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News : ARRI Alexa

Outsight Creamsource Lights Up The Fate of the Furious
Outsight Creamsource Lights Up The Fate of the Furious
Cinematographer Stephen F. Windon, ACS, ASC and Gaffer Michael Ambrose chose Creamsource for 8th installment in Universal franchise after multi-manufacturer shoot-out
Outsight, the pioneering advanced lighting technology company, had a supporting role in the production of the eighth instalment of The Fast and the Furious franchise — The Fate of the Furious — with its Creamsource Doppio+ and Creamsource Mini+ for facial key lights and Creamsource Sky for sky light and one of the film’s most spectacular visual effects. The Creamsource Mini+ is a smaller version of the standard Creamsource Doppio+.
published 2 months ago   read more
ARRI Rental Showcases Expanding Alexa 65 Lens Range At Cine Gear
ARRI Rental Showcases Expanding Alexa 65 Lens Range At Cine Gear
Lenses customized and bespoke solutions developed in creative partnership with filmmakers
Under the banner of “Your story, your look, your lens choice”, ARRI Rental showcased its growing range of full-coverage 65 mm format lenses at Cine Gear 2017 in Los Angeles.
published 2 months ago   read more
ARRI Announces the Opening of French Subsidiary
ARRI Announces the Opening of French Subsidiary
New subsidiary dedicated to Camera Systems and Lighting, boutique offices complete with showroom in the center of Paris
In order to facilitate its business in France, ARRI, the Munich-based film technology company, is announcing the founding of ARRI CT France (CT for Cine Technik). For the first time, ARRI will have an office space solely dedicated to its Camera Systems and Lighting Business Units in France while being able to offer a special promotional platform for the ALEXA 65 available from ARRI Rental. This increased presence not only strengthens the ARRI brand but also encourages synergies and cross sales between the company’s various Business Units.
published 2 months ago   read more
ARRI ALEXA SXT Goes Wireless
ARRI ALEXA SXT Goes Wireless
New ALEXA SXT W incorporates a built-in video transmitter; Part of a complete ARRI Wireless Video System
ARRI is announcing an exciting upgrade to the ALEXA SXT platform, making ALEXA SXT an entirely wireless professional motion picture camera system.
published 3 months ago   read more
Transvideo CEO Jacques Delacoux congratulates ARRI on their ARRI ALEXA SXT W Wireless Camera
Transvideo CEO Jacques Delacoux congratulates ARRI on their ARRI ALEXA SXT W Wireless CameraCEO of Transvideo Jacques Delacoux has today congratulated ARRI on the release of their exciting upgrade to the ALEXA SXT platform, making the ALEXA SXT W an entirely wireless professional motion picture camera. “This is a groundbreaking camera from ARRI. Transvideo is proud to have been involved in a collaboration with ARRI to help produce a dedicated wireless monitor, the Starlite ARRI WVS, to be used in conjunction with the new ALEXA SXT W wireless camera.”
published 3 months ago   read more
Transvideo and Aaton Digital will both show new products at Cabsat 2017
Transvideo and Aaton Digital will both show new products at Cabsat 2017
Sister companies Transvideo and Aaton Digital will both show new products at Cabsat 2017 in Dubai.
Transvideo will show the new StarliteRF-a, a wireless monitor with advanced camera control capabilities that can remotely control key functions of the ARRI ALEXA Mini and AMIRA cameras. The kit consists of a StarliteRF-a monitor-recorder and a TitanHD2 Tx-a that connects to the EXT socket of the ARRI cameras via a specific cable provided. You will have a hand held lightweight, high quality monitor receiving the camera picture wirelessly, and you can adjust key camera functions wirelessly by return to the camera. The camera functions are accessed via the monitor’s touch screen. You also have the ability to record and play back clips via the inbuilt recorder, which can be set up to record automatically when the camera records.
published 5 months ago   read more
Broadcast RF gets Lost in London
Broadcast RF gets Lost in LondonBroadcast RF today announced that it supplied the full turnkey wireless solution for the 100 minute comedy, Lost in London, written, directed and starred in by Woody Harrelson, that is the first ever Hollywood movie to be broadcast live to more than 500 cinemas in the USA and one cinema in London.
published 6 months ago   read more
Cooke Anamorphic/i lenses and /i Technology bring Valkyrien to life
Cooke Anamorphic/i lenses and /i Technology bring Valkyrien to life
Lens metadata aids workflow on set and in post
Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, is pleased to reveal that Valkyrien, the forthcoming Norwegian drama series, was shot by Johan-Fredrik Bødtker, FNF, using Cooke Anamorphic/i and Cooke 5/i lenses. The lens metadata was collected from the ARRI ALEXA cameras and was highly beneficial to both on-set production and post-production workflows. Valkyrienwill launch on NRK in January 2017 and has been sold to broadcasters in Scandinavia. It will also premiere in the UK on Channel 4 in 2017 before all episodes are made available exclusively on C4’s on-demand foreign-language drama service, Walter Presents.
published 6 months ago   read more
Crackanory Cinematographer Olly Wiggins Reinforces his Packed Rig with the OConnor 2560
Crackanory Cinematographer Olly Wiggins Reinforces his Packed Rig with the OConnor 2560
OConnor support offers considerably quicker set-up times and very fast repositioning.
Going between the gory streets of Ancient Rome, the dark recesses of outer space, and New York City in the 1940s, Crackanory takes viewers on a comedic journey through wickedly twisted and excitingly original storylines. As a critically acclaimed storytelling television series for adults, each episode of Crackanory features two 15-minute tales narrated by contemporary comedians and actors. With an eclectic mix of new stories every week, the show incorporates everything from live action to original music and animation – with the sets changing every time.
published 7 months ago   read more
Gavin Struthers ASC Chooses Leader LV5333 3G/HD/SD-SDI Waveform and Picture Monitors
Gavin Struthers ASC Chooses Leader LV5333 3G/HD/SD-SDI Waveform and Picture Monitors
Leader monitors offer very accurate control of relative exposure and overall luminance levels, ensuring that the resultant content conforms fully to broadcast standard signal parameters.
​Gavin Struthers ASC, one of Britain's leading cinematographers, has invested in two Leader LV5333 multi-SDI waveform and picture monitors. The purchases were made from Thameside TV, based at Shepperton near London's Heathrow airport. Originally chosen for use on the US television drama series Black Sails, the instruments now form a permanent part of his production system working alongside Arri Alexa, Sony F-55 and Red cameras.
published 8 months ago   read more
ARRI Pro Camera Accessories for the Canon EOS C700
ARRI Pro Camera Accessories for the Canon EOS C700ARRI is pleased to announce its range of Pro Camera Accessories for the Canon EOS C700, equipping the camera with professional on-set functionality and rugged durability. The new accessory sets have been endorsed by Canon and will feature in the company’s upcoming official camera presentations.
published 8 months ago   read more
Naughty Saint Nick: Bad Santa 2 and Panasonic Varicam 35
Naughty Saint Nick: Bad Santa 2 and Panasonic Varicam 35
Theo Van de Sande, ASC shoots Bad Santa 2 with Panasonic VariCam 35 4K cinema cameras
The long-awaited sequel to the 2003 holiday cult classic, Bad Santa (directed by Terry Zwigoff), Bad Santa 2 is directed by Mark Waters (Vampire Academy, Mean Girls) and once again pairs Willie (Billy Bob Thornton) and his little helper Marcus (Tony Cox), who reunite to rob a Chicago charity on Christmas Eve. Academy Award winner Kathy Bates joins the cast as Willie’s foul-mouthed mother, Sunny Soke, and Brett Kelly reprises his role as Thurman Merman. The dark comedy was shot by Theo Van de Sande, ASC (Blade, Cruel Intentions, Wayne’s World) with Panasonic VariCam 35 4K cinema cameras.
published 8 months ago   read more
Sebastien Laffoux promoted to ARRI Inc. Director of Sales, Camera Systems
Sebastien Laffoux promoted to ARRI Inc. Director of Sales, Camera SystemsARRI is pleased to announce the promotion of Sebastien Laffoux to Director of Sales, Camera Systems for ARRI Inc., effective immediately. In this new role, he is responsible for managing the entire camera sales team for North America with regional representatives based in Los Angeles, New York and Toronto. Laffoux reports directly to Glenn Kennel, President of ARRI Inc., who is based at ARRI Inc.’s headquarters in Burbank, CA.
published 8 months ago   read more
"FUJINON Days" Held in U.S. and Abroad
"FUJINON Days"  Held in U.S. and Abroad
Cinematographers and Optical Technicians Put Premier and Cabrio Zooms through their Paces during Educational Seminars
As part of the company’s overall initiative to increase awareness of its Cine-Style zooms among Cinematographers, Camera Operators and Camera Assistants throughout the world, the Optical Devices Division of FUJIFILM, FUJINON has embarked on a series of hands-on, educational seminars. Based on initial reviews from leading feature film and episodic cinematographers as well as rental house lens technicians at each of the regional events, this series has the potential for a long run.
published 8 months ago   read more
Go Creative Show: Cinematographer David Klein, ASC, of Homeland
Go Creative Show: Cinematographer David Klein, ASC, of Homeland
David Klein, ASC, cinematographer of Homeland, True Blood and many classic Kevin Smith movies like Clerks, Mall Rats, and Red State, joins us to talk all about it all.
The Go Creative Show, dedicated to inspiring creative professionals working in the video, film, TV and music industries, invites you to join host, Ben Consoli and his special guest, David Klein, ASC, cinematographer of Homeland and True Blood. David has also shot many of the classic Kevin Smith movies like Clerks, Mall Rats, and Red State and he’s here to talk all about it all. His love of realism has defined a generation of film making and he continues to execute it flawlessly with his work on Homeland. David talks with us about all his gear and lighting choices, shooting hand-held effectively and how the best film education is to simply shoot something.
published 9 months ago   read more
The sky is the limit for 4K IMAX HDR "Sully" with Baselight
The sky is the limit for 4K IMAX HDR "Sully" with Baselight
Technicolor harnesses Baselight’s high-resolution capabilities for big-screen retelling of "Miracle on the Hudson"
Technicolor LA recently gave Clint Eastwood’s biographical drama Sully the full Baselight HDR colour grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009, saving 155 lives.
published 10 months ago   read more
Cooke Optics miniS4/i lenses bring a new look to Midsomer Murders
Cooke Optics miniS4/i lenses bring a new look to Midsomer Murders
Uncoated lenses add a new twist to 19th season of beloved UK drama
Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, is pleased to reveal that the latest series of the long-running British drama series Midsomer Murders is being shot with uncoated Cooke miniS4/i lenses, supplied by VMI.
published 10 months ago   read more
Transvideo Wins Cinec Award For Its Starlite Hd5-arri Recorder-monitor
Transvideo Wins Cinec Award For Its Starlite Hd5-arri Recorder-monitor(Paris, France--September 28, 2016) Transvideo is proud to have been chosen to receive the prestigious Cinec Award this year for its StarliteHD5-ARRI monitor-recorder in the category of Camera Technology / New Digital Capturing Tools. The Cinec Award is a unique prize for outstanding achievements and innovations in the fields of motion-picture technology and post production. The prizes were judged during the Cinec Expo in Munich by industry experts that included Hollywood cameraman Klemens Becker and lighting director Stuart Gain.
published 10 months ago   read more
Ncam Emmy Award for Outstanding Achievement in Engineering Development
Ncam Emmy Award for Outstanding Achievement in Engineering Development
Ncam’s real-time camera tracking technology for augmented reality is recognised for enhancing the viewer experience
Ncam announced today that its real-time camera tracking technology for augmented reality (AR) has been honoured with an Emmy® Award for ‘Outstanding Achievement in Engineering Development’ by the Academy of Television Arts and Science (primetime). Relied upon by leading broadcasters, including CNN, ESPN, Fox Sports, MLB, NFL, The Weather Channel and BT Sports, Ncam is able to integrate live action and computer-generated elements in the studio or on location more convincingly than ever before in order to provide a more immersive experience for television viewers.
published 10 months ago   read more
Cinematographers Guild Names 2016 Special Awards Recipients
Cinematographers Guild Names 2016 Special Awards Recipients
Dolby Laboratories, David Geffner, and Rodrigo Prieto ASC were honored at the ECA luncheon and awards ceremony
Dolby Laboratories, David Geffner and Rodrigo Prieto ASC, are the recipients of the International Cinematographers Guild (ICG, IATSE Local 600) special 2016 Emerging Cinematographer Awards (ECA), announced Steven Poster, ASC, ICG’s National President. The awards were presented Friday during the ECA opening event at the American Society of Cinematographers Clubhouse in Los Angeles.
published 10 months ago   read more
Panasonic VariCamLT RAW Supported by Odyssey7Q+ Monitor/Recorder
The upcoming firmware update for the Odyssey7Q+ and Odyssey7Q monitor/recorders will support the Panasonic VariCamLT 4K RAW output. When Panasonic unveiled the VariCamLT in February, it announced the 4K RAW output capability for the camera would be added this year. Panasonic has today released a free firmware update to the camera that enables this ability. Convergent Design and Panasonic will be demonstrating the 4K RAW capture workflow from the VariCamLT to the Odyssey7Q+ in both companies’ booths at the IBC 2016 show this week in Amsterdam.
published 11 months ago   read more
ARRI Releases Master Grips Camera Accessories for Ultimate Handheld Control and Comfort
ARRI Releases Master Grips Camera Accessories for Ultimate Handheld Control and Comfort
Expanding its range of ECS accessories, ARRI announces four new Master Grip handgrips, which offer unprecedented fingertip control of ARRI and third-party cameras and lenses when shooting handheld.
The primary function of traditional cine-style handgrips is to firmly stabilize a camera on the operator’s shoulder. Documentary camera setups include a servo zoom with the handle, allowing certain lens and camera functions to be controlled. In today’s industry, the previously separate worlds of cine and documentary equipment have merged. In addition, small cameras like the ALEXA Mini have a reduced user interface and require external camera controls. This has created demand for solid, cine-style camera handgrips with documentary-style controls.
published 11 months ago   read more
ARRI announces completion of ALEXA SXT development
ARRI announces completion of ALEXA SXT development
ARRI is pleased to announce that development of the ALEXA SXT cameras is completed.
(Munich, Germany--September 8, 2016) ARRI will now make good on its promise to provide upgrades to all ALEXA XT EV, ALEXA XT Plus and ALEXA XT Studio cameras shipped in 2015 and 2016. In addition to the originally promised upgrade program of a free-of-charge upgrade to SXT in Munich, ARRI has equipped its service stations in London, Los Angeles, New York, Beijing, Hong Kong and Mumbai to perform the upgrade. For those who received their XT camera before 2015, a paid-for upgrade option to a full SXT is also available.
published 11 months ago   read more
ARRI’s International Support Program
ARRI’s International Support Program
ARRI launches an exclusive support program for international filmmakers at the Toronto International Film Festival.
The ARRI Groupis launching an initiative called the International Support Program. It is designed to support filmmakers who are working on distinctive projects with an international edge. Through the program, ARRI will offer multifaceted support ranging from co-production, development and access to state-of-the-art ARRI equipment, to postproduction and international sales. The company will officially unveil the program at the Toronto International Film Festival (September 8-18, 2016). ARRI professionals from Munich, Berlin, Los Angeles, Toronto, New York and New Orleans will be at TIFF to meet with filmmakers.
published 11 months ago   read more
ARRI Announces Completion of ALEXA SXT Development
ARRI Announces Completion of ALEXA SXT DevelopmentARRI is pleased to announce that development of the ALEXA SXT cameras (Super Xtended Technology) is completed.
published 11 months ago   read more
New Angénieux Type EZ Series Lenses At IBC 2016
New Angénieux Type EZ Series Lenses At IBC 2016​Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mmm and larger image formats for cine and broadcast productions.
published 11 months ago   read more
Codex delivers recording and workflow for ARRI Alexa SXT
Codex delivers recording and workflow for ARRI Alexa SXTCodex has once again collaborated with ARRI to develop the recording and workflow system for ARRI’s next evolution of the ALEXA camera – the ALEXA SXT (Super Xtended Technology). The companies’ engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems, which combine to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras.
published 11 months ago   read more
Timecode Systems Launches Integrated Workflow Solution for ARRI Alexa Cameras
Timecode Systems Limited today announced its :pulse mini base station product can now be used to enable wireless remote control, metadata editing, and other enhanced workflow functionality for ARRI Alexa cameras, via the MovieSlate® 8.5 iOS app. By allowing a seamless exchange of data between the three products, this integration gives film crews complete control over metadata management and camera controls remotely, from a screen on their iPad or iPhone.
published 11 months ago   read more
Shooting Jungle 'Down Under' and in Colombia Puts Cooke Optics' Anamorphic/i Lenses to the Test
Shooting Jungle‘Down Under’ and in Colombia puts Cooke Optics’ Anamorphic/i lenses to the Test- DP Stefan Duscio shoots Greg McLean’s psychological thriller Junglewith a classic adventure film look
published 11 months ago   read more
ARRI Inc. Offers Repair Services during Sporting Events in Rio de Janeiro
In anticipation of the upcoming sporting events in Rio de Janeiro, ARRI Inc. announces that camera service and lighting repairs are available in Brasil for all local and international broadcasting teams. Organizers expectnearly 6,000 hours of footage from competitions in the cities of Belo Horizonte, Brasília, Manaus, Salvador and São Paulo will be transmitted across the world to an estimated five billion TV viewers.
published 1 year ago   read more
Zylight IS3c LED Lights Streamline 'How To Love' Video Production
Zylight IS3c LED Lights Streamline 'How To Love' Video ProductionIn April, during a one-day shoot for the music video for How To Love by Cash Cash featuring Sofia Reyes, the production team was tasked with transforming a California restaurant into a number of different sets. Among other visuals, the finished video features Reyes singing in a sun-drenched bamboo forest, as well as walking through a spacious nightclub garden where she interacts with the group under color shifting lights.
published 1 year ago   read more
Film Restoration Experts Attend ARRI Archive Workshop
Film Restoration Experts Attend ARRI Archive WorkshopOnce again, leading figures and technology providers from the world of film archiving and restoration have come together for ARRI’s Archive Workshop at the company headquarters in Munich.
published 1 year ago   read more
Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear Expo
Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear Expo
Express Dailies 2016 delivers trendsetting in-production support for UHD HDR workflows
Colorfront, the Academy® and Emmy® Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will showcase the groundbreaking capabilities of its new Express Dailies 2016 system for Ultra High Definition (UHD) and High Dynamic Range (HDR) image-processing in on-set dailies workflows, during Cine Gear Expo 2016, c/o ALT Systems and Sony.
published 1 year ago   read more
Kelli Bingham Joins ARRI Rental as Regional Marketing Executive for the South
Kelli Bingham Joins ARRI Rental as Regional Marketing Executive for the SouthARRI Rental, a leading provider of camera, grip and lighting equipment, is pleased to announce that Kelli Bingham has joined the US team as Regional Sales Executive. Based at ARRI Rental Louisiana, the appointment strengthens the sales and marketing function in the Southern United States and will see Bingham focus on managing the company’s relationships with production and crew, as well as seeking new business opportunities.
published 1 year ago   read more
New Trends and Technology at Cine Gear Expo 2016
New Trends and Technology at Cine Gear Expo 2016Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry.
published 1 year ago   read more
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScan
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScanARRI is complementing its latest generation of high-speed ballasts with the new EB 2.5/4 HS AutoScan. Designed for the ARRI M40 and other 2.5 kW or 4 kW daylight fixtures, it incorporates innovative features and allows filming speeds of more than 1,000 fps.
published 1 year ago   read more
ARRI/ZEISS Unveil Two New Master Anamorphic Lenses
ARRI/ZEISS Unveil Two New Master Anamorphic LensesARRI introduces two new focal lengths to the Master Anamorphic series, extending the range at both the wide-angle and telephoto ends. The 28 mm MA28 shares the fast T1.9 aperture speed of all seven preceding Master Anamorphics, making it ideal for low light work and shallow depth of field. For such a long focal length, the 180 mm MA180 has an impressively fast stop of T2.8 and a compact design, with a front diameter of just 95 mm. Both lenses display the same superior image quality and perfect optical aberration correction as all other Master Anamorphics.
published 1 year ago   read more
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera Functionality
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera FunctionalityARRI’s Electronic Control System (ECS) is a versatile, modular toolset for wireless remote control of any camera and any lens. Bringing immediate benefits to ALEXA Mini shooters, ARRI is introducing two new ECS products: LCUBE CUB-1 and cforce plus Lens Motor.
published 1 year ago   read more
ARRI Announces New Features for ALEXA SXT
ARRI Announces New Features for ALEXA SXTMore than ever before, ALEXA offers the best overall image quality and efficient workflow with the SXT cameras. By striking a perfect balance between pixel size and resolution, ALEXA SXT produces beautiful images in HD, 2K and 4K, while also delivering the highest dynamic range of any camera in the market. Not only does ALEXA SXT meet the resolution needs of 4K and UHD distribution with easy workflows, it is also uniquely well-equipped to create content that will take fullest advantage of emerging HDR (High Dynamic Range) display technologies. In addition, the ability to record at up to 120 fps in full image quality means that HFR (High Frame Rate) approaches to enhancing viewer experience can also be accommodated. The continually increasing popularity of anamorphic shooting is best served by ALEXA’s unique tall sensor and the new anamorphic recording formats offered in the SXT.
published 1 year ago   read more
ARRI Pro Camera Accessories Support Sony, Panasonic and Red Gear
ARRI Pro Camera Accessories Support Sony, Panasonic and Red GearARRI's Pro Camera Accessories (PCA) bring the high quality design and durability that ARRI is known for to cameras from other manufacturers. ARRI is pleased to announce new accessories are available for RED DSMC2, Sony α7S/R II and Panasonic VariCam LT.
published 1 year ago   read more
ARRI takes over artemis camera stabilization systems and launches production version of Trinity
ARRI takes over artemis camera stabilization systems and launches production version of TrinityARRI has taken over the artemis range of camera stabilizers from Sachtler/the Vitec Group and at NAB 2016 is demonstrating an improved version of the ground-breaking Trinity system.
published 1 year ago   read more
Codex Production Suite 4.5 delivers one workflow and new pricing for DITs
Codex Production Suite 4.5 delivers one workflow and new pricing for DITsCodex (www.codex.online) is launching Codex Production Suite 4.5, the all-in-one software package enabling the colour grading, review, metadata management, transcoding, QC and archiving of media generated by the latest digital cinematography cameras. From ingest to post production, Codex Production Suite 4.5 now provides one workflow for multiple types of camera, from ARRI ALEXA 65 to GoPro, resulting in no more snowflake workflows, and no need to reinvent the wheel on every production – just a single, simple, secure and affordable workflow. Codex Production Suite 4.5 will launch at NAB 2016, Codex booth #SL6828.
published 1 year ago   read more
NAB News: FilmLight adds free Mac app for on-set colour decisions
NAB News: FilmLight adds free Mac app for on-set colour decisionsAt NAB2016 (18–21 April, Las Vegas Convention Center), FilmLight will introduce Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and review looks in pre-production and on-set.
published 1 year ago   read more
Drone Dudes Takes Flight With Switronix’s Hypercore Slim
Drone Dudes Takes Flight With Switronix’s Hypercore Slim
Production Company Selects Low-Profile, Durable Batteries to Power Aerial Cinematography
When director Andrew H. Petersen founded his Drone Dudes production company in 2005, he combined his unique experience in RC (remote control) and drone technology with his talents in filmmaking. Today, Petersen uses the Hypercore SLIM battery packs from Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry, to power the array of handheld cameras for his unique aerial projects.
published 1 year ago   read more
Band Pro To Showcase FF Primes, VR, and Custom Dollies at NAB 2016
Band Pro To Showcase FF Primes, VR, and Custom Dollies at NAB 2016Band Pro Film & Digital, Inc. will be featuring new lens, camera support, and Virtual Reality technology at this year’s NAB show. Band Pro will be in Booth #C10408, directly adjacent to the Sony booth in the central hall. Band Pro will showcase the new Raptor FF prime lens family from IB/E Optics; consisting of 3 focal lengths: 100mm, 150mm, and 180mm.
published 1 year ago   read more
Steadicam Operator Jessica Lopez Uses Switronix Batteries To Catch The Laughs For "Comedians In Cars Getting Coffee"
Steadicam Operator Jessica Lopez Uses Switronix Batteries To Catch The Laughs For "Comedians In Cars Getting Coffee"As a camera operator tasked with shooting comedy, it’s no small feat trying to capture all of the laughs. With legendary comedian Jerry Seinfeld and his all-star roster of comedic friends that he welcomes onto his web series, Comedians in Cars Getting Coffee (CCGC), you better come prepared and powered up at all times so you don’t miss a single joke. For Steadicam operator Jessica Lopez, that means stocking her rig with the Hypercore 98AG batteries from Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry.
published 1 year ago   read more
NEW MECHANICAL ACCESSORIES FOR ALEXA MINI
ARRI is pleased to announce two new Pro Camera Accessories dedicated to the successful ALEXA Mini camera: a broadcast plate and a low bracket for shoulder operation. These products were recently presented as early production models at the BSC Expo in London and the Micro Salon in Paris, where they were enthusiastically received by industry professionals.
published 1 year ago   read more
ARRI Inc. Expands to São Paulo, Brazil
ARRI Inc. Expands to São Paulo, BrazilARRI Inc. is pleased to announce the opening of a new subsidiary in March in São Paulo, Brazil. Centrally located on Avenida Ibirapuera in Moema, São Paulo, the facility will offer camera maintenance, technical support, software upgrades, as well as training and workshops for the ARRI cameras and Pro Camera Accessories.
published 1 year ago   read more
Mike Sippel joins ARRI Rental
Mike Sippel joins ARRI RentalARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Mike Sippel has joined ARRI Rental as Senior Field Support Technician. Based at ARRI Rental Atlanta he will be part of the location support team for all camera related products, including the ALEXA 65.
published 1 year ago   read more
Transvideo’s Latest Products On Show At BVE 2016
Transvideo’s Latest Products On Show At BVE 2016
See these Transvideo products with Tiffen International on stand Q10 and on the ARRI stand J30 at BVE Expo 2016 at London’s ExCel, 23rd-25th February
Don’t miss seeing Transvideo’s latest and greatest products on show at BVE Expo 2016.
published 1 year ago   read more
Timecode Systems at the 2016 NAB Show
B:LINK Hub Creates a Powerful Production Dashboard
The B:LINK Hub is a new feature embedded within Timecode Systems' flagship :wave and :pulse products. For the first time at the 2016 NAB Show, users will have real-time access to a dashboard displaying every Timecode Systems unit on a rig, on screen and in one place. The B:LINK Hub can be conveniently accessed from the Web browser of any smartphone (iOS or Android), tablet, Mac® or PC over Wi-Fi, or through a wired Ethernet connection into the :pulse.
published 1 year ago   read more
Hypercore SLIM is Now Shipping!
Hypercore SLIM is Now Shipping!Switronix, a leader in battery and charging solutions for the Digital Cinema and Professional Video industry, is now shipping its new Hypercore SLIM Lithium Ion battery packs. A member of the Hypercore series, this slim, low-profile battery line is the first battery pack capable of handling high draw loads, perfect for powering cameras, such as REDTM, ARRI TM Alexa Mini, etc.
published 2 years ago   read more
Sean Strong joins ARRI Rental New York
ARRI Rental, a leading provider of camera, grip and lighting equipment to the feature film, television, advertising, broadcast and events markets, is pleased to announce that Sean Strong has joined the camera rental department in New York. In his position as Camera Rental Coordinator he will be responsible for coordinating equipment orders between the rental office and operations department while maintaining strong client relations.
published 2 years ago   read more
Transvideo and Aaton Digital bring new products and new technologies to BSC Expo 2016
Transvideo and Aaton Digital bring new products and new technologies to BSC Expo 2016
Sister companies Transvideo and Aaton Digital will present their line-up of new products and new technologies at BSC Expo 2016.
Star product on show is the new Transvideo StarliteRF. It’s a 5” 3G-SDI touch screen OLED wireless monitor- recorder with an inbuilt wireless receiver making it very versatile with the possibility to use in many different ways. Free of cables, it’s the perfect choice for directors, assistant directors, focus pullers and DOPs and a must have for rental houses, production companies, OB companies and broadcasters.
published 2 years ago   read more
Trost Motion Partners with DitoGear to Bring Motion Control to Precision Camera Sliders
Trost Motion Partners with DitoGear to Bring Motion Control to Precision Camera Sliders
New Bundle from Trost Motion and DitoGear Deliver High Design, Precision Motion Controlled Cinematic Experiences for Filmmakers
Trost Motion (www.trostmostion.com) today announced they have partnered with DitoGear™ (www.ditogear.com) to combine precision motion control systems with Trost Motion’s family of cinematic camera sliders. As a result of this partnership, Trost Motion and DitoGear are offering a bundled solution for filmmakers; the MotionKit with OmniController for Trost Motion.
published 2 years ago   read more
Band Pro Unveils New Line of IB/E Macro Lenses
Band Pro Unveils New Line of IB/E Macro LensesIB/E President, Klaus Eckerl and Band Pro President & CEO, Amnon Band unveiled a new line of professional APO Macro FF lenses at Band Pro’s One World Open House event on December 10th, 2015. The new macro lenses were designed to address the industry-wide movement toward larger format sensors (including RED Weapon 6K and 8K, Sony A7, and ARRI ALEXA 65 cameras). These larger sensors deliver a convincing film-look and interesting bokeh due to their very shallow depth of field, and require lenses that can cover their larger camera sensor sizes.
published 2 years ago   read more
ARRI partners the International Documentary Film Festival Amsterdam
This year ARRI proudly served as a partner of the International Documentary Film Festival Amsterdam (IDFA), sponsoring two awards, hosting several popular events and showcasing the highly versatile AMIRA camera.
published 2 years ago   read more
ARRI SUPPORTS INTERNATIONAL FILM ACADEMIES CONFERENCE
The annual conference of the International Association of Film and Television Schools (CILECT) was held at Munich’s University of Television and Film (HFF) this year. From November 17-19, representatives from the world’s top training institutes were guests in Munich. ARRI Group supported the conference with presentations, keynote speeches and an exhibition of its latest products.
published 2 years ago   read more
Alexa 65: Collaboration With Pinewood Digital Helps Mark A Successful First Year
Alexa 65: Collaboration With Pinewood Digital Helps Mark A Successful First YearIn the year since ARRI Rental's first public preview of the ALEXA 65 at Camerimage 2014, the large format system has notched up an impressive list of feature film credits. Two key elements of the ALEXA 65’s success are its ability to seamlessly mix with other ALEXA camera family members on set –such as the ALEXA XT and ALEXA Mini – and a very robust and cost-effective workflow, with postproduction facilities such as Pinewood Digital in the UK putting strategies in place to assist productions shooting with the system.
published 2 years ago   read more
Stratton DP chooses Cooke Anamorphic/i lenses with ‘soul’
Stratton DP chooses Cooke Anamorphic/i lenses with ‘soul’Cinematographer Felix Wiedemann has chosen Anamorphic/i lenses from Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, to shoot the action thriller Stratton.
published 2 years ago   read more
The Cinematography of Everest with Salvatore Totino, Director of Photography
The Cinematography of Everest with Salvatore Totino, Director of PhotographyIn this episode of The Go Creative Show, Ben Consoli explores the daring and immersive cinematography of “Everest” with Director of Photography Salvatore Totino. They discuss the challenges of shooting at 10,000 feet in 22 below zero temperatures, and how his previous films prepared him for this epic adventure.
published 2 years ago   read more
True colours of The Americans created on Baselight
True colours of The Americans created on Baselight
Technicolor PostWorks New York and colourist Crowley shaped a special look for top spy drama
When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.
published 2 years ago   read more
Colorfront Spotlights Amazing UHD HDR Performance at SMPTE 2015
Colorfront Spotlights Amazing UHD HDR Performance at SMPTE 2015
Ground-breaking Colorfront 2016 dailies and transcoding products releasing soon
Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, is showcasing the cutting-edge capabilities its forthcoming 2016 products supporting the wide variety of Ultra High Definition (UHD), High Dynamic Range (HDR) workflows during SMPTE 2015 Annual Technical Conference – the world’s leading forum for the exploration of media and entertainment technology – 27-29 Oct, Loews Hollywood Hotel, Hollywood. Colorfront booth #311.
published 2 years ago   read more
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Camera Systems
Aerial Cinematographers Rely on FUJINON-Equipped SHOTOVER Camera SystemsNew Zealand-based company SHOTOVER prides itself on equipping its ultra-high performance stabilization camera systems for high velocity cinematography with top-of-the-line equipment. Designed for use in helicopters, ground vehicles and watercraft, the company’s F1 and K1 camera systems are made with an open architecture, giving operators a variety of camera and lens options. Many SHOTOVER customers rely primarily on the FUJINON lenses integrated within the systems, including the Premier PL mount 18-85mm zoom lens, PL mount 14.5-45mm zoom, PL 85-300mm Cabrio, 19-90mm Cabrio, 25-300mm Cabrio, and HA42x9.7 Premier Series ENG style lens for their high-end aerial productions.
published 2 years ago   read more
Society of Camera Operators 2016 Lifetime Achievement Awards Announce Technical Achievement Award Submissions Open
The Society of Camera Operators (SOC) opens the online submission process for their annual Technical Achievement Award.
published 2 years ago   read more
Venice Golden Lion Winner “From Afar” Finished by Terminal Using Davinci Resolve
Venice Golden Lion Winner “From Afar” Finished by Terminal Using Davinci ResolveLorenzo Vigas’ “From Afar” (“Desde allá”) was the first Venezuelan production to be selected for the Venice Film Festival’s official competition, and last weekend became the first Latin American film in history to take home the festival’s grand prize, the Golden Lion. The film was finished at Terminal in Mexico City by senior colorist Øyvind Stiauren using Davinci Resolve, with post supervision by Joakim Ziegler.
published 2 years ago   read more
ARRI 2015 IBC: NEW TOOLS AND FEATURES FOR THE ELECTRONIC CONTROL SYSTEM
ARRI 2015 IBC: NEW TOOLS AND FEATURES FOR THE ELECTRONIC CONTROL SYSTEMThe Electronic Control System (ECS) is a complete, modular toolset for wireless remote control not just of ARRI cameras and lenses, but literally any camera and any lens. Alongside free software update packets (SUPs) for the Wireless Compact Unit WCU-4 and Universal Motor Controller UMC-4, ARRI is introducing the new CLM-5 lens motor and an on-board monitor mount for the WCU-4.
published 2 years ago   read more
NEW HIGH-SPEED BALLASTS FOR HIGH-SPEED FILMING
NEW HIGH-SPEED BALLASTS FOR HIGH-SPEED FILMING(IBC 2015, Amsterdam) – ARRI introduces the EB 12/18 HS and EB 6/9 HS AutoScan ballasts, allowing easy, flicker-free extreme slow-motion filming with discharge lamps in the 9 kW, 12 kW and 18 kW power classes.
published 2 years ago   read more
ARRI IBC 2015: ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITY
ARRI IBC 2015: ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITYTop cinematographers are taking advantage of the ALEXA 65’s exceptional image quality for major feature films, while updates are announced that will extend the capabilities and appeal of the system still further.
published 2 years ago   read more
FilmLight takes colour to the next level at IBC2015
FilmLight takes colour to the next level at IBC2015At IBC2015, FilmLight is showcasing colour technology for companies that create content for broadcast, film, promos or commercials. Working closely with other best-in-class manufacturers, FilmLight addresses the whole production chain from scene to screen.
published 2 years ago   read more
Transvideo and Aaton Digital announce new technologies
Transvideo and Aaton Digital announce new technologiesAt IBC 2015 both Transvideo and Aaton Digital will present new products incorporating latest technologies for the motion picture and broadcast industries, resulting from a collaboration with many cinematographers, camera and lens manufacturers and sound engineers. The connectivity of these products with latest technologies and cameras, remote wireless connections, and the ability to read and record metadata, image & sound have been on the agenda of the teams for years in order to develop high-performance solutions.
published 2 years ago   read more
Anton/Bauer Announces New CINE Battery Series at the 2015 IBC Show
Anton/Bauer Announces New CINE Battery Series at the 2015 IBC Show
IBC 2015, Stand E55, Hall 11
Anton/Bauer, a Vitec Group brand and premier provider of battery and charging technologies for the broadcast, film and video industries, announces its new CINE battery series for digital cinema cameras. The CINE battery series was designed to be the safest and most durable mobile power solution for professional cinematographers.
published 2 years ago   read more
ARRI PCA for Canon EOS cameras: NEW PRO CAMERA ACCESSORIES FOR CANON C300 / C300 Mk II / C500
ARRI PCA for Canon EOS cameras: NEW PRO CAMERA ACCESSORIES FOR CANON C300 / C300 Mk II / C500Designed specifically for Canon’s latest Cinema EOS cameras, ARRI PCA introduces a new cine plate for film set environments, an adjustable broadcast plate for documentary-style filming and a handy top-mounted support plate.
published 2 years ago   read more
News: German TV series boosted by FilmLight render-free workflow
News: German TV series boosted by FilmLight render-free workflow
Set-to-finish seamless integration for Germany’s Lerchenberg
The producers of the German television comedy drama series Lerchenberghave implemented a new comprehensive, render-free grading environment from FilmLight. The use of Baselight systems, not only in the grading suite but also on set as well as within plugins for the editor, provides maximum creative control as well as real savings in the time to air.
published 2 years ago   read more
Alexa 65 Hits Theaters With Mission: Impossible Rogue Nation
Alexa 65 Hits Theaters With Mission: Impossible Rogue NationThe first production to use ARRI Rental’s ALEXA 65 large format digital camera system has hit theaters: Mission: Impossible – Rogue Nation. Primarily shot with 35 mm film cameras by Academy Award® winner Robert Elswit, ASC, the fifth installment of the successful blockbuster spy series features a major underwater sequence, which was captured with prototype ALEXA 65 cameras in special HydroFlex housings by Pete Romano, ASC.
published 2 years ago   read more
Helicopter Film Services Relied on the AERIGON for Aerial Cinematography on Marvel’s Avengers: Age of Ultron
Industry-leading Pro Cinema Drone Provides Stable Platform for Capturing Live-Action Plates for VFX
The AERIGON™, an aerial remote camera head (ARCH™) from Intuitive Aerial, was operated by Helicopter Film Services to shoot aerial footage used throughout Marvel’s Avengers: Age of Ultron. The remarkable stability of the AERIGON platform meant that footage captured could be fed directly into ILM’s VFX pipeline. For the first time, filmmakers have access to an aerial system capable of controlling the best production cameras, such as the new ARRI Alexa Mini, regardless of weight, to shoot feature film-ready images with reliable precision.
published 2 years ago   read more
JONATHAN STRANGE AND MR NORRELL CONJURE UP THE COOKE LOOK
JONATHAN STRANGE AND MR NORRELL CONJURE UP THE COOKE LOOK
Acclaimed BBC drama shot with Cooke S4/i lenses
The acclaimed BBC drama series Jonathan Strange and Mr Norrell was shot with Cooke S4/i lenses by director of photography Stephan Pehrsson. Based on the eponymous novel by Susanna Clarke, the period drama is set in a version of 19th century England where magic was once lost but is now returning.
published 2 years ago   read more
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear Expo drew the world’s top motion picture, video and new media community for the unveiling of the latest industry technology and to discuss the latest trends. There were 15,490 attendees from 48 countries at the event.
published 2 years ago   read more
ARRI Brasil to Open in São Paulo, Q3 2015
Subsidiary in São Paulo, Brazil will open in the third quarter of 2015 to service and maintain all ARRI camera products
ARRI is excited to announce the initial phase of its camera service support for Latin America. The firm will open a subsidiary in São Paulo, Brazil in the third quarter of 2015 to service and maintain all ARRI camera products. ARRI Brasil, centrally located on Avenida Ibirapuera in Moema, São Paulo, will offer complete support for the full range of ARRI cameras and camera accessories The office will function as a full camera service facility servicing all camera models, including ALEXA, ALEXA XT, and the AMIRA, ALEXA SXT and ALEXA Mini cameras offering the new 4K recording modes. Plans are to provide camera maintenance, software upgrades, warranty and non-warranty repairs, as well as training and support for all camera products and camera accessories.
published 2 years ago   read more
"The Jinx," Groundbreaking Documentary from Andrew Jarecki and and Marc Smerling Finished at Technicolor PostWorks
"The Jinx," Groundbreaking Documentary from Andrew Jarecki and and Marc Smerling Finished at Technicolor PostWorks
Sean R. Smith leads a three-month post-production effort to finish the acclaimed six-part series.
Andrew Jarecki’s engrossing documentary series The Jinx: The Life and Deaths of Robert Durst explores the murky world of a real estate magnate suspected of three murders. Post-production finishing for the series, airing in six parts on HBO, was completed at Technicolor PostWorks New York. Sean R. Smith served as finishing editor and colorist, working in collaboration with Jarecki, writer/producer/director of photography Marc Smerling and post-production supervisor Susan Lazarus to bring the series to its final form and look.
published 2 years ago   read more
Latest ARRI Press Release: ARRI at Cannes 2015
Latest ARRI Press Release: ARRI at Cannes 2015A wonderfully successful festival again for ARRI in Cannes, with almost 60% of feature films from all selections being shot with ARRI equipment and more than 40% captured with the ARRI ALEXA and ARRI cine lenses. Overall, more than half of the festival’s films that were shot digitally used ALEXA as their main camera, showing that ARRI remains the pre-eminent technology leader, setting a gold standard for the rest of the industry.
published 2 years ago   read more
ARRI To Receive Lifetime Technical Achievement Award At Cine Gear Expo
ARRI to be honored for its role in advancing the art and craft of filmmaking
ARRI will be honored for its role in advancing the art and craft of filmmaking with the Cine Gear Expo 2015 Lifetime Technical Achievement Award on June 5 in a ceremony at Paramount Studios Hollywood. The distinction recognizes ARRI’s dedication to advancing motion picture technology over its 98-year history. ARRI Inc. President and CEO Glenn Kennel will accept the award.
published 2 years ago   read more
ARRI: Bahnemann Awards honor NYU students
ARRI: Bahnemann Awards honor NYU students
Fifth Annual Volker Bahnemann Awards for Cinematography Honor Sheldon Chau and Antoine Combellas
Sheldon Chau and Antoine Combellas have won top honors at the Fifth Annual Volker Bahnemann Awards for Cinematography at New York University’s (NYU) Tisch School of the Arts.
published 2 years ago   read more
Guild of Television Cameramen Heads to Aynho for 2015 Awards Day
Guild of Television Cameramen Heads to Aynho for 2015 Awards DayFollowing the success of the 2013 and 2014 events at 'A Day In The Country', Aynho Park, the Guild of Television Cameramen returns to the Oxfordshire venue on Sunday May 17, 2015, for its 43rd Annual General Meeting and Awards Presentation.
published 2 years ago   read more
ARRI Puts ALEXA in a Mini Package
Introducing a new camera to its popular ALEXA family, ARRI announced the ALEXA SXT and the ALEXA Mini, a small form factor ALEXA camera for specialized shots where third party cameras have been used before.
published 2 years ago   read more
Atomos Shogun Bolsters Support for High-end Cinema with RAW,
Atomos Shogun Bolsters Support for High-end Cinema with RAW, Anamorphic, Cinema 4K – Arri, AJA, Canon and Sony Supported
published 2 years ago   read more
ARRI Releases New Skypanel Family Of LED Soft Lights
ARRI Releases New Skypanel Family Of LED Soft Lights--April 13, 2015) ARRI proudly introduces SkyPanel, a brand new line of LED fixtures. SkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new standard for the industry. With a design focused on form, color, beam field and output, SkyPanel represents the culmination of more than a decade of research and development of LED technology at ARRI. Recently, SkyPanel garnered recognition as an International Association of Broadcast Manufacturers Game Changer Awards Finalist 2015.
published 2 years ago   read more
ARRI Adds New Pro Camera Accessories for Studio Matte Boxes
ARRI Adds New Pro Camera Accessories for Studio Matte BoxesThe Triple Filter Frame stacks two or three glass filters together in a single filter frame that occupies two regular matte box slots. ARRI’s Studio Matte Boxes SMB-1 and SMB-2 have an integrated tilt module designed to control unwanted reflections between filter surfaces, the lens front element and the camera sensor glass. Reflections can also develop under some circumstances between filter surfaces, which is not always controlled by solely tilting the matte box. Used in combination with either the SMB-1 or SMB-2 tilting feature, stacking the filters together in the Triple Filter Frame is a proven method of preventing these types of reflections. 
published 2 years ago   read more
ARRI Announces A New Super-Wide Anamorphic Zoom
ARRI Announces A New Super-Wide Anamorphic ZoomThe new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the ARRI/ZEISS Master Anamorphic lenses by extending the range to cover extreme wide-angle focal lengths between 19 mm and 36 mm, without any sacrifice in image quality.
published 2 years ago   read more
NEW TOOLS EXPAND ARRI’S ELECTRONIC CONTROL SYSTEM
NEW TOOLS EXPAND ARRI’S ELECTRONIC CONTROL SYSTEMNew camera and lens remote control tools being introduced by ARRI at NAB are the result of both ARRI’s own technological developments and of its ongoing collaboration with cmotion. They include the cforce mini lens motor and ARRI Active Motor Controller AMC-1.
published 2 years ago   read more
ARRI: Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitor
ARRI: Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitor
Transvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5” OLED monitor.
Transvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5” OLED monitor. The resulting StarliteHD5-ARRI will be able to control the new ARRI ALEXA Mini and also the ARRI AMIRA.
published 2 years ago   read more
Codex Delivers Recording And Workflow For ARRI ALEXA SXT
Codex Delivers Recording And Workflow For ARRI ALEXA SXTCodex (http://www.codexdigital.com), the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, has once again collaborated with ARRI to develop the recording and workflow system for ARRI’s next evolution of the ALEXA camera – the ALEXA SXT. The companies’ engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems, which combine to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras.
published 2 years ago   read more
Latest ARRI Press Releases -Master Anamorphic Flare Sets
Latest ARRI Press Releases -Master Anamorphic Flare SetsThe new ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. Each of the seven Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.
published 2 years ago   read more
ARRI ANNOUNCES NEW ALEXA SXT CAMERAS
ARRI ANNOUNCES NEW ALEXA SXT CAMERASARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs.
published 2 years ago   read more
Latest ARRI Press Release: New L10 LED Fresnel expands L-Series family
Latest ARRI Press Release: New L10 LED Fresnel expands L-Series familyARRI is proud to announce the L10, the newest edition to its L-Series family of LED Fresnels, which also includes the portable L5 and mid-range L7. The introduction of the L10 fulfills ARRI’s mission to provide a full line of high-performance LED Fresnels to the film, broadcast, theater and live entertainment markets.
published 2 years ago   read more
Codex Delivers Recording And Workflow For ARRI ALEXA MINI
Codex Delivers Recording And Workflow For ARRI ALEXA MINICodex , the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, has once again collaborated with ARRI to develop the recording and workflow system for an exciting new addition to the ALEXA family – the ALEXA Mini.
published 2 years ago   read more
ARRI ANNOUNCES COMPACT AND LIGHTWEIGHT ALEXA MINI
ARRI ANNOUNCES COMPACT AND LIGHTWEIGHT ALEXA MINIARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.
published 2 years ago   read more
Filmmakers depend on Codex for Marvel’s Agent Carter TV series
Filmmakers depend on Codex for Marvel’s Agent Carter TV series
Codex supports first ARRIRAW workflow on TV series
Codex , the industry leader in high-end digital recording and workflow equipment for motion picture and TV production, today revealed how Codex equipment is playing a key role in the making of the hit ABC television series Marvel’s Agent Carter. Codex has provided digital recording for director of photography Gabriel Beristain’s cameras, and has consulted with visual effects supervisor Sheena Duggal on the lens mapping, to assist VFX production. According to Duggal, this is the first TV show to use ARRIRAW for main unit photography. Marvel’s Agent Carter marks the first time an ARRIRAW workflow has been used extensively in series television.
published 2 years ago   read more
ARRI Releases Software Update Packet (SUP) 9.1 and ARRIRAW Converter 3.0
As technology evolves, ARRI continues to sustain and improve the performance of the ALEXA family of cameras with the release of ALEXA Software Update Packet (SUP) 9.1 and the ARRIRAW Converter (ARC) 3.0. The ARRIRAW Converter is ARRI´s free reference tool for processing ARRIRAW files in the optimal quality. A new, exciting feature includes the ability to uprez to 4K or UHD-1. For ALEXA XT and ALEXA Classic cameras with the XR Module Upgrade, SUP 9.1 increases the camera's DNxHD 444 recording capabilities and provides a better user experience.
published 3 years ago   read more
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ARRI Camera Showreel 2017
ARRI ALEXA SXT, AMIRA, ALEXA Mini, and ALEXA 65 get to strut their stuff in this collection of some of the highlights of some of the world's highest-profile cinematography. In addition to footage from recent releases such as The Fate of the Furious, Moonlight, Rogue One, Ghost in the Shell,...
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ARRI ALEXA Goes Wireless!
In a move that will increase efficiency on set, ARRI has integrated a high-quality and low-latency HD video transmitter and a WiFi radio into the new ALEXA SXT W model ("W" for Wireless). Based on the popular ALEXA SXT Plus, the SXT W will replace the ALEXA SXT Plus and...
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SILBERSALZ Film takes color to new depths with Adobe SpeedGrade CC
Adobe Creative Cloud drives editing and color grading workflow The human ear is precise, but the eye is subjective. This means that color grading is much an art as it is a science. SILBERSALZ Film is a studio that focuses on the subtle color adjustments that give commercials and films...
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