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News : Digital Compositing

Earn UCR Extension’s New Certificate in Digital Arts and Design in Four Weeks This Summer
In four short weeks, you can earn a certificate in Digital Arts and Design this summer and be ready for a new career by fall. This new summer intensive program prepares you in the basics of creating and designing digital images for maximum visual impact.
published 6 months ago   read more
Open Effects Association Formed At NAB 2009
Promoting Open Standards for Visual Effects
Seven companies joined forces at NAB last month to launch The Open Effects Association. This non-profit, UK-based company aims to develop and promote open standards across the visual effects community. Founding members are Assimilate, Autodesk®, Digieffects, FilmLight, The Foundry, GenArts® and RE:Vision Effects. These companies have helped artists create ground-breaking VFX shots on just about everything that hits cinema screens.
published 6 months ago   read more
DUCK Makes Ending Credits Happy For Sony Pictures Animation
The animated feature film "Cloudy With a Chance of Meatballs" is based on the classic children's book about the town of ChewandSwallow, where mysterious storms begin raining down hot dogs, pancakes, bananas, spaghetti, burgers, and more, to everyone's delight. But when the storms get out of control, the town needs a hero. And they don't mean a sandwich.
published 4 weeks ago   read more
DUCK Produces Latest Video For Country Superstar Keith Urban
Renowned music video director Chris Hicky teamed up with DUCK's animation director Richard Borge for his stylistic animation techniques for the latest video for country superstar Keith Urban.
published 5 months ago   read more
Fujinon to Intro PL Mount Zooms at NAB09
Fujinon will introduce new PL Mount Zoom Lenses at the 2009 NAB Show in Las Vegas, Nev., April 20-23, 2009 (Booth C7116). The 18-85mm T2.0 (Model Number HK4.7x18F) will be the first of the lenses in the series introduced. It has an anticipated May delivery date. This lens will be shown on working cameras in Fujinon's booth and within Sony's booth (C11001). Three other zoom lenses in the PL series include: the 14.5-45mm T2.0, 24-180mm T2.6, and 75-400mm T2.8 - T4.0 - with an anticipated delivery of December 2009.
published 7 months ago   read more
DUCK's Richard Borge and White Rhino Score Tellys for Avid
Director/Animator Richard Borge of LA-based production studio DUCK helms an award winning new project for the iconic editorial brand Avid via Boston's White Rhino agency in advance of its revolutionary series of new products.
published 8 months ago   read more
Autodesk Announces Three New Software Releases for the Mac
Growing Portfolio of Autodesk Creative Tools for Mac OS X
To coincide with the annual Macworld Conference & Expo in San Francisco, Autodesk, Inc. (NASDAQ: ADSK) announced today that it has expanded its portfolio of Macintosh 2D and 3D software tools for entertainment, multimedia and design professionals. The three new 2009 products for Mac OS X are Autodesk Toxik procedural compositing software, Autodesk Mudbox digital sculpting and texture painting software, and Autodesk ImageModeler image-based modeling and photogrammetry software.
published 10 months ago   read more
DUCK Hires Animation Director Monkmus
Los Angeles-based DUCK Studios is pleased to announce the addition of design and animation innovator Monkmus to their team. The award-winning filmmaker and illustrator brings a reputation for creating work with a whimsical flair, off-beat humor, and emotional resonance.
published 12 months ago   read more
DUCK'S Shy The Sun Goes to the Depths of the Sea for United Airlines
Los Angeles-based DUCK, formerly Duck Soup Studios directing collective Shy The Sun assemble a fairy-tale, otherworldly Sea Orchestra for United Airlines via agency Barrie D'Rozario Murphy.
published 1 year ago   read more
DUCK Takes Simon Blake Under Its Wing
Los Angeles-based DUCK, formerly Duck Soup Studios is pleased to welcome veteran multi-disciplined director Simon Blake to their growing roster. Over the past several years, Blake has directed under the aegis of Chelsea Pictures, Sandwick Films and Brick.
published 1 year ago   read more
Autodesk Launches New Versions of Visual Effects and Finishing Systems
Includes New Creative Tools, Expanded Format Support and Workflow Enhancements
Autodesk, Inc. (NASDAQ: ADSK) today announced the 2009 releases of the Autodesk Inferno, Autodesk Flame and Autodesk Flint software for visual effects systems, and the Autodesk Smoke software finishing system. The company also announced Extension 1 for Autodesk Toxik 2008 software for digital compositing.
published 2 years ago   read more
Autodesk at the National Association of Broadcasters 2008 Convention
Autodesk, Inc. will be participating in the National Association of Broadcasters (NAB) Convention in Las Vegas, Nevada from April 14 to 17, 2008. Autodesk will showcase its latest visual effects, finishing, color grading and animation solutions for film, television and commercial post-production.
published 2 years ago   read more
News: Steve Wright offers Shake 4.1 class in LA
Weynand Training is pleased to announce that this November 16-18 they are sponsoring a three day intensive, “Introduction to Shake 4.1,” presented by digital compositing guru, Steve Wright.
published 2 years ago   read more
News: Ron Brinkmann joins The Foundry
Leading visual effects software developer The Foundry is delighted to announce the appointment of Ron Brinkmann as special advisor to its Nuke development team.
published 2 years ago   read more
News: Autodesk Solutions Bring Magic to the Big Screen This Holiday Season
with The Covenant, Casino Royale, Stranger Than Fiction and More
Autodesk Inc.'s (NASDAQ: ADSK) media and entertainment products have helped digital artists create some of this season's blockbuster films. Post-production facilities relied on Autodesk solutions for visual effects creation, editing and finishing, color grading and 3D animation.
published 3 years ago   read more
News: Autodesk at National Association of Broadcasters 2006 Convention: Creating the Whole Picture
At NAB 2006, Autodesk is revealing its latest media and entertainment technology, designed to help broadcasters, post-production facilities, and film and broadcast production companies realize their most creative ideas.
published 4 years ago   read more
News: Autodesk Announces Toxik 2007 Software for Feature Film Visual Effects
Enables Digital Artists to Realize Creative Ideas and Composite Collaboratively
Autodesk, Inc. (NASDAQ: ADSK), launched Autodesk Toxik 2007, the latest version of its collaborative digital compositing software for feature film production. The software’s robust creative toolset helps film studios and post-production facilities deliver vivid, high-resolution imagery with ease.
published 4 years ago   read more
News: Autodesk Introduces Linux-based Version of Autodesk Toxik Visual Effects Software
Offers Film Studios and Post-Production Facilities Greater Choice in Back-End Digital Film Workflow
At the Digital Media Festival in Sydney, Australia, Autodesk, Inc. (NASDAQ: ADSK) today launched Autodesk Toxik visual effects software running on the Linux operating system.
published 4 years ago   read more
News: Japan
First Autodesk Toxik Software Extension Released: Blend and Comp
Autodesk, Inc. (NASDAQ: ADSK) today announced that IMAGICA Corp. has added 15 seats of Autodesk Toxik software to its post-production pipeline, along with training from Autodesk Consulting. Autodesk has also released the first feature extension to the Toxik collaborative visual effects and compositing software. This extension, called Blend and Comp, contains tools that make frequent digital compositing tasks easier.  
published 4 years ago   read more
News: NewTek Congratulates 2005 Emmy
For the Eighth Consecutive Year, Nominees for Special Visual Effects Used LightWave 3D®
NewTek, Inc., manufacturer of industry-leading 3D animation and video products, today extended their congratulations to the Emmy® nominees in the Outstanding Special Visual Effects for a Series category for 2005. For the eighth year in a row, a number of the nominees relied on NewTek's Emmy-winning LightWave 3D ® as a key tool in their visual effects arsenal. NewTek's TriCaster is also nominated for an Emmy this year, in the category Outstanding Achievement in Advanced Media Technology for the Creation of Non-Traditional Programs or Platforms.
published 4 years ago   read more
News: Savannah College Of Art And Design Integrates Sapphire Plug-Ins Into Curriculum
Premier college includes Sapphire on 118 workstations to train 2,000 students a year
GenArts, Inc., a leading provider of digital visual effects plug-ins for the film, broadcast and video industry, today announced that the renowned Savannah College of Art and Design (SCAD) has chosen Sapphire Plug-ins as its primary plug-in package, and is integrating them into all the editing and effects workstations of its digital media departments.
published 4 years ago   read more
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Digital Compositing for NTSC Broadcast Segments with Sonic Foundry Vegas Video 3.0 Digital Compositing for NTSC Broadcast Segments with Sonic Foundry Vegas Video 3.0
Late last year, Bryan Wilhite had the opportunity to do some digital compositing work on a feature-length documentary about the life of the great theatre, television and screen actress Beah Richards. Vegas Video was the indespensable tool for his role in the production. In this article, Bryan shares some tips that he learned.
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Digital Compositing for Film and VideoDigital Compositing for Film and Video
In the world of graphics production, few books attain legendary status. In the past decade, two come to mind: David Biedny's ''Photoshop Channel Chops'' and Trish & Chris Meyer's ''Creating Motion Graphics.'' Well, if I were to pick another book that could stand right alongside these two titles and hold its own -- it would be Steve Wright's ''Digital Compositing for Film & Video.'' Some would read that and ask: ''Have you lost your mind, Boomer?'' To that, I can only answer that in 6.5 years of building forums-based communities online, we have met few people who have mastered what's in this book. Even fewer can articulate this mastery. Steve is one who has accomplished both. Buy it -- unless you could have written it yourself.
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