Creative COWSIGN IN :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
NEWS:Creative COW NewsRSS

News : FilmLight

Deluxe To Serve As The First Mastering Facility For Dolby® Vision
Deluxe Dedicates Burbank Suite to Dolby Mastering Service
Deluxe, a global innovator offering comprehensive creative, media, distribution and asset-management solutions for media and entertainment, has been chosen by Dolby as the first facility offering state-of-the-art mastering for Dolby Vision.
published 2 weeks ago   read more
FilmLight Hires Industry Experts To Help Customers Implement Leading Workflow Solutions
News: FilmLight Hires Industry Experts To Help Customers Implement Leading Workflow SolutionsDaniele Siragusano and Ram Krishna Tripathi Provide Invaluable Customer Support and Expertise
FilmLight today announced that it has added two highly experienced figures from the world of post-production to its team. Daniele Siragusano and Ram Krishna Tripathi Samaveda will provide workflow information, consultancy and training to help customers of the Baselight grading environment implement the infrastructure best suited to their specific needs and requirements.
published 3 weeks ago   read more
Filmlight’s Baselight Helps Encore finish House of Cards Season Two in 4K
News: Filmlight’s Baselight Helps Encore finish House of Cards Season Two in 4KThe second season of House of Cards, the political drama from Netflix, was released on 14 February 2014. For the first time, 4K and Ultra HD were among the deliverables from post-production and VFX company Encore, a Deluxe Entertainment Services company.
published 4 weeks ago   read more
"House of Cards" gets 4K Finish with FilmLight’s Baselight
News: "House of Cards" gets 4K Finish with FilmLight’s BaselightThe second series of "House of Cards," Netflix’s hugely popular political drama, was released on 14 February and made available to subscribers in 4k Ultra HD. Encore, a Deluxe Entertainment Services company, handled the show’s post production, with Lead Colourist Laura Jans-Fazio grading in uncompressed 4k at the post-production and VFX company’s Los Angeles location. To achieve the desired results, she leveraged a Baselight TWO system and Blackboard control surface.
published 1 month ago   read more
Platform Post Builds Momentum with Baselight
News: Platform Post Builds Momentum with BaselightSoho’s Boutique Post-Production House Adds New Grading Suite With Baselight ONE, Blackboard and Baselight Editions from FilmLight
As part of an ongoing expansion strategy, Platform Post - a leading broadcast post-production house in the heart of Soho - has opened its first dedicated grading suite incorporating a Baselight ONE grading system, Blackboard control panel and Baselight for Avid from FilmLight.
published 2 months ago   read more
Codex Shows Advanced Motion Picture Workflows At Cine Gear 2014
News: Codex Shows Advanced Motion Picture Workflows At Cine Gear 2014Codex, the industry leader in RAW recording and workflow, will highlight how Codex Vault and other Codex-developed recording systems can be easily integrated with the latest technology, from partners including ARRI, Dolby, FilmLight and Ncam, to create streamlined capture-to-post workflows for motion pictures, at the Codex booth (#47) during Cine Gear 2014, June 6-7, Paramount Studios, Los Angeles.
published 2 months ago   read more
Technicolor-PostWorks New York Adds Colorist Anthony Raffaele
News: Technicolor-PostWorks New York Adds Colorist Anthony RaffaeleRising Post Talent Brings Strong Credits in Independent Film and Television.
Finishing colorist Anthony Raffaele has joined Technicolor-PostWorks’ growing roster of film and television talent.
published 2 months ago   read more
Baselight Boosts The Vanity finishing
News: Baselight Boosts The Vanity finishingLeading Toronto VFX House Adds FilmLight Colour Suite to Complete its Creative Capabilities
The Vanity, one of the top post houses in Toronto and a specialist in VFX, has added a Baselight TWO colour grading system and Blackboard 2 control surface from FilmLight. The FilmLight grading tools allow The Vanity to offer an end-to-end boutique finishing service for its clients, along with its Autodesk graphics, effects and editing systems.
published 2 months ago   read more
FilmLight Demonstrates Complete Digital Dailies Workflow at Expo Cine, Video y Televisión 2014
FilmLight, alongside its local partner AMTEC, will be demonstrating its new Baselight DAILIES solution and complete digital dailies workflow in a real-world implementation at Expo Cine, Video y Televisión 2014 (AMTEC stand A-1, Mexico World Trade Center, 03 – 06 June 2014).
published 2 months ago   read more
Company 3 London Names John Quartel as Technical Director
Award-winning post house Company 3, a Deluxe Media Creative Services company, today announced the appointment of renowned color scientist John Quartel to the position of technical director of its London location.
published 3 months ago   read more
Baselight Grades for Dolby Vision at 2014 NAB Show
News: Baselight Grades for Dolby Vision at 2014 NAB ShowFilmLight Collaborates with Dolby to Offer New Creative Potential to the Post Industry
At 2014 NAB Show, FilmLight will present high dynamic range (HDR) mastering and grading, featuring the new Dolby Vision technology on Baselight’s high-performance color grading system. Visitors to the Dolby Laboratories booth (SU1702) will see demos showing how Baselight can take advantage of Dolby Vision’s true-to-life brightness, colors and contrast to open up remarkable new creative opportunities.
published 4 months ago   read more
FilmLight Partners with Codex on New Solution to Digital Dailies
News: FilmLight Partners with Codex on New Solution to Digital DailiesOn-Set Media Management Creates Effortless Dailies Deliverables
Recognising that seamless workflows are critical for commercial and creative success in the movie industry, FilmLight is showing an innovative new collaboration with Codex at NAB2014. The new solution allows every variant of dailies to be created in a single, largely automated process, with an initial Baselight grade forming the foundation of the final look.
published 4 months ago   read more
EFILM Installs First Baselight Grading Suite
News: EFILM Installs First Baselight Grading SuiteColourist Tom Reiser Uses Baselight System to Create Distinctive Look for Action Adventure Release DIVERGENT
Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight colour grading suite from FilmLight.
published 4 months ago   read more
Baselight Gets ‘Under the Skin’ of Scarlett Johansson Film
News: Baselight Gets ‘Under the Skin’ of Scarlett Johansson FilmCollaborative Digital Workflow Creates Look for Sci-Fi Movie Directed by Jonathan Glazer
Dirty Looks, the London colour grading studio specialising in Baselight grading for independent movies, carried out the finish of "Under the Skin" - the latest movie from director Jonathan Glazer, starring Scarlett Johansson. Visual effects were completed by Dirty Looks’ creative partner, One of Us; sharing the same building made collaboration even easier to realise the director’s vision.
published 4 months ago   read more
Prism & Pixels Grows with FilmLight
News: Prism & Pixels Grows with FilmLightIndia’s Boutique Post-House Expands with Additional Baselight Suites
Prism & Pixels – which has served the post-production market in India for over six years – recently added its third state of the art FilmLight digital intermediate (DI) grading suite to its facilities, and is in the process of ordering a fourth. It now has two Baselight grading theatrical suites, in addition to a Baselight Assist for backroom conform, file management, 3D-stereo alignment and rendering.
published 5 months ago   read more
FilmLight and Industry Partners Exhibit Flawless Integration at NAB 2014
New and creative technologies provide professional colour control at every stage
FilmLight is focusing its NAB2014 presence on four of its most creative and industry-leading partners – Codex, Dolby, The Foundry and Sony. With innovative and highly cost-efficient technologies being shown for the first time across the exhibition, this year’s visitors will be able to experience the best colour management solutions in a real-world context - as part of a collaborative, creative workflow.
published 5 months ago   read more
Signiant Further Expands Global Footprint to Support Continued Growth
New appointments in region support increasing demand in Europe, Middle East, Africa and Asia-Pacific
Signiant, the market leader in intelligent file movement software for the media and entertainment industry, has increased its sales and support staff to meet rapidly growing global demand for its products. The developments follow on from the recent appointment of industry leader Greg Hoskin as Managing Director with responsibility for Europe, Middle East and Africa as well as the Asia-Pacific markets.
published 6 months ago   read more
Editors’ Lounge Kicks Off 2014 With Demonstrations From Avid, Filmlight And Pond5
News: Editors’ Lounge Kicks Off 2014 With Demonstrations From Avid, Filmlight And Pond5A trusted source for the latest in new technology for the post-production professional
The Editors’ Lounge kicks off 2014 with a double presentation from Avid and Filmlight, as well as first-time presenter Pond5. A trusted source for the latest in new technology for the post-production professional, the Editors’ Lounge gives the opportunity to learn new skills hands-on while networking with other industry peers. The event will be held on Friday, January 31st at AlphaDogs Post Production 1612 W. Olive Ave, Suite 200, Burbank, CA 91506 beginning at 6:30 p.m. RSVP is required.
published 6 months ago   read more
Mexico’s Color Space Expands with FilmLight
News: Mexico’s Color Space Expands with FilmLight- Baselight ONE and Slate added to new, affordable colour suite -
Color Space, the leading commercials finishing house in Mexico, has opened its third colour suite, incorporating a further Baselight ONE grading system and a Slate control panel from FilmLight.
published 7 months ago   read more
Ben Eagleton Builds Sydney Grading Facility Around FilmLight
News: Ben Eagleton Builds Sydney Grading Facility Around FilmLightLeading Australian colourist sets up new home for Baselight system
Internationally-renowned colourist, Ben Eagleton, has returned to Sydney to establish his colour grading facility BE, in Surry Hills. Famed for his award-winning TV commercials and music videos, Ben started his new post-production venture in July 2013. With a wealth of international experience and expertise in grading high production value projects, Ben made a choice when kitting out his own facility to standardise on Baselight for grading, offering clients the flexibility to manage content in the most complex post-production workflows without compromising creativity.
published 8 months ago   read more
FilmLight Expands US Presence With The Appointment Of Key Code Media
News: FilmLight Expands US Presence With The Appointment Of Key Code MediaFilmLight, the leading color grading and workflow specialist, has strengthened its sales channel in the US with the appointment of Key Code Media, the world’s largest Avid reseller and integrator.
published 8 months ago   read more
Vision On Adds Color With FilmLight
CineSys Oceana supplies Baselight ONE with Blackboard panel for expanded grading department
Specialist New York post house, Vision On, has added a Baselight ONE color grading system from FilmLight in response to client demands for one-stop finishing. Vision On is a boutique retouching facility with a great reputation for high-end work in the fashion and beauty market. With the support of FilmLight’s local partner, CineSys Oceana, it has now elected to move to the industry leader in grading technology to deliver the best finish.
published 8 months ago   read more
FilmLight Strengthens Middle East Reseller Network With Appointment Of Media Group International
News: FilmLight Strengthens Middle East Reseller Network With Appointment Of Media Group InternationalFilmLight, the leading colour grading and workflow specialist, has strengthened its sales channel in Qatar and the wider Gulf regions with the appointment of Media Group International (MGI), a leading independent media systems integrator headquartered in Doha.
published 8 months ago   read more
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
News: Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight PlusSimple turnkey package complete with Baselight ONE, Slate control panel PLUS Editions licences, hardware and software support for $65k
Leading color grading solutions developer FilmLight is offering its users and boutique post houses a new workflow option for uncompromised grading. Baselight PLUS is supplied as a complete package — including installation if required — with options for editors and with hardware and software support at an unprecedented price point.
published 9 months ago   read more
Filmlight Broadens Colour Grading Capabilities Within Avid
News: Filmlight Broadens Colour Grading Capabilities Within AvidWindows version of Baselight for Avid now available
With the demand for perfect colour control now everywhere in the professional post workflow, FilmLight is taking another important step forward with the launch of its Windows version of Baselight for Avid. This is part of the Baselight Editions range which delivers the key elements of the world’s most powerful colour grading software as a plug-in for existing post tools.
published 9 months ago   read more
Cluster Studio adds FLUX Store from FilmLight
News: Cluster Studio adds FLUX Store from FilmLight- Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands -
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost a decade — recently added FLUX Store, the new post-production storage solution from FilmLight.
published 10 months ago   read more
Agenda Set for Sixth Annual Amsterdam SuperMeet
The stage show agenda has now been set for the Sixth Annual Amsterdam SuperMeet, to take place during IBC2013 on Sunday, 15 September 2013 at the Hotel Krasnapolsky in the heart of Amsterdam. This SuperMeet promises to be the single largest gathering of Final Cut, Adobe, Avid and Autodesk editors, digital filmmakers, gurus and users during IBC2013 week. Tickets to the the Amsterdam SuperMeet can be purchased at the SuperMeet website. Doors open at 16:30 - 17:00.
published 11 months ago   read more
Portomídia Puts Baselight At The Heart Of Creative Initiative
News: Portomídia Puts Baselight At The Heart Of Creative Initiative- Digital hub in Recife launches post-production training and finishing facility and selects FilmLight technology for unrivalled power and workflow simplicity -
Portomídia - a new initiative in Recife, Brazil - is to install a FilmLight Baselight FOUR color grading and management system, along with a FilmLight FLUX storage and data management network. The installation forms the heart of a new digital media facility, which itself is part of a high-technology hub aimed at boosting the regional economy through skills development and by attracting major businesses.
published 11 months ago   read more
CPUG Network Announces Sixth Annual Amsterdam SuperMeet
The CPUG Network have announced the Sixth Annual Amsterdam SuperMeet, to take place Sunday, September 15, 2013 at the Hotel Krasnapolsky in the heart of Amsterdam. The Amsterdam SuperMeet promises to be the single largest gathering of Final Cut Pro, Adobe, Avid and Autodesk editors, gurus and digital filmmakers during the 2013 IBC Show. Tickets are on sale now and can be purchased at the SuperMeet web site.
published 11 months ago   read more
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
News: Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish- Vancouver based post-house Digital Film Central relies on Baselight TWO to help create a fully ACES-compliant and flexible color pipeline, from VFX to DI -
As the post facility for Neill Blomkamp’s new movie "Elysium," Digital Film Central (Central) constructed a unique 3.3K color and conform workflow that tightly integrated grading with both editorial and VFX. To ensure seamless collaborative working, the entire pipeline used the Academy Color Encoding System (ACES).
published 11 months ago   read more
FilmLight showcases latest solutions at Broadcast & Cable 2013
- Affordable, powerful, flexible colour management solutions on display in Brazil -
FilmLight will be joining its local partner, PSK Engenharia, at Broadcast & Cable to demonstrate how its entry-level products make high quality grading available to all, as well as demonstrating the “colour pipeline” at every stage of production through to post-production.
published 11 months ago   read more
FilmLight Manages Colour from Slate to finish
News: FilmLight Manages Colour from Slate to finish
- IBC demonstration shows how the professional approach to colour management and grading delivers creative control and a tangible return on investment -
At IBC2013, FilmLight is showing upgrades across its range of products that put colour grading and management of the entire colour pipeline at the heart of the professional workflow—delivering unrivalled creative control, accuracy and consistency.
published 11 months ago   read more
FilmLight’s Baselight creates look for Pacific Rim
News: FilmLight’s Baselight creates look for Pacific Rim- MPI colorist Maxine Gervais uses full range of Baselight tool-set to develop stunning looks for summer blockbuster -
Pacific Rim, a Warner Bros. and Legendary Pictures production directed by Guillermo del Toro, has been post produced at Warner Bros. Motion Picture Imaging (MPI). Lead colorist, Maxine Gervais, used Baselight grading tools – on a laptop as well as a Baselight EIGHT system – to perfect the look of the movie, from set to final deliverables.
published 1 year ago   read more
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
News: FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013- Latest solutions on display in Mexico from 04-07 June 2013 -
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading software and colour management systems can provide a 'colour pipeline' at every stage of production.
published 1 year ago   read more
Small Tree Shared Storage Plays Vital Role in Boutique Post-Production Company’s Rapid Growth
Company’s Flexible Storage Solution Handles Workflow Requirements
Originally founded in 2012 to handle post-production on two feature film projects, Prodigi House in Jakarta soon acquired additional clients – including Samsung and Honda – seeking support with TV commercials. With additional projects and tighter deadlines, the company installed a Titanium16 shared storage system from Small Tree, the leader in simple, affordable and powerful Ethernet-based shared storage solutions for professionals engaging in the creation, management and delivery of electronic media and entertainment content.
published 1 year ago   read more
Post Factory NY Upgrades to Baselight TWO from FilmLight
- New York based facility adds Baselight TWO to state-of-the-art screening room -
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight TWO colour grading systems from FilmLight.
published 1 year ago   read more
Red Echo Post Expands Service Offering with FilmLight’s Baselight
News: Red Echo Post Expands Service Offering with FilmLight’s Baselight- Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients -
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a Baselight ONE colour grading system from FilmLight. The addition of the Baselight means that the company can add top end colour grading services to its clients.
published 1 year ago   read more
AJA Announces OEM Relationship With FilmLight; Supports FilmLight FLIP With Multi-Channel I/O On KONA 3G
Visit AJA at booth #SL 3816
Today at NAB 2013, AJA Video Systems announced an OEM relationship with FilmLight through which its KONA 3G capture and playback card will support multi-channel ingest and playout for FilmLight’s new FLIP real-time image processor. FilmLight will bundle AJA’s KONA 3G as part of FLIP, which is designed to take the power of complex Baselight color correction live on set. Leveraging KONA 3G, FLIP users will be able to easily preview the color grading of live raw footage with a range of HD video I/O channel combinations and can set FLIP to record or playback multiple HD-SDI streams such as 1 in and 3 out, 2 in and 2 out, 3 in and 1 out.
published 1 year ago   read more
FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
News: FilmLight Launches New Products to Provide Professional Colour Control at Every Stage- New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency -
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The range ensures that colour workflows can start on-set and run right through to final post and delivery, staying true to the vision at every stage. It delivers unrivalled productivity and creative control, giving facilities a real edge in delivering uncompromised results.
published 1 year ago   read more
GenArts Releases Sapphire 7 with scheduled debut at NAB 2013
GenArts® Inc., the global leader in specialized visual effects software, today released Sapphire 7. This new release provides users with greater control, increased speed, and an expanding arsenal of effects; empowering users to create higher quality effects in less time.
published 1 year ago   read more
Nice Shoes Expands with New Color Suite and Baselight TWO Systems
News: Nice Shoes Expands with New Color Suite and Baselight TWO SystemsAs an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow for a massive seven-screen film. To kick off 2013, it has added a pair of Baselight TWO systems, one of which will form their brand new color suite.
published 1 year ago   read more
Encore: Baselight Helps Hollywood Facility Reinvent Television Post-Production for the Digital Age
News: Encore: Baselight Helps Hollywood Facility Reinvent Television Post-Production for the Digital AgeEncore is one of the busiest full-service post-production facilities in Hollywood. Part of Deluxe Entertainment Services Group, the company, which also has facilities in New York, Vancouver and London, has built its reputation primarily through its work in episodic television. It services such shows as Body of Proof, Castle, CSI: Las Vegas, CSI: NY, Enlightened, Glee, Hawaii 5-O, Justified, Magic City, Mob Doctor, Nashville, NCIS, The Newsroom, Raising Hope, Last Resort and Revenge, providing near-set dailies, colour grading, editorial finishing and visual effects. It also boasts one of the industry’s most efficient file-based workflows and was the first to implement an ACES workflow for television.
published 2 years ago   read more
FilmLight’s Baselight Used to Grade Sony’s “Hotel Transylvania”
News: FilmLight’s Baselight Used to Grade Sony’s “Hotel Transylvania”Hotel Transylvania, Sony Pictures Animation’s monster hit comedy that already broke records at the U.S. box office, went through final colour grading and stereo finishing in full 3D on Baselight. Completed at Colorworks, Sony Pictures Entertainment’s digital intermediate facility, DI Colourist John Persichetti used Baselight to apply the finishing touches to the film prior to its worldwide release.
published 2 years ago   read more
London’s LipSync Grows Grading Resources with FilmLight’s Baselight
LipSync Post, the award winning London-based full-service post-production facility, has significantly added to its colour grading resources through the purchase of two Baselight systems from FilmLight. When fully operational by year’s end the Baselight systems will serve as the facility’s primary grading tools, enabling LipSync to offer a total of five grading suites that can work flexibly to suit client requirements.
published 2 years ago   read more
FilmLight's On-Set and Dailies Products Win an Emmy
News: FilmLight's On-Set and Dailies Products Win an EmmyFilmLight has been awarded a 2012 Primetime Emmy Award for its innovative colour preview and dailies products Truelight On-Set and Baselight TRANSFER.
published 2 years ago   read more
FilmLight Introduces 5-for-1 Academic Pricing for Baselight for Avid
News: FilmLight Introduces 5-for-1 Academic Pricing for Baselight for AvidFilmLight has announced the worldwide availability of a fully-functional Academic Edition of Baselight for Avid® (Mac), the newest product in its Baselight Editions line, which makes the world’s most powerful colour grading toolset directly available within Avid Media Composer® or Symphony®.
published 2 years ago   read more
Chainsaw Launches New Editorial Facility
News: Chainsaw Launches New Editorial Facility10,000 square foot Hollywood facility includes 25 editorial suites.
Chainsaw a leading independent post production company servicing American Idol, the Academy Awards and many other television productions, has opened a second, state-of-the-art editorial facility in Hollywood. The new 10,000 square foot facility, located on Santa Monica Boulevard near North Sycamore Avenue, two blocks from the main Chainsaw building, features 25 rooms that can function either as editorial suites or production office space and is designed to accommodate episodic and long-form television productions.
published 2 years ago   read more
Finish Adds Grading via FilmLight’s Baselight
News: Finish Adds Grading via FilmLight’s BaselightAward-winning London post house Finish, a specialist in 2D and 3D visual effects for commercials, has broadened its service offering to include high-end colour grading through the purchase of two Baselight systems from FilmLight.
published 2 years ago   read more
FilmLight Releases Baselight for Avid
News: FilmLight Releases Baselight for AvidHigh-end colour grading for Avid Media Composer or Symphony under US$ 1,000.
FilmLight today announces the release of the latest product in its Baselight Editions line, Baselight for Avid® (Mac). Developed in association with Avid, this exciting new product makes the world’s most powerful colour grading toolset available within Avid Media Composer® or Symphony®, the editing software that is the preferred choice among film and television professionals. It’s also a further instance of FilmLight’s commitment to provide solutions for managing colour at every stage in production and post.
published 2 years ago   read more
Sony Names Dan Perry Director of Digital Motion Picture Center
Hollywood Industry Veteran Brings Extensive Production Expertise And Professional Relationships to New Role
Sony is proud to announce that production industry veteran Dan Perry has been named Director of the Digital Motion Picture Center. The DMPC, as it is known in the industry, is located on Stage 7 at Sony Pictures Entertainment and is designed to provide a unique creative environment for shooting and evaluating images of the highest-quality.
published 2 years ago   read more
FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow
News: FilmLight and The Pixel Farm Provide an End-to-End Restoration WorkflowBaselight|PFClean integration supports all DI workflows, including ACES, and allows grading and restoration to proceed in parallel.
FilmLight and The Pixel Farm have formed a strategic partnership to jointly market FilmLight’s Baselight colour grading system and The Pixel Farm’s PFClean™ restoration software as a complete, fully-integrated and affordable workflow for digital cinema restoration. As a result, a branded OEM version of the PFClean restoration and remastering suite equipped with the Baselight integration option will be available to FilmLight customers to purchase directly through the company’s worldwide reseller network.
published 2 years ago   read more
FilmLight at IBC 2012
News: FilmLight at IBC 2012Unique pipeline for managing colour from script to screen.
At IBC 2012, FilmLight will demonstrate its latest solutions for refining looks and managing colour at every stage in production. Several new products from FilmLight’s expanded product line will be on view for the first time in Europe, each designed to address a different point in file-based film and television workflows, and together constituting an integrated, end-to-end colour pipeline.
published 2 years ago   read more
FilmLight announces Baselight ONE ‘ACCESS’ package
News: FilmLight announces Baselight ONE ‘ACCESS’ packageIndustry leading grading and finishing system at less than US$50K
FilmLight is helping boutique post-production facilities to step up to high-end colour grading by offering its award-winning Baselight system at the lowest price ever. The Baselight ONE ACCESS package can now be purchased for less than US$50,000, and includes the latest Baselight 4.3 software, complete installation, FilmLight’s industry-leading technical support and on-site operational training.
published 2 years ago   read more
Burbank’s FILMLOOK MEDIA and POST Adds Colour Grading via FilmLight’s Baselight
News: Burbank’s FILMLOOK MEDIA and POST Adds Colour Grading via FilmLight’s BaselightIn a move to significantly improve and expand its services, Burbank post-production facility FILMLOOK Media and Post has purchased a Baselight colour grading system from FilmLight. The new system, which includes FilmLight’s revolutionary Blackboard 2 control panel, allows FILMLOOK, for the first time, to provide its television clients, who include Disney Channel, Fox, CBS, ESPN and HBO, with colour grading services in a file-based workflow. It also allows the company to initiate a new service: DCP mastering for feature films.
published 2 years ago   read more
Colorworks joins with FilmLight, Otto Nemenz, The Creative-Cartel and Technicolor Creative Services to deploy F65 Workflows
4K workflow used in the production of “After Earth” for capture, back-up and dailies processing.
Colorworks, Sony Pictures Entertainments’ digital intermediate facility, is currently working with several service providers to offer efficient 4K workflow support for Sony’s new F65 CineAlta™ digital motion picture camera.
published 2 years ago   read more
NAB 2012: FilmLight FLIPs for End-to-End Color
FilmLight introduces FLIP, a new real-time image processing product that's an end-to-end color pipeline solution. Also new is the near-set dailies solution Baselight Transfer and Baselight 4.3, the latest software version with many new features.
published 2 years ago   read more
FilmLight adds new products and demonstrates end-to-end colour pipeline solution at NAB 2012
News: FilmLight adds new products and demonstrates end-to-end colour pipeline solution at  NAB 2012At NAB 2012, FilmLight will underscore the central role colour occupies in file-based film and television workflows by demonstrating innovative solutions for seamlessly managing and manipulating colour at every stage in the production pipeline.
published 2 years ago   read more
Sony Professional Solutions to Open Digital Motion Picture Center at Sony Pictures Studios
Industry-wide Resource for Training and Education will Support Transition to Digital Workflows for Filmmakers
Sony’s Professional Solutions of America group (PSA) unveiled its Digital Motion Picture Center (DMPC) on Stage 7 last night at Sony Pictures Studios. Officially opening May 1, the Center will offer hands-on training for directors, cinematographers and other professionals in the film and television production industries on the use of Sony’s groundbreaking F65 CineAlta™ digital motion picture camera and the production workflows supporting this new, state-of-the art digital acquisition system.
published 2 years ago   read more
MTI Film Names Merritt to Head International Business Development
News: MTI Film Names Merritt to Head International Business DevelopmentMTI Film has promoted Belinda S. Merritt to the newly-created post of Director of International Business Development. Merritt, previously Director of Worldwide Sales, will be responsible for growing and supporting the company’s International Resellers and will develop the new Domestic Channel Partner program. Working closely with the resellers and channel partners, she will help establish and manage strategic relationships and support their marketing and sales efforts to create new business opportunities.
published 2 years ago   read more
FilmLight Releases Major Baselight Upgrade
FilmLight, designers of Baselight, the world’s leading colour grading system, today announce the release of Baselight 4.3 with a host of powerful new features, introducing a unique “Triple-Head Display”, and representing a generational leap forward in responsiveness, flexibility and productivity.
published 2 years ago   read more
FilmLight Releases Baselight for Final Cut Pro
News: FilmLight Releases Baselight for Final Cut ProFilmLight today announces the release of Baselight for Apple Final Cut Pro 7. This brings the power and accuracy of the world’s best colour grading system right into the heart of an edit suite.
published 2 years ago   read more
Fotokem Budapest Uses Baselight for Near-Set Grading of "In the Land of Blood and Honey"
News: Fotokem Budapest Uses Baselight for Near-Set Grading of "In the Land of Blood and Honey"Fotokem Budapest recently used FilmLight's Baselight colour grading system to perform near-set colour grading for In the Land of Blood and Honey, Angelina Jolie's new film on the Bosnian War.
published 2 years ago   read more
Chicago’s Optimus Uses Baselight to Craft an American Icon
News: Chicago’s Optimus Uses Baselight to Craft an American IconA new campaign for American Family Insurance evokes the company’s association with heartland values through finely crafted images of factory workers, motorcycle riders, newborn babies and kids diving into swimming pools. Conceived by Ogilvy & Mather, Chicago, the campaign involved a seven day shoot in Wisconsin, Indiana and Michigan. Post work was completed at Optimus, Chicago, through a workflow anchored by FilmLight’s Baselight colour grading system.
published 3 years ago   read more
Amerisis Studios Introduces Color Grading to Ecuador Via FilmLight's Baselight
Amerisis Studios, a newly-launched post production facility in Quito, Ecuador, has purchased FilmLight’s Baselight colour grading system and will use it as the centerpiece of its service offering for film, television and advertising projects.
published 3 years ago   read more
Avid Adds New EUCON Media Workflow Partners; Continues to Lead the Way with Open Solutions
Colorfront and FilmLight announce native support for EUCON; expanding media workflow options and delivering improved performance with Avid’s Artist Series Controllers
Avid® (NASDAQ: AVID) today announced new additions to expand the open EUCON™ ecosystem of supported media applications, providing customers with more creative options in their audio and video workflows and reinforcing its commitment to supporting open, interoperable platforms.
published 3 years ago   read more
Major Baselight release to debut at IBC 2011: Stand 7.F31
News: Major Baselight release to debut at IBC 2011: Stand 7.F31Our new Baselight software release (version 4.3) moves the technology forward on all fronts – powerful new features, unique triple headed displays and a sea change in responsiveness and productivity.
published 3 years ago   read more
FilmLight’s new products prove an immediate success
News: FilmLight’s new products prove an immediate successOur Blackboard 2 grading control surface and Baselight TWO colour grading systems, can be seen for the first time in Europe at IBC 2011. Both new products are already enjoying record sales among broadcasters, post houses and production facilities worldwide.
published 3 years ago   read more
FilmLight at IBC 2011: Stand 7.F31
Blackboard 2 | Baselight 4.3 | Baselight for Final Cut Pro & NUKE | Truelight On-Set and AatonK
We will be giving the first European presentations of Blackboard 2, our revolutionary new grading control surface. Blackboard 2 caused quite a stir when it debuted at NAB, and since then, it has evolved into a market ready product.. Your eye is drawn to the visually stunning design, but the secret to Blackboard 2 is what we call Adaptive Key Technology—every key is programmable in infinite ways. No grading surface is faster, more ergonomic or, frankly, cooler than Blackboard 2.
published 3 years ago   read more
London’s Unit Adds Baselight
News: London’s Unit Adds BaselightCommercials specialist installs high end grading system in new Soho facility
In a significant boost to its colour grading services for commercials, Soho post-production company UNIT has purchased a Baselight HD colour grading system from FilmLight. The new grading system is installed at UNIT’s newly-opened 9400 square-foot facility and is part of the service offering of the company’s specialty sub-brand ‘The Finish’, which also provides visual effects and compositing services.
published 3 years ago   read more
Bangkok’s Spice Shop Becomes the First Post House to Purchase FilmLight’s Revolutionary Control Surface: Blackboard 2
At NAB 2011, FilmLight today announces that Spice Shop, Bangkok, has become the first post-production facility worldwide to purchase its new Blackboard 2 control surface for Baselight. Unveiled for the first time at NAB on Monday, Blackboard 2 represents an entirely new concept in control surfaces for colour grading systems and promises to transform high-end finishing for feature films, television and advertising.
published 3 years ago   read more
FilmLight Provides A Taste Of Baselight for Editors
News: FilmLight Provides A Taste Of Baselight for EditorsFinal Cut Pro Plug-in takes Baselight to the wider creative market
At NAB 2011, FilmLight is previewing a new Baselight colour grading plugin for Apple® Final Cut Pro®. The plugin is aimed primarily at smaller editorial and post-production facilities, and indie filmmakers, providing them with sophisticated colour grading functionality from the industry’s leading system.
published 3 years ago   read more
Point.360 Digital Film Labs preview Visionary Archive at NAB
Sean McKee, Director of Restoration & New Technology at Point.360 Digital Film Labs, will be giving a technology preview of the soon-to-be released Visionary™ Archive system in the FilmLight hospitality suite - the Paramount Room at the Renaissance Hotel. Demonstrations will be available all day April 11th and 12th, and by appointment on the 13th and 14th.
published 3 years ago   read more
FilmLight Unveils Revolutionary Control Surface: Blackboard 2
News: FilmLight Unveils Revolutionary Control Surface: Blackboard 2Unique soft-key design for Baselight
At NAB 2011, FilmLight launches Blackboard 2, an entirely new control surface for its award-winning Baselight colour grading system. The unique and revolutionary design of Blackboard 2 promises to transform high-end finishing for feature films, television and advertising.
published 3 years ago   read more
FilmLight Previews the Future of Colour Grading at NAB 2011
Industry leader debuts new product initiatives aimed at enhancing the high-end grading experience and making it accessible to more creative companies
Furthering its position as the industry’s innovation leader, FilmLight is debuting several new colour grading technologies at NAB 2011 that will promote new workflows, broaden access to best-of-class tools, and dramatically change the future of post-production.
published 3 years ago   read more
Technicolor & FilmLight Join Forces to Provide On-Location Color
News: Technicolor & FilmLight Join Forces to Provide On-Location ColorTechnicolor DP Lights™ Powered by Truelight to Launch at NAB
Technicolor (Euronext Paris: TCH), a worldwide provider of production and post-production services, and FilmLight, a developer of film scanning, color grading and color management technology, today announced a technology alliance to grow their respective presence on motion picture and broadcast production sets, bringing together their respective industry leading color grading solutions.
published 3 years ago   read more
Glassworks invests in a Baselight HD colour grading system from FilmLight to help expand its customer base
Wanting to offer a more sophisticated service to existing clients, as well as opening itself up to a broader market, Glassworks Amsterdam, the country's leading visual effects post house, has invested in a Baselight HD colour grading system from FilmLight.
published 3 years ago   read more
London’s Spring Studios Adds Baselight
Noted fashion studios adds high-end colour grading via Baselight as it extends its support for motion
Spring Studios, one of Europe’s premiere photographic studios, has purchased a Baselight colour grading system from FilmLight as part of its ongoing diversification into motion imagery.
published 3 years ago   read more
“The King’s Speech” Graded on Baselight at Molinare
"The King’s Speech", this year’s winner of the Academy Award for Best Picture, went through final DI grading on FilmLight’s Baselight at the post house Molinare in London.
published 3 years ago   read more
FilmLight upgrades the power of Baselight
Baselight 4.2 means more creative tools, more control and more functionality for the industry's leading colour corrector
FilmLight today announced the release of the latest version of its award-winning Baselight colour grading system. Baselight 4.2 is now available for the entire range of Baselight systems, providing a wealth of new and enhanced functionality - extending the capabilities of the industry’s leading colour grading solution.
published 4 years ago   read more
MPC wins Best CGI and Best Telecine at the British Arrow Awards
MPC’s work dominated the CGI (sponsored by Autodesk) and Telecine (sponsored by FilmLight) categories at the British Arrow Awards last night, with Cadbury’s ‘Spots V Stripes’ and 'Xbox Halo 3 ODST' winning the top honours.
published 4 years ago   read more
Cincinnati’s Red Echo Post Adds Colour Grading Service via FilmLight’s Baselight
Cincinnati, Ohio post house Red Echo Post has acquired a Baselight colour grading system from FilmLight to serve as the centrepiece of its newly-formed Rage & Color division.
published 4 years ago   read more
Filmworkers’ Upgrades Color Correction Resources in Chicago, Dallas and Nashville with a Multi-Million Dollar Investment in FilmLight’s Baselight
Filmworkers, one of the country’s leading providers of color correction services, has made a multi-million dollar investment in upgrading its color correction suites.
published 4 years ago   read more
FotoKem Selects Baselight for New Post Production Facility in Budapest
FilmLight today announced that FotoKem has installed Baselight EIGHT and Baselight HD colour grading systems at its newly-built post production facility in Budapest. The systems will anchor two Digital Intermediate theatres with Baselight Eight used for 2K/4K grading of conventional and stereoscopic films.
published 4 years ago   read more
Baselight HD moves into The Refinery
Responding to a surge in client demand for the highest-quality digital film grading, full-service South African post-production facility The Refinery has invested in a Baselight HD colour grading system from FilmLight.
published 4 years ago   read more
FilmLight announces distibution of Point.360 IVC’s Visionary Archive at IBC 2010
FilmLight, the leading manufacturer of film scanning, colour grading and colour management systems, has announced a partnership to provide distribution of Point.360 IVC’s revolutionary Visionary™ Archive technology to all countries outside of the United States.
published 4 years ago   read more
Mwnci Chooses Filmlight’s Baselight HD
Mwnci, the leading Cardiff-based TV post production company, has invested in a Baselight HD colour-grading system and Baselight Kompressor from FilmLight, to complement its existing Avid editing workflow.
published 4 years ago   read more
Mexico’s Oxido Adds Second Baselight
Additional colour grading system fuels advertising work and expansion into feature film DI.
Mexico City-based Oxido, one of the largest providers of post production services for commercials in Latin America, has purchased a Baselight HD colour grading system from FilmLight.
published 4 years ago   read more
FilmLight and Avid to Showcase End-to-End File-Based Workflow
Los Angeles demonstration will highlight interoperability between Baselight and Media Composer 5.0
FilmLight and Avid will conduct joint demonstrations in Los Angeles this week of a totally file-based workflow for post-production featuring complete interoperability between FilmLight’s industry-leading Baselight color grading system and Avid’s newly-introduced Media Composer 5.0 nonlinear editing system.
published 4 years ago   read more
Pinewood Studios Group Adds Northlight Scanner to New Restoration Facility
Sci-Tech Award-winning scanner will be used to restore titles from StudioCanal British Library
Pinewood Studios Group has acquired a Northlight 2 film scanner from FilmLight for use in its newly-established media preservation, restoration and archive facility.
published 4 years ago   read more
Mexico’s Color Space Launches DI Service via FilmLight’s Northlight and Baselight
Color Space, a newly-launched post house in Mexico City, has acquired a Northlight 1 film scanner and Baselight HD colour grading system from FilmLight as part of its bid to become a market leader in colour grading for commercials, music videos, short films and feature films.
published 4 years ago   read more
MPC Purchases Baselight Systems for Features & Commercials Projects
FilmLight today announced that world leading post-production company MPC has taken the decision to purchase two new Baselight stereo grading systems for their London, Wardour Street facility.
published 4 years ago   read more
Hungary’s Focus-Fox Debuts New Grading Theatre with Baselight FOUR
News: Hungary’s Focus-Fox Debuts New Grading Theatre with Baselight FOURCinemix facility offers unique combination of colour grading and sound mixing.
FilmLight today announces that Focus-Fox Studio, Budapest, the largest provider of post production services in Hungary, has installed a Baselight FOUR colour grading system in its newly-opened Cinemix digital intermediate grading and sound mixing theatre.
published 4 years ago   read more
IMAGICA implements FilmLight’s Baselight Colour Grading
Leading Japanese post production company chooses Baselight
IMAGICA, Japan’s most established and respected post-production company, has chosen to deploy a Baselight FOUR colour grading system from FilmLight into one of its existing Digital Intermediate (DI) suite at IMAGICA’s Tokyo Imaging Centre. Baselight FOUR provides IMAGICA with conform, file and colour management, fast storage, grain reduction and non-linear colour grading in a comprehensive, high-performance DI solution.
published 4 years ago   read more
Kodak Cinelab Selects FilmLight's Baselight and Northlight for New DI Services
FilmLight today announces that Kodak Cinelabs Romania, which it is part of a worldwide network of Kodak-owned film processing laboratories and digital film transfer facilities, has invested in a Baselight FOUR colour grading system and a Northlight 2 film scanner. The systems will be installed in a newly-built digital intermediate grading theatre designed to service feature film, television and advertising clients, and scheduled to begin operations this summer.
published 4 years ago   read more
NAB 2010 News: New Zealand’s Oktobor Selects Baselight for New Commercials Grading Suite
News: NAB 2010 News: New Zealand’s Oktobor Selects Baselight for New Commercials Grading SuiteOktobor, the award-winning visual effects and animation studio based in Auckland, New Zealand, has acquired a Baselight FOUR from FilmLight to serve as the centrepiece of its newly-built, non-linear colour grading suite. The company plans to use Baselight primarily for grading commercials and other short-form media—a new service for the company.
published 4 years ago   read more
NAB 2010: The Mill, New York, Adds Second Baselight
News: NAB 2010: The Mill, New York, Adds Second BaselightAt NAB 2010, FilmLight today announces that The Mill, New York, has purchased a Baselight FOUR colour grading system—its second. The move is a response to the great success The Mill has enjoyed with its first Baselight FOUR, which has proven to be extremely popular both among the facility’s colourists and its advertising clients. The new Baselight will replace an existing linear colour grading system giving the company more flexibility in its workflow and greater access to Baselight’s powerful toolset.
published 4 years ago   read more
FilmLight Launches Low Entry Price Point for Baselight at NAB 2010
At NAB 2010, FilmLight, a leading provider of digital film and video technology, today announces a new, low entry price point addition to its Baselight range of non-linear colour grading systems. Known simply as ‘Baselight’ the new system provides facilities that deliver broadcast television content with a highly cost effective way to benefit from the class-leading performance and feature set associated with the Baselight product line.
published 4 years ago   read more
NAB 2010: FilmLight Riding a Wave of Success
After Seeing Its Product Range Recognised with Four Sci-Tech Awards, FilmLight Announces New Products, Solutions and Sales
With an unprecedented four Sci-Tech Awards from the Academy of Motion Picture Arts and Sciences, what do you do for an encore?
published 4 years ago   read more
FilmLight Demonstrates Support for MPEG-4 SStP (Simple Studio Profile) Workflows at NAB 2010
Baselight and Truelight On-Set from FilmLight to Showcase Advantages of Latest “HDCAM-SR” File Based Workflows
At NAB 2010, FilmLight will show the speed, quality and infrastructure cost saving benefits of the new Sony “HDCAM-SR” file based workflows including native support for the MPEG-4 SStP codec at the Sony Electronics (Booth C1101).
published 4 years ago   read more
BBC Scotland Adds Baselight Colour Grading System
FilmLight’s Baselight connects with Avid Unity in real-time, collaborative workflow for Broadcast television post production.
BBC Scotland has purchased a Baselight HD from FilmLight for use in a new colour grading suite based in the BBC HDTV production facility at Pacific Quay in Glasgow.
published 4 years ago   read more
Creative COW News RSS Feed





BlogBlogs:

On the Post Production trail at NAB 2013 - 4K, Premiere, SpeedGrade & Baselight
Well, I am finally back home from NAB and I need to sort through a ton of swag. Plus, I still have notes from the show that I would like to share with you. Is My World Really 4K? If there was one thing that stood out for me this...
Read Blog     Subscribe

End of Day 1: the buzz is...very little buzz
But that's a good thing, really. Have customers gotten savvy to the "we're the best thing since sliced bread" mentality? Are they fed up with products that are promised to ship next month only to find out it's next month plus six or eight more months? At the AJA press...
Read Blog     Subscribe

more blogs »


Related Tags



FORUMSTUTORIALSFEATURESVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS
LinkedInFacebookTwitter
© 2014 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]