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News : Baselight TWO

Filmworkers, Nashville, Edits and Posts GARTH BROOKS: YANKEE STADIUM LIVE in 4K
Filmworkers, Nashville, Edits and Posts GARTH BROOKS: YANKEE STADIUM LIVE in 4K
Adam Little edits and Jimmy Cadenas colors 2-hour concert special, produced and directed by Jon Small for AT&T’s Audience Network.
Filmworkers, Nashville, provided editorial and post-production finishing services for Garth Brooks: Yankee Stadium Live, a 2-hour concert special that recently debuted on AT&T’s Audience Network. Produced and directed by Jon Small, the special was captured, finished and broadcast in 4K and documents the superstar musician’s two sold out shows from last summer, the first ever concerts for a country artist at Yankee Stadium, and Brooks’ first appearance in New York City in 19 years. Filmworkers’ Adam Little edited the show; Colorist Jimmy Cadenas applied the final color grade.
published 5 months ago   read more
FilmLight provides future-proof picture finishing for Sky
FilmLight provides future-proof picture finishing for Sky
Leading European broadcaster implements extensive FilmLight network to improve time, cost and creativity for short and long form content
Sky, Europe’s leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and technology from FilmLight. The new systems will allow Sky to serve the increasing technological demands of external clients as well as in-house departments at the company’s headquarters at Osterley, West London.
published 6 months ago   read more
Animal Logic chooses FilmLight Baselight as end-to-end finishing solution
Animal Logic chooses FilmLight Baselight as end-to-end finishing solution
Leading digital animation and visual FX production studio Animal Logic installs Baselight
Award-winning digital animation and visual effects studio, Animal Logic, has installed two Baselight grading systems in its Sydney head office. The company – whose credits range from The Great Gatsby and Moulin Rouge to Captain America: Civil War and the series of LEGO® movies – also has operations in Los Angeles and Vancouver.
published 9 months ago   read more
Technicolor PostWorks creates colour for Café Society
Technicolor PostWorks creates colour for Café Society
Baselight helps director Woody Allen and cinematographer Vittorio Storaro cross the bridge between film and digital for dailies and finishing
August 2016: Technicolor PostWorks New York completed the finishing on Café Society, Woody Allen’s first digital motion picture as a director, which was captured by legendary cinematographer Vittorio Storaro. The film opened the 2016 Cannes Film Festival and was released in the United States last month.
published 10 months ago   read more
MTV’s “Scream” Returns to Chainsaw for a Second Chilling Season
MTV’s “Scream” Returns to Chainsaw for a Second Chilling SeasonPost-production finishing for the second season of MTV’s hit show Scream: The TV Series is currently in high gear at Chainsaw in Hollywood. The facility is handling editorial finishing, color grading and deliverables. It is also supplying editing suites and gear used by series editors.
published 1 year ago   read more
Technicolor PostWorks' Joe Beirne and Matthew Schneider to Speak at Pre-NAB Avid Event
Technicolor PostWorks' Joe Beirne and Matthew Schneider to Speak at Pre-NAB Avid EventTechnicolor PostWorks New York Chief Technology Officer Joe Beirne and Director of Technology Matthew Schneider will offer advice on working with 4K and HDR media in a special session of the Avid Customer Association’s The Future in Motion Conference in Las Vegas. Beirne and Schneider will discuss strategies for managing 4K projects through the offline, online and finishing process in Avid Media Composer 8.5. They will also describe HDR-based workflows. The Pre-NAB event is scheduled for Saturday, April 16th at 5:15pm at the Wynn Las Vegas.
published 1 year ago   read more
FilmLight and Avid launch ‘Professional Colour’ bundle for editors at NAB 2016
FilmLight and Avid launch ‘Professional Colour’ bundle for editors at NAB 2016
FilmLight today announced a new collaboration with longstanding collaborator, Avid®, which will see both companies introduce a new Professional Colour bundle for editors at NAB2016
FilmLight first showed Baselight Editions on Avid Media Composer® at NAB2012 and since then the two companies have worked closely to improve interoperability between their products, helping editors and colourists to tell great stories through beautiful images. This new venture is yet another example of FilmLight’s commitment to providing solutions that address the growing demands for perfect colour control throughout the professional post workflow.
published 1 year ago   read more
News: Filmlab turns to Baselight for subtle and sophisticated grade on Oscar nominee, Son of Saul
News: Filmlab turns to Baselight for subtle and sophisticated grade on Oscar nominee, Son of Saul
Hungary’s Magyar Filmlabor posts Son of Saul from 35mm film shoot to DCP
Son of Saul, László Nemes’ Golden Globe winner, got its subtle grading atmosphere from one of the FilmLight Baselight suites at Budapest facility Magyar Filmlabor (Hungarian Filmlab). The harrowing story, also nominated for best foreign language Oscar, is set in the horrors of Auschwitz in 1944. The mood is underlined by a stark and understated look, thanks to being shot on 35mm film.
published 1 year ago   read more
Dolby chooses Baselight X for ultimate grading and finishing
Dolby chooses Baselight X for ultimate grading and finishing
FilmLight’s latest Baselight system fuels Dolby’s drive for HDR
FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware range yet. Baselight X, designed with exceptional power and performance for the most demanding projects, will be used in the Dolby Vision mastering suite in the company’s Burbank facility.
published 1 year ago   read more
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow
Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.
published 2 years ago   read more
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow
Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.
published 2 years ago   read more
Storyline brings VFX and grading closer with Baselight
Storyline brings VFX and grading closer with Baselight
Leading Norwegian production and post company adopts OpenEXR-based BLG workflow
Storyline Studios, Norway’s biggest and most experienced post-production company, recently installed Baselight colour grading systems, along with Baselight for NUKE plug-ins to provide strong workflow links between effects and finishing. Describing their company as “the highest concentration of film nerds in Norway”, Storyline provides an end-to-end technical and creative service from cameras and directors to finish and delivery, for projects from commercials to feature films.
published 2 years ago   read more
FilmLight delivers end-to-end colour control at Arab Telemedia Group
FilmLight delivers end-to-end colour control at Arab Telemedia Group
FLIP, Daylight, Baselight for Avid and Baselight TWO combine for fast and efficient colour pipeline
Emmy Award winning and MENA region leading production company Arab Telemedia Group has added an integrated Baselight colour pipeline to its production and post workflows. The new pipeline allows Arab Telemedia to increase both value and productivity for its television productions.
published 2 years ago   read more
Growing success for Baselight Editions free-to-read and –render
Growing success for Baselight Editions free-to-read and –render
Now available, Avid and NUKE free plugins allow colour grade to be imposed in real time; simple upgrade to full node-locked or floating licences if required
FilmLight has already transformed collaborative post-production with Baselight Editions, a series of plugins which put complex, high quality grading capabilities into popular post tools. Now it has gone a step further by making it free to use Baselight Editions to read and render grades. As the grade is created in the colour suite, now it can be seen immediately in Avid editorial and NUKE VFX without needing to purchase a licence for those systems.
published 2 years ago   read more
True colours of The Americans created on Baselight
True colours of The Americans created on Baselight
Technicolor PostWorks New York and colourist Crowley shaped a special look for top spy drama
When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.
published 2 years ago   read more
FilmLight strengthens presence in Japan with appointment of Techno House
FilmLight strengthens presence in Japan with appointment of Techno HouseFilmLight strengthens its position in the growing Japanese market with the appointment of Techno House Inc., a leading independent distributor and systems integrator headed by Norihiko Kushibiki in Tokyo.
published 2 years ago   read more
FilmLight powers Mumbai’s newest post house
FilmLight powers Mumbai’s newest post house
Nube Studio’s leading colourist chooses Baselight as the industry’s most proven and trusted grading system
Nube Studio, set up to provide uncompromised grading services for the Indian market, has opened with a Baselight TWO grading workstation as its centrepiece. The colour-driven facility is providing services for commercials, music videos, television and film throughout the region.
published 2 years ago   read more
Red Digital Cinema And Filmlight Host A Live 4k Color Grading Event
RED Digital Cinema and FilmLight are hosting a behind-the-scenes look at the post-production techniques used on Season 3 of the Emmy-winning Netflix series ‘House of Cards.’ The event is scheduled for August 20, 2015 and will be held at the RED Studios Hollywood, 846 North Cahuenga Boulevard, Los Angeles, CA. The two showings will be at 4:00pm and 7:00pm.
published 2 years ago   read more
NAB News: FilmLight extends flexible and efficient BLG colour workflow
NAB News: FilmLight extends flexible and efficient BLG colour workflow
Complete product range for innovative scene-to-screen metadata-based colour workflow now includes new Daylight dailies software and the extension of Baselight Editions
FilmLight’s products for colour grading and finishing have a reputation for being the ultimate in productivity and creativity. With the unique integration of colour grading tools across dailies, editorial, VFX and finishing — using the renderless, metadata-based Baselight Linked Grade (BLG) workflow — FilmLight delivers on its promise of a colour-managed end-to-end pipeline. All BLG-enabled products from FilmLight combine to make a highly efficient colour workflow that maintains full creative freedom while communicating creative intent throughout the production process.
published 2 years ago   read more
FilmLight extends flexible and efficient BLG colour workflow
FilmLight extends flexible and efficient BLG colour workflow
Complete product range for innovative scene-to-screen metadata-based colour workflow now includes new Daylight dailies software and the extension of Baselight Editions
FilmLight’s products for colour grading and finishing have a reputation for being the ultimate in productivity and creativity. With the unique integration of colour grading tools across dailies, editorial, VFX and finishing — using the renderless, metadata-based Baselight Linked Grade (BLG) workflow — FilmLight delivers on its promise of a colour-managed end-to-end pipeline. All BLG-enabled products from FilmLight combine to make a highly efficient colour workflow that maintains full creative freedom while communicating creative intent throughout the production process.
published 2 years ago   read more
Animated Short Danny and The Wild Bunch/Nice Shoes/Color + VFX
Animated Short Danny and The Wild Bunch/Nice Shoes/Color + VFX
Nice Shoes’ Malfitano and Winter Employ Efficient Color and VFX Workflow for Festival-Winning Short Danny and The Wild Bunch
Nice Shoes Creative Studio helped filmmaker Robert Rugan and producer Molly Mayeux, bring Rugan’s short film “Danny and the Wild Bunch” to life with a collaboration with the studio’s lead compositor Adrian Winter and colorist Sal Malfitano. The film stars Rob Tepper as Danny and Nora Zehetner as a children’s book author who is told that her new manuscript needs to be 'darker', but when her revisions enrage the characters in the book, they come to life to make some changes of their own.
published 2 years ago   read more
News: 3sixtymedia installs 20 Baselight for Avid seats
News: 3sixtymedia installs 20 Baselight for Avid seats
Broadcast post facility integrates grading for a more efficient premium television workflow
3sixtymedia, which provides post-production, creative services and studio crewing for broadcast productions in the north of England, has added a Baselight TWO colour grading system with Blackboard control panel. To integrate grading into the entire post workflow even more closely, the company has also installed 20 Baselight for Avid seats for its Avid editing stations and Protools dubbing theatres.
published 2 years ago   read more
PS Production Services Lights Up "Fifty Shades of Grey"
PS Production Services Lights Up "Fifty Shades of Grey"PS Production Services, a SIM Group company, provided lighting and grip equipment to the production of the new film Fifty Shades of Grey from director Sam Taylor-Johnson and Universal Pictures. The lighting and grip package included more than 100 fixtures supplied through PS’s facility in Vancouver.
published 2 years ago   read more
SATIS News: FilmLight's renderless, collaborative colour pipeline on show at SATIS 2014
SATIS News: FilmLight's renderless, collaborative colour pipeline on show at SATIS 2014
Productivity and creativity for television production
FilmLight will use the 2014 SATIS exhibition to demonstrate how sophisticated, highly cost-effective colour grading can be used to both improve the look and speed up the production of television programming. In conjunction with local partner CTM Solutions, FilmLight will showcase its renderless metadata-based workflows through production and post.
published 3 years ago   read more
News: Denzel Washington thriller finished on Baselight
News: Denzel Washington thriller finished on Baselight
Sony Pictures Colorworks completes final grade of The Equalizer in facility’s 4K DI theatres
The Equalizer, the new thriller from director Antoine Fuqua and starring Denzel Washington, was graded on Baselight EIGHT at Colorworks, the finishing facility on the Sony Pictures lot at Culver City. Colorist Doug Delaney worked throughout the project with the director Antione Fuqua, DoP Mauro Fiore and editor John Refoua to create a distinctive, atmospheric look, which served to drive the story forward.
published 3 years ago   read more
RED Digital Cinema’s Booth It IBC 2014 Touts 6K Digital Motion and Stills Capture, and 4K Live Broadcast
RED Digital Cinema continues to revolutionize the world of digital still and motion cameras with the 6K RED DRAGON sensor. Boasting over 19 megapixels, a new color science and higher dynamic range, the DRAGON sensor takes both EPIC and SCARLET to the next level – blurring the line between motion and still cameras.
published 3 years ago   read more
Windmill Lane Upgrades Baselight to Deliver 4K Grading and High Performance Dailies
Busy Dublin Facility Moves to the Latest Filmlight Hardware and Software to Boost Productivity
Windmill Lane, the leading post-production facility in Ireland, has recently overhauled its colour grading department, upgrading its entire FilmLight infrastructure. The facility has replaced its existing FilmLight hardware and now has two Baselight TWO grading systems running on generation 5 hardware, with the latest software release.
published 3 years ago   read more
FilmLight Hires Industry Experts To Help Customers Implement Leading Workflow Solutions
FilmLight Hires Industry Experts To Help Customers Implement Leading Workflow Solutions
Daniele Siragusano and Ram Krishna Tripathi Provide Invaluable Customer Support and Expertise
FilmLight today announced that it has added two highly experienced figures from the world of post-production to its team. Daniele Siragusano and Ram Krishna Tripathi Samaveda will provide workflow information, consultancy and training to help customers of the Baselight grading environment implement the infrastructure best suited to their specific needs and requirements.
published 3 years ago   read more
Filmlight’s Baselight Helps Encore finish House of Cards Season Two in 4K
Filmlight’s Baselight Helps Encore finish House of Cards Season Two in 4KThe second season of House of Cards, the political drama from Netflix, was released on 14 February 2014. For the first time, 4K and Ultra HD were among the deliverables from post-production and VFX company Encore, a Deluxe Entertainment Services company.
published 3 years ago   read more
"House of Cards" gets 4K Finish with FilmLight’s Baselight
"House of Cards" gets 4K Finish with FilmLight’s BaselightThe second series of "House of Cards," Netflix’s hugely popular political drama, was released on 14 February and made available to subscribers in 4k Ultra HD. Encore, a Deluxe Entertainment Services company, handled the show’s post production, with Lead Colourist Laura Jans-Fazio grading in uncompressed 4k at the post-production and VFX company’s Los Angeles location. To achieve the desired results, she leveraged a Baselight TWO system and Blackboard control surface.
published 3 years ago   read more
Platform Post Builds Momentum with Baselight
Platform Post Builds Momentum with Baselight
Soho’s Boutique Post-Production House Adds New Grading Suite With Baselight ONE, Blackboard and Baselight Editions from FilmLight
As part of an ongoing expansion strategy, Platform Post - a leading broadcast post-production house in the heart of Soho - has opened its first dedicated grading suite incorporating a Baselight ONE grading system, Blackboard control panel and Baselight for Avid from FilmLight.
published 3 years ago   read more
Baselight Boosts The Vanity finishing
Baselight Boosts The Vanity finishing
Leading Toronto VFX House Adds FilmLight Colour Suite to Complete its Creative Capabilities
The Vanity, one of the top post houses in Toronto and a specialist in VFX, has added a Baselight TWO colour grading system and Blackboard 2 control surface from FilmLight. The FilmLight grading tools allow The Vanity to offer an end-to-end boutique finishing service for its clients, along with its Autodesk graphics, effects and editing systems.
published 3 years ago   read more
EFILM Installs First Baselight Grading Suite
EFILM Installs First Baselight Grading Suite
Colourist Tom Reiser Uses Baselight System to Create Distinctive Look for Action Adventure Release DIVERGENT
Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight colour grading suite from FilmLight.
published 3 years ago   read more
Prism & Pixels Grows with FilmLight
Prism & Pixels Grows with FilmLight
India’s Boutique Post-House Expands with Additional Baselight Suites
Prism & Pixels – which has served the post-production market in India for over six years – recently added its third state of the art FilmLight digital intermediate (DI) grading suite to its facilities, and is in the process of ordering a fourth. It now has two Baselight grading theatrical suites, in addition to a Baselight Assist for backroom conform, file management, 3D-stereo alignment and rendering.
published 3 years ago   read more
LipSync Gets Starred Up
LipSync Gets Starred Up
Company provides equity investment and full post
LipSync provided equity investment and full post services on Starred Up, the award-winning film starring Jack O’Connell, Ben Mendelsohn and Rupert Friend, telling the story of a troubled and violent teen who meets his father in prison. The film, produced by Sigma Films, will open in the UK on 21 March 2014.
published 3 years ago   read more
Chainsaw Hires Veteran DI Colorist John Persichetti
Chainsaw Hires Veteran DI Colorist John Persichetti
Independent post-production facility forges strategic alliance with on-set dailies specialist Creative Science to provide turnkey post-production solutions for feature films.
Continuing to build its post production services for feature films, Chainsaw has hired John Persichetti as Senior DI Colorist. Persichetti brings more than 20 years of experience as a feature film colorist, most recently at Colorworks, Sony Pictures Entertainment’s digital intermediate facility. His credits there included "This Is the End," "The Amazing Spider-Man," "21 Jump Street" and "Hotel Transylvania." At Chainsaw, Persichetti will operate out of the company’s new, 4K digital intermediate theater. His first project will be "A Haunted House 2" for Wayan Bros. Entertainment.
published 4 years ago   read more
Vision On Adds Color With FilmLight
CineSys Oceana supplies Baselight ONE with Blackboard panel for expanded grading department
Specialist New York post house, Vision On, has added a Baselight ONE color grading system from FilmLight in response to client demands for one-stop finishing. Vision On is a boutique retouching facility with a great reputation for high-end work in the fashion and beauty market. With the support of FilmLight’s local partner, CineSys Oceana, it has now elected to move to the industry leader in grading technology to deliver the best finish.
published 4 years ago   read more
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
Simple turnkey package complete with Baselight ONE, Slate control panel PLUS Editions licences, hardware and software support for $65k
Leading color grading solutions developer FilmLight is offering its users and boutique post houses a new workflow option for uncompromised grading. Baselight PLUS is supplied as a complete package — including installation if required — with options for editors and with hardware and software support at an unprecedented price point.
published 4 years ago   read more
Filmworkers Helps State Farm Spokesman Aaron Rodgers Find a Seat in “Grill Class”
Filmworkers Helps State Farm Spokesman Aaron Rodgers Find a Seat in “Grill Class”
Post house provides color, editorial and VFX services for the latest in a series of spots out of DDB.
Filmworkers provided post-production services with a distinctive Windy City accent for the latest spot from State Farm. Conceived by Chicago agency DDB, the spot features State Farm spokesman Aaron Rodgers, who finds himself wedged uncomfortably between a pair of Bears fans during an airline flight. The two fans are played by George Wendt and Robert Smigel in a reprise of their roles as “Bob” and “Carl” from a classic "Saturday Night Live" skit. Bob and Carl poke fun at Rodgers as the “discount double check guy” while tending a pair of tray table grills filled with sizzling brats.
published 4 years ago   read more
Cluster Studio adds FLUX Store from FilmLight
Cluster Studio adds FLUX Store from FilmLight
- Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands -
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost a decade — recently added FLUX Store, the new post-production storage solution from FilmLight.
published 4 years ago   read more
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
- Vancouver based post-house Digital Film Central relies on Baselight TWO to help create a fully ACES-compliant and flexible color pipeline, from VFX to DI -
As the post facility for Neill Blomkamp’s new movie "Elysium," Digital Film Central (Central) constructed a unique 3.3K color and conform workflow that tightly integrated grading with both editorial and VFX. To ensure seamless collaborative working, the entire pipeline used the Academy Color Encoding System (ACES).
published 4 years ago   read more
FilmLight Manages Colour from Slate to finish
FilmLight Manages Colour from Slate to finish
- IBC demonstration shows how the professional approach to colour management and grading delivers creative control and a tangible return on investment -
At IBC2013, FilmLight is showing upgrades across its range of products that put colour grading and management of the entire colour pipeline at the heart of the professional workflow—delivering unrivalled creative control, accuracy and consistency.
published 4 years ago   read more
Envy Post Production Selects Signiant Media Shuttle™ for Rapid Delivery of High Res Long and Short Form Programming
Envy Post Production Selects Signiant Media Shuttle™ for Rapid Delivery of High Res Long and Short Form Programming
Ease and Brand-ability of Cloud-based Solution Helps Leading Post Production House Automate Workflows and Collaborate Better with Clients
Signiant, the market leader in intelligent file movement software for media and entertainment, today announced that leading post production house Envy Post Production has become yet another major UK broadcast content company to adopt Media Shuttle™ hybrid SaaS file transfer solution to move large files securely among its business partners and global customer base. Responding to its client needs, Envy Post has standardized on Media Shuttle because of its ease-of-use, the ability to be seamlessly branded and because it is today’s smartest way to move and share large files.
published 4 years ago   read more
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
- Latest solutions on display in Mexico from 04-07 June 2013 -
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading software and colour management systems can provide a 'colour pipeline' at every stage of production.
published 4 years ago   read more
Small Tree Shared Storage Plays Vital Role in Boutique Post-Production Company’s Rapid Growth
Company’s Flexible Storage Solution Handles Workflow Requirements
Originally founded in 2012 to handle post-production on two feature film projects, Prodigi House in Jakarta soon acquired additional clients – including Samsung and Honda – seeking support with TV commercials. With additional projects and tighter deadlines, the company installed a Titanium16 shared storage system from Small Tree, the leader in simple, affordable and powerful Ethernet-based shared storage solutions for professionals engaging in the creation, management and delivery of electronic media and entertainment content.
published 4 years ago   read more
Post Factory NY Upgrades to Baselight TWO from FilmLight
- New York based facility adds Baselight TWO to state-of-the-art screening room -
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight TWO colour grading systems from FilmLight.
published 4 years ago   read more
Colorworks Aids in 4K Restoration of “Richard III”
Colorworks Aids in 4K Restoration of “Richard III”A few months before the bones of Richard III were discovered below a parking lot in Leicester, England, the infamous British monarch was the focal point of a very different type of reclamation project halfway around the world in Culver City, California. There, Colorworks, Sony Pictures’ digital intermediate facility, applied the finishing touches to an exhaustive 4K restoration of "Richard III", Laurence Olivier’s 1955 film adaptation of the Shakespeare play.
published 4 years ago   read more
Red Echo Post Expands Service Offering with FilmLight’s Baselight
Red Echo Post Expands Service Offering with FilmLight’s Baselight
- Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients -
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a Baselight ONE colour grading system from FilmLight. The addition of the Baselight means that the company can add top end colour grading services to its clients.
published 4 years ago   read more
FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
- New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency -
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The range ensures that colour workflows can start on-set and run right through to final post and delivery, staying true to the vision at every stage. It delivers unrivalled productivity and creative control, giving facilities a real edge in delivering uncompromised results.
published 4 years ago   read more
Nice Shoes Expands with New Color Suite and Baselight TWO Systems
Nice Shoes Expands with New Color Suite and Baselight TWO SystemsAs an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow for a massive seven-screen film. To kick off 2013, it has added a pair of Baselight TWO systems, one of which will form their brand new color suite.
published 4 years ago   read more
Sony Pictures Colorworks Launches 4K Television Post-Production Facility
Sony Pictures Colorworks Launches 4K Television Post-Production FacilityColorworks, Sony Pictures Entertainment’s digital intermediate facility, has opened a new facility focused on 4K television post-production. Located in the Capra Building on the Sony Pictures lot in Culver City, Colorworks 4K Television will provide post-production services for original programming shot in 4K and re-mastering services for film-originated media. It will deliver both HD masters for current distribution and 4K masters for future use.
published 4 years ago   read more
LipSync invests in Blackmagic Videohub as part of facility expansion
LipSync invests in Blackmagic Videohub as part of facility expansionAs part of LipSync Post’s recent investment program, the full service post-production facility has installed a Blackmagic Videohub 288 routing switcher to connect and manage the increasing amount of post-production equipment, including LipSync’s recently purchased Baselight grading suites.
published 5 years ago   read more
FilmLight’s Baselight Used to Grade Sony’s “Hotel Transylvania”
FilmLight’s Baselight Used to Grade Sony’s “Hotel Transylvania”Hotel Transylvania, Sony Pictures Animation’s monster hit comedy that already broke records at the U.S. box office, went through final colour grading and stereo finishing in full 3D on Baselight. Completed at Colorworks, Sony Pictures Entertainment’s digital intermediate facility, DI Colourist John Persichetti used Baselight to apply the finishing touches to the film prior to its worldwide release.
published 5 years ago   read more
London’s LipSync Grows Grading Resources with FilmLight’s Baselight
LipSync Post, the award winning London-based full-service post-production facility, has significantly added to its colour grading resources through the purchase of two Baselight systems from FilmLight. When fully operational by year’s end the Baselight systems will serve as the facility’s primary grading tools, enabling LipSync to offer a total of five grading suites that can work flexibly to suit client requirements.
published 5 years ago   read more
Finish Adds Grading via FilmLight’s Baselight
Finish Adds Grading via FilmLight’s BaselightAward-winning London post house Finish, a specialist in 2D and 3D visual effects for commercials, has broadened its service offering to include high-end colour grading through the purchase of two Baselight systems from FilmLight.
published 5 years ago   read more
FilmLight Releases Baselight for Avid
FilmLight Releases Baselight for Avid
High-end colour grading for Avid Media Composer or Symphony under US$ 1,000.
FilmLight today announces the release of the latest product in its Baselight Editions line, Baselight for Avid® (Mac). Developed in association with Avid, this exciting new product makes the world’s most powerful colour grading toolset available within Avid Media Composer® or Symphony®, the editing software that is the preferred choice among film and television professionals. It’s also a further instance of FilmLight’s commitment to provide solutions for managing colour at every stage in production and post.
published 5 years ago   read more
FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow
FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow
Baselight|PFClean integration supports all DI workflows, including ACES, and allows grading and restoration to proceed in parallel.
FilmLight and The Pixel Farm have formed a strategic partnership to jointly market FilmLight’s Baselight colour grading system and The Pixel Farm’s PFClean™ restoration software as a complete, fully-integrated and affordable workflow for digital cinema restoration. As a result, a branded OEM version of the PFClean restoration and remastering suite equipped with the Baselight integration option will be available to FilmLight customers to purchase directly through the company’s worldwide reseller network.
published 5 years ago   read more
FilmLight at IBC 2012
FilmLight at IBC 2012
Unique pipeline for managing colour from script to screen.
At IBC 2012, FilmLight will demonstrate its latest solutions for refining looks and managing colour at every stage in production. Several new products from FilmLight’s expanded product line will be on view for the first time in Europe, each designed to address a different point in file-based film and television workflows, and together constituting an integrated, end-to-end colour pipeline.
published 5 years ago   read more
FilmLight announces Baselight ONE ‘ACCESS’ package
FilmLight announces Baselight ONE ‘ACCESS’ package
Industry leading grading and finishing system at less than US$50K
FilmLight is helping boutique post-production facilities to step up to high-end colour grading by offering its award-winning Baselight system at the lowest price ever. The Baselight ONE ACCESS package can now be purchased for less than US$50,000, and includes the latest Baselight 4.3 software, complete installation, FilmLight’s industry-leading technical support and on-site operational training.
published 5 years ago   read more
Filmworkers Grades “Revenge of the Great Camera Shootout”
Event produced by Zacuto and Kessler includes side-by-side comparisons of cameras made by Sony, Arri, Alexa, Canon and others.
Filmworkers recently took part in a unique event testing the performance of the current generation of digital motion picture cameras, from leading edge camera systems used to shoot Hollywood blockbusters to the humble iPhone. The Revenge of the Great Camera Shootout was produced by camera dealer Zacuto and crane manufacturer Kessler Cranes. Like similar events produced by Zacuto in the past, RGCSO features side-by-side tests of camera systems made by Sony, Arri, Red, Canon, Panasonic and Apple. Filmworkers provided color grading services necessary to make direct comparisons between the output of the cameras. Grading was performed by colorist Jimmy Cardenas with additional grading by colorist Brian “Crash” Carlucci.
published 5 years ago   read more
FilmLight’s new products prove an immediate success
FilmLight’s new products prove an immediate successOur Blackboard 2 grading control surface and Baselight TWO colour grading systems, can be seen for the first time in Europe at IBC 2011. Both new products are already enjoying record sales among broadcasters, post houses and production facilities worldwide.
published 6 years ago   read more
FilmLight at IBC 2011: Stand 7.F31
Blackboard 2 | Baselight 4.3 | Baselight for Final Cut Pro & NUKE | Truelight On-Set and AatonK
We will be giving the first European presentations of Blackboard 2, our revolutionary new grading control surface. Blackboard 2 caused quite a stir when it debuted at NAB, and since then, it has evolved into a market ready product.. Your eye is drawn to the visually stunning design, but the secret to Blackboard 2 is what we call Adaptive Key Technology—every key is programmable in infinite ways. No grading surface is faster, more ergonomic or, frankly, cooler than Blackboard 2.
published 6 years ago   read more
FilmLight Unveils Revolutionary Control Surface: Blackboard 2
FilmLight Unveils Revolutionary Control Surface: Blackboard 2
Unique soft-key design for Baselight
At NAB 2011, FilmLight launches Blackboard 2, an entirely new control surface for its award-winning Baselight colour grading system. The unique and revolutionary design of Blackboard 2 promises to transform high-end finishing for feature films, television and advertising.
published 6 years ago   read more
NAB 2010: The Mill, New York, Adds Second Baselight
NAB 2010: The Mill, New York, Adds Second BaselightAt NAB 2010, FilmLight today announces that The Mill, New York, has purchased a Baselight FOUR colour grading system—its second. The move is a response to the great success The Mill has enjoyed with its first Baselight FOUR, which has proven to be extremely popular both among the facility’s colourists and its advertising clients. The new Baselight will replace an existing linear colour grading system giving the company more flexibility in its workflow and greater access to Baselight’s powerful toolset.
published 7 years ago   read more
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