ago read more | | | | |
| | | | NAIT and SGO form Educational Partnership to Equip Students with Cutting-edge Technology
 Mistika and NAIT unlock an exciting new vision together
NAIT, the second largest Polytechic in Canada reknowned for its nationally accredited engineering, media and applied research, has invested in SGO's Mistika. NAIT DMIT (Digital Media and IT) is the only transmedia school of its kind in Canada, and has chosen the powerful and diverse Mistika software to enhance its digital media curriculum and content creation programs in Stereoscopic 3D and 2D. To keep students at the front of the digital industries when they graduate, NAIT DMIT believes that training and equiping students with the most up-to-date knowledge and cutting-edge tools is a bottom line.
published 1 month ago read more | | | | |
| | | | Method Studios Announces Top Flight Animation Hires
 Global VFX House Welcomes Erik-Jan de Boer, James Jacobs and Keith Roberts
Method Studios, a Deluxe Entertainment Services Group company, announced today the addition of three world-class animation artists to the Method Studios’ creative team.
published 1 month ago read more | | | | |
| | | | Season Three Of Late Music Icon Jenni Rivera’s Reality Series “I Love Jenni” Finishing At AlphaDogs Post
 Burbank based AlphaDogs Post Production is currently working on season three of the late Latin music icon Jenni Rivera’s reality show," I Love Jenni". The final season of "I Love Jenni" premiered on April 14 on mun2, and has reached 2.3 million total viewers since its premiere. The series-to-date finished the month in the #1 spot among all Hispanic cable networks and beat English-language cable networks Comedy Central, FX, TBS, A&E, Family channel, Lifetime and AMC, among others, for both Hispanic adults 18-34 and Hispanic adults 18-49. The final season is the series’ most successful season to date. "I Love Jenni" airs Sunday evenings at 9e/8c on mun2.
published 1 month ago read more | | | | |
| | | | Post Factory NY Upgrades to Baselight TWO from FilmLight
- New York based facility adds Baselight TWO to state-of-the-art screening room -
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight TWO colour grading systems from FilmLight.
published 1 month ago read more | | | | |
| | | | Adobe Delivers “Sneak Peeks” of Ground-breaking Creative Innovation at MAX 2013
Top technology explorations spotlighted, including “Perspective Warp” in Photoshop and “Video Color Grading” in After Effects
Adobe (Nasdaq:ADBE) today presented a behind-the-scenes look at cutting-edge design and interactive technologies at Adobe MAX, The Creativity Conference. Focused on creativity and expressiveness, MAX brings together over 5,000 creative industry leaders, visionaries and professionals to exchange ideas and inspiration and explore how creativity is changing the world.
published 1 month ago read more | | | | |
| | | | FotoKem Restores "Hello, Dolly!" For 20th Century Fox Blu-ray Release
 FotoKem completed the digital restoration of "Hello, Dolly!", returning the 1969 film adaptation of the beloved musical, directed by Gene Kelly and starring Barbra Streisand and Walter Matthau, to its original glory. Under the supervision of 20th Century Fox’s Barbara Crandall, the movie was remastered in 4K for the April 2 Blu-ray release. FotoKem also created a new 70mm print and a new 65mm intermediate positive (IP) for the studio for archival purposes.
published 1 month ago read more | | | | |
| | | | Adobe Unveils Major Update to Creative Cloud
Includes Next Generation of “CC” Desktop Applications and Delivers Fully Integrated Cross-Device Collaboration, Community and Publishing Capabilities
At Adobe MAX, The Creativity Conference, Adobe (Nasdaq:ADBE) today announced a significant update to Adobe® Creative Cloud™, the company’s flagship offering for creatives. Available in June and packed with new features, Creative Cloud reimagines the creative process through a stunning set of “CC” desktop applications and sophisticated cross-device collaboration and publishing capabilities. Creative files can be stored, synced and shared, via Creative Cloud, on Mac OS, Windows, iOS and Android; and Behance, the world’s leading online creative community, is now integrated with Creative Cloud, so customers can showcase work, get feedback on projects and gain global exposure. With Creative Cloud publishing finished work has never been easier, with enhanced services that build and power websites, mobile apps, tablet publications, online portfolios, and content for virtually any medium and device.
published 1 month ago read more | | | | |
| | | | Antenna Forges Creative Pact with Barcelona’s Custom EFX
 Studios plan to collaborate on advertising projects originating in the U.S., Europe and elsewhere.
Seeking to extend its global footprint and add some European flair to its creative offerings, multi-platform content creation company Antenna has forged a strategic alliance with Barcelona-based Custom EFX. The agreement provides Antenna with access to the talent and resources of one of Europe’s top boutique providers of visual effects, animation and post-production services, with a client list that includes some of the world’s best known brands. Custom EFX secures access to the U.S. market via a well-established production services provider with a strong, national sales network. It will also have the opportunity to market Antenna’s services in Europe.
published 1 month ago read more | | | | |
| | | | Restored “Lawrence of Arabia” Wins FOCAL International Award
 4K Restoration of David Lean’s Masterpiece Receives Top Honors; Sony Pictures’ Grover Crisp Recognized for “Outstanding Achievement in Restoration”
The newly-restored, 50th Anniversary Directors Cut of David Lean’s 1962 masterpiece Lawrence of Arabia took home the award for “Best Archive Restoration/Preservation Title” at the tenth FOCAL International Awards held May 2nd in London. The 4K restoration of the film was completed last year by Sony Pictures Entertainment under the direction of Grover Crisp, EVP of Asset Management, Film Restoration and Digital Mastering for SPE. Crisp also received a special, individual award for “Outstanding Achievement in the Field of Film Restoration and Preservation.”
published 1 month ago read more | | | | |
| | | | Technicolor – PostWorks New York Prepares “Bluebird”, “Coach” for Tribeca Premieres
 Sam Daley grades indie drama for first-time helmer Lance Edmands; plus Best Documentary Short winner “Coach.”
Technicolor-PostWorks New York recently provided a package of post-production services for two films that made their world premieres at this month’s Tribeca Film Festival: "Bluebird," an independent feature from first-time director Lance Edmands that was featured in the festival’s World Narrative slate, and Bess Kargman’s Coach, which took top honors as Best Documentary Short.
published 2 months ago read more | | | | |
| | | | Colorworks Aids in 4K Restoration of “Richard III”
 A few months before the bones of Richard III were discovered below a parking lot in Leicester, England, the infamous British monarch was the focal point of a very different type of reclamation project halfway around the world in Culver City, California. There, Colorworks, Sony Pictures’ digital intermediate facility, applied the finishing touches to an exhaustive 4K restoration of "Richard III", Laurence Olivier’s 1955 film adaptation of the Shakespeare play.
published 2 months ago read more | | | | |
| | | | Rhythm & Hues Alumni Thom Burkhart Named Senior Producer at STEELE Studios
 STEELE Studios, a leading post production company and creator of visual imagery for Films, Commercials, Television, Broadcast, Music Videos and Online/Viral Media, has named Thom Burkhart as the company’s new Senior Producer. Most recently, Burkhart had been Head of Digital Post Production for Rhythm & Hues for 14 years.
published 2 months ago read more | | | | |
| | | | Biscardi Creative Media announces: Colorist Flight School – LIVE!
Biscardi Creative Media (BCM) welcomes world renowned Colorist and founder of TaoOfColor.com, Patrick Inhofer, for his Colorist Flight School, May 30 - June 1. The three-day workshop is geared towards the craft of color grading. Inhofer will teach attendees the craft of color grading while bringing them up-to-speed on DaVinci Resolve (and Resolve Lite). Students in the workshop will also grade a short film along with Patrick. With a limit of 10 students, the workshop will be very interactive.
published 2 months ago read more | | | | |
| | | | Detroit's RingSide Creative speeds throughput and enhances creativity with Pablo Rio
Three new Quantel Pablo Rios boost color correction and finishing at Michigan-based studio
Michigan-based integrated media studio, RingSide Creative, has purchased three Quantel Pablo Rio systems to speed throughput and enhance creativity of its online color correction and finishing. RingSide Creative is predominantly a commercials post house, offering a comprehensive collection of services and talent, combining youth, inspiration and extensive experience to local and international clients including Ford, Chrysler and Chevrolet.
published 2 months ago read more | | | | |
| | | | Red Echo Post Expands Service Offering with FilmLight’s Baselight
 - Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients -
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a Baselight ONE colour grading system from FilmLight. The addition of the Baselight means that the company can add top end colour grading services to its clients.
published 2 months ago read more | | | | |
| | | | MPC LA Announces Andy Boyd As Head Of 3D
 MPC LA is proud to announce the addition of Andy Boyd as the studio’s new Head of 3D. A respected VFX supervisor in the commercial and film industries, he brings a wealth of knowledge and expertise to MPC, as well as a client base built over his 15 years working around the globe.
published 2 months ago read more | | | | |
| | | | Slate Media Group’s PostWorks New York Acquires Mega Playground, New York
Slate Media Group, a leading independent provider of post-production services to the film and television industry, today announces that its PostWorks New York has acquired the assets of Mega Playground, a post production facility located at 609 Greenwich Street in New York’s West Village. Simultaneously, the Company entered into a new long-term lease at 609 Greenwich Street reflecting the commitment of Slate Media Group and PostWorks to downtown New York, the hub for television and feature finishing.
published 2 months ago read more | | | | |
| | | | Chris Bernier Joins MPC NY AS VFX Supervisor And CG Lead
 A welcome addition to the MPC family, Chris Bernier joins as VFX Supervisor and CG Lead. “We are delighted that Chris has joined our growing team,” says NY Executive Producer Justin Brukman, continuing, “Chris is an immense creative talent as demonstrated by his impressive reel. We’re looking forward to him taking the lead on a number projects – both our creative and production teams are thrilled to have him on board.”
published 2 months ago read more | | | | |
| | | | Pablo Rio Goes Realtime 4K with AJA Corvid Ultra
 Quantel shows 3rd party video card interoperability for the first time
Quantel announced today that its Pablo Rio high-end color and finishing system supports the AJA® Corvid Ultra video card, facilitating workflows at 4K 60fps and beyond. This is the first time that Quantel has offered interoperability with any third party video card - reflecting the open, software-based strategy that enables Quantel to take full advantage of all the latest advances in off-the-shelf computer technology.
published 2 months ago read more | | | | |
| | | | emotion3D announces Stereoscopic Suite X3 plugins for The Foundry’s Nuke
emotion3D announces the upcoming release of its award-winning suite of stereoscopic plugins for The Foundry’s Nuke platform. The Stereoscopic Suite X3 for The Foundry’s Nuke features emotion3D’s unique toolset for working with stereoscopic material, bringing the exceptional functionality of SSX3 to a new group of artists.
published 2 months ago read more | | | | |
| | | | Pretend LLC Announces new Pseudo at NAB 2013
New product offers timeline with EDL/XML import for creative depth grading of 3D stereoscopic productions.
Pretend LLC, from the original developers of the visual effects software Shake™, today began previews of Pseudo, an upcoming “big brother” application to Stereoid, offering a timeline with EDL/XML import and depth scripts for more creative stereoscopic control of storylines. Pseudo is built on the new Pretend engine which scales linearly on multi-core systems and is optimized for 4k+ resolutions and high frame rates.
published 2 months ago read more | | | | |
| | | | Boris FX Expands Real-Time Performance of Boris Continuum Complete
New Boris Continuum Complete v8.2 Features Fast OpenGL Rendering, New Real-Time Filters
Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announced Boris Continuum Complete (BCC) Version 8.2. The new v8.2 release features up to 100% improvement in render time for OpenGL-accelerated filters. In addition, nearly all BCC AVX for Avid filters can now be rendered in real-time.
published 2 months ago read more | | | | |
| | | | Marquise Technologies at NAB 2013: a mastered workflow, from dailies to delivery
At NAB 2013 Marquise Technologies will showcase MIST Mobile, MIST DCI Mastering, MIST IMF Mastering and RAIN 4K.
Marquise Technologies has announced today the products to be showcased at NAB. Offering a complete and understandable workflow from dailies, with MIST Mobile, to high-end real-time color grading with RAIN, to the mastering for digital cinema with MIST DCI Mastering, or for content owners with MIST IMF Mastering, Marquise Technologies is definitely turned towards the future with the only solution supporting ACES end-to-end.
published 2 months ago read more | | | | |
| | | | Blackmagic Design Announces DaVinci Resolve 10
 New Davinci Resolve 10 Allows Integration Of Post Production Workflows, New On Set Tools, Upgraded Editing And Color Correction, OpenFX Plug In Support And More Project Delivery Options!
Blackmagic Design today announced DaVinci Resolve 10, a major upgrade that includes new features for integrating the workflows of multiple different software products used in the film and television industry. DaVinci Resolve 10 has upgraded on set tools, upgraded editing features, support for OpenFX plug ins as well as new tools for delivering final project masters to cinemas.
published 2 months ago read more | | | | |
| | | | Blackmagic Design Announces Blackmagic Pocket Cinema Camera
 New compact Super 16 digital cinema camera with 13 stops of dynamic range, allows shooting with a professional film look in a beautiful design that fits in your pocket!
Blackmagic Design today announced Blackmagic Pocket Cinema Camera, a beautifully designed, pocket sized digital cinema camera that includes powerful features such as Super 16mm sized 1080HD sensor, super wide 13 stops of dynamic range, built in SD card recorder for Apple ProRes, lossless compressed CinemaDNG RAW capture and active Micro Four Thirds lens mount, all in an attractive compact design for only US$995.
published 2 months ago read more | | | | |
| | | | Digital Vision Announces Technology Partnership with MTI Film; Unveils Slate of Advanced Image Processing Tools
A History of Innovation, Collaboration, Integration in the Spotlight at NAB 2013
In keeping with its 25-year history of advancing creative technology, Digital Vision is proud to announce a technology partnership with MTI Film that will include the integration of MTI's Cortex::Control Dailies with the award-winning Nucoda grading platform. In addition, Digital Vision is unveiling exciting new developments for their Nucoda and Phoenix product lines during NAB.
published 2 months ago read more | | | | |
| | | | AJA Announces Corvid Ultra Support for Quantel Pablo Rio
 New Pablo Rio High-End Color Grading and Interactive Finishing System Runs on AJA Corvid Ultra to Facilitate Unique 4K/High Frame Rate Workflows
Show, Booth # SL 3816—(April 8, 2013) -- AJA Video Systems announced today that the new AJA Corvid Ultra OEM cards are supported on the Quantel® Pablo Rio. This is the first time that Quantel have offered operability with any video card other than their own, and AJA's Corvid Ultra is the exclusive third-party solution delivering 4K workflows with Pablo Rio. Quantel is the latest OEM partner for AJA's Corvid line of video I/O solutions, and will offer Corvid Ultra with turnkey Pablo Rio systems.
published 2 months ago read more | | | | |
| | | | Qube Cinema Partners with Quantel and Barco to Demo 4K Mastering in Canon’s Booth at NAB 2013
 Provides a Seamless Connection Between the Camera and the Big Screen
Qube Cinema will provide its XP-I server and Xi 4K Integrated Media Block (IMB), with Quad 3G inputs, to Canon U.S.A., a leader in digital imaging solutions, for its 4K Digital Intermediate (DI) theater at NAB 2013. The 4K DI theater will demonstrate a seamless pipeline from reviewing uncompressed 4K image files from the Canon EOS C500 4K digital camera, through the Quantel Pablo Rio high-end color and finishing suite with new 4K output, to the Qube Xi 4K IMB and projected via Barco's new DP4K-P postproduction projector. Attendees to Canon’s booth will be able to see a live demonstration where 4K images will be reviewed, color graded at 4K in real time and review 4K DCPs for final QC, all from a single 4K projector.
published 2 months ago read more | | | | |
| | | | NVIDIA Accelerates Creative Workflows at NAB 2013
New NVIDIA GRID Visual Computing Appliance Featured Among Demos for Broadcasters, Visual Effects Artists and Animators
NVIDIA is showcasing how professionals creating and distributing content can accelerate their workflows using the latest GPU technologies and partner software in booth SL3905 and throughout the conference at NAB 2013.
published 2 months ago read more | | | | |
| | | | AJA Announces OEM Relationship With FilmLight; Supports FilmLight FLIP With Multi-Channel I/O On KONA 3G
Visit AJA at booth #SL 3816
Today at NAB 2013, AJA Video Systems announced an OEM relationship with FilmLight through which its KONA 3G capture and playback card will support multi-channel ingest and playout for FilmLight’s new FLIP real-time image processor. FilmLight will bundle AJA’s KONA 3G as part of FLIP, which is designed to take the power of complex Baselight color correction live on set. Leveraging KONA 3G, FLIP users will be able to easily preview the color grading of live raw footage with a range of HD video I/O channel combinations and can set FLIP to record or playback multiple HD-SDI streams such as 1 in and 3 out, 2 in and 2 out, 3 in and 1 out.
published 2 months ago read more | | | | |
| | | | Blackmagic Design Announces Blackmagic Production Camera 4K
 Professional 4K production camera features large Super 35 size sensor with professional global shutter, EF mount optics and high quality ProRes 422 file recording
Blackmagic Design today announced Blackmagic Production Camera 4K, a new high resolution 4K digital film camera with an innovative large Super 35 size sensor with professional global shutter, combined with precision EF mount optics and high quality Apple ProRes 422 (HQ) file recording for only US$3,995.
published 2 months ago read more | | | | |
| | | | Boris FX Showcases New VFX Browser for Boris Continuum Complete
Quickly Preview Thousands of Visual Effects Presets with Host Application Video
Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today unveiled a new VFX browser for its flagship Boris Continuum Complete (BCC) plug-in collection. Available as a free download, the new BCC Effects Library Browser plug-in allows editors and motion graphics artists to instantly preview thousands of BCC presets via animations that integrate timeline video. The free plug-in can be used on any system with a BCC-compatible host application – even if BCC is not installed.
published 2 months ago read more | | | | |
| | | | Technicolor Adds Final Cut Pro X Support to Color Assist
 Users Gain Access to Innovative Professional-quality Color Correction and Grading
Technicolor, a worldwide technology leader in the media and entertainment sector, today announced that its Color Assist video color correction and grading software is now compatible with Final Cut Pro X. Since becoming available in late-November 2012, Color Assist quickly amassed a loyal following among aspiring video enthusiasts seeking a professional-grade solution that is both powerful and easy to use. As mainstream adoption of Color Assist continued to take hold in early 2013, Final Cut Pro X users became increasingly vocal about their desire for Color Assist, and Technicolor is happy to offer its software to this important group.
published 2 months ago read more | | | | |
| | | | Versatile Distribution Services Delivers Turnkey Systems Optimized for 4K and 2K ASSIMILATE SCRATCH DI and Dailies Workflows
New Turnkeys to be Offered in North America Exclusively by CineSys-Oceana
Versatile Distribution Services (VDS), a distributor specializing in integrated solutions for the media and entertainment industry today announced the immediate availability of integrated 4K and 2K turnkey workstations featuring ASSIMILATE’s SCRATCH® Digital Intermediate software. SCRATCH enables digital cinema and broadcast artists to generate dailies, conform, color-correct, and finish within a real-time, integrated, user-friendly solution. The turnkey systems will be available exclusively in North America through CineSys-Oceana, one of the largest media and entertainment industry resellers.
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| | | | Sound Devices Highlights New 4:4:4 Feature For PIX 240 AND 240i AT THE 2013 NAB SHOW
 Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444
For attendees in search of the latest 4:4:4 recording solutions, Sound Devicesshowcases its latest upgrade to PIX 240 and PIX 240i Production Video Recorders at the 2013 NAB Show (Booth C2849). This new major update, available for all PIX customers free of charge, offers Apple ProRes 4444 recording from video sources over 3G-SDI (4:4:4 RGB or YCbCr). Recording 4:4:4 offers productions superior color precision for applications in chroma-keying, color-grading and multi-generational editing.
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| | | | FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
 - New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency -
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The range ensures that colour workflows can start on-set and run right through to final post and delivery, staying true to the vision at every stage. It delivers unrivalled productivity and creative control, giving facilities a real edge in delivering uncompromised results.
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| | | | AJA to Support Next Version of Adobe’s Professional Video Editing Tools
Adobe SpeedGrade Support Now Included With AJA Video’s Io Express, Io XT, T-TAP and KONA Family of Products
AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, today announced that their Io, T-TAP, and KONA family of products will support the next version of Adobe® video editing software – including Adobe Premiere® Pro and Adobe SpeedGrade™ - for Mac and Windows customers. New device driver and application plug-in software will be available from AJA as a free download shortly after the software’s release.
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| | | | Adobe Drives Innovation with New Video Workflows at NAB 2013
Company Previews Next Generation of Professional Video and Audio Products and Launches Adobe Anywhere for Video
At the annual National Association of Broadcasters (NAB) Show, Adobe Systems Incorporated (Nasdaq:ADBE) will showcase new software and video technology that is transforming the way broadcasters, filmmakers and video professionals create and deliver high-quality productions across multiple screens. Highlights of the show include the first public demonstrations of the next generation of Adobe’s flagship video tools including Adobe® Premiere® Pro, Adobe After Effects® SpeedGrade™, Adobe Audition® Adobe Prelude™, Adobe Media Encoder and Adobe Story before their official release. NAB attendees will see a modern, highly-interoperable set of video tools that enable fast, seamless workflows.
published 2 months ago read more | | | | |
| | | | NAB 2013: Adobe Introduces Adobe Anywhere
At NAB 2013, Adobe is introducing Adobe Anywhere, a collaborative workflow platform that centralizes projects and allows users to share and change project files. Also new are some powerful new features for Adobe Premiere Pro, including color grading and the ability to "link & locate" clips. A newly designed SpeedGrade also makes color grading tools more familiar to Adobe toolset users, and After Effects celebrates its 20th anniversary.
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| | | | NAB Show to Examine How Breakthrough Technology Launches Audiences from "Oz" to "Oblivion"
-- NAB Show to Feature Academy Award Winning Cinematographer Claudio Miranda’s "Oblivion," Shot With Sony’s F65 Camera, and Creative Team of Sam Raimi’s 3D Feature "Oz the Great and Powerful" --
NAB Show, taking place April 6-11 in Las Vegas, Nevada, will feature back-to-back panel discussions with a session on Sam Raimi’s 3D feature "Oz the Great and Powerful," preceded by a session on Academy Award winning cinematographer Claudio Miranda’s upcoming film "Oblivion," starring Tom Cruise, on Tuesday, April 9. Each session will examine the impact that technologies such as 4K and 3D have on filmmaking today.
published 3 months ago read more | | | | |
| | | | Canon U.S.A., Inc. Delivers Its Latest Motion and Still Digital Imaging Solutions at the 2013 NAB Show
Highlights Include Live 4K Workflow Demonstrations in a Full On-Site DI Suite, Live 4K Broadcast Demonstrations for HD “Ultra-Zoom” Applications, and the Canon Theater
At the 2013 NAB Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its full line of professional, high-definition imaging equipment for motion picture, television production, video content creation, and still photography at booths C3628 and C4325. Within this year’s booth, Canon will feature a live 4K Workflow Demonstration where visitors will have the opportunity to interact with industry-leading colorists and editors in a 4K DI (Digital Intermediate) suite. In a live color grading session of 4K footage from Canon’s groundbreaking C500 4K camera, on-site professionals will demonstrate the imaging possibilities of Canon’s 4K image capture technology and view the results on Canon’s prototype 4K reference displays, currently under development.
published 3 months ago read more | | | | |
| | | | Digital Vision Brings Image Technology Innovations to NAB 2013
Technology Demonstrations, New Features Unveiled for Colour Grading, Archive, Stereo and Image Processing
Digital Vision will bring its range of image technology solutions to NAB 2013, including the Nucoda 2013 colour grading product line which features many new tools and enhancements, and the latest version of Phoenix restoration software. In addition the company, which celebrates its 25th anniversary this year, will present the first technology demonstration of Thor, a soon-to-be-released dedicated hardware product for advanced image processing.
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| | | | Telline Debuts New On-Set Dailies Services With Mist
French rental camera company Telline elected MIST to integrate in their on-set dailies management services.
Marquise Technologies announced today that Telline, a dynamic company active for more than 17 years in the camera rental business in France has purchased MIST to offer on-set services.
published 3 months ago read more | | | | |
| | | | Steele Opens New Santa Monica Location With Superbowl Spots, Feature Film, Stereo 3D Project For CI/Sony, And Mariah Carey Video For “OZ: The Great And Powerful”
 STEELE Studios, a leading creator and producer of visual content for Films, Commercials, Television, Broadcast, Music Videos and Online/Viral Media, has relocated its offices to 1131 Olympic Blvd., Santa Monica, CA, 90404. Ph: 310/450-0600. Jo and Jerry Steele, co-founders, STEELE Studios, made the announcement.
published 3 months ago read more | | | | |
| | | | Qube Cinema Brings True 4K DCP Review and Playback to NAB 2013
 Delivering Uncompressed 4K Projection to Postproduction Facilities, NAB 2013, April 8-11, Booth SL12216
Qube Cinema will be demonstrating its system for integrated 4K DCP review and playback at the NAB Show in Las Vegas in April. The Qube XP-I server, Xi 4K Integrated Media Block (IMB) and the Quad 3G interface for digital cinema projectors allow integrated postproduction and digital cinema mastering workflows. Postproduction facilities with 4K DI suites are now able to use one projector setup for both HD-4K uncompressed color grading and 2K-4K digital cinema playback providing comprehensive review and quality control with this one Qube system.
published 3 months ago read more | | | | |
| | | | Dramatic 70-metre wide Presentation film for the “COP 18 Climate Change Conference” for The United Nations post produced by David Cox using Mistika walks away with an IVCA Silver Award for Best Post Production
 “This project pushed the boundaries and utilised Mistika's capabilities to the fullest, including compositing, grading, conforming and delivering...” David Cox, Mistika VFX Artist and Colourist
The IVCA’s Silver Award for Best Post Production has been given to the stunning Mistika-related project titled “COP18 /CMP8 (Climate Change Conference)” for the United Nations by WRG QATAR LLC for COP18 and The State of Qatar. Mistika VFX Artist and Colourist, David Cox was asked to post produce the high-resolution, wide-screen presentation to be projected onto a seventy-metre wide screen for The United Nations Climate Change Conference using SGO’s Mistika as the obvious choice. The size and shape of the final films demanded a specific resolution and aspect ratio. The conforming, compositing and grading were carried out on a single Mistika post production system in an uncompressed environment, at a resolution of 7104 x 1080, which provided the very wide aspect ratio of almost 7:1.
published 3 months ago read more | | | | |
| | | | Nice Shoes Expands with New Color Suite and Baselight TWO Systems
 As an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow for a massive seven-screen film. To kick off 2013, it has added a pair of Baselight TWO systems, one of which will form their brand new color suite.
published 3 months ago read more | | | | |
| | | | Marquise Technologies Teams Up With Fusion-io
 Swiss manufacturer of high-end image processing solutions for Motion Pictures & Television joins Fusion-io Technology Alliance Program to deliver ultra-high performance
Marquise Technologies announced today that the company is working with Fusion-io, through the Fusion-io Technology Alliance Program.
published 3 months ago read more | | | | |
| | | | Big Block Design Group Partners With Fuel TV On Fan Cameo On-Air Promos
New App Allows Fans To “Say It. Send It. See It Live.”
Big Block Design Group (BBDG), a division of digital production studio Big Block, has created a series of on-air promos for FUEL TV’s newly launched Fan Cameo app. A groundbreaking app that allows viewers to submit their video reactions to things they see on the network, Fan Cameo represents a bold new way for fans to “Say It. Send It. See It Live.” on FUEL TV. The Fan Cameo promos began airing on March 11.
published 3 months ago read more | | | | |
| | | | Sesame Street's Latest YouTube Videos Shot With Blackmagic Cinema Camera
 Blackmagic Design announced today that directors Josh and Jason Diamond of the Diamond Brothers shot Sesame Workshop’s, the nonprofit organization behind Sesame Street, "Can You Tell-y Me How to Get to a Billion?" and "Counting the 'You's in YouTube" videos with Blackmagic Cinema Camera. Josh and Jason Diamond worked with DP Timur Civan on the four day shoot, and NYC based freelance colorist, Juan Salvo, used Blackmagic Design’s DaVinci Resolve to color the project.
published 3 months ago read more | | | | |
| | | | Sony Pictures Unites Sound Department And Digital Mastering Under ‘Digital Productions’ Umbrella
With production underway on Sony Pictures Animation’s Cloudy With a Chance of Meatballs 2, and post-production continuing on The Smurfs 2, Sony Pictures Digital Productions (SPDP) today announced it is bringing the studio’s award-winning Sound Department and Colorworks, the studio’s digital intermediate facility, under its umbrella. SPDP will now offer a host of post-production services to the professional community, including visual effects and computer animation, sound mixing and editorial and digital mastering, color grading, and film restoration.
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| | | | Blackmagic Design Congratulates Oscar Nominated Films Colored on DaVinci Resolve
Blackmagic Design would like to congratulate “Les Miserables,” “Zero Dark 30,” ”Prometheus,” “Skyfall,” “Frankenweenie,” “Searching for Sugar Man” and “Silver Linings Playbook” on their 2013 Oscar nominations, awarded by the American Academy of Motion Picture Arts and Sciences. Blackmagic Design is proud to announce that color correction for all of these films was done on DaVinci Resolve.
published 4 months ago read more | | | | |
| | | | Mistika Performs A Starring Role At London’s BTV Post To Bring Shakespeare To Life From Open Air Stage To Cinema Screen Across Different Genres
 “Mistika's fantastic “digital printer lights tool” proved a great asset in restoring balance to the image...One of the most beneficial features in Mistika throughout this project is the “selection ganging” feature of the storyboard.” Ian Grey, Mistika VFX Artist and Colour Grader, BTV Post
Soho-based BTV Post is currently using Mistika for the grading, online finishing and digital mastering for all platform deliveries of Shakespeare's Globe's fourth season of filmed live theatre performances of The Taming of the Shrew, Henry V and Twelfth Night for an international Shakespeare experience.
published 4 months ago read more | | | | |
| | | | Bling Digital to Host “Post on Demand” Panel at HPA Tech Retreat
 Post production workflow specialist to showcase modular post-production solution in Retreat’s Demo Room.
Bling Digital, a pioneering developer of today’s most innovative digital workflows, will host a panel discussion at the Hollywood Post Alliances’ annual HPA Tech Retreat exploring the rapid evolution of feature and television post production away from brick-and-mortar facilities into solutions that can happen anytime and anywhere.
published 4 months ago read more | | | | |
| | | | AlphaDogs Post Inflicts Suspense In New Indie Thriller
As any good indie filmmaker knows, post-production is an extremely important part of the puzzle when it comes to creating a great independent film. The process can often become overwhelming however, and leave the indie filmmaker unsure of how to begin post-production or find a facility that caters to the specific needs of independent filmmaking.
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| | | | Sony Pictures Colorworks Launches 4K Television Post-Production Facility
 Colorworks, Sony Pictures Entertainment’s digital intermediate facility, has opened a new facility focused on 4K television post-production. Located in the Capra Building on the Sony Pictures lot in Culver City, Colorworks 4K Television will provide post-production services for original programming shot in 4K and re-mastering services for film-originated media. It will deliver both HD masters for current distribution and 4K masters for future use.
published 4 months ago read more | | | | |
| | | | Studio l'Equipe relies on Mistika to introduce cutting-edge colour grading toolsets to Brussels for feature films
 As part of the on-going expansion of digital acquisition, Brussels-based Studio l’Equipe, one of Belgium’s leading post production facilities has invested in SGO's Mistika to meet the demands of a rapidly changing and highly competitive feature film market. Studio l'Equipe has installed a Mistika 4K system with a Mistika Assist station, to help accelerate the post production process by allowing simultaneous access to Mistika projects for ingest, online functions and the creation of deliverables, without disturbing the master Mistika system. Both Mistikas are connected to a 72TB SAN storage system.
published 4 months ago read more | | | | |
| | | | Method Studios Provides VFX Expertise To KIA Super Bowl Spots
 Artists create fully CG animals, environments and augmented female robots
Method Studios, a Deluxe Entertainment Services Group company, has collaborated with agency David&Goliath on two commercials for KIA which premiered during Super Bowl XLVII. "Space Babies," directed by Jake Scott (RSA), and "Hotbots," directed by Carl Erik Rinsch (MJZ) provided a wealth of inspiring VFX challenges to Method's creative team in Los Angeles. Stephanie Gilgar, Method Studios' Executive Producer comments, "It's an honor to have been entrusted to deliver two of the most VFX-heavy ads seen during this year's big game - a yearly highlight in the US television commercials industry".
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| | | | FotoKem and SPY Combine Talent and Services on Sundance Winner Fruitvale
 FotoKem and SPY (a FotoKem company) combined in-house talent and key post-production services for the Sundance winning film Fruitvale, written and directed by Ryan Coogler with cinematography by Rachel Morrison. The film won the festival’s coveted Grand Jury Prize and Audience Award for a drama, and was acquired by The Weinstein Company soon after its premiere screening.
published 5 months ago read more | | | | |
| | | | |  Articles and Tutorials: NAB 2013: Adobe Introduces Adobe AnywhereAt NAB 2013, Adobe is introducing Adobe Anywhere, a collaborative workflow platform that centralizes projects and allows users to share and change project files. Also new are some powerful new features for Adobe Premiere Pro, including color grading and the ability to "link & locate" clips. A newly designed SpeedGrade also makes color grading tools more familiar to Adobe toolset users, and After Effects celebrates its 20th anniversary.Read Article Subscribe IBC 2012: Colorfront Express DailiesColorfront, the company that brought us On-Set Dailies, is now shipping Express Dailies, a laptop-based dailies system based on the same image-science technology. Express Dailies features a range of tools for file-based workflows, including playback and sync, QC, color grading audio and metadata management: for a new low price of $15,000.Read Article Subscribe Premiere Pro CS6: 55 Color 9 Secondary Color CorrectionIn this tutorial, Andrew Devis shows how to use the tools in the secondary color corrector to perform some secondary color correction on an over saturated item in the shot. Andrew shows how to create and view a mask that is specific to the color of the item in question and then how to finesse that mask with the various tools in the secondary color correction section. Secondary color correction is an option in quite a few color tools in Premiere Pro, so learning how to use this tool will prove very useful to your editing and color correction and color grading work-flow.Read Article Subscribe Premiere Pro CS6 Techniques: 47 Color ONE: Color CorrectionIn this tutorial, Andrew Devis starts by explaining the difference between Color Correction and Color Grading, and then goes on to show the reference monitor, the Color Correction workspace and how to find the various scopes available in Premiere Pro CS6.Read Article Subscribe Company 3's DI artist Stephen Nakamura on PrometheusStephen Nakamura, one of a handful of artists who helped to pioneer DI color grading, shares his experience on creating the look for Prometheus as envisioned by director Ridley Scott.Read Article Subscribemore articles » Blogs: The Punk Rocker Who Became a FilmmakerRichard Jobson uses all Adobe Pipeline on Wayland’s Song We really pushed the boundaries of what you can do with the Creative Cloud software. For me, it's almost like being in a punk band again with Adobe: SpeedGrade and After Effects are my drummer and my bass player and Premiere...Read Blog Subscribe Next Free Webinar & Special Offer From TiffenJune 5th 12pm EST Production to Post series with Richard Harrington Great Lighting in Production and Post Join special guest Richard Harrington again and learn about great lighting techniques. Rich will review how he uses Lowel lights as part of his production package. Other tools like Variable ND filters, reflectors,...Read Blog SubscribeMore on Color Grading FootageI show you how to color grade you video in a nonlinear editor (Adobe Premiere Pro). From the extensive DPBestflow site I highly recommend. More on Color Grading Footage Republished by Richard Harrington...Read Blog Subscribemore blogs » Podcasts:Premiere Pro CS6 Techniques: 47 Color ONE: Color CorrectionIn this tutorial, Andrew Devis first explains the difference between Color Correction and Color Grading, and then goes on to show the reference monitor, the Color Correction workspace and how to find the various scopes available in Premiere Pro CS6.Tune In Subscribemore podcasts »Photoshop and AE: Color Grading VideoIn this episode of Video Adrenaline for Photoshop and After Effects, Richard Harrington explores how to use Photoshop and AE together as color-grading tools.Tune In Subscribemore podcasts »Kevin McAuliffe's Review Series: GenArts Sapphire EdgeColor grading is something that editors do on a daily basis, and there are a few third party plug-in packs out there to address just this need. Tune In Subscribemore podcasts »Related Tags | | | | |
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