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About FilmLight

FilmLight develops unique colour grading systems, image processing applications and workflow tools that are transforming film and video post-production and setting new standards for quality, reliability and performance. The company’s streamlined metadata-based workflows employ robust products with the best creative tools, allowing creative professionals to work at the forefront of the digital media revolution ‘at every stage’ of modern workflows. Founded in 2002, FilmLight’s core business is centred on the innovation, implementation and support of its products—including Baselight, FLIP and FLUX—in leading production companies, post-production facilities and film/TV studios around the world. FilmLight is headquartered in London, where its research, design and manufacturing operations are centred. Sales and support are conducted through regional service centres and qualified partners worldwide. For more information, visit http://www.filmlight.ltd.uk

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FilmLight News

Register now for FilmLight's Colour On Stage at IBC2019
Register now for FilmLight's Colour On Stage at IBC2019
Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft
FilmLight presents Colour On Stage at IBC2019. At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to participate in live presentations and discussions with colourists and other creative professionals at the peak of their craft.
published 4 weeks ago   read more
FilmLight presents Colour On Stage at IBC2019
FilmLight presents Colour On Stage at IBC2019
Free program expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft, Stand 7.A45
At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to participate in live presentations and discussions with colourists and other creative professionals at the peak of their craft.
published 1 month ago   read more
FilmLight introduces ProRes RAW native support
FilmLight introduces ProRes RAW native support
Support for ProRes RAW implemented in the core FilmLight 5.2 software, making it available at every stage of the pipeline
The latest version of the core Baselight software, version 5.2, and Daylight now support native access to the ProRes RAW format. This is one of the first full implementations of the ProRes RAW format from a world-leading professional colour grading application. The high-quality ProRes RAW image format is now available on cameras from a wide range of vendors, including Canon, Panasonic and Nikon via Atomos recorders, and directly on the DJI Inspire 2 with a Zenmuse X7 camera.
published 6 months ago   read more
NAB2019 News: FilmLight adds more to modern colour finishing and delivery
NAB2019 News: FilmLight adds more to modern colour finishing and delivery
As well as demonstrations of Baselight version 5.2, and soon-to-come 5.3, NAB attendees will also see in-context colour grading for the full range of Baselight Editions, including Flame, NUKE, and Avid: Booth SL4105
With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline for collaborative workflows.
published 6 months ago   read more
FilmLight activates v5 for Baselight STUDENT
FilmLight activates v5 for Baselight STUDENT
Latest Baselight STUDENT release for professional and aspiring colourists now available
Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing their skills as a colourist to have the full range of creative features, based on the same platform as every Baselight system.
published 8 months ago   read more
FilmLight creates Cold War look for ‘The Americans’
FilmLight creates Cold War look for ‘The Americans’
Series six graded for HDR and 4K Ultra HD at Technicolor PostWorks
The sixth and final Emmy® award-winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in HDR and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colourist, working on the Baselight colour-grading system from FilmLight.
published 11 months ago   read more
FilmLight: Experience our latest colour tools and meet the colourists who use them
FilmLight: Experience our latest colour tools and meet the colourists who use themVisit us stand #7.B26 where FilmLight experts are presenting the latest colour tools across the product range: from Baselight grading stations, to the Daylight dailies system, Prelight for on-set pre-visualisation, as well as the expanding Baselight Editions range for editing and VFX.
published 1 year ago   read more
FilmLight’s Worldwide Colour Tour brings key industry talents to the stage for IBC2018 Colour Day
FilmLight’s Worldwide Colour Tour brings key industry talents to the stage for IBC2018 Colour Day
Free masterclass unites diverse finishing artists to share knowledge and demonstrate real-world projects.
FilmLight is to stage one of its hugely popular colour tour masterclasses at IBC2018 (RAI Amsterdam) on Sunday 16 September. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges that HDR and new delivery formats bring, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5.
published 1 year ago   read more
Encore turns to Baselight to colour the story of Picasso
Encore turns to Baselight to colour the story of Picasso
Deluxe finishes ‘Genius: Picasso’ for National Geographic
The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colourist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked the time and place as well as the art.
published 1 year ago   read more
FilmLight announces free Baselight STUDENT
FilmLight announces free Baselight STUDENT
New offering allows experienced or future talent to move up to Baselight with support from FilmLight
At NAB2017, FilmLight will preview their latest product, Baselight STUDENT, a software-only macOS application that answers the call from a growing number of facilities for trained Baselight colourists and assistants.
published 2 years ago   read more
FilmLight rolls out 5.0 across its entire product range
FilmLight rolls out 5.0 across its entire product rangeAt NAB2017 (booth SL3828, Las Vegas Convention Center, 24–27 April), FilmLight will demonstrate its version 5.0 advanced colour tools. Users will benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight colour grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight.
published 2 years ago   read more
Join FilmLight LA Open House, Thursday January 19
Join FilmLight LA Open House, Thursday January 19FilmLight invites you to its LA Open House, Thursday January 19, 5-8pm. Help us celebrate the start of an exciting new year at our new Hollywood office at 1107 N El Centro Avenue, Los Angeles CA 90038. Drop in anytime during the evening to enjoy our happy hour while checking out our upcoming software releases, Baselight 5.0 and Prelight, or just to say hi.
published 3 years ago   read more
Join the Open Beta Programme for Prelight On-Set
Join the Open Beta Programme for Prelight On-SetWe'd like to invite you to join our Open Beta Programme for Prelight On-Set. Prelight is a new free Mac OS X application designed to allow DOPs, colourists and other creatives to freely author, apply and modify looks. The commercial version, Prelight On-Set, extends these tools for DITs for use during production. Prelight On-Set provides the full product functionality needed for productions - including exporting 3D LUTs, support for driving LUT boxes and live SDI input - as well as, of course, all of the features provided with the free Prelight licence. For more information about the different levels of functionality available in Prelight versus Prelight On-Set, click here.
published 3 years ago   read more
FilmLight provides future-proof picture finishing for Sky
FilmLight provides future-proof picture finishing for Sky
Leading European broadcaster implements extensive FilmLight network to improve time, cost and creativity for short and long form content
Sky, Europe’s leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and technology from FilmLight. The new systems will allow Sky to serve the increasing technological demands of external clients as well as in-house departments at the company’s headquarters at Osterley, West London.
published 3 years ago   read more
The sky is the limit for 4K IMAX HDR "Sully" with Baselight
The sky is the limit for 4K IMAX HDR "Sully" with Baselight
Technicolor harnesses Baselight’s high-resolution capabilities for big-screen retelling of "Miracle on the Hudson"
Technicolor LA recently gave Clint Eastwood’s biographical drama Sully the full Baselight HDR colour grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009, saving 155 lives.
published 3 years ago   read more
NAB News: Baselight 5.0 takes grading to a new level
NAB News: Baselight 5.0 takes grading to a new level
FilmLight announces Baselight 5.0, a completely fresh approach to colour control
FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 introduces a radical step change in the way that professional colourists and other creative artists across the production process can add value and quality to productions – all boosted with over 50 new features.
published 3 years ago   read more
Dolby chooses Baselight X for ultimate grading and finishing
Dolby chooses Baselight X for ultimate grading and finishing
FilmLight’s latest Baselight system fuels Dolby’s drive for HDR
FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware range yet. Baselight X, designed with exceptional power and performance for the most demanding projects, will be used in the Dolby Vision mastering suite in the company’s Burbank facility.
published 4 years ago   read more
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow
Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.
published 4 years ago   read more
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow
Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.
published 4 years ago   read more
Storyline brings VFX and grading closer with Baselight
Storyline brings VFX and grading closer with Baselight
Leading Norwegian production and post company adopts OpenEXR-based BLG workflow
Storyline Studios, Norway’s biggest and most experienced post-production company, recently installed Baselight colour grading systems, along with Baselight for NUKE plug-ins to provide strong workflow links between effects and finishing. Describing their company as “the highest concentration of film nerds in Norway”, Storyline provides an end-to-end technical and creative service from cameras and directors to finish and delivery, for projects from commercials to feature films.
published 4 years ago   read more
FilmLight delivers end-to-end colour control at Arab Telemedia Group
FilmLight delivers end-to-end colour control at Arab Telemedia Group
FLIP, Daylight, Baselight for Avid and Baselight TWO combine for fast and efficient colour pipeline
Emmy Award winning and MENA region leading production company Arab Telemedia Group has added an integrated Baselight colour pipeline to its production and post workflows. The new pipeline allows Arab Telemedia to increase both value and productivity for its television productions.
published 4 years ago   read more
Peter Doyle: Supervising Visual Colourist at Technicolor
Peter Doyle, Supervising Visual Colourist at Technicolor, shares details of his upward spiraling career. His deep technical knowledge allows for a perfect blend of creativity and productivity in equal measure. Here he talks about his career, his aspirations, and his involvement in productions right from the outset.
published 4 years ago   read more
FilmLight and Sony take customers on a worldwide 4K HDR series of events
FilmLight and Sony take customers on a worldwide 4K HDR series of events
FilmLight strengthens collaborative colour pipeline with industry-leading partner Sony
Anticipating that high dynamic range (HDR) 4K is a next evolutionary step for production and post, FilmLight and Sony have mounted a series of events across the globe to showcase their leading colour technology for companies that create content for broadcast, film, promos and commercials.
published 4 years ago   read more
Growing success for Baselight Editions free-to-read and –render
Growing success for Baselight Editions free-to-read and –render
Now available, Avid and NUKE free plugins allow colour grade to be imposed in real time; simple upgrade to full node-locked or floating licences if required
FilmLight has already transformed collaborative post-production with Baselight Editions, a series of plugins which put complex, high quality grading capabilities into popular post tools. Now it has gone a step further by making it free to use Baselight Editions to read and render grades. As the grade is created in the colour suite, now it can be seen immediately in Avid editorial and NUKE VFX without needing to purchase a licence for those systems.
published 4 years ago   read more
True colours of The Americans created on Baselight
True colours of The Americans created on Baselight
Technicolor PostWorks New York and colourist Crowley shaped a special look for top spy drama
When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.
published 4 years ago   read more
FilmLight strengthens presence in Japan with appointment of Techno House
FilmLight strengthens presence in Japan with appointment of Techno HouseFilmLight strengthens its position in the growing Japanese market with the appointment of Techno House Inc., a leading independent distributor and systems integrator headed by Norihiko Kushibiki in Tokyo.
published 4 years ago   read more
FilmLight powers Mumbai’s newest post house
FilmLight powers Mumbai’s newest post house
Nube Studio’s leading colourist chooses Baselight as the industry’s most proven and trusted grading system
Nube Studio, set up to provide uncompromised grading services for the Indian market, has opened with a Baselight TWO grading workstation as its centrepiece. The colour-driven facility is providing services for commercials, music videos, television and film throughout the region.
published 4 years ago   read more
FilmLight takes colour to the next level at IBC2015
FilmLight takes colour to the next level at IBC2015At IBC2015, FilmLight is showcasing colour technology for companies that create content for broadcast, film, promos or commercials. Working closely with other best-in-class manufacturers, FilmLight addresses the whole production chain from scene to screen.
published 4 years ago   read more
News: German TV series boosted by FilmLight render-free workflow
News: German TV series boosted by FilmLight render-free workflow
Set-to-finish seamless integration for Germany’s Lerchenberg
The producers of the German television comedy drama series Lerchenberghave implemented a new comprehensive, render-free grading environment from FilmLight. The use of Baselight systems, not only in the grading suite but also on set as well as within plugins for the editor, provides maximum creative control as well as real savings in the time to air.
published 4 years ago   read more
News: FilmLight marks BIRTV with strengthened presence in China
News: FilmLight marks BIRTV with strengthened presence in China
New office and local manager boosts FilmLight’s Asia strategy and aspirations
FilmLight is celebrating BIRTV 2015 (26 – 29 August, China International Exhibition Center, Beijing) with a new representative and a new office in Beijing. The company has stepped up its local expansion to support the rapidly growing market for content creation in China and to strengthen its client connections, support and training.
published 4 years ago   read more
NAB News: FilmLight strengthens collaborative colour pipeline
Camera-to-screen collaboration propelled even further with Baselight and BLG
At NAB 2015, FilmLight will demonstrate a total step change in the speed and versatility with which colour graded media can be produced, shared and changed - inexpensively - at every stage of the production-post process. Underlining the need for co-operation to deliver the creative colour pipeline, FilmLight will be represented on eight partner booths at NAB2015, and a key partner will also be present on the FilmLight booth, SL6830.
published 4 years ago   read more
NAB News: FilmLight extends flexible and efficient BLG colour workflow
NAB News: FilmLight extends flexible and efficient BLG colour workflow
Complete product range for innovative scene-to-screen metadata-based colour workflow now includes new Daylight dailies software and the extension of Baselight Editions
FilmLight’s products for colour grading and finishing have a reputation for being the ultimate in productivity and creativity. With the unique integration of colour grading tools across dailies, editorial, VFX and finishing — using the renderless, metadata-based Baselight Linked Grade (BLG) workflow — FilmLight delivers on its promise of a colour-managed end-to-end pipeline. All BLG-enabled products from FilmLight combine to make a highly efficient colour workflow that maintains full creative freedom while communicating creative intent throughout the production process.
published 4 years ago   read more
FilmLight extends flexible and efficient BLG colour workflow
FilmLight extends flexible and efficient BLG colour workflow
Complete product range for innovative scene-to-screen metadata-based colour workflow now includes new Daylight dailies software and the extension of Baselight Editions
FilmLight’s products for colour grading and finishing have a reputation for being the ultimate in productivity and creativity. With the unique integration of colour grading tools across dailies, editorial, VFX and finishing — using the renderless, metadata-based Baselight Linked Grade (BLG) workflow — FilmLight delivers on its promise of a colour-managed end-to-end pipeline. All BLG-enabled products from FilmLight combine to make a highly efficient colour workflow that maintains full creative freedom while communicating creative intent throughout the production process.
published 4 years ago   read more
SATIS News: FilmLight's renderless, collaborative colour pipeline on show at SATIS 2014
SATIS News: FilmLight's renderless, collaborative colour pipeline on show at SATIS 2014
Productivity and creativity for television production
FilmLight will use the 2014 SATIS exhibition to demonstrate how sophisticated, highly cost-effective colour grading can be used to both improve the look and speed up the production of television programming. In conjunction with local partner CTM Solutions, FilmLight will showcase its renderless metadata-based workflows through production and post.
published 5 years ago   read more
News: FilmLight end-to-end 4K workflows at Inter BEE 2014
News: FilmLight end-to-end 4K workflows at Inter BEE 2014
Demonstration of fully-featured grading and finishing at high frame rate 4K
With the Japanese market moving rapidly towards advanced television formats, FilmLight will show its total pipeline solution at Inter BEE 2014 . Innovative workflows – currently in use with major production companies in Japan and worldwide – will be on display, demonstrating FilmLight’s renderless and colour-accurate framework from set to final delivery.
published 5 years ago   read more
News: FilmLight Discusses Colour from Set to Screen at Camerimage 2014
News: FilmLight Discusses Colour from Set to Screen at Camerimage 2014
Daniele Siragusano, FilmLight’s workflow specialist, leads session on productive and creative workflows
FilmLight today announced that it will host a workshop entitled ‘BLG: Colour from Set to Screen’ at Camerimage 2014, the International Film Festival of the Art of Cinematography . The session, which will take place on Sunday, 16 November at 15:30 in the Opera Nova Seminar Room, will be lead by Daniele Siragusano, FilmLight’s workflow specialist.
published 5 years ago   read more
News: Denzel Washington thriller finished on Baselight
News: Denzel Washington thriller finished on Baselight
Sony Pictures Colorworks completes final grade of The Equalizer in facility’s 4K DI theatres
The Equalizer, the new thriller from director Antoine Fuqua and starring Denzel Washington, was graded on Baselight EIGHT at Colorworks, the finishing facility on the Sony Pictures lot at Culver City. Colorist Doug Delaney worked throughout the project with the director Antione Fuqua, DoP Mauro Fiore and editor John Refoua to create a distinctive, atmospheric look, which served to drive the story forward.
published 5 years ago   read more
FilmLight Demonstrates Latest Colour Pipeline Solutions at CAPER 2014
FilmLight Demonstrates Latest Colour Pipeline Solutions at CAPER 2014
Comprehensive grading solutions at every stage on display in Argentina
FilmLight, alongside its Argentine reseller IPLUSB, is using CAPER 2014 to demonstrate its latest colour grading solutions, designed to seamlessly integrate with today’s evolving workflows.
published 5 years ago   read more
FilmLight boosts on-set and near-set production; adds host of functionality to Baselight flagship colour grading system
FilmLight boosts on-set and near-set production; adds host of functionality to Baselight flagship colour grading system
New HDR capabilities, direct DCP deliverables, ProRes, productivity gains and more
FilmLight will be exhibiting a broad range of new functionality for the first time at IBC2014 (Amsterdam, 12–16 September), designed to seamlessly integrate with today’s evolving workflows. Daylight, the new near-set colour grading tool, will be featured on the FilmLight stand (7.F31) alongside the latest product in the Baselight Editions range, Baselight for NUKE, and the latest release of Baselight – 4.4m1.
published 5 years ago   read more
FilmLight Establishes Unique Partnerships at IBC2014
Key developers in the post and broadcast industry illustrate their partnerships with FilmLight throughout IBC2014 with collaborative demonstrations and distinctive presentations – exhibiting tools for the entire production process from on-set to delivery. In each location, the focus is on evolving workflows, ease of work and cost efficiencies across multiple platforms and formats.
published 5 years ago   read more
FilmLight Showcases Latest Solutions at SET 2014
Creative, Practical and Efficient Colour Workflows on Display in Brazil
FilmLight, alongside local partner PSK, will demonstrate how its technology is helping broadcasters, movie producers and creative studios shorten timescales without compromising creativity or quality at the SET Expo 2014 taking place in Sao Paulo, Brazil, August 24-27 2014 (PSK booth D18).
published 5 years ago   read more
Windmill Lane Upgrades Baselight to Deliver 4K Grading and High Performance Dailies
Busy Dublin Facility Moves to the Latest Filmlight Hardware and Software to Boost Productivity
Windmill Lane, the leading post-production facility in Ireland, has recently overhauled its colour grading department, upgrading its entire FilmLight infrastructure. The facility has replaced its existing FilmLight hardware and now has two Baselight TWO grading systems running on generation 5 hardware, with the latest software release.
published 5 years ago   read more
FilmLight Focuses on Evolving Workflows at IBC2014
Creativity and Quality Teamed with Practicality and Efficiency
FilmLight, the leading innovator in colour grading and post-production workflows, is using its presence at IBC2014 (Amsterdam, 12–16 September) to demonstrate how its technology helps broadcasters, movie producers and creative studios shorten timescales without compromising creativity and quality. FilmLight’s IBC stand will showcase its comprehensive range of products as an end-to-end process from shoot to delivery, using the same footage at each stage.
published 5 years ago   read more
ITV Studios Adds to Production Values on Popular Drama "Coronation Street" with Innovative FilmLight Workflows Inside Avid
ITV Studios Adds to Production Values on Popular Drama "Coronation Street" with Innovative FilmLight Workflows Inside Avid
New Home for Coronation Street Introduces Tight Integration Between Baselight Grading and Avid Editing
As part of its move to a new production base, ITV’s popular continuing drama, "Coronation Street," has implemented a new grading workflow based around FilmLight technology. As well as a Baselight ONE grading system with Slate control surface, five of the productions edit suites are equipped with Baselight Editions, putting the creative grading toolset directly inside Avid.
published 5 years ago   read more
Baselight Sets the Look for Clint Eastwood’s Jersey Boys
Baselight Sets the Look for Clint Eastwood’s Jersey Boys
Warner Bros. Relies on Baselight for Dailies and DI, Creating a Characteristic Period Feel for Musical
Adapted from the stage hit, "Jersey Boys" is the musical story of Frankie Valli and The Four Seasons. For his movie adaptation, director Clint Eastwood wanted a characteristic 1960s feel. He turned to the Warner Bros MPI team and their colourist Maxine Gervais on the Baselight colour suite from FilmLight.
published 5 years ago   read more
FilmLight Hires Industry Experts To Help Customers Implement Leading Workflow Solutions
FilmLight Hires Industry Experts To Help Customers Implement Leading Workflow Solutions
Daniele Siragusano and Ram Krishna Tripathi Provide Invaluable Customer Support and Expertise
FilmLight today announced that it has added two highly experienced figures from the world of post-production to its team. Daniele Siragusano and Ram Krishna Tripathi Samaveda will provide workflow information, consultancy and training to help customers of the Baselight grading environment implement the infrastructure best suited to their specific needs and requirements.
published 5 years ago   read more
Filmlight’s Baselight Helps Encore finish House of Cards Season Two in 4K
Filmlight’s Baselight Helps Encore finish House of Cards Season Two in 4KThe second season of House of Cards, the political drama from Netflix, was released on 14 February 2014. For the first time, 4K and Ultra HD were among the deliverables from post-production and VFX company Encore, a Deluxe Entertainment Services company.
published 5 years ago   read more
"House of Cards" gets 4K Finish with FilmLight’s Baselight
"House of Cards" gets 4K Finish with FilmLight’s BaselightThe second series of "House of Cards," Netflix’s hugely popular political drama, was released on 14 February and made available to subscribers in 4k Ultra HD. Encore, a Deluxe Entertainment Services company, handled the show’s post production, with Lead Colourist Laura Jans-Fazio grading in uncompressed 4k at the post-production and VFX company’s Los Angeles location. To achieve the desired results, she leveraged a Baselight TWO system and Blackboard control surface.
published 5 years ago   read more
Platform Post Builds Momentum with Baselight
Platform Post Builds Momentum with Baselight
Soho’s Boutique Post-Production House Adds New Grading Suite With Baselight ONE, Blackboard and Baselight Editions from FilmLight
As part of an ongoing expansion strategy, Platform Post - a leading broadcast post-production house in the heart of Soho - has opened its first dedicated grading suite incorporating a Baselight ONE grading system, Blackboard control panel and Baselight for Avid from FilmLight.
published 5 years ago   read more
Baselight Boosts The Vanity finishing
Baselight Boosts The Vanity finishing
Leading Toronto VFX House Adds FilmLight Colour Suite to Complete its Creative Capabilities
The Vanity, one of the top post houses in Toronto and a specialist in VFX, has added a Baselight TWO colour grading system and Blackboard 2 control surface from FilmLight. The FilmLight grading tools allow The Vanity to offer an end-to-end boutique finishing service for its clients, along with its Autodesk graphics, effects and editing systems.
published 5 years ago   read more
FilmLight Demonstrates Complete Digital Dailies Workflow at Expo Cine, Video y Televisión 2014
FilmLight, alongside its local partner AMTEC, will be demonstrating its new Baselight DAILIES solution and complete digital dailies workflow in a real-world implementation at Expo Cine, Video y Televisión 2014 (AMTEC stand A-1, Mexico World Trade Center, 03 – 06 June 2014).
published 5 years ago   read more
Baselight Grades for Dolby Vision at 2014 NAB Show
Baselight Grades for Dolby Vision at 2014 NAB Show
FilmLight Collaborates with Dolby to Offer New Creative Potential to the Post Industry
At 2014 NAB Show, FilmLight will present high dynamic range (HDR) mastering and grading, featuring the new Dolby Vision technology on Baselight’s high-performance color grading system. Visitors to the Dolby Laboratories booth (SU1702) will see demos showing how Baselight can take advantage of Dolby Vision’s true-to-life brightness, colors and contrast to open up remarkable new creative opportunities.
published 5 years ago   read more
FilmLight Partners with Codex on New Solution to Digital Dailies
FilmLight Partners with Codex on New Solution to Digital Dailies
On-Set Media Management Creates Effortless Dailies Deliverables
Recognising that seamless workflows are critical for commercial and creative success in the movie industry, FilmLight is showing an innovative new collaboration with Codex at NAB2014. The new solution allows every variant of dailies to be created in a single, largely automated process, with an initial Baselight grade forming the foundation of the final look.
published 5 years ago   read more
EFILM Installs First Baselight Grading Suite
EFILM Installs First Baselight Grading Suite
Colourist Tom Reiser Uses Baselight System to Create Distinctive Look for Action Adventure Release DIVERGENT
Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight colour grading suite from FilmLight.
published 5 years ago   read more
Baselight Gets ‘Under the Skin’ of Scarlett Johansson Film
Baselight Gets ‘Under the Skin’ of Scarlett Johansson Film
Collaborative Digital Workflow Creates Look for Sci-Fi Movie Directed by Jonathan Glazer
Dirty Looks, the London colour grading studio specialising in Baselight grading for independent movies, carried out the finish of "Under the Skin" - the latest movie from director Jonathan Glazer, starring Scarlett Johansson. Visual effects were completed by Dirty Looks’ creative partner, One of Us; sharing the same building made collaboration even easier to realise the director’s vision.
published 6 years ago   read more
Prism & Pixels Grows with FilmLight
Prism & Pixels Grows with FilmLight
India’s Boutique Post-House Expands with Additional Baselight Suites
Prism & Pixels – which has served the post-production market in India for over six years – recently added its third state of the art FilmLight digital intermediate (DI) grading suite to its facilities, and is in the process of ordering a fourth. It now has two Baselight grading theatrical suites, in addition to a Baselight Assist for backroom conform, file management, 3D-stereo alignment and rendering.
published 6 years ago   read more
FilmLight and Industry Partners Exhibit Flawless Integration at NAB 2014
New and creative technologies provide professional colour control at every stage
FilmLight is focusing its NAB2014 presence on four of its most creative and industry-leading partners – Codex, Dolby, The Foundry and Sony. With innovative and highly cost-efficient technologies being shown for the first time across the exhibition, this year’s visitors will be able to experience the best colour management solutions in a real-world context - as part of a collaborative, creative workflow.
published 6 years ago   read more
Mexico’s Color Space Expands with FilmLight
Mexico’s Color Space Expands with FilmLight
- Baselight ONE and Slate added to new, affordable colour suite -
Color Space, the leading commercials finishing house in Mexico, has opened its third colour suite, incorporating a further Baselight ONE grading system and a Slate control panel from FilmLight.
published 6 years ago   read more
Ben Eagleton Builds Sydney Grading Facility Around FilmLight
Ben Eagleton Builds Sydney Grading Facility Around FilmLight
Leading Australian colourist sets up new home for Baselight system
Internationally-renowned colourist, Ben Eagleton, has returned to Sydney to establish his colour grading facility BE, in Surry Hills. Famed for his award-winning TV commercials and music videos, Ben started his new post-production venture in July 2013. With a wealth of international experience and expertise in grading high production value projects, Ben made a choice when kitting out his own facility to standardise on Baselight for grading, offering clients the flexibility to manage content in the most complex post-production workflows without compromising creativity.
published 6 years ago   read more
FilmLight Expands US Presence With The Appointment Of Key Code Media
FilmLight Expands US Presence With The Appointment Of Key Code MediaFilmLight, the leading color grading and workflow specialist, has strengthened its sales channel in the US with the appointment of Key Code Media, the world’s largest Avid reseller and integrator.
published 6 years ago   read more
Vision On Adds Color With FilmLight
CineSys Oceana supplies Baselight ONE with Blackboard panel for expanded grading department
Specialist New York post house, Vision On, has added a Baselight ONE color grading system from FilmLight in response to client demands for one-stop finishing. Vision On is a boutique retouching facility with a great reputation for high-end work in the fashion and beauty market. With the support of FilmLight’s local partner, CineSys Oceana, it has now elected to move to the industry leader in grading technology to deliver the best finish.
published 6 years ago   read more
FilmLight Strengthens Middle East Reseller Network With Appointment Of Media Group International
FilmLight Strengthens Middle East Reseller Network With Appointment Of Media Group InternationalFilmLight, the leading colour grading and workflow specialist, has strengthened its sales channel in Qatar and the wider Gulf regions with the appointment of Media Group International (MGI), a leading independent media systems integrator headquartered in Doha.
published 6 years ago   read more
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
Filmlight Offers A New Integrated Color Grading Option For Facilities With Baselight Plus
Simple turnkey package complete with Baselight ONE, Slate control panel PLUS Editions licences, hardware and software support for $65k
Leading color grading solutions developer FilmLight is offering its users and boutique post houses a new workflow option for uncompromised grading. Baselight PLUS is supplied as a complete package — including installation if required — with options for editors and with hardware and software support at an unprecedented price point.
published 6 years ago   read more
Filmlight Broadens Colour Grading Capabilities Within Avid
Filmlight Broadens Colour Grading Capabilities Within Avid
Windows version of Baselight for Avid now available
With the demand for perfect colour control now everywhere in the professional post workflow, FilmLight is taking another important step forward with the launch of its Windows version of Baselight for Avid. This is part of the Baselight Editions range which delivers the key elements of the world’s most powerful colour grading software as a plug-in for existing post tools.
published 6 years ago   read more
Cluster Studio adds FLUX Store from FilmLight
Cluster Studio adds FLUX Store from FilmLight
- Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands -
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost a decade — recently added FLUX Store, the new post-production storage solution from FilmLight.
published 6 years ago   read more
Portomídia Puts Baselight At The Heart Of Creative Initiative
Portomídia Puts Baselight At The Heart Of Creative Initiative
- Digital hub in Recife launches post-production training and finishing facility and selects FilmLight technology for unrivalled power and workflow simplicity -
Portomídia - a new initiative in Recife, Brazil - is to install a FilmLight Baselight FOUR color grading and management system, along with a FilmLight FLUX storage and data management network. The installation forms the heart of a new digital media facility, which itself is part of a high-technology hub aimed at boosting the regional economy through skills development and by attracting major businesses.
published 6 years ago   read more
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
- Vancouver based post-house Digital Film Central relies on Baselight TWO to help create a fully ACES-compliant and flexible color pipeline, from VFX to DI -
As the post facility for Neill Blomkamp’s new movie "Elysium," Digital Film Central (Central) constructed a unique 3.3K color and conform workflow that tightly integrated grading with both editorial and VFX. To ensure seamless collaborative working, the entire pipeline used the Academy Color Encoding System (ACES).
published 6 years ago   read more
FilmLight showcases latest solutions at Broadcast & Cable 2013
- Affordable, powerful, flexible colour management solutions on display in Brazil -
FilmLight will be joining its local partner, PSK Engenharia, at Broadcast & Cable to demonstrate how its entry-level products make high quality grading available to all, as well as demonstrating the “colour pipeline” at every stage of production through to post-production.
published 6 years ago   read more
FilmLight Manages Colour from Slate to finish
FilmLight Manages Colour from Slate to finish
- IBC demonstration shows how the professional approach to colour management and grading delivers creative control and a tangible return on investment -
At IBC2013, FilmLight is showing upgrades across its range of products that put colour grading and management of the entire colour pipeline at the heart of the professional workflow—delivering unrivalled creative control, accuracy and consistency.
published 6 years ago   read more
FilmLight’s Baselight creates look for Pacific Rim
FilmLight’s Baselight creates look for Pacific Rim
- MPI colorist Maxine Gervais uses full range of Baselight tool-set to develop stunning looks for summer blockbuster -
Pacific Rim, a Warner Bros. and Legendary Pictures production directed by Guillermo del Toro, has been post produced at Warner Bros. Motion Picture Imaging (MPI). Lead colorist, Maxine Gervais, used Baselight grading tools – on a laptop as well as a Baselight EIGHT system – to perfect the look of the movie, from set to final deliverables.
published 6 years ago   read more
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
- Latest solutions on display in Mexico from 04-07 June 2013 -
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading software and colour management systems can provide a 'colour pipeline' at every stage of production.
published 6 years ago   read more
Post Factory NY Upgrades to Baselight TWO from FilmLight
- New York based facility adds Baselight TWO to state-of-the-art screening room -
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight TWO colour grading systems from FilmLight.
published 6 years ago   read more
Red Echo Post Expands Service Offering with FilmLight’s Baselight
Red Echo Post Expands Service Offering with FilmLight’s Baselight
- Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients -
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a Baselight ONE colour grading system from FilmLight. The addition of the Baselight means that the company can add top end colour grading services to its clients.
published 6 years ago   read more
FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
- New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency -
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The range ensures that colour workflows can start on-set and run right through to final post and delivery, staying true to the vision at every stage. It delivers unrivalled productivity and creative control, giving facilities a real edge in delivering uncompromised results.
published 6 years ago   read more
Nice Shoes Expands with New Color Suite and Baselight TWO Systems
Nice Shoes Expands with New Color Suite and Baselight TWO SystemsAs an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow for a massive seven-screen film. To kick off 2013, it has added a pair of Baselight TWO systems, one of which will form their brand new color suite.
published 6 years ago   read more
Burbank’s FILMLOOK MEDIA and POST Adds Colour Grading via FilmLight’s Baselight
Burbank’s FILMLOOK MEDIA and POST Adds Colour Grading via FilmLight’s BaselightIn a move to significantly improve and expand its services, Burbank post-production facility FILMLOOK Media and Post has purchased a Baselight colour grading system from FilmLight. The new system, which includes FilmLight’s revolutionary Blackboard 2 control panel, allows FILMLOOK, for the first time, to provide its television clients, who include Disney Channel, Fox, CBS, ESPN and HBO, with colour grading services in a file-based workflow. It also allows the company to initiate a new service: DCP mastering for feature films.
published 7 years ago   read more
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