(Los Angeles, California--November 3, 2008) The Digital Cinema Society (DCS), a nonprofit educational cooperative with an international membership nearing 4,000 has announced plans to present an event which will demystify the world of stock footage.
How To Monetize Your Stock Footage is scheduled for November 15th 2008 at West Post Digital in Santa Monica. In this event the DCS will explore how Filmmakers, especially Cinematographers, who may have terrific footage in their library, or would like to go out and hunt for great saleable images in their downtime, can capitalize on these efforts.
Participants include Paula Lumbard from The Footage Bank, Carol Martin from The RED Footage Collective, Phil Bates from Artbeats, as well as Producer and DCS Advisory Board member, Barry Clark, who has greatly increased the return on many of his large screen format productions, by licensing their shots for use in other productions. Ken Michael, a RED camera Owner who keeps busy with his camera during downtime, by going out and shooting stock footage will also attend.
The meeting will cover what kind of images Stock Footage Reps are looking for, which images are the most valuable to them and the best and lowest quality format requirements for acquisition and delivery.
For more details of this and future DCS events please visit the DCS booth at DV Expo Los Angeles Convention Center November 5th & 6th 2008 or the DCS website at http://www.digitalcinemasociety.org
About the Digital Cinema Society
The DCS is a format agnostic educational cooperative dedicated to informing the entertainment industry about the integration of digital technology. Member benefits include access to seminars and networking events, DCS on-line with “knowledge-on-demand” streaming educational content, member forums, and a monthly eNewsletter featuring unbiased analysis of the latest developments in Digital Cinema. We invite you to join us now for a free trial membership.
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