Technicolor Asia Selects da Vinci Resolve® R350s for Feature Film, DI Projects


Last Updated: August 28, 2008 3:51 pm GMT
(Coral Springs, Florida--August 28, 2008) da Vinci Systems, LLC, today announced that Technicolor Asia, part of the services division of Thomson S.A. (Euronext Paris: 18453; NYSE: TMS), has selected two of the company's highly advanced Resolve® R350 digital mastering suites to provide color grading and digital intermediate (DI) finishing for feature films made throughout Asia.

Technicolor Asia is a full-service post-production facility located in Bangkok, Thailand.

"Technicolor Asia has long been in both the film post-production and digital sound businesses, but is now adding digital image post-production," said Ian Maycock, managing director of the facility in Thailand. "Now Technicolor Asia also offers DI services, providing filmmakers with a comprehensive range of creative options for post-production, regardless of how or on what medium content was originated. Technicolor's facilities worldwide rely on the best, most efficient tools for the job, and we believe that means deploying the new da Vinci R-series systems."

The da Vinci Resolve suite offers flexible, real-time throughput of nonlinear images in film, television, and commercial applications. The da Vinci R-series is based on an innovative new processing engine, C.O.R.E. (CUDA™ Optimized Resolve Engine), that leverages the power and efficiency of GPUs not merely for graphics display, but also for processing, which enables it to work faster than any system da Vinci has ever delivered.

The R-series is available in eight configurations, with the top-of-the-line Resolve R350 incorporating four C.O.R.E.s and two da Vinci Transformer™ boards, which provide hardware acceleration for image processing.

At Technicolor Asia, content is digitized on an IMAGICA scanner and then ingested into a Bright Systems SAN. A unique contribution to workflow efficiency which was pioneered by da Vinci is the Resolve's ability to share simultaneous access to SAN content with other Resolve suites and with the da Vinci Revival™ image restoration system used by Technicolor.

"The name 'Technicolor' has been synonymous with movie color since the pioneering days of cinema, so it is especially gratifying that da Vinci continues to be associated with its worldwide post-production enterprise," said Bill Robertson, vice president and general manager of da Vinci Systems. "At the Thailand facility, the new da Vinci R-systems will contribute to efficient business operation, but more importantly to the high artistic quality that has always characterized Technicolor."

For more information on the da Vinci R-series, visit

About Thomson:
the worldwide leader in video solutions Thomson (Euronext Paris: 18453; NYSE: TMS) is the world leading provider of solutions for the creation, management, delivery, and access of video, for the Communication, Media, & Entertainment (CME) industries. Clients include studios, broadcasters, network operators (telcos, broadband, satellite, and cable operators), and an increasing range of professional users of videos. Thomson delivers superior value to their customers through a unique combination of industry leading technologies, systems, and services, enabling them to offer differentiated and innovative end-to-end solutions based on a broad portfolio of intellectual property. At the cross-roads of the CME industries, by leveraging their core competencies in video, but also in audio, data, and voice, they enable their customers to take advantage of the growth opportunities brought on by the digital convergence revolution. For more information:

About da Vinci Systems®, LLC
da Vinci Systems, a JDSU company, is the leading provider of color enhancement and image restoration products used in post-production facilities worldwide. Incorporating the company's Emmy® Award-winning technology, da Vinci's products support SDTV, HDTV, data, and digital film. Since the introduction of the company's first color corrector in 1984, da Vinci has been a front-runner in the field of image enhancement, shaping color enhancement into the vital role it holds in post-production today. The company is headquartered in Coral Springs, Fla., with offices in Los Angeles, New York, London, France, Germany, and Singapore.


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