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ARRI Pro Camera Accessories for the Canon EOS C700
ARRI Pro Camera Accessories for the Canon EOS C700ARRI is pleased to announce its range of Pro Camera Accessories for the Canon EOS C700, equipping the camera with professional on-set functionality and rugged durability. The new accessory sets have been endorsed by Canon and will feature in the company’s upcoming official camera presentations.
published 2 days ago   read more
Winners Unveiled at 2016 HPA Awards
Winners Unveiled at 2016 HPA AwardsCoveted Honors Shine Spotlight on Creative Excellence in Post Production
The Hollywood Professional Association (HPA) announced the winners of the 2016 HPA Awards (#hpaawards) during a gala celebration tonight at the Skirball Cultural Center in Los Angeles. The HPA Awards recognize individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.
published 2 weeks ago   read more
Naughty Saint Nick: Bad Santa 2 and Panasonic Varicam 35
Naughty Saint Nick: Bad Santa 2 and Panasonic Varicam 35Theo Van de Sande, ASC shoots Bad Santa 2 with Panasonic VariCam 35 4K cinema cameras
The long-awaited sequel to the 2003 holiday cult classic, Bad Santa (directed by Terry Zwigoff), Bad Santa 2 is directed by Mark Waters (Vampire Academy, Mean Girls) and once again pairs Willie (Billy Bob Thornton) and his little helper Marcus (Tony Cox), who reunite to rob a Chicago charity on Christmas Eve. Academy Award winner Kathy Bates joins the cast as Willie’s foul-mouthed mother, Sunny Soke, and Brett Kelly reprises his role as Thurman Merman. The dark comedy was shot by Theo Van de Sande, ASC (Blade, Cruel Intentions, Wayne’s World) with Panasonic VariCam 35 4K cinema cameras.
published 2 weeks ago   read more
Sebastien Laffoux promoted to ARRI Inc. Director of Sales, Camera Systems
Sebastien Laffoux promoted to ARRI Inc. Director of Sales, Camera SystemsARRI is pleased to announce the promotion of Sebastien Laffoux to Director of Sales, Camera Systems for ARRI Inc., effective immediately. In this new role, he is responsible for managing the entire camera sales team for North America with regional representatives based in Los Angeles, New York and Toronto. Laffoux reports directly to Glenn Kennel, President of ARRI Inc., who is based at ARRI Inc.’s headquarters in Burbank, CA.
published 3 weeks ago   read more
"FUJINON Days" Held in U.S. and Abroad
"FUJINON Days"  Held in U.S. and AbroadCinematographers and Optical Technicians Put Premier and Cabrio Zooms through their Paces during Educational Seminars
As part of the company’s overall initiative to increase awareness of its Cine-Style zooms among Cinematographers, Camera Operators and Camera Assistants throughout the world, the Optical Devices Division of FUJIFILM, FUJINON has embarked on a series of hands-on, educational seminars. Based on initial reviews from leading feature film and episodic cinematographers as well as rental house lens technicians at each of the regional events, this series has the potential for a long run.
published 3 weeks ago   read more
Go Creative Show: Cinematographer David Klein, ASC, of Homeland
Go Creative Show: Cinematographer David Klein, ASC, of HomelandDavid Klein, ASC, cinematographer of Homeland, True Blood and many classic Kevin Smith movies like Clerks, Mall Rats, and Red State, joins us to talk all about it all.
The Go Creative Show, dedicated to inspiring creative professionals working in the video, film, TV and music industries, invites you to join host, Ben Consoli and his special guest, David Klein, ASC, cinematographer of Homeland and True Blood. David has also shot many of the classic Kevin Smith movies like Clerks, Mall Rats, and Red State and he’s here to talk all about it all. His love of realism has defined a generation of film making and he continues to execute it flawlessly with his work on Homeland. David talks with us about all his gear and lighting choices, shooting hand-held effectively and how the best film education is to simply shoot something.
published 4 weeks ago   read more
Bakewell Pairs Schneider Xenon FF-Primes and Panasonic VariCam LT
Richard Bakewell, best known for his camerawork on such television shows as Cops and Intervention, recently penned his second film. To create a proof-of-concept and short film based on an 80’s throwback horror-genre feature-length screenplay Postpartum, he took the helm as Director and Executive Producer. Bakewell needed a versatile shooting package. His first decision was to go 4K and to use the Panasonic VariCam LT and Xenon FF-Primes by Schneider Kreuznach.
published 1 month ago   read more
Quantum Break: Keeping in time with Mistika
Quantum Break: Keeping in time with MistikaA chat with VFX Supervisor and Colorist Juan Ignacio Cabrera about the groundbreaking blend of gameplay and live-action TV
The action-adventure video game market as we knew it changed forever when the sci-fi game Quantum Break was released worldwide in April this year.
published 2 months ago   read more
The sky is the limit for 4K IMAX HDR "Sully" with Baselight
The sky is the limit for 4K IMAX HDR "Sully" with BaselightTechnicolor harnesses Baselight’s high-resolution capabilities for big-screen retelling of "Miracle on the Hudson"
Technicolor LA recently gave Clint Eastwood’s biographical drama Sully the full Baselight HDR colour grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009, saving 155 lives.
published 2 months ago   read more
Cooke Optics miniS4/i lenses bring a new look to Midsomer Murders
Cooke Optics miniS4/i lenses bring a new look to Midsomer MurdersUncoated lenses add a new twist to 19th season of beloved UK drama
Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, is pleased to reveal that the latest series of the long-running British drama series Midsomer Murders is being shot with uncoated Cooke miniS4/i lenses, supplied by VMI.
published 2 months ago   read more
Hollywood Professional Association Unveils HPA Awards Nominees
Hollywood Professional Association Unveils HPA Awards NomineesCreative nominations announced for editing, sound, visual effects and color grading
The Hollywood Professional Association® (HPA) today announced the nominees for its 2016 HPA Awards. Considered the standard-bearer for excellence and innovation in an industry embracing an expanding array of groundbreaking technologies and creativity, the HPA Awards honor creative achievement and artistic excellence.
published 2 months ago   read more
Transvideo Wins Cinec Award For Its Starlite Hd5-arri Recorder-monitor
Transvideo Wins Cinec Award For Its Starlite Hd5-arri Recorder-monitor(Paris, France--September 28, 2016) Transvideo is proud to have been chosen to receive the prestigious Cinec Award this year for its StarliteHD5-ARRI monitor-recorder in the category of Camera Technology / New Digital Capturing Tools. The Cinec Award is a unique prize for outstanding achievements and innovations in the fields of motion-picture technology and post production. The prizes were judged during the Cinec Expo in Munich by industry experts that included Hollywood cameraman Klemens Becker and lighting director Stuart Gain.
published 2 months ago   read more
Ncam Emmy Award for Outstanding Achievement in Engineering Development
Ncam Emmy Award for Outstanding Achievement in Engineering DevelopmentNcam’s real-time camera tracking technology for augmented reality is recognised for enhancing the viewer experience
Ncam announced today that its real-time camera tracking technology for augmented reality (AR) has been honoured with an Emmy® Award for ‘Outstanding Achievement in Engineering Development’ by the Academy of Television Arts and Science (primetime). Relied upon by leading broadcasters, including CNN, ESPN, Fox Sports, MLB, NFL, The Weather Channel and BT Sports, Ncam is able to integrate live action and computer-generated elements in the studio or on location more convincingly than ever before in order to provide a more immersive experience for television viewers.
published 2 months ago   read more
Cinematographers Guild Names 2016 Special Awards Recipients
Cinematographers Guild Names 2016 Special Awards RecipientsDolby Laboratories, David Geffner, and Rodrigo Prieto ASC were honored at the ECA luncheon and awards ceremony
Dolby Laboratories, David Geffner and Rodrigo Prieto ASC, are the recipients of the International Cinematographers Guild (ICG, IATSE Local 600) special 2016 Emerging Cinematographer Awards (ECA), announced Steven Poster, ASC, ICG’s National President. The awards were presented Friday during the ECA opening event at the American Society of Cinematographers Clubhouse in Los Angeles.
published 2 months ago   read more
Panasonic VariCamLT RAW Supported by Odyssey7Q+ Monitor/Recorder
The upcoming firmware update for the Odyssey7Q+ and Odyssey7Q monitor/recorders will support the Panasonic VariCamLT 4K RAW output. When Panasonic unveiled the VariCamLT in February, it announced the 4K RAW output capability for the camera would be added this year. Panasonic has today released a free firmware update to the camera that enables this ability. Convergent Design and Panasonic will be demonstrating the 4K RAW capture workflow from the VariCamLT to the Odyssey7Q+ in both companies’ booths at the IBC 2016 show this week in Amsterdam.
published 3 months ago   read more
ARRI Releases Master Grips Camera Accessories for Ultimate Handheld Control and Comfort
ARRI Releases Master Grips Camera Accessories for Ultimate Handheld Control and ComfortExpanding its range of ECS accessories, ARRI announces four new Master Grip handgrips, which offer unprecedented fingertip control of ARRI and third-party cameras and lenses when shooting handheld.
The primary function of traditional cine-style handgrips is to firmly stabilize a camera on the operator’s shoulder. Documentary camera setups include a servo zoom with the handle, allowing certain lens and camera functions to be controlled. In today’s industry, the previously separate worlds of cine and documentary equipment have merged. In addition, small cameras like the ALEXA Mini have a reduced user interface and require external camera controls. This has created demand for solid, cine-style camera handgrips with documentary-style controls.
published 3 months ago   read more
ARRI announces completion of ALEXA SXT development
ARRI announces completion of ALEXA SXT developmentARRI is pleased to announce that development of the ALEXA SXT cameras is completed.
(Munich, Germany--September 8, 2016) ARRI will now make good on its promise to provide upgrades to all ALEXA XT EV, ALEXA XT Plus and ALEXA XT Studio cameras shipped in 2015 and 2016. In addition to the originally promised upgrade program of a free-of-charge upgrade to SXT in Munich, ARRI has equipped its service stations in London, Los Angeles, New York, Beijing, Hong Kong and Mumbai to perform the upgrade. For those who received their XT camera before 2015, a paid-for upgrade option to a full SXT is also available.
published 3 months ago   read more
ARRI’s International Support Program
ARRI’s International Support ProgramARRI launches an exclusive support program for international filmmakers at the Toronto International Film Festival.
The ARRI Groupis launching an initiative called the International Support Program. It is designed to support filmmakers who are working on distinctive projects with an international edge. Through the program, ARRI will offer multifaceted support ranging from co-production, development and access to state-of-the-art ARRI equipment, to postproduction and international sales. The company will officially unveil the program at the Toronto International Film Festival (September 8-18, 2016). ARRI professionals from Munich, Berlin, Los Angeles, Toronto, New York and New Orleans will be at TIFF to meet with filmmakers.
published 3 months ago   read more
ARRI Announces Completion of ALEXA SXT Development
ARRI Announces Completion of ALEXA SXT DevelopmentARRI is pleased to announce that development of the ALEXA SXT cameras (Super Xtended Technology) is completed.
published 3 months ago   read more
New Angénieux Type EZ Series Lenses At IBC 2016
New Angénieux Type EZ Series Lenses At IBC 2016​Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mmm and larger image formats for cine and broadcast productions.
published 3 months ago   read more
Archion's EditStor Omni Helps Empower Top NYC-Based Production and Post Production House NITROUS
Archion's EditStor Omni Helps Empower Top NYC-Based Production and Post Production House NITROUSArchion Technologies, a world leader in high performance shared media storage, has announced that its EditStor Omni has successfully enhanced the workflow and media opportunities being utilized by NITROUS Ltd, a leading, New York City-based Production, Original Content and Post Production company.
published 3 months ago   read more
Codex delivers recording and workflow for ARRI Alexa SXT
Codex delivers recording and workflow for ARRI Alexa SXTCodex has once again collaborated with ARRI to develop the recording and workflow system for ARRI’s next evolution of the ALEXA camera – the ALEXA SXT (Super Xtended Technology). The companies’ engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems, which combine to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras.
published 3 months ago   read more
Timecode Systems Launches Integrated Workflow Solution for ARRI Alexa Cameras
Timecode Systems Limited today announced its :pulse mini base station product can now be used to enable wireless remote control, metadata editing, and other enhanced workflow functionality for ARRI Alexa cameras, via the MovieSlate® 8.5 iOS app. By allowing a seamless exchange of data between the three products, this integration gives film crews complete control over metadata management and camera controls remotely, from a screen on their iPad or iPhone.
published 3 months ago   read more
Shooting Jungle 'Down Under' and in Colombia Puts Cooke Optics' Anamorphic/i Lenses to the Test
Shooting Jungle‘Down Under’ and in Colombia puts Cooke Optics’ Anamorphic/i lenses to the Test- DP Stefan Duscio shoots Greg McLean’s psychological thriller Junglewith a classic adventure film look
published 4 months ago   read more
Timber Reaches New Heights With T-Mobile's Latest Spot "Momentum"
Timber Reaches New Heights With T-Mobile's Latest Spot "Momentum"Timber Creative Directors/Partners Jonah Hall and Kevin Lau led their amazing team of design, animation and VFX artists for T-Mobile’s latest spot “Momentum.” Directed by Tool of North America’s Marc Forster, the black, white and (T-Mobile’s trademarked) magenta visuals take you from skylines to coastlines, from the country to the city. The spot broke during the Opening Ceremonies of the Olympics 2016 in Rio on Friday.
published 4 months ago   read more
Arcade's Sean Lagrange Edits Seductively Delicious Campaign For Kraft Heinz
Arcade's Sean Lagrange Edits Seductively Delicious Campaign For Kraft HeinzArcade’s newest project for Kraft Heinz introduces Devour, a line of crave-able frozen meals that are seductively delicious. Edited by Sean Lagrange, the new commercial campaign gives a sensual spin on the “Food You Want to Fork.”
published 4 months ago   read more
ARRI Inc. Offers Repair Services during Sporting Events in Rio de Janeiro
In anticipation of the upcoming sporting events in Rio de Janeiro, ARRI Inc. announces that camera service and lighting repairs are available in Brasil for all local and international broadcasting teams. Organizers expectnearly 6,000 hours of footage from competitions in the cities of Belo Horizonte, Brasília, Manaus, Salvador and São Paulo will be transmitted across the world to an estimated five billion TV viewers.
published 4 months ago   read more
Zylight IS3c LED Lights Streamline 'How To Love' Video Production
Zylight IS3c LED Lights Streamline 'How To Love' Video ProductionIn April, during a one-day shoot for the music video for How To Love by Cash Cash featuring Sofia Reyes, the production team was tasked with transforming a California restaurant into a number of different sets. Among other visuals, the finished video features Reyes singing in a sun-drenched bamboo forest, as well as walking through a spacious nightclub garden where she interacts with the group under color shifting lights.
published 5 months ago   read more
Hallmark's modern day TV western "JL Ranch" taps Cooke S4/i lenses for texture and warmth
Hallmark's modern day TV western "JL Ranch" taps Cooke S4/i lenses for texture and warmthDP Kris Kimlin successfully battles wide temperature swings and snow in Kentucky
Hallmark Movies & Mysteries modern day TV western JL Ranch, starring Jon Voight, Melanie Griffith, Teri Polo, and James Caan, wrapped winter production with Director Charles Robert Carner and Director of Photography Kris Kimlin. The Crystal Sky Pictures production follows veteran rancher and former sheriff John Landsburg (Voight), who is forced to face federal bureaucracy when an old enemy, seeking revenge over a decades-old grudge, falsifies documents and alleges Landsburg doesn’t actually own his beloved family ranch.
published 5 months ago   read more
Film Restoration Experts Attend ARRI Archive Workshop
Film Restoration Experts Attend ARRI Archive WorkshopOnce again, leading figures and technology providers from the world of film archiving and restoration have come together for ARRI’s Archive Workshop at the company headquarters in Munich.
published 6 months ago   read more
Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear Expo
Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear ExpoExpress Dailies 2016 delivers trendsetting in-production support for UHD HDR workflows
Colorfront, the Academy® and Emmy® Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will showcase the groundbreaking capabilities of its new Express Dailies 2016 system for Ultra High Definition (UHD) and High Dynamic Range (HDR) image-processing in on-set dailies workflows, during Cine Gear Expo 2016, c/o ALT Systems and Sony.
published 6 months ago   read more
Kelli Bingham Joins ARRI Rental as Regional Marketing Executive for the South
Kelli Bingham Joins ARRI Rental as Regional Marketing Executive for the SouthARRI Rental, a leading provider of camera, grip and lighting equipment, is pleased to announce that Kelli Bingham has joined the US team as Regional Sales Executive. Based at ARRI Rental Louisiana, the appointment strengthens the sales and marketing function in the Southern United States and will see Bingham focus on managing the company’s relationships with production and crew, as well as seeking new business opportunities.
published 6 months ago   read more
New Trends and Technology at Cine Gear Expo 2016
New Trends and Technology at Cine Gear Expo 2016Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry.
published 6 months ago   read more
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScan
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScanARRI is complementing its latest generation of high-speed ballasts with the new EB 2.5/4 HS AutoScan. Designed for the ARRI M40 and other 2.5 kW or 4 kW daylight fixtures, it incorporates innovative features and allows filming speeds of more than 1,000 fps.
published 8 months ago   read more
ARRI/ZEISS Unveil Two New Master Anamorphic Lenses
ARRI/ZEISS Unveil Two New Master Anamorphic LensesARRI introduces two new focal lengths to the Master Anamorphic series, extending the range at both the wide-angle and telephoto ends. The 28 mm MA28 shares the fast T1.9 aperture speed of all seven preceding Master Anamorphics, making it ideal for low light work and shallow depth of field. For such a long focal length, the 180 mm MA180 has an impressively fast stop of T2.8 and a compact design, with a front diameter of just 95 mm. Both lenses display the same superior image quality and perfect optical aberration correction as all other Master Anamorphics.
published 8 months ago   read more
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera Functionality
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera FunctionalityARRI’s Electronic Control System (ECS) is a versatile, modular toolset for wireless remote control of any camera and any lens. Bringing immediate benefits to ALEXA Mini shooters, ARRI is introducing two new ECS products: LCUBE CUB-1 and cforce plus Lens Motor.
published 8 months ago   read more
ARRI Announces New Features for ALEXA SXT
ARRI Announces New Features for ALEXA SXTMore than ever before, ALEXA offers the best overall image quality and efficient workflow with the SXT cameras. By striking a perfect balance between pixel size and resolution, ALEXA SXT produces beautiful images in HD, 2K and 4K, while also delivering the highest dynamic range of any camera in the market. Not only does ALEXA SXT meet the resolution needs of 4K and UHD distribution with easy workflows, it is also uniquely well-equipped to create content that will take fullest advantage of emerging HDR (High Dynamic Range) display technologies. In addition, the ability to record at up to 120 fps in full image quality means that HFR (High Frame Rate) approaches to enhancing viewer experience can also be accommodated. The continually increasing popularity of anamorphic shooting is best served by ALEXA’s unique tall sensor and the new anamorphic recording formats offered in the SXT.
published 8 months ago   read more
New ARRI Look Management Garners Industry Support
With the ALEXA SXT cameras, ARRI is rolling out a new look management workflow that is already finding enthusiastic support from leading manufacturers of on-set color grading and digital dailies software.
published 8 months ago   read more
ARRI Pro Camera Accessories Support Sony, Panasonic and Red Gear
ARRI Pro Camera Accessories Support Sony, Panasonic and Red GearARRI's Pro Camera Accessories (PCA) bring the high quality design and durability that ARRI is known for to cameras from other manufacturers. ARRI is pleased to announce new accessories are available for RED DSMC2, Sony α7S/R II and Panasonic VariCam LT.
published 8 months ago   read more
ARRI takes over artemis camera stabilization systems and launches production version of Trinity
ARRI takes over artemis camera stabilization systems and launches production version of TrinityARRI has taken over the artemis range of camera stabilizers from Sachtler/the Vitec Group and at NAB 2016 is demonstrating an improved version of the ground-breaking Trinity system.
published 8 months ago   read more
Codex Production Suite 4.5 delivers one workflow and new pricing for DITs
Codex Production Suite 4.5 delivers one workflow and new pricing for DITsCodex (www.codex.online) is launching Codex Production Suite 4.5, the all-in-one software package enabling the colour grading, review, metadata management, transcoding, QC and archiving of media generated by the latest digital cinematography cameras. From ingest to post production, Codex Production Suite 4.5 now provides one workflow for multiple types of camera, from ARRI ALEXA 65 to GoPro, resulting in no more snowflake workflows, and no need to reinvent the wheel on every production – just a single, simple, secure and affordable workflow. Codex Production Suite 4.5 will launch at NAB 2016, Codex booth #SL6828.
published 8 months ago   read more
NAB News: FilmLight adds free Mac app for on-set colour decisions
NAB News: FilmLight adds free Mac app for on-set colour decisionsAt NAB2016 (18–21 April, Las Vegas Convention Center), FilmLight will introduce Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and review looks in pre-production and on-set.
published 8 months ago   read more
Argentina’s Julián Apezteguia brings life to Pablo Trapero’s award-winning 1980's period piece El Clan with Cooke Anamorphic/i lenses
Argentina’s Julián Apezteguia brings life to Pablo Trapero’s award-winning 1980's period piece El Clan with Cooke Anamorphic/i lensesCooke lenses bring cinematic film feel to Alexa XT digital cinematography
When Director of Photography Julián Apezteguia, ADF (La Asociación de Autores de Fotografía Cinematográfica Argentina — Argentinian Society of Cinematographers) got the chance to work with Director Pablo Trapero for the second time, on the director's latest film El Clan — a dark story set in the 1980's about a family of kidnappers and murderers — they used a full range of Cooke Anamorphic/i lenses to give the film a “strong optical personality”.
published 8 months ago   read more
Drone Dudes Takes Flight With Switronix’s Hypercore Slim
Drone Dudes Takes Flight With Switronix’s Hypercore SlimProduction Company Selects Low-Profile, Durable Batteries to Power Aerial Cinematography
When director Andrew H. Petersen founded his Drone Dudes production company in 2005, he combined his unique experience in RC (remote control) and drone technology with his talents in filmmaking. Today, Petersen uses the Hypercore SLIM battery packs from Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry, to power the array of handheld cameras for his unique aerial projects.
published 8 months ago   read more
Band Pro To Showcase FF Primes, VR, and Custom Dollies at NAB 2016
Band Pro To Showcase FF Primes, VR, and Custom Dollies at NAB 2016Band Pro Film & Digital, Inc. will be featuring new lens, camera support, and Virtual Reality technology at this year’s NAB show. Band Pro will be in Booth #C10408, directly adjacent to the Sony booth in the central hall. Band Pro will showcase the new Raptor FF prime lens family from IB/E Optics; consisting of 3 focal lengths: 100mm, 150mm, and 180mm.
published 8 months ago   read more
Steadicam Operator Jessica Lopez Uses Switronix Batteries To Catch The Laughs For "Comedians In Cars Getting Coffee"
Steadicam Operator Jessica Lopez Uses Switronix Batteries To Catch The Laughs For "Comedians In Cars Getting Coffee"As a camera operator tasked with shooting comedy, it’s no small feat trying to capture all of the laughs. With legendary comedian Jerry Seinfeld and his all-star roster of comedic friends that he welcomes onto his web series, Comedians in Cars Getting Coffee (CCGC), you better come prepared and powered up at all times so you don’t miss a single joke. For Steadicam operator Jessica Lopez, that means stocking her rig with the Hypercore 98AG batteries from Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry.
published 8 months ago   read more
NEW MECHANICAL ACCESSORIES FOR ALEXA MINI
ARRI is pleased to announce two new Pro Camera Accessories dedicated to the successful ALEXA Mini camera: a broadcast plate and a low bracket for shoulder operation. These products were recently presented as early production models at the BSC Expo in London and the Micro Salon in Paris, where they were enthusiastically received by industry professionals.
published 9 months ago   read more
ARRI Inc. Expands to São Paulo, Brazil
ARRI Inc. Expands to São Paulo, BrazilARRI Inc. is pleased to announce the opening of a new subsidiary in March in São Paulo, Brazil. Centrally located on Avenida Ibirapuera in Moema, São Paulo, the facility will offer camera maintenance, technical support, software upgrades, as well as training and workshops for the ARRI cameras and Pro Camera Accessories.
published 9 months ago   read more
Mike Sippel joins ARRI Rental
Mike Sippel joins ARRI RentalARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Mike Sippel has joined ARRI Rental as Senior Field Support Technician. Based at ARRI Rental Atlanta he will be part of the location support team for all camera related products, including the ALEXA 65.
published 9 months ago   read more
Transvideo’s Latest Products On Show At BVE 2016
Transvideo’s Latest Products On Show At BVE 2016See these Transvideo products with Tiffen International on stand Q10 and on the ARRI stand J30 at BVE Expo 2016 at London’s ExCel, 23rd-25th February
Don’t miss seeing Transvideo’s latest and greatest products on show at BVE Expo 2016.
published 10 months ago   read more
Timecode Systems at the 2016 NAB Show
B:LINK Hub Creates a Powerful Production Dashboard
The B:LINK Hub is a new feature embedded within Timecode Systems' flagship :wave and :pulse products. For the first time at the 2016 NAB Show, users will have real-time access to a dashboard displaying every Timecode Systems unit on a rig, on screen and in one place. The B:LINK Hub can be conveniently accessed from the Web browser of any smartphone (iOS or Android), tablet, Mac® or PC over Wi-Fi, or through a wired Ethernet connection into the :pulse.
published 10 months ago   read more
Hypercore SLIM is Now Shipping!
Hypercore SLIM is Now Shipping!Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry, is now shipping its new Hypercore SLIM Lithium Ion battery packs. A member of the Hypercore series, this slim, low-profile battery line is the first battery pack capable of handling high draw loads, perfect for powering cameras, such as REDTM, ARRI TM Alexa Mini, etc.
published 10 months ago   read more
Sean Strong joins ARRI Rental New York
ARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Sean Strong has joined the camera rental department in New York. In his position as Camera Rental Coordinator he will be responsible for coordinating equipment orders between the rental office and operations department while maintaining strong client relations.
published 10 months ago   read more
Transvideo and Aaton Digital bring new products and new technologies to BSC Expo 2016
Transvideo and Aaton Digital bring new products and new technologies to BSC Expo 2016Sister companies Transvideo and Aaton Digital will present their line-up of new products and new technologies at BSC Expo 2016.
Star product on show is the new Transvideo StarliteRF. It’s a 5” 3G-SDI touch screen OLED wireless monitor- recorder with an inbuilt wireless receiver making it very versatile with the possibility to use in many different ways. Free of cables, it’s the perfect choice for directors, assistant directors, focus pullers and DOPs and a must have for rental houses, production companies, OB companies and broadcasters.
published 11 months ago   read more
Trost Motion Partners with DitoGear to Bring Motion Control to Precision Camera Sliders
Trost Motion Partners with DitoGear to Bring Motion Control to Precision Camera SlidersNew Bundle from Trost Motion and DitoGear Deliver High Design, Precision Motion Controlled Cinematic Experiences for Filmmakers
Trost Motion (www.trostmostion.com) today announced they have partnered with DitoGear™ (www.ditogear.com) to combine precision motion control systems with Trost Motion’s family of cinematic camera sliders. As a result of this partnership, Trost Motion and DitoGear are offering a bundled solution for filmmakers; the MotionKit with OmniController for Trost Motion.
published 12 months ago   read more
Band Pro Unveils New Line of IB/E Macro Lenses
Band Pro Unveils New Line of IB/E Macro LensesIB/E President, Klaus Eckerl and Band Pro President & CEO, Amnon Band unveiled a new line of professional APO Macro FF lenses at Band Pro’s One World Open House event on December 10th, 2015. The new macro lenses were designed to address the industry-wide movement toward larger format sensors (including RED Weapon 6K and 8K, Sony A7, and ARRI ALEXA 65 cameras). These larger sensors deliver a convincing film-look and interesting bokeh due to their very shallow depth of field, and require lenses that can cover their larger camera sensor sizes.
published 12 months ago   read more
ARRI partners the International Documentary Film Festival Amsterdam
This year ARRI proudly served as a partner of the International Documentary Film Festival Amsterdam (IDFA), sponsoring two awards, hosting several popular events and showcasing the highly versatile AMIRA camera.
published 1 year ago   read more
ARRI SUPPORTS INTERNATIONAL FILM ACADEMIES CONFERENCE
The annual conference of the International Association of Film and Television Schools (CILECT) was held at Munich’s University of Television and Film (HFF) this year. From November 17-19, representatives from the world’s top training institutes were guests in Munich. ARRI Group supported the conference with presentations, keynote speeches and an exhibition of its latest products.
published 1 year ago   read more
Alexa 65: Collaboration With Pinewood Digital Helps Mark A Successful First Year
Alexa 65: Collaboration With Pinewood Digital Helps Mark A Successful First YearIn the year since ARRI Rental's first public preview of the ALEXA 65 at Camerimage 2014, the large format system has notched up an impressive list of feature film credits. Two key elements of the ALEXA 65’s success are its ability to seamlessly mix with other ALEXA camera family members on set –such as the ALEXA XT and ALEXA Mini – and a very robust and cost-effective workflow, with postproduction facilities such as Pinewood Digital in the UK putting strategies in place to assist productions shooting with the system.
published 1 year ago   read more
Fargo Season 2 with Dana Gonzales
Fargo Season 2 with Dana GonzalesToday we discuss Fargo season 2 with Director of Photography Dana Gonzales and we learn how he achieves the drastically different, yet familiar look of this new season.
published 1 year ago   read more
Stratton DP chooses Cooke Anamorphic/i lenses with ‘soul’
Stratton DP chooses Cooke Anamorphic/i lenses with ‘soul’Cinematographer Felix Wiedemann has chosen Anamorphic/i lenses from Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, to shoot the action thriller Stratton.
published 1 year ago   read more
The Cinematography of Everest with Salvatore Totino, Director of Photography
The Cinematography of Everest with Salvatore Totino, Director of PhotographyIn this episode of The Go Creative Show, Ben Consoli explores the daring and immersive cinematography of “Everest” with Director of Photography Salvatore Totino. They discuss the challenges of shooting at 10,000 feet in 22 below zero temperatures, and how his previous films prepared him for this epic adventure.
published 1 year ago   read more
True colours of The Americans created on Baselight
True colours of The Americans created on BaselightTechnicolor PostWorks New York and colourist Crowley shaped a special look for top spy drama
When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.
published 1 year ago   read more
Colorfront Spotlights Amazing UHD HDR Performance at SMPTE 2015
Colorfront Spotlights Amazing UHD HDR Performance at SMPTE 2015Ground-breaking Colorfront 2016 dailies and transcoding products releasing soon
Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, is showcasing the cutting-edge capabilities its forthcoming 2016 products supporting the wide variety of Ultra High Definition (UHD), High Dynamic Range (HDR) workflows during SMPTE 2015 Annual Technical Conference – the world’s leading forum for the exploration of media and entertainment technology – 27-29 Oct, Loews Hollywood Hotel, Hollywood. Colorfront booth #311.
published 1 year ago   read more
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Camera Systems
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Camera SystemsNew Zealand-based company SHOTOVER prides itself on equipping its ultra-high performance stabilization camera systems for high velocity cinematography with top-of-the-line equipment. Designed for use in helicopters, ground vehicles and watercraft, the company’s F1 and K1 camera systems are made with an open architecture, giving operators a variety of camera and lens options. Many SHOTOVER customers rely primarily on the FUJINON lenses integrated within the systems, including the Premier PL mount 18-85mm zoom lens, PL mount 14.5-45mm zoom, PL 85-300mm Cabrio, 19-90mm Cabrio, 25-300mm Cabrio, and HA42x9.7 Premier Series ENG style lens for their high-end aerial productions.
published 1 year ago   read more
Society of Camera Operators 2016 Lifetime Achievement Awards Announce Technical Achievement Award Submissions Open
The Society of Camera Operators (SOC) opens the online submission process for their annual Technical Achievement Award.
published 1 year ago   read more
Venice Golden Lion Winner “From Afar” Finished by Terminal Using Davinci Resolve
Venice Golden Lion Winner “From Afar” Finished by Terminal Using Davinci ResolveLorenzo Vigas’ “From Afar” (“Desde allá”) was the first Venezuelan production to be selected for the Venice Film Festival’s official competition, and last weekend became the first Latin American film in history to take home the festival’s grand prize, the Golden Lion. The film was finished at Terminal in Mexico City by senior colorist Øyvind Stiauren using Davinci Resolve, with post supervision by Joakim Ziegler.
published 1 year ago   read more
ARRI 2015 IBC: NEW TOOLS AND FEATURES FOR THE ELECTRONIC CONTROL SYSTEM
ARRI 2015 IBC: NEW TOOLS AND FEATURES FOR THE ELECTRONIC CONTROL SYSTEMThe Electronic Control System (ECS) is a complete, modular toolset for wireless remote control not just of ARRI cameras and lenses, but literally any camera and any lens. Alongside free software update packets (SUPs) for the Wireless Compact Unit WCU-4 and Universal Motor Controller UMC-4, ARRI is introducing the new CLM-5 lens motor and an on-board monitor mount for the WCU-4.
published 1 year ago   read more
NEW HIGH-SPEED BALLASTS FOR HIGH-SPEED FILMING
NEW HIGH-SPEED BALLASTS FOR HIGH-SPEED FILMING(IBC 2015, Amsterdam) – ARRI introduces the EB 12/18 HS and EB 6/9 HS AutoScan ballasts, allowing easy, flicker-free extreme slow-motion filming with discharge lamps in the 9 kW, 12 kW and 18 kW power classes.
published 1 year ago   read more
ARRI IBC 2015: ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITY
ARRI IBC 2015: ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITYTop cinematographers are taking advantage of the ALEXA 65’s exceptional image quality for major feature films, while updates are announced that will extend the capabilities and appeal of the system still further.
published 1 year ago   read more
FilmLight takes colour to the next level at IBC2015
FilmLight takes colour to the next level at IBC2015At IBC2015, FilmLight is showcasing colour technology for companies that create content for broadcast, film, promos or commercials. Working closely with other best-in-class manufacturers, FilmLight addresses the whole production chain from scene to screen.
published 1 year ago   read more
Transvideo and Aaton Digital announce new technologies
Transvideo and Aaton Digital announce new technologiesAt IBC 2015 both Transvideo and Aaton Digital will present new products incorporating latest technologies for the motion picture and broadcast industries, resulting from a collaboration with many cinematographers, camera and lens manufacturers and sound engineers. The connectivity of these products with latest technologies and cameras, remote wireless connections, and the ability to read and record metadata, image & sound have been on the agenda of the teams for years in order to develop high-performance solutions.
published 1 year ago   read more
Anton/Bauer Announces New CINE Battery Series at the 2015 IBC Show
Anton/Bauer Announces New CINE Battery Series at the 2015 IBC ShowIBC 2015, Stand E55, Hall 11
Anton/Bauer, a Vitec Group brand and premier provider of battery and charging technologies for the broadcast, film and video industries, announces its new CINE battery series for digital cinema cameras. The CINE battery series was designed to be the safest and most durable mobile power solution for professional cinematographers.
published 1 year ago   read more
Filmworkers' Knack for Developing Talent Continues with Colorists Jeff Altman and Matt Harger
Filmworkers' Knack for Developing Talent Continues with Colorists Jeff Altman and Matt HargerAltman grades eSports documentary, “All Work All Play”; Harger to grade indie feature “Who Gets the Dog?”
Filmworkers has a tradition for developing post-production talent and now it has two new stars in the making. Young colorists Jeff Altman and Matt Harger are producing standout work, and developing strong followings among local agencies and filmmakers for their enthusiasm, knowledge of digital cameras from the Alexa to the iPhone, and their ability to quickly work with clients to reach desired creative goals.
published 1 year ago   read more
ARRI PCA for Canon EOS cameras: NEW PRO CAMERA ACCESSORIES FOR CANON C300 / C300 Mk II / C500
ARRI PCA for Canon EOS cameras: NEW PRO CAMERA ACCESSORIES FOR CANON C300 / C300 Mk II / C500Designed specifically for Canon’s latest Cinema EOS cameras, ARRI PCA introduces a new cine plate for film set environments, an adjustable broadcast plate for documentary-style filming and a handy top-mounted support plate.
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News: German TV series boosted by FilmLight render-free workflow
News: German TV series boosted by FilmLight render-free workflowSet-to-finish seamless integration for Germany’s Lerchenberg
The producers of the German television comedy drama series Lerchenberghave implemented a new comprehensive, render-free grading environment from FilmLight. The use of Baselight systems, not only in the grading suite but also on set as well as within plugins for the editor, provides maximum creative control as well as real savings in the time to air.
published 1 year ago   read more
Alexa 65 Hits Theaters With Mission: Impossible Rogue Nation
Alexa 65 Hits Theaters With Mission: Impossible Rogue NationThe first production to use ARRI Rental’s ALEXA 65 large format digital camera system has hit theaters: Mission: Impossible – Rogue Nation. Primarily shot with 35 mm film cameras by Academy Award® winner Robert Elswit, ASC, the fifth installment of the successful blockbuster spy series features a major underwater sequence, which was captured with prototype ALEXA 65 cameras in special HydroFlex housings by Pete Romano, ASC.
published 1 year ago   read more
Helicopter Film Services Relied on the AERIGON for Aerial Cinematography on Marvel’s Avengers: Age of Ultron
Industry-leading Pro Cinema Drone Provides Stable Platform for Capturing Live-Action Plates for VFX
The AERIGON™, an aerial remote camera head (ARCH™) from Intuitive Aerial, was operated by Helicopter Film Services to shoot aerial footage used throughout Marvel’s Avengers: Age of Ultron. The remarkable stability of the AERIGON platform meant that footage captured could be fed directly into ILM’s VFX pipeline. For the first time, filmmakers have access to an aerial system capable of controlling the best production cameras, such as the new ARRI Alexa Mini, regardless of weight, to shoot feature film-ready images with reliable precision.
published 1 year ago   read more
JONATHAN STRANGE AND MR NORRELL CONJURE UP THE COOKE LOOK
JONATHAN STRANGE AND MR NORRELL CONJURE UP THE COOKE LOOKAcclaimed BBC drama shot with Cooke S4/i lenses
The acclaimed BBC drama series Jonathan Strange and Mr Norrell was shot with Cooke S4/i lenses by director of photography Stephan Pehrsson. Based on the eponymous novel by Susanna Clarke, the period drama is set in a version of 19th century England where magic was once lost but is now returning.
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Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners AnnouncedCine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear Expo drew the world’s top motion picture, video and new media community for the unveiling of the latest industry technology and to discuss the latest trends. There were 15,490 attendees from 48 countries at the event.
published 1 year ago   read more
ARRI Brasil to Open in São Paulo, Q3 2015
Subsidiary in São Paulo, Brazil will open in the third quarter of 2015 to service and maintain all ARRI camera products
ARRI is excited to announce the initial phase of its camera service support for Latin America. The firm will open a subsidiary in São Paulo, Brazil in the third quarter of 2015 to service and maintain all ARRI camera products. ARRI Brasil, centrally located on Avenida Ibirapuera in Moema, São Paulo, will offer complete support for the full range of ARRI cameras and camera accessories The office will function as a full camera service facility servicing all camera models, including ALEXA, ALEXA XT, and the AMIRA, ALEXA SXT and ALEXA Mini cameras offering the new 4K recording modes. Plans are to provide camera maintenance, software upgrades, warranty and non-warranty repairs, as well as training and support for all camera products and camera accessories.
published 1 year ago   read more
"The Jinx," Groundbreaking Documentary from Andrew Jarecki and and Marc Smerling Finished at Technicolor PostWorks
"The Jinx," Groundbreaking Documentary from Andrew Jarecki and and Marc Smerling Finished at Technicolor PostWorksSean R. Smith leads a three-month post-production effort to finish the acclaimed six-part series.
Andrew Jarecki’s engrossing documentary series The Jinx: The Life and Deaths of Robert Durst explores the murky world of a real estate magnate suspected of three murders. Post-production finishing for the series, airing in six parts on HBO, was completed at Technicolor PostWorks New York. Sean R. Smith served as finishing editor and colorist, working in collaboration with Jarecki, writer/producer/director of photography Marc Smerling and post-production supervisor Susan Lazarus to bring the series to its final form and look.
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Latest ARRI Press Release: ARRI at Cannes 2015
Latest ARRI Press Release: ARRI at Cannes 2015A wonderfully successful festival again for ARRI in Cannes, with almost 60% of feature films from all selections being shot with ARRI equipment and more than 40% captured with the ARRI ALEXA and ARRI cine lenses. Overall, more than half of the festival’s films that were shot digitally used ALEXA as their main camera, showing that ARRI remains the pre-eminent technology leader, setting a gold standard for the rest of the industry.
published 2 years ago   read more
ARRI To Receive Lifetime Technical Achievement Award At Cine Gear Expo
ARRI to be honored for its role in advancing the art and craft of filmmaking
ARRI will be honored for its role in advancing the art and craft of filmmaking with the Cine Gear Expo 2015 Lifetime Technical Achievement Award on June 5 in a ceremony at Paramount Studios Hollywood. The distinction recognizes ARRI’s dedication to advancing motion picture technology over its 98-year history. ARRI Inc. President and CEO Glenn Kennel will accept the award.
published 2 years ago   read more
ARRI: Bahnemann Awards honor NYU students
ARRI: Bahnemann Awards honor NYU studentsFifth Annual Volker Bahnemann Awards for Cinematography Honor Sheldon Chau and Antoine Combellas
Sheldon Chau and Antoine Combellas have won top honors at the Fifth Annual Volker Bahnemann Awards for Cinematography at New York University’s (NYU) Tisch School of the Arts.
published 2 years ago   read more
Guild of Television Cameramen Heads to Aynho for 2015 Awards Day
Guild of Television Cameramen Heads to Aynho for 2015 Awards DayFollowing the success of the 2013 and 2014 events at 'A Day In The Country', Aynho Park, the Guild of Television Cameramen returns to the Oxfordshire venue on Sunday May 17, 2015, for its 43rd Annual General Meeting and Awards Presentation.
published 2 years ago   read more
ARRI Puts ALEXA in a Mini Package
Introducing a new camera to its popular ALEXA family, ARRI announced the ALEXA SXT and the ALEXA Mini, a small form factor ALEXA camera for specialized shots where third party cameras have been used before.
published 2 years ago   read more
Atomos Shogun Bolsters Support for High-end Cinema with RAW,
Atomos Shogun Bolsters Support for High-end Cinema with RAW, Anamorphic, Cinema 4K – Arri, AJA, Canon and Sony Supported
published 2 years ago   read more
ARRI Releases New Skypanel Family Of LED Soft Lights
ARRI Releases New Skypanel Family Of LED Soft Lights--April 13, 2015) ARRI proudly introduces SkyPanel, a brand new line of LED fixtures. SkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new standard for the industry. With a design focused on form, color, beam field and output, SkyPanel represents the culmination of more than a decade of research and development of LED technology at ARRI. Recently, SkyPanel garnered recognition as an International Association of Broadcast Manufacturers Game Changer Awards Finalist 2015.
published 2 years ago   read more
ARRI Adds New Pro Camera Accessories for Studio Matte Boxes
ARRI Adds New Pro Camera Accessories for Studio Matte BoxesThe Triple Filter Frame stacks two or three glass filters together in a single filter frame that occupies two regular matte box slots. ARRI’s Studio Matte Boxes SMB-1 and SMB-2 have an integrated tilt module designed to control unwanted reflections between filter surfaces, the lens front element and the camera sensor glass. Reflections can also develop under some circumstances between filter surfaces, which is not always controlled by solely tilting the matte box. Used in combination with either the SMB-1 or SMB-2 tilting feature, stacking the filters together in the Triple Filter Frame is a proven method of preventing these types of reflections. 
published 2 years ago   read more
ARRI Announces A New Super-Wide Anamorphic Zoom
ARRI Announces A New Super-Wide Anamorphic ZoomThe new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the ARRI/ZEISS Master Anamorphic lenses by extending the range to cover extreme wide-angle focal lengths between 19 mm and 36 mm, without any sacrifice in image quality.
published 2 years ago   read more
NEW TOOLS EXPAND ARRI’S ELECTRONIC CONTROL SYSTEM
NEW TOOLS EXPAND ARRI’S ELECTRONIC CONTROL SYSTEMNew camera and lens remote control tools being introduced by ARRI at NAB are the result of both ARRI’s own technological developments and of its ongoing collaboration with cmotion. They include the cforce mini lens motor and ARRI Active Motor Controller AMC-1.
published 2 years ago   read more
ARRI: Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitor
ARRI: Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitorTransvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5” OLED monitor.
Transvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5” OLED monitor. The resulting StarliteHD5-ARRI will be able to control the new ARRI ALEXA Mini and also the ARRI AMIRA.
published 2 years ago   read more
Codex Delivers Recording And Workflow For ARRI ALEXA SXT
Codex Delivers Recording And Workflow For ARRI ALEXA SXTCodex (http://www.codexdigital.com), the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, has once again collaborated with ARRI to develop the recording and workflow system for ARRI’s next evolution of the ALEXA camera – the ALEXA SXT. The companies’ engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems, which combine to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras.
published 2 years ago   read more
Latest ARRI Press Releases -Master Anamorphic Flare Sets
Latest ARRI Press Releases -Master Anamorphic Flare SetsThe new ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. Each of the seven Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.
published 2 years ago   read more
ARRI ANNOUNCES NEW ALEXA SXT CAMERAS
ARRI ANNOUNCES NEW ALEXA SXT CAMERASARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs.
published 2 years ago   read more
Theo Van De Sande, ASC Shoots Amazon, CBS Pilots With Varicam 35 4K Camera/recorder
Theo Van De Sande, ASC Shoots Amazon, CBS Pilots With Varicam 35 4K Camera/recorder“This Is the Best Solution in Digital Cinema Today”
Award-winning cinematographer Theo Van de Sande, ASC recently completed his second pilot, CBS’s Evil Men, shot with Panasonic’s new VariCam 35 4K camera/recorder.
published 2 years ago   read more
Director David Semel Brings Phillip K. Dick's The Man in the High Castle to Amazon
Director David Semel Brings Phillip K. Dick's The Man in the High Castle to AmazonSemel, who directs commercials through Accomplice Media, has a history of directing pilots that become hit television series.
Produced for Amazon by Ridley Scott and based on the award-winning Phillip K. Dick novel, The Man in the High Castle is an alternate history set in the aftermath of World War II, but in this telling, the Nazis and their Japanese allies were the victors. Semel directed the pilot, which is currently available through Amazon Prime’s instant video service.
published 2 years ago   read more
Latest ARRI Press Release: New L10 LED Fresnel expands L-Series family
Latest ARRI Press Release: New L10 LED Fresnel expands L-Series familyARRI is proud to announce the L10, the newest edition to its L-Series family of LED Fresnels, which also includes the portable L5 and mid-range L7. The introduction of the L10 fulfills ARRI’s mission to provide a full line of high-performance LED Fresnels to the film, broadcast, theater and live entertainment markets.
published 2 years ago   read more
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EP 234: Short Film, Big Horror - HAG
Get ready Horror fans! This week we sit down with the filmmakers of HAG official selection at the upcoming Comic Con International Film Festival. This short horror film is BIG on production. Shot on the ARRI Alexa digital cinema camera, it looks amazing and boasts some spectacular makeup from FACEOFF...
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Teach Your Children Well, Teach them Avid
Avid is the NLE tool of choice for Hollywood, Broadcast Television, Film Makers and Post Production facilities. While other NLEs may claim to be used for a few select programs, almost every Oscar and Emmy winning program was cut on an Avid. Being an Avid editor still means something, and...
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Recreating reality with visual effects
Seamless visual effects for The Wolf of Wall Street created with help from Adobe After Effects CC and Adobe Photoshop CC Paul and Christina Graff of Crazy Horse Effects (CHE) are visual effects aficionados, with projects to their credit such as There Will Be Blood and Life of Pi ....
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