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Shooting Jungle 'Down Under' and in Colombia Puts Cooke Optics' Anamorphic/i Lenses to the Test
Shooting Jungle‘Down Under’ and in Colombia puts Cooke Optics’ Anamorphic/i lenses to the Test- DP Stefan Duscio shoots Greg McLean’s psychological thriller Junglewith a classic adventure film look
published 1 week ago   read more
Timber Reaches New Heights With T-Mobile's Latest Spot "Momentum"
Timber Reaches New Heights With T-Mobile's Latest Spot "Momentum"Timber Creative Directors/Partners Jonah Hall and Kevin Lau led their amazing team of design, animation and VFX artists for T-Mobile’s latest spot “Momentum.” Directed by Tool of North America’s Marc Forster, the black, white and (T-Mobile’s trademarked) magenta visuals take you from skylines to coastlines, from the country to the city. The spot broke during the Opening Ceremonies of the Olympics 2016 in Rio on Friday.
published 3 weeks ago   read more
Arcade's Sean Lagrange Edits Seductively Delicious Campaign For Kraft Heinz
Arcade's Sean Lagrange Edits Seductively Delicious Campaign For Kraft HeinzArcade’s newest project for Kraft Heinz introduces Devour, a line of crave-able frozen meals that are seductively delicious. Edited by Sean Lagrange, the new commercial campaign gives a sensual spin on the “Food You Want to Fork.”
published 3 weeks ago   read more
ARRI Inc. Offers Repair Services during Sporting Events in Rio de Janeiro
In anticipation of the upcoming sporting events in Rio de Janeiro, ARRI Inc. announces that camera service and lighting repairs are available in Brasil for all local and international broadcasting teams. Organizers expectnearly 6,000 hours of footage from competitions in the cities of Belo Horizonte, Brasília, Manaus, Salvador and São Paulo will be transmitted across the world to an estimated five billion TV viewers.
published 1 month ago   read more
Zylight IS3c LED Lights Streamline 'How To Love' Video Production
Zylight IS3c LED Lights Streamline 'How To Love' Video ProductionIn April, during a one-day shoot for the music video for How To Love by Cash Cash featuring Sofia Reyes, the production team was tasked with transforming a California restaurant into a number of different sets. Among other visuals, the finished video features Reyes singing in a sun-drenched bamboo forest, as well as walking through a spacious nightclub garden where she interacts with the group under color shifting lights.
published 2 months ago   read more
Hallmark's modern day TV western "JL Ranch" taps Cooke S4/i lenses for texture and warmth
Hallmark's modern day TV western "JL Ranch" taps Cooke S4/i lenses for texture and warmthDP Kris Kimlin successfully battles wide temperature swings and snow in Kentucky
Hallmark Movies & Mysteries modern day TV western JL Ranch, starring Jon Voight, Melanie Griffith, Teri Polo, and James Caan, wrapped winter production with Director Charles Robert Carner and Director of Photography Kris Kimlin. The Crystal Sky Pictures production follows veteran rancher and former sheriff John Landsburg (Voight), who is forced to face federal bureaucracy when an old enemy, seeking revenge over a decades-old grudge, falsifies documents and alleges Landsburg doesn’t actually own his beloved family ranch.
published 2 months ago   read more
Film Restoration Experts Attend ARRI Archive Workshop
Film Restoration Experts Attend ARRI Archive WorkshopOnce again, leading figures and technology providers from the world of film archiving and restoration have come together for ARRI’s Archive Workshop at the company headquarters in Munich.
published 2 months ago   read more
Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear Expo
Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear ExpoExpress Dailies 2016 delivers trendsetting in-production support for UHD HDR workflows
Colorfront , the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will showcase the groundbreaking capabilities of its new Express Dailies 2016 system for Ultra High Definition (UHD) and High Dynamic Range (HDR) image-processing in on-set dailies workflows, during Cine Gear Expo 2016, c/o ALT Systems and Sony.
published 3 months ago   read more
Kelli Bingham Joins ARRI Rental as Regional Marketing Executive for the South
Kelli Bingham Joins ARRI Rental as Regional Marketing Executive for the SouthARRI Rental, a leading provider of camera, grip and lighting equipment, is pleased to announce that Kelli Bingham has joined the US team as Regional Sales Executive. Based at ARRI Rental Louisiana, the appointment strengthens the sales and marketing function in the Southern United States and will see Bingham focus on managing the company’s relationships with production and crew, as well as seeking new business opportunities.
published 3 months ago   read more
New Trends and Technology at Cine Gear Expo 2016
New Trends and Technology at Cine Gear Expo 2016Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry.
published 3 months ago   read more
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScan
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScanARRI is complementing its latest generation of high-speed ballasts with the new EB 2.5/4 HS AutoScan. Designed for the ARRI M40 and other 2.5 kW or 4 kW daylight fixtures, it incorporates innovative features and allows filming speeds of more than 1,000 fps.
published 4 months ago   read more
ARRI/ZEISS Unveil Two New Master Anamorphic Lenses
ARRI/ZEISS Unveil Two New Master Anamorphic LensesARRI introduces two new focal lengths to the Master Anamorphic series, extending the range at both the wide-angle and telephoto ends. The 28 mm MA28 shares the fast T1.9 aperture speed of all seven preceding Master Anamorphics, making it ideal for low light work and shallow depth of field. For such a long focal length, the 180 mm MA180 has an impressively fast stop of T2.8 and a compact design, with a front diameter of just 95 mm. Both lenses display the same superior image quality and perfect optical aberration correction as all other Master Anamorphics.
published 4 months ago   read more
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera Functionality
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera FunctionalityARRI’s Electronic Control System (ECS) is a versatile, modular toolset for wireless remote control of any camera and any lens. Bringing immediate benefits to ALEXA Mini shooters, ARRI is introducing two new ECS products: LCUBE CUB-1 and cforce plus Lens Motor.
published 4 months ago   read more
ARRI Announces New Features for ALEXA SXT
ARRI Announces New Features for ALEXA SXTMore than ever before, ALEXA offers the best overall image quality and efficient workflow with the SXT cameras. By striking a perfect balance between pixel size and resolution, ALEXA SXT produces beautiful images in HD, 2K and 4K, while also delivering the highest dynamic range of any camera in the market. Not only does ALEXA SXT meet the resolution needs of 4K and UHD distribution with easy workflows, it is also uniquely well-equipped to create content that will take fullest advantage of emerging HDR (High Dynamic Range) display technologies. In addition, the ability to record at up to 120 fps in full image quality means that HFR (High Frame Rate) approaches to enhancing viewer experience can also be accommodated. The continually increasing popularity of anamorphic shooting is best served by ALEXA’s unique tall sensor and the new anamorphic recording formats offered in the SXT.
published 4 months ago   read more
New ARRI Look Management Garners Industry Support
With the ALEXA SXT cameras, ARRI is rolling out a new look management workflow that is already finding enthusiastic support from leading manufacturers of on-set color grading and digital dailies software.
published 4 months ago   read more
ARRI Pro Camera Accessories Support Sony, Panasonic and Red Gear
ARRI Pro Camera Accessories Support Sony, Panasonic and Red GearARRI's Pro Camera Accessories (PCA) bring the high quality design and durability that ARRI is known for to cameras from other manufacturers. ARRI is pleased to announce new accessories are available for RED DSMC2, Sony α7S/R II and Panasonic VariCam LT.
published 4 months ago   read more
ARRI takes over artemis camera stabilization systems and launches production version of Trinity
ARRI takes over artemis camera stabilization systems and launches production version of TrinityARRI has taken over the artemis range of camera stabilizers from Sachtler/the Vitec Group and at NAB 2016 is demonstrating an improved version of the ground-breaking Trinity system.
published 4 months ago   read more
Codex Production Suite 4.5 delivers one workflow and new pricing for DITs
Codex Production Suite 4.5 delivers one workflow and new pricing for DITsCodex (www.codex.online) is launching Codex Production Suite 4.5, the all-in-one software package enabling the colour grading, review, metadata management, transcoding, QC and archiving of media generated by the latest digital cinematography cameras. From ingest to post production, Codex Production Suite 4.5 now provides one workflow for multiple types of camera, from ARRI ALEXA 65 to GoPro, resulting in no more snowflake workflows, and no need to reinvent the wheel on every production – just a single, simple, secure and affordable workflow. Codex Production Suite 4.5 will launch at NAB 2016, Codex booth #SL6828.
published 4 months ago   read more
NAB News: FilmLight adds free Mac app for on-set colour decisions
NAB News: FilmLight adds free Mac app for on-set colour decisionsAt NAB2016 (18–21 April, Las Vegas Convention Center), FilmLight will introduce Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and review looks in pre-production and on-set.
published 4 months ago   read more
Argentina’s Julián Apezteguia brings life to Pablo Trapero’s award-winning 1980's period piece El Clan with Cooke Anamorphic/i lenses
Argentina’s Julián Apezteguia brings life to Pablo Trapero’s award-winning 1980's period piece El Clan with Cooke Anamorphic/i lensesCooke lenses bring cinematic film feel to Alexa XT digital cinematography
When Director of Photography Julián Apezteguia, ADF (La Asociación de Autores de Fotografía Cinematográfica Argentina — Argentinian Society of Cinematographers) got the chance to work with Director Pablo Trapero for the second time, on the director's latest film El Clan — a dark story set in the 1980's about a family of kidnappers and murderers — they used a full range of Cooke Anamorphic/i lenses to give the film a “strong optical personality”.
published 5 months ago   read more
Drone Dudes Takes Flight With Switronix’s Hypercore Slim
Drone Dudes Takes Flight With Switronix’s Hypercore SlimProduction Company Selects Low-Profile, Durable Batteries to Power Aerial Cinematography
When director Andrew H. Petersen founded his Drone Dudes production company in 2005, he combined his unique experience in RC (remote control) and drone technology with his talents in filmmaking. Today, Petersen uses the Hypercore SLIM battery packs from Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry, to power the array of handheld cameras for his unique aerial projects.
published 5 months ago   read more
Band Pro To Showcase FF Primes, VR, and Custom Dollies at NAB 2016
Band Pro To Showcase FF Primes, VR, and Custom Dollies at NAB 2016Band Pro Film & Digital, Inc. will be featuring new lens, camera support, and Virtual Reality technology at this year’s NAB show. Band Pro will be in Booth #C10408, directly adjacent to the Sony booth in the central hall.
published 5 months ago   read more
Steadicam Operator Jessica Lopez Uses Switronix Batteries To Catch The Laughs For "Comedians In Cars Getting Coffee"
Steadicam Operator Jessica Lopez Uses Switronix Batteries To Catch The Laughs For "Comedians In Cars Getting Coffee"As a camera operator tasked with shooting comedy, it’s no small feat trying to capture all of the laughs. With legendary comedian Jerry Seinfeld and his all-star roster of comedic friends that he welcomes onto his web series, Comedians in Cars Getting Coffee (CCGC), you better come prepared and powered up at all times so you don’t miss a single joke. For Steadicam operator Jessica Lopez, that means stocking her rig with the Hypercore 98AG batteries from Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry.
published 5 months ago   read more
NEW MECHANICAL ACCESSORIES FOR ALEXA MINI
ARRI is pleased to announce two new Pro Camera Accessories dedicated to the successful ALEXA Mini camera: a broadcast plate and a low bracket for shoulder operation. These products were recently presented as early production models at the BSC Expo in London and the Micro Salon in Paris, where they were enthusiastically received by industry professionals.
published 6 months ago   read more
ARRI Inc. Expands to São Paulo, Brazil
ARRI Inc. Expands to São Paulo, BrazilARRI Inc. is pleased to announce the opening of a new subsidiary in March in São Paulo, Brazil. Centrally located on Avenida Ibirapuera in Moema, São Paulo, the facility will offer camera maintenance, technical support, software upgrades, as well as training and workshops for the ARRI cameras and Pro Camera Accessories.
published 6 months ago   read more
Mike Sippel joins ARRI Rental
Mike Sippel joins ARRI RentalARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Mike Sippel has joined ARRI Rental as Senior Field Support Technician. Based at ARRI Rental Atlanta he will be part of the location support team for all camera related products, including the ALEXA 65.
published 6 months ago   read more
Transvideo’s Latest Products On Show At BVE 2016
Transvideo’s Latest Products On Show At BVE 2016See these Transvideo products with Tiffen International on stand Q10 and on the ARRI stand J30 at BVE Expo 2016 at London’s ExCel, 23rd-25th February
Don’t miss seeing Transvideo’s latest and greatest products on show at BVE Expo 2016.
published 6 months ago   read more
Timecode Systems at the 2016 NAB Show
B:LINK Hub Creates a Powerful Production Dashboard
The B:LINK Hub is a new feature embedded within Timecode Systems' flagship :wave and :pulse products. For the first time at the 2016 NAB Show, users will have real-time access to a dashboard displaying every Timecode Systems unit on a rig, on screen and in one place. The B:LINK Hub can be conveniently accessed from the Web browser of any smartphone (iOS or Android), tablet, Mac® or PC over Wi-Fi, or through a wired Ethernet connection into the :pulse.
published 7 months ago   read more
Hypercore SLIM is Now Shipping!
Hypercore SLIM is Now Shipping!Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry, is now shipping its new Hypercore SLIM Lithium Ion battery packs. A member of the Hypercore series, this slim, low-profile battery line is the first battery pack capable of handling high draw loads, perfect for powering cameras, such as REDTM, ARRI TM Alexa Mini, etc.
published 7 months ago   read more
Sean Strong joins ARRI Rental New York
ARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Sean Strong has joined the camera rental department in New York. In his position as Camera Rental Coordinator he will be responsible for coordinating equipment orders between the rental office and operations department while maintaining strong client relations.
published 7 months ago   read more
Transvideo and Aaton Digital bring new products and new technologies to BSC Expo 2016
Transvideo and Aaton Digital bring new products and new technologies to BSC Expo 2016Sister companies Transvideo and Aaton Digital will present their line-up of new products and new technologies at BSC Expo 2016.
Star product on show is the new Transvideo StarliteRF. It’s a 5” 3G-SDI touch screen OLED wireless monitor- recorder with an inbuilt wireless receiver making it very versatile with the possibility to use in many different ways. Free of cables, it’s the perfect choice for directors, assistant directors, focus pullers and DOPs and a must have for rental houses, production companies, OB companies and broadcasters.
published 8 months ago   read more
Trost Motion Partners with DitoGear to Bring Motion Control to Precision Camera Sliders
Trost Motion Partners with DitoGear to Bring Motion Control to Precision Camera SlidersNew Bundle from Trost Motion and DitoGear Deliver High Design, Precision Motion Controlled Cinematic Experiences for Filmmakers
Trost Motion (www.trostmostion.com) today announced they have partnered with DitoGear™ (www.ditogear.com) to combine precision motion control systems with Trost Motion’s family of cinematic camera sliders. As a result of this partnership, Trost Motion and DitoGear are offering a bundled solution for filmmakers; the MotionKit with OmniController for Trost Motion.
published 8 months ago   read more
Band Pro Unveils New Line of IB/E Macro Lenses
Band Pro Unveils New Line of IB/E Macro LensesIB/E President, Klaus Eckerl and Band Pro President & CEO, Amnon Band unveiled a new line of professional APO Macro FF lenses at Band Pro’s One World Open House event on December 10th, 2015.
published 8 months ago   read more
ARRI partners the International Documentary Film Festival Amsterdam
This year ARRI proudly served as a partner of the International Documentary Film Festival Amsterdam (IDFA), sponsoring two awards, hosting several popular events and showcasing the highly versatile AMIRA camera.
published 9 months ago   read more
ARRI SUPPORTS INTERNATIONAL FILM ACADEMIES CONFERENCE
The annual conference of the International Association of Film and Television Schools (CILECT) was held at Munich’s University of Television and Film (HFF) this year. From November 17-19, representatives from the world’s top training institutes were guests in Munich. ARRI Group supported the conference with presentations, keynote speeches and an exhibition of its latest products.
published 9 months ago   read more
Alexa 65: Collaboration With Pinewood Digital Helps Mark A Successful First Year
Alexa 65: Collaboration With Pinewood Digital Helps Mark A Successful First YearIn the year since ARRI Rental's first public preview of the ALEXA 65 at Camerimage 2014, the large format system has notched up an impressive list of feature film credits. Two key elements of the ALEXA 65’s success are its ability to seamlessly mix with other ALEXA camera family members on set –such as the ALEXA XT and ALEXA Mini – and a very robust and cost-effective workflow, with postproduction facilities such as Pinewood Digital in the UK putting strategies in place to assist productions shooting with the system.
published 9 months ago   read more
Fargo Season 2 with Dana Gonzales
Fargo Season 2 with Dana GonzalesToday we discuss Fargo season 2 with Director of Photography Dana Gonzales and we learn how he achieves the drastically different, yet familiar look of this new season.
published 9 months ago   read more
Stratton DP chooses Cooke Anamorphic/i lenses with ‘soul’
Stratton DP chooses Cooke Anamorphic/i lenses with ‘soul’Cinematographer Felix Wiedemann has chosen Anamorphic/i lenses from Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, to shoot the action thriller Stratton.
published 9 months ago   read more
The Cinematography of Everest with Salvatore Totino, Director of Photography
The Cinematography of Everest with Salvatore Totino, Director of PhotographyIn this episode of The Go Creative Show, Ben Consoli explores the daring and immersive cinematography of “Everest” with Director of Photography Salvatore Totino. They discuss the challenges of shooting at 10,000 feet in 22 below zero temperatures, and how his previous films prepared him for this epic adventure.
published 10 months ago   read more
True colours of The Americans created on Baselight
True colours of The Americans created on BaselightTechnicolor PostWorks New York and colourist Crowley shaped a special look for top spy drama
When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.
published 10 months ago   read more
Colorfront Spotlights Amazing UHD HDR Performance at SMPTE 2015
Colorfront Spotlights Amazing UHD HDR Performance at SMPTE 2015Ground-breaking Colorfront 2016 dailies and transcoding products releasing soon
Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, is showcasing the cutting-edge capabilities its forthcoming 2016 products supporting the wide variety of Ultra High Definition (UHD), High Dynamic Range (HDR) workflows during SMPTE 2015 Annual Technical Conference – the world’s leading forum for the exploration of media and entertainment technology – 27-29 Oct, Loews Hollywood Hotel, Hollywood. Colorfront booth #311.
published 10 months ago   read more
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Camera Systems
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Camera SystemsNew Zealand-based company SHOTOVER prides itself on equipping its ultra-high performance stabilization camera systems for high velocity cinematography with top-of-the-line equipment. Designed for use in helicopters, ground vehicles and watercraft, the company’s F1 and K1 camera systems are made with an open architecture, giving operators a variety of camera and lens options. Many SHOTOVER customers rely primarily on the FUJINON lenses integrated within the systems, including the Premier PL mount 18-85mm zoom lens, PL mount 14.5-45mm zoom, PL 85-300mm Cabrio, 19-90mm Cabrio, 25-300mm Cabrio, and HA42x9.7 Premier Series ENG style lens for their high-end aerial productions.
published 10 months ago   read more
Society of Camera Operators 2016 Lifetime Achievement Awards Announce Technical Achievement Award Submissions Open
The Society of Camera Operators (SOC) opens the online submission process for their annual Technical Achievement Award.
published 11 months ago   read more
Venice Golden Lion Winner “From Afar” Finished by Terminal Using Davinci Resolve
Venice Golden Lion Winner “From Afar” Finished by Terminal Using Davinci ResolveLorenzo Vigas’ “From Afar” (“Desde allá”) was the first Venezuelan production to be selected for the Venice Film Festival’s official competition, and last weekend became the first Latin American film in history to take home the festival’s grand prize, the Golden Lion. The film was finished at Terminal in Mexico City by senior colorist Øyvind Stiauren using Davinci Resolve, with post supervision by Joakim Ziegler.
published 11 months ago   read more
ARRI 2015 IBC: NEW TOOLS AND FEATURES FOR THE ELECTRONIC CONTROL SYSTEM
ARRI 2015 IBC: NEW TOOLS AND FEATURES FOR THE ELECTRONIC CONTROL SYSTEMThe Electronic Control System (ECS) is a complete, modular toolset for wireless remote control not just of ARRI cameras and lenses, but literally any camera and any lens. Alongside free software update packets (SUPs) for the Wireless Compact Unit WCU-4 and Universal Motor Controller UMC-4, ARRI is introducing the new CLM-5 lens motor and an on-board monitor mount for the WCU-4.
published 12 months ago   read more
NEW HIGH-SPEED BALLASTS FOR HIGH-SPEED FILMING
NEW HIGH-SPEED BALLASTS FOR HIGH-SPEED FILMING(IBC 2015, Amsterdam) – ARRI introduces the EB 12/18 HS and EB 6/9 HS AutoScan ballasts, allowing easy, flicker-free extreme slow-motion filming with discharge lamps in the 9 kW, 12 kW and 18 kW power classes.
published 12 months ago   read more
ARRI IBC 2015: ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITY
ARRI IBC 2015: ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITYTop cinematographers are taking advantage of the ALEXA 65’s exceptional image quality for major feature films, while updates are announced that will extend the capabilities and appeal of the system still further.
published 12 months ago   read more
FilmLight takes colour to the next level at IBC2015
FilmLight takes colour to the next level at IBC2015At IBC2015, FilmLight is showcasing colour technology for companies that create content for broadcast, film, promos or commercials. Working closely with other best-in-class manufacturers, FilmLight addresses the whole production chain from scene to screen.
published 12 months ago   read more
Transvideo and Aaton Digital announce new technologies
Transvideo and Aaton Digital announce new technologiesAt IBC 2015 both Transvideo and Aaton Digital will present new products incorporating latest technologies for the motion picture and broadcast industries, resulting from a collaboration with many cinematographers, camera and lens manufacturers and sound engineers. The connectivity of these products with latest technologies and cameras, remote wireless connections, and the ability to read and record metadata, image & sound have been on the agenda of the teams for years in order to develop high-performance solutions.
published 12 months ago   read more
Anton/Bauer Announces New CINE Battery Series at the 2015 IBC Show
Anton/Bauer Announces New CINE Battery Series at the 2015 IBC ShowIBC 2015, Stand E55, Hall 11
Anton/Bauer, a Vitec Group brand and premier provider of battery and charging technologies for the broadcast, film and video industries, announces its new CINE battery series for digital cinema cameras. The CINE battery series was designed to be the safest and most durable mobile power solution for professional cinematographers.
published 12 months ago   read more
Filmworkers' Knack for Developing Talent Continues with Colorists Jeff Altman and Matt Harger
Filmworkers' Knack for Developing Talent Continues with Colorists Jeff Altman and Matt HargerAltman grades eSports documentary, “All Work All Play”; Harger to grade indie feature “Who Gets the Dog?”
Filmworkers has a tradition for developing post-production talent and now it has two new stars in the making. Young colorists Jeff Altman and Matt Harger are producing standout work, and developing strong followings among local agencies and filmmakers for their enthusiasm, knowledge of digital cameras from the Alexa to the iPhone, and their ability to quickly work with clients to reach desired creative goals.
published 1 year ago   read more
ARRI PCA for Canon EOS cameras: NEW PRO CAMERA ACCESSORIES FOR CANON C300 / C300 Mk II / C500
ARRI PCA for Canon EOS cameras: NEW PRO CAMERA ACCESSORIES FOR CANON C300 / C300 Mk II / C500Designed specifically for Canon’s latest Cinema EOS cameras, ARRI PCA introduces a new cine plate for film set environments, an adjustable broadcast plate for documentary-style filming and a handy top-mounted support plate.
published 1 year ago   read more
News: German TV series boosted by FilmLight render-free workflow
News: German TV series boosted by FilmLight render-free workflowSet-to-finish seamless integration for Germany’s Lerchenberg
The producers of the German television comedy drama series Lerchenberghave implemented a new comprehensive, render-free grading environment from FilmLight. The use of Baselight systems, not only in the grading suite but also on set as well as within plugins for the editor, provides maximum creative control as well as real savings in the time to air.
published 1 year ago   read more
Alexa 65 Hits Theaters With Mission: Impossible Rogue Nation
Alexa 65 Hits Theaters With Mission: Impossible Rogue NationThe first production to use ARRI Rental’s ALEXA 65 large format digital camera system has hit theaters: Mission: Impossible – Rogue Nation. Primarily shot with 35 mm film cameras by Academy Award® winner Robert Elswit, ASC, the fifth installment of the successful blockbuster spy series features a major underwater sequence, which was captured with prototype ALEXA 65 cameras in special HydroFlex housings by Pete Romano, ASC.
published 1 year ago   read more
Helicopter Film Services Relied on the AERIGON for Aerial Cinematography on Marvel’s Avengers: Age of Ultron
Industry-leading Pro Cinema Drone Provides Stable Platform for Capturing Live-Action Plates for VFX
The AERIGON™, an aerial remote camera head (ARCH™) from Intuitive Aerial, was operated by Helicopter Film Services to shoot aerial footage used throughout Marvel’s Avengers: Age of Ultron. The remarkable stability of the AERIGON platform meant that footage captured could be fed directly into ILM’s VFX pipeline. For the first time, filmmakers have access to an aerial system capable of controlling the best production cameras, such as the new ARRI Alexa Mini, regardless of weight, to shoot feature film-ready images with reliable precision.
published 1 year ago   read more
JONATHAN STRANGE AND MR NORRELL CONJURE UP THE COOKE LOOK
JONATHAN STRANGE AND MR NORRELL CONJURE UP THE COOKE LOOKAcclaimed BBC drama shot with Cooke S4/i lenses
The acclaimed BBC drama series Jonathan Strange and Mr Norrell was shot with Cooke S4/i lenses by director of photography Stephan Pehrsson. Based on the eponymous novel by Susanna Clarke, the period drama is set in a version of 19th century England where magic was once lost but is now returning.
published 1 year ago   read more
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners AnnouncedCine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear Expo drew the world’s top motion picture, video and new media community for the unveiling of the latest industry technology and to discuss the latest trends. There were 15,490 attendees from 48 countries at the event.
published 1 year ago   read more
ARRI Brasil to Open in São Paulo, Q3 2015
Subsidiary in São Paulo, Brazil will open in the third quarter of 2015 to service and maintain all ARRI camera products
ARRI is excited to announce the initial phase of its camera service support for Latin America. The firm will open a subsidiary in São Paulo, Brazil in the third quarter of 2015 to service and maintain all ARRI camera products. ARRI Brasil, centrally located on Avenida Ibirapuera in Moema, São Paulo, will offer complete support for the full range of ARRI cameras and camera accessories The office will function as a full camera service facility servicing all camera models, including ALEXA, ALEXA XT, and the AMIRA, ALEXA SXT and ALEXA Mini cameras offering the new 4K recording modes. Plans are to provide camera maintenance, software upgrades, warranty and non-warranty repairs, as well as training and support for all camera products and camera accessories.
published 1 year ago   read more
"The Jinx," Groundbreaking Documentary from Andrew Jarecki and and Marc Smerling Finished at Technicolor PostWorks
"The Jinx," Groundbreaking Documentary from Andrew Jarecki and and Marc Smerling Finished at Technicolor PostWorksSean R. Smith leads a three-month post-production effort to finish the acclaimed six-part series.
Andrew Jarecki’s engrossing documentary series The Jinx: The Life and Deaths of Robert Durst explores the murky world of a real estate magnate suspected of three murders. Post-production finishing for the series, airing in six parts on HBO, was completed at Technicolor PostWorks New York. Sean R. Smith served as finishing editor and colorist, working in collaboration with Jarecki, writer/producer/director of photography Marc Smerling and post-production supervisor Susan Lazarus to bring the series to its final form and look.
published 1 year ago   read more
Latest ARRI Press Release: ARRI at Cannes 2015
Latest ARRI Press Release: ARRI at Cannes 2015A wonderfully successful festival again for ARRI in Cannes, with almost 60% of feature films from all selections being shot with ARRI equipment and more than 40% captured with the ARRI ALEXA and ARRI cine lenses. Overall, more than half of the festival’s films that were shot digitally used ALEXA as their main camera, showing that ARRI remains the pre-eminent technology leader, setting a gold standard for the rest of the industry.
published 1 year ago   read more
Latest ARRI Press Release: Lifetime Technical Achievement Award
Gear Expo to Present ARRI with Lifetime Technical Achievement Award
ARRI will be honored for its role in advancing the art and craft of filmmaking with the Cine Gear Expo 2015 Lifetime Technical Achievement Award on June 5 in a ceremony at Paramount Studios Hollywood. The distinction recognizes ARRI’s dedication to advancing motion picture technology over its 98-year history. ARRI Inc. President and CEO Glenn Kennel will accept the award.
published 1 year ago   read more
ARRI: Bahnemann Awards honor NYU students
ARRI: Bahnemann Awards honor NYU studentsFifth Annual Volker Bahnemann Awards for Cinematography Honor Sheldon Chau and Antoine Combellas
Sheldon Chau and Antoine Combellas have won top honors at the Fifth Annual Volker Bahnemann Awards for Cinematography at New York University’s (NYU) Tisch School of the Arts.
published 1 year ago   read more
Guild of Television Cameramen Heads to Aynho for 2015 Awards Day
Guild of Television Cameramen Heads to Aynho for 2015 Awards DayFollowing the success of the 2013 and 2014 events at 'A Day In The Country', Aynho Park, the Guild of Television Cameramen returns to the Oxfordshire venue on Sunday May 17, 2015, for its 43rd Annual General Meeting and Awards Presentation.
published 1 year ago   read more
ARRI Puts ALEXA in a Mini Package
Introducing a new camera to its popular ALEXA family, ARRI announced the ALEXA SXT and the ALEXA Mini, a small form factor ALEXA camera for specialized shots where third party cameras have been used before.
published 1 year ago   read more
Atomos Shogun Bolsters Support for High-end Cinema with RAW,
Atomos Shogun Bolsters Support for High-end Cinema with RAW, Anamorphic, Cinema 4K – Arri, AJA, Canon and Sony Supported
published 1 year ago   read more
ARRI Releases New Skypanel Family Of LED Soft Lights
ARRI Releases New Skypanel Family Of LED Soft Lights--April 13, 2015) ARRI proudly introduces SkyPanel, a brand new line of LED fixtures. SkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new standard for the industry. With a design focused on form, color, beam field and output, SkyPanel represents the culmination of more than a decade of research and development of LED technology at ARRI. Recently, SkyPanel garnered recognition as an International Association of Broadcast Manufacturers Game Changer Awards Finalist 2015.
published 1 year ago   read more
ARRI Adds New Pro Camera Accessories for Studio Matte Boxes
ARRI Adds New Pro Camera Accessories for Studio Matte BoxesThe Triple Filter Frame stacks two or three glass filters together in a single filter frame that occupies two regular matte box slots. ARRI’s Studio Matte Boxes SMB-1 and SMB-2 have an integrated tilt module designed to control unwanted reflections between filter surfaces, the lens front element and the camera sensor glass. Reflections can also develop under some circumstances between filter surfaces, which is not always controlled by solely tilting the matte box. Used in combination with either the SMB-1 or SMB-2 tilting feature, stacking the filters together in the Triple Filter Frame is a proven method of preventing these types of reflections. 
published 1 year ago   read more
ARRI Announces A New Super-Wide Anamorphic Zoom
ARRI Announces A New Super-Wide Anamorphic ZoomThe new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the ARRI/ZEISS Master Anamorphic lenses by extending the range to cover extreme wide-angle focal lengths between 19 mm and 36 mm, without any sacrifice in image quality.
published 1 year ago   read more
NEW TOOLS EXPAND ARRI’S ELECTRONIC CONTROL SYSTEM
NEW TOOLS EXPAND ARRI’S ELECTRONIC CONTROL SYSTEMNew camera and lens remote control tools being introduced by ARRI at NAB are the result of both ARRI’s own technological developments and of its ongoing collaboration with cmotion. They include the cforce mini lens motor and ARRI Active Motor Controller AMC-1.
published 1 year ago   read more
ARRI: Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitor
ARRI: Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitorTransvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5” OLED monitor.
Transvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5” OLED monitor. The resulting StarliteHD5-ARRI will be able to control the new ARRI ALEXA Mini and also the ARRI AMIRA.
published 1 year ago   read more
Codex Delivers Recording And Workflow For ARRI ALEXA SXT
Codex Delivers Recording And Workflow For ARRI ALEXA SXTCodex (http://www.codexdigital.com), the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, has once again collaborated with ARRI to develop the recording and workflow system for ARRI’s next evolution of the ALEXA camera – the ALEXA SXT. The companies’ engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems, which combine to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras.
published 1 year ago   read more
Latest ARRI Press Releases -Master Anamorphic Flare Sets
Latest ARRI Press Releases -Master Anamorphic Flare SetsThe new ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. Each of the seven Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.
published 1 year ago   read more
ARRI ANNOUNCES NEW ALEXA SXT CAMERAS
ARRI ANNOUNCES NEW ALEXA SXT CAMERASARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs.
published 1 year ago   read more
Theo Van De Sande, ASC Shoots Amazon, CBS Pilots With Varicam 35 4K Camera/recorder
Theo Van De Sande, ASC Shoots Amazon, CBS Pilots With Varicam 35 4K Camera/recorder“This Is the Best Solution in Digital Cinema Today”
Award-winning cinematographer Theo Van de Sande, ASC recently completed his second pilot, CBS’s Evil Men, shot with Panasonic’s new VariCam 35 4K camera/recorder.
published 1 year ago   read more
Director David Semel Brings Phillip K. Dick's The Man in the High Castle to Amazon
Director David Semel Brings Phillip K. Dick's The Man in the High Castle to AmazonSemel, who directs commercials through Accomplice Media, has a history of directing pilots that become hit television series.
Produced for Amazon by Ridley Scott and based on the award-winning Phillip K. Dick novel, The Man in the High Castle is an alternate history set in the aftermath of World War II, but in this telling, the Nazis and their Japanese allies were the victors. Semel directed the pilot, which is currently available through Amazon Prime’s instant video service.
published 1 year ago   read more
Latest ARRI Press Release: New L10 LED Fresnel expands L-Series family
Latest ARRI Press Release: New L10 LED Fresnel expands L-Series familyARRI is proud to announce the L10, the newest edition to its L-Series family of LED Fresnels, which also includes the portable L5 and mid-range L7. The introduction of the L10 fulfills ARRI’s mission to provide a full line of high-performance LED Fresnels to the film, broadcast, theater and live entertainment markets.
published 2 years ago   read more
Codex Delivers Recording And Workflow For ARRI ALEXA MINI
Codex Delivers Recording And Workflow For ARRI ALEXA MINICodex , the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, has once again collaborated with ARRI to develop the recording and workflow system for an exciting new addition to the ALEXA family – the ALEXA Mini.
published 2 years ago   read more
ARRI ANNOUNCES COMPACT AND LIGHTWEIGHT ALEXA MINI
ARRI ANNOUNCES COMPACT AND LIGHTWEIGHT ALEXA MINIARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.
published 2 years ago   read more
Filmmakers depend on Codex for Marvel’s Agent Carter TV series
Filmmakers depend on Codex for Marvel’s Agent Carter TV seriesCodex supports first ARRIRAW workflow on TV series
Codex , the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, today revealed how Codex equipment is playing a key role in the making of the hit ABC television series Marvel’s Agent Carter. Codex has provided digital recording for director of photography Gabriel Beristain’s cameras, and has consulted with visual effects supervisor Sheena Duggal on the lens mapping, to assist VFX production. According to Duggal, this is the first TV show to use ARRIRAW for main unit photography. Marvel’s Agent Carter marks the first time an ARRIRAW workflow has been used extensively in series television.
published 2 years ago   read more
Latest ARRI Press Release: ALEXA SUP 11.0 WITH ProRes 3.2K
Latest ARRI Press Release: ALEXA SUP 11.0 WITH ProRes 3.2KARRI today announces that Software Update Packet (SUP) 11.0 for ALEXA cameras is now available for download from the company’s website, free of charge. ALEXA's eleventh major update includes many new features, including an ALEXA ProRes 3.2K recording format for productions requiring 4K UHD deliverables, and ADA-5 – an enhanced debayering algorithm that further improves ALEXA’s image quality.
published 2 years ago   read more
Codex workflow popularity reflected in 2015 Awards season nominations -
Codex workflow popularity reflected in 2015 Awards season nominations -Codex digital recording and workflow products harnessed by 14 motion pictures in this year’s Oscar, Golden Globe, BAFTA and ASC Awards nominations
Codex , the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, today announced a dramatic increase in the number of motion pictures, nominated at the 2015 Oscar, Golden Globe, BAFTA and American Society of Cinematographers (ASC) awards, that used Codex products in their production and post production pipelines.
published 2 years ago   read more
The SIM Group to Hold Annual Technology Showcase January 29th in Toronto
The SIM Group to Hold Annual Technology Showcase January 29th in TorontoThe SIM Group will host leading manufacturers of cameras, lenses, lighting, post production gear and workflow systems at the 10th Annual SIM Technology Showcase slated for January 29th in Toronto. The popular event provides members of the production and post-production communities with a unique opportunity to examine innovative new products, witness leading edge technology demonstrations and find out from the experts how these new tools and workflows can benefit their businesses.
published 2 years ago   read more
HOLLYWOOD COSTUME Exhibition Shines with ARRI L-Series
HOLLYWOOD COSTUME Exhibition Shines with ARRI L-SeriesARRI is proud to support the Academy of Motion Picture Arts and Sciences' groundbreaking multimedia exhibition HOLLYWOOD COSTUME in Los Angeles with over 25 L-Series LED Fresnels. Curated by costume designer Deborah Nadoolman Landis, the show takes visitors on a journey that tells the story of costume design from early Charlie Chaplin to MAN OF STEEL. Lighting Designer Trevor Stirlin Burk was tapped to enhance the exhibition by illuminating the costumes and environment. Watch this video for an exclusive look at HOLLYWOOD COSTUME and listen to Burk explain how it was lit with the ARRI L-Series.
published 2 years ago   read more
NEW ARRI PCA for SONY PXW-FS7
NEW ARRI PCA for SONY PXW-FS7ARRI announces a full complement of professional-quality accessories from its PCA range, specifically tailored to Sony’s PXW-FS7 camera. These accessories will be available individually, or in several competitively-priced sets, providing unrivalled reliability and compatibility with industry-standard tools.
published 2 years ago   read more
Territory Editor Dave Crosslin Shows His Quirky Sides For 5-hour ENERGY's Off-Beat Campaign
Territory Editor Dave Crosslin Shows His Quirky Sides For  5-hour ENERGY's Off-Beat CampaignDirector Nicolas Hill & Lucky Airlines, The LA + Detroit-Based Production Company, Brings Home The Spots’ Over-The-Top Comedic Energy
Territory editor Dave Crosslin’s talent and wry sense of humor were tapped for 5-hour ENERGY’s off-kilter campaign for the popular energy shot, directed by Nicolas Hill. Lucky Airlines, the Los Angeles and Detroit-based production company, also collaborated on the concepts for the spots, which are a departure from the tone of the company’s previous campaigns – bringing an over-the-top style and comedic energy to the popular brand.
published 2 years ago   read more
Latest ARRI Press Release --> L7-C LED Fresnel
ARRI’s most sophisticated LED fixture, the L7-C, has just received a brightness increase. Advancements in LED technology have allowed the L7-C to be updated with a new light engine – Light Engine 2 – making it more than 25% brighter than previous versions.
published 2 years ago   read more
Paul Maibaum Reflects on SONS OF ANARCHY & Tools for 7 Seasons
Paul Maibaum Reflects on SONS OF ANARCHY & Tools for 7 SeasonsHit Series Has Relied on Vitec Videocom Brands for All Seven Seasons
As the acclaimed FX series Sons of Anarchy nears its finale, director of photography Paul Maibaum, ASC continues to rely on solutions from Anton/Bauer, Litepanels, and OConnor during the production’s stage and location shoots in Southern California. The DP and his crew have trusted the gear to perform throughout all seven seasons of this hit show.
published 2 years ago   read more
Panavision Rolls out Primo 70 Lenses at Camerimage
Panavision Rolls out Primo 70 Lenses at CamerimagePanavision, the company behind the world's best cinema lenses for 60 years, is showcasing their new line of Primo 70 lenses optimized to work with today's larger sensor digital cameras. The lenses are being exhibited here at the 22nd edition of the Camerimage International Film Festival, a premier event for directors of photography.
published 2 years ago   read more
ARRI Rental In Atlanta And Miami Announce New Management
• Vice President Ed Stamm has been appointed to run ARRI Rental’s new state-of-the-art facility in Atlanta • Craig Chartier takes over ARRI Rental Miami as General Manager
ARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Ed Stamm will oversee the new ARRI Rental office in Atlanta. Besides promoting the ALEXA 65 system exclusively available at ARRI Rental, Stamm will ensure that the company’s extensive inventory of digital, film, anamorphic and spherical camera equipment is available to this vibrant production community. Craig Chartier will fill Ed Stamm’s previous position, taking over ARRI Rental Miami as General Manager. Chartier will focus on strengthening ARRI Rental’s strategy and operations, as well as growing the business in Florida and the South American market.
published 2 years ago   read more
ARRI Inc. Hires Wilson Zeferino as Director of Sales, Latin Markets
ARRI Inc. Hires Wilson Zeferino as Director of Sales, Latin MarketsARRI Inc. announces the appointment of Wilson Zeferino as the new Director of Sales, Latin American Markets. Fluent in Spanish, Portuguese and English, Zeferino will further develop business and strategy in the Caribbean, Central America and South America. He will also oversee sales efforts and customer service in these territories to strengthen ARRI's presence across the region.
published 2 years ago   read more
Pomfort's release of Silverstack 4.0
Pomfort's release of Silverstack 4.0Pomfort releases a new extended Silverstack XT version and a major upgrade to its professional media acquisition and data-management software Silverstack
Pomfort, a global provider of professional solutions for data and color management on the film set, today announces the immediate availability of Silverstack v4. The powerful new version of Silverstack speeds up all backup processes with its completely revised copy engine and the super-fast checksum verification type “xxhash”. Furthermore, Silverstack v4 enhances the range of advanced supported camera formats adding both Sony RAW for F55 / F65 as well as ProRes XQ which recently has been included to the ARRI Alexa. For backing up media to LTO tapes the new Silverstack v4 is now optimized for checksum verified copy processes via LTFS.
published 2 years ago   read more
Colorfront Transkoder Delivers The Cutting-Edge At SMPTE 2014
Colorfront Transkoder Delivers The Cutting-Edge At SMPTE 2014Colorfront continues leadership in UHDTV and IMF/DCP mastering capabilities
Colorfront, the Academy and Emmy Award-winning developer of high-performance dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will set new performance standards and demonstrate a host of cutting-edge features for Ultra High Definition Television (UHDTV) post production, plus IMF authoring and DCP digital cinema mastering, during SMPTE 2014, Hollywood, CA, 20-23 October (Colorfront booth #311).
published 2 years ago   read more
ALEXA’S 10th SOFTWARE UPDATE RELEASED: SUP 10.0
ARRI customers are rushing to download the 10th free software update for ALEXA, which was released this week following an open beta that began in August.
published 2 years ago   read more
IBC Party 2014 (With Rodney Charters, Dan Chung, Matt Allard and Clinton Harn) on The Go Creative Show with Ben Consoli
IBC Party 2014 (With Rodney Charters, Dan Chung, Matt Allard and Clinton Harn) on The Go Creative Show with Ben ConsoliNew from Ben Consoli's GO CREATIVE SHOW: Today we dedicate the entire show to all the news and announcements from this year's IBC in Amsterdam. IBC is one of the biggest trade shows for video production, and our panel of experts cover all the news and announcements that will certainly shake up our industry. Dan Chung and Matt Allard from NewsShooter.com, filmmaker Clinton Harn and cinematographer Rodney Charters join me for an epic discussion about the Arri Alexa 65, Sony FS7, lots of lenses, lights and more. Plus the 4K debate lives on!
published 2 years ago   read more
MTI Film Announces CORTEX Dailies Support for ProRes 4444 XQ
MTI Film Announces CORTEX Dailies Support for ProRes 4444 XQMTI Film today announced that CORTEX Dailies has added support for decoding and encoding Apple ProRes 4444 XQ. Support is available in a new update, CORTEX v1.5.3.
published 2 years ago   read more
Cinec Awards Honor ARRI AMIRA and ARRI/ZEISS Master Anamorphics
Cinec Awards Honor ARRI AMIRA and ARRI/ZEISS Master AnamorphicsARRI was honored with two major awards at the 2014 Cinec show in Munich on September 22. The ARRI AMIRA documentary style camera and ARRI/ZEISS Master Anamorphic lenses both garnered Cinec statuettes. The awards were presented by the Society of CineTechnik Bayern e.V. (CTB, formerly Bavarian Society for the Advancement of Film Technology), and awarded to innovative products and developments in motion picture technology.
published 2 years ago   read more
Rally Racing Film Lights Challenging Forest Track with Zylight F8 LED Fresnel
Rally Racing Film Lights Challenging Forest Track with Zylight F8 LED FresnelFor his graduation film, cinematographer student Sverre Sørdal, who is training at the National Film and Television School (NFTS) in Beaconsfield, U.K., did not take the easy road. Instead, he shot a film about rally racing on a track in the middle of the forest with a very tight shooting schedule and very unpredictable lighting.
published 2 years ago   read more
Codex Develops Recording And Workflow For New ARRI Alexa 65 Large Format Camera
Codex Develops Recording And Workflow For New ARRI Alexa 65 Large Format CameraCodex, the industry leader in RAW recording and workflow, has collaborated with ARRI to develop the recording and workflow system for ARRI’s new, ground-breaking ALEXA 65 large format camera. Codex has worked closely with ARRI to create a high-performance, in-built camera recorder plus an on-set and near-set data management system, which combine to deliver streamlined camera-to-post workflow for the ALEXA 65 camera – The Vault Lab 65.
published 2 years ago   read more
cinec 2014 - International Trade Fair for Cine Equipment and Technology, which will take place in Munich, Germany, from 21 - 23 September 2014
When images on the big screen take one’s breath away, it is often partly due to the technology which is behind the screen, and often “Made in Germany”. Every two years filmmakers and technicians meet in Munich for one of the most important Trade Fairs of the industry, cinec which honors the most outstanding innovations in the area of film production.
published 2 years ago   read more
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EP 234: Short Film, Big Horror - HAG
Get ready Horror fans! This week we sit down with the filmmakers of HAG official selection at the upcoming Comic Con International Film Festival. This short horror film is BIG on production. Shot on the ARRI Alexa digital cinema camera, it looks amazing and boasts some spectacular makeup from FACEOFF...
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Teach Your Children Well, Teach them Avid
Avid is the NLE tool of choice for Hollywood, Broadcast Television, Film Makers and Post Production facilities. While other NLEs may claim to be used for a few select programs, almost every Oscar and Emmy winning program was cut on an Avid. Being an Avid editor still means something, and...
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Recreating reality with visual effects
Seamless visual effects for The Wolf of Wall Street created with help from Adobe After Effects CC and Adobe Photoshop CC Paul and Christina Graff of Crazy Horse Effects (CHE) are visual effects aficionados, with projects to their credit such as There Will Be Blood and Life of Pi ....
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