| | | | Imagineer Systems and CoreMelt Announce Immediate Availability of SliceX powered by mocha
 New Final Cut Pro X Masking Plug-In Integrates mocha Planar Tracking Technology for Fast, Accurate Masking with Fewer Keyframes
Imagineer Systems, creators of the Academy Award winning mocha Planar Tracking technology, and CoreMelt today announced the immediate availability of a new Final Cut Pro X masking plug-in, SliceX powered by mocha. This new version of SliceX, previewed at NAB 2013 last month, comes as a result of a strategic partnership between Imagineer Systems and CoreMelt, resulting in the integration of Imagineer’s award winning Planar Tracker into CoreMelt’s shape masking tool.
published 1 week ago read more | | | | |
| | | | Imagineer Systems and CoreMelt Announce New Final Cut Plug-in at NAB2013: SliceX powered by mocha
 Imagineer to Preview New mocha 3.2 with Added Internationalization and Localization, and Support for Contour ShuttlePro
Imagineer Systems, creators of the Academy Award winning mocha Planar Tracking technology, and CoreMelt (http://www.coremelt.com) today announced a new Final Cut Pro X masking plug-in, SliceX powered by mocha. This new version of SliceX comes as a result of a strategic partnership between Imagineer Systems and CoreMelt, resulting in the integration of Imagineer’s award winning Planar Tracker into CoreMelt’s shape masking tool.
published 2 months ago read more | | | | |
| | | | Tokyo Chrominator for Final Cut Pro X
 Dazzle audiences with shiny metallic effects to spruce up logos and text
Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces Tokyo Chrominator, designed exclusively for Final Cut Pro® X. Now available for FxFactory, the plugin can be found under Tokyo Chrominator in the FCP X effects browser. Especially useful for adding production value to logos and text, Chrominator lets editors instantly give images a glossy, beveled 3D look complete with animated lighting. In addition to the basic version of the effect, which can be easily customized, there are six presets available including gold, silver, brass and more, making it easy to instantly achieve an interesting look or to use as the basis for one’s own unique variation. Tokyo Chrominator is available now in FxFactory for 49 USD.
published 2 months ago read more | | | | |
| | | | Bounce Transitions and Shatter Transitions for Final Cut Pro, Motion, Premiere Pro and After Effects
 Nattress releases two new transition effects to bounce and shatter footage on and off the screen
Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces two brand new transition plugins from Nattress to FxFactory for FCP® X, Motion, After Effects® and Premiere® Pro. A package of four fun, bouncy effects, Bounce Transitions lets editors quickly bounce footage on and off the screen using realistic motion algorithms for natural bounce or spring movement. Nattress Shatter Transitions create dynamic transitions based on either breaking apart the outgoing video or bringing together the incoming video.
published 4 months ago read more | | | | |
| | | | Ripple Tools for Final Cut Pro X
 Make a splash with Ripple Tools, available now for FCP X
Noise Industries, developer of visual effects tools for the post-production and broadcast markets, brings 12 easy-to-use, super handy title effects to users’ fingertips with Ripple Tools. A versatile and powerful effects toolbox for use in Final Cut Pro® X, Ripple Tools is a set of plugins that allow the user to quickly accomplish a number of effects and editorial tasks. Add split screens; use 8 or 16 point mattes; add adjustment layers to control the look of multiple clips; color balance using traditional color wheels; apply vintage and black-and-white effects; move images in 3D space and use the incredibly useful guides for aligning text and graphic elements on the screen. Ripple Tools is now available for only 29 USD.
published 4 months ago read more | | | | |
| | | | Blackmagic Design Releases DaVinci Resolve 9.1 with Support for Retina Displays
Also includes FCP X Audition, new Sony and Avid codec support and DeckLink 4K Extreme integration
Blackmagic Design today announced a major release of DaVinci Resolve 9.1, the latest update to the world’s most advanced color correction tool. DaVinci Resolve 9.1 enables customers to use Resolve with Apple’s Macbook Retina technology, the world’s highest resolution notebook display. Retina based notebooks have quickly become one of the most popular tools in the post production world, and with 9.1, DaVinci Resolve will be able to run on the 15” Retina MacBook Pro at the best image quality setting.
published 4 months ago read more | | | | |
| | | | Picture-in-Picture Plugin Released for Final Cut Pro X
Tokyo PiPinator brings advanced but simple-to-use Picture-in-Picture functionality to FCP X, without the need for keyframes
Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces Tokyo PiPinator to FxFactory. An advanced but simple-to-use picture-in-picture effect, PiPinator brings the power of menu-driven animation and a wealth of useful features exclusively to Final Cut Pro® X. Editors can create elegant and original composites without the need for keyframing.
published 5 months ago read more | | | | |
| | | | CoreMelt Brings Simple Timesaving Masking Tools to FCP X Editors
New product “SliceX” brings lightning fast freeform masking tools directly to the timeline.
CoreMelt, a leading provider of advanced video plug-in effects for the editorial, design and visual effects communities, today announced the release of its SliceX product for Final Cut Pro X.
published 7 months ago read more | | | | |
| | | | Digital Anarchy Releases Free Video Filter: Ugly Box Enhances Skin Damange to Make Subjects Look Worse
 The Perfect Halloween Filter Makes Talent Look Like Zombies in After Effects, Premiere Pro and Final Cut Pro
Digital Anarchy today announced Ugly Box, a free filter for enhancing skin damage. With the advent of HD, viewers expect to see every last wrinkle, scar, and oozing pore on zombies, witches, and news commentators. Ugly Box uses Digital Anarchy’s award winning Beauty Box skin retouching algorithms to accentuate all the skin detail on undead talent. This creates the effect of making talent look older, uglier, or just plain hideous. Ugly Box supports Adobe After Effects, Adobe Premiere Pro, and Apple Final Cut Pro 7 & 10.0.6.
published 7 months ago read more | | | | |
| | | | Singular Software Brings PluralEyes to FCP X
Singular Software, a Vancouver-based company that develops workflow automation applications for video production, has released PluralEyes, an app that automatically synchronizes audio and video clips without the need for timecode, for Apple Final Cut Pro X as a public beta offering.
published 1 year ago read more | | | | |
| | | | PluralEyes for Final Cut Pro X Enters Public Beta Stage
Singular Software invites Final Cut editors to test drive the upcoming release of their award-winning PluralEyes synchronization app for Final Cut Pro X
Singular Software™, a developer of workflow automation applications for video production, is pleased to announce that the PluralEyes® for Apple® Final Cut Pro® X Public Beta is now available. The multi-award winning PluralEyes technology works alongside Final Cut Pro to instantly sync multi-camera video and audio tracks; saving hours of tedious, manual syncing during post.
published 1 year ago read more | | | | |
| | | | Digital Heaven releases five new transition effects for Final Cut Pro X
Digital Heaven today announced the release of the first in a series of Final Cut Pro X effects packages to compliment any editor’s effects toolkit.
Digital Heaven, one of the leading third party developers for Apple Pro Apps, today announced the release of FCPX Transitions Pack 1, featuring five brand-new transition effects for Final Cut Pro X.
published 2 years ago read more | | | | |
| | | | motionVFX.com proudly announces the availability of mFlare
motionVFX.com, a leading manufacturer of plug-ins for Apple Motion and Final Cut Pro X, proudly announces the availability of mFlare. mFlare is a professional lens flares effects plugin for Motion 5 & FCPX which allows artists to create their own photorealistic flare effects.
published 2 years ago read more | | | | |
| | | | Pro Maintenance Tools maintains, optimizes and troubleshoots non-linear editing applications
Pro Maintenance Tools helps keep Final Cut Pro, Avid Media Composer and Adobe Premiere running smoothly
Digital Rebellion LLC today announced the availability of Pro Maintenance Tools, a suite of 18 utilities designed to maintain, optimize and troubleshoot non-linear editing applications including Final Cut Studio, Final Cut Pro X, Avid Media Composer and Adobe Premiere Pro for Mac.
published 2 years ago read more | | | | |
| | | | |  Articles and Tutorials: FCPX For Broadcast NewsMichael Garber has spent hundreds of hours learning the ins and outs of editing broadcast news features with Final Cut Pro X. He describes a workflow that takes advantage of the best that FCPX's new approaches have to offer, while being honest about its limitations. Every editor already working with FCPX, or still just considering it, will benefit from Michael's experience.Read Article Subscribe Learn Apple's Motion: Lesson 2 - File Browser and LibraryIn this lesson, Kevin P McAuliffe goes into depth about the File Browser, Library and the Inspector, and shows you a great, almost hidden tool called the HUD, that you are going to be using probably more than the Inspector itself!Read Article Subscribe FCPX On Air. Coming SoonFormer skeptic John Davidson was right there with everyone else when FCPX was released who deemed it a complete disappointment for broadcast pros. Many updates and much experimentation later, he's now a believer: he has FCPX not only running on shared storage for broadcast work, but for John, it does so even better than FCP 7 ever did. Here he introduces a 5-part series, taking you step-by-step from project set-up to delivery, ready to help other broadcast pros get moving with FCPX.Read Article Subscribe Workflow Update: iMac, Adobe & the X FactorWith five edit suites currently running at Biscardi Creative Media, and four more on standby, Walter Biscardi and crew need the best possible performance our of their workflow and machines. Here, Walter describes the power (yes, power) of the iMac, the workhorse Adobe Premiere Pro, and some never say never insight on FCP X.Read Article Subscribe SHOOT>EDIT with RED and FCP XEmbracing FCP X and the RED Camera System from the earliest releases has been proven a successful choice for filmmaker David Battistella, whose enticing respect for the RED/FCPX workflow shines through from detailed explanation to his finished work. Everything we dreamed RED could be in post is beginning to unfold with the new FCP X update.Read Article Subscribemore articles » Blogs: NAB 2013 - The Last DayNAB 2013 had a really good vibe, all the way around. Yesterday's traffic was as busy as Monday and Tuesday and now, Thursday -- the day when you could roll the proverbial bowling ball down the aisle -- also seems crowded. One guy in the elevator said he scanned more...Read Blog Subscribe On the Post Production trail at NAB 2013—Day 2Day 2 of NAB 2013 and I briefly started in the Central Hall, so some of this post is not just about post today. Clearly tape has become a dead medium as I cruised through the Panasonic and Sony booths—not a video tape or VTR in sight. I had a...Read Blog Subscribe #7 - Primary School - FCPX On AirHey guys, Everybody wants to know why I avoid the primary storyline when editing promos. There are a myriad of reasons, most of which are related to 'I just do'. It really doesn't bother me much, but perhaps this video of showing when I don't, and when I do, work...Read Blog Subscribemore blogs » Podcasts:Twixtor Overview in FCPXThis tutorial shows how to do a simple speed-up and slow-down using Twixtor in FCPX.Tune In Subscribemore podcasts »You Ask, I Answer: Multicam Editing with Separate Audio in FCPXIn this tutorial, Kevin P McAuliffe answers a viewer's question about the best way to multicam edit in FCPX when your main audio source is recorded as an audio only file.Tune In Subscribemore podcasts »You Ask I Answer : Working with PSD files Part 1: FCPXIn this tutorial, Kevin P McAuliffe shows you the great new "Import PSD files" feature inside of FCPX, and answers a viewers question about extending still images the length of your timelines.Tune In Subscribemore podcasts »Related Tags | | | | |
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