Blackmagic Design Announces Blackmagic Cinema Camera


Last Updated: April 16, 2012 8:49 pm GMT
(Las Vegas NAB Show 2012, NV--April 16, 2012) Blackmagic Design today announced Blackmagic Cinema Camera, a revolutionary digital cinema camera design that includes powerful features such as super wide 13 stops of dynamic range, high resolution 2.5K sensor, built in high bandwidth SSD recorder, open file format support, color correction with full version of DaVinci Resolve and a built in LCD with metadata entry, all in an attractive compact design for only US$2,995.

Blackmagic Cinema Camera will be demonstrated on the Blackmagic Design NAB 2012 booth at #SL220.

Many current generation video cameras suffer from a "video look" due to a limited contrast range, a maximum HD resolution sensor, poor quality optics and lenses, the use of heavy video compression for file recording and poor integration with NLE software metadata management. With these limitations, they cannot be used for high end work or feature films.

Blackmagic Cinema Camera has been designed to eliminate these problems so customers get a true feature film look, and at an affordable cost can shoot high end television commercials, episodic television programming and feature films.

Blackmagic Cinema Camera
Blackmagic Cinema Camera includes a super wide 13 stops of dynamic range, large 2.5K sensor, a built in SSD recorder that has the bandwidth to capture open standard CinemaDNG RAW, ProRes and DNxHD files, a built in capacitive touch screen LCD for direct metadata entry, standard jack audio connections, built in high-speed Thunderbolt connection, 3 Gb/s SDI output, a refrigerated sensor for low noise, and is fully compatible with extremely high quality Canon EF and Zeiss ZF mount lenses.

Blackmagic Cinema Camera also includes a full copy of DaVinci Resolve for color correction and Blackmagic UltraScope software for waveform monitoring. UltraScope can be run on a laptop connected to the camera via a Thunderbolt connection.

One of the most important features of the camera is its super wide dynamic range of 13 stops, allowing feature film quality images. Commonly people focus on more pixels, however often this just creates a higher resolution, but still "video" looking images that suffer from highlight and black clipping that limits details. Blackmagic Cinema Camera's wide dynamic range eliminates this problem and provides film quality with dramatically more detail retained in black and whites in the image. Once the shoot is complete, the included DaVinci Resolve color correction software can be used to adjust images and take advantage of this extra range in the images. The high quality EF and ZF lens compatibility also helps create sharp and cinematic images that look incredible.

To eliminate the damage that low bit depth and high compression video storage creates, Blackmagic Cinema Camera includes a fast SSD recorder. The built in SSD recorder can record on fast solid state disks the full sensor detail in 12 bit Log RAW files in the open standard CinemaDNG format. These files can be read by all high end video software. The full 2.5K sensor data is stored in the files completely uncompressed because the SSD has the speed to store video data at the required rate. Then this high quality file can be color corrected on DaVinci Resolve for the same high quality result currently only possible on cameras costing tens of thousands of dollars.

Blackmagic Cinema Camera has been designed as the perfect companion to Final Cut Pro X and Avid Media Composer NLE software. Unlike other cameras, which require the use of custom video file formats that are not compatible with popular NLE software, often making the post production process a nightmare, the Blackmagic Cinema Camera includes absolutely no custom video file formats, and every file type included is open standard. It records into CinemaDNG format for RAW files, ProRes and DNxHD for HD resolution files compatible with Final Cut Pro X and Avid Media Composer.

The built in large LCD display makes focus easy, and allows playback of captured files. Blackmagic Cinema Camera includes a built in microphone, as well as external jack based mic/line level balanced audio connections. When playing back recorded clips, a speaker is built in, and there is an included headphone socket, as well as embedded audio on the SDI output and Thunderbolt connection. The SDI output includes all camera data such as timecode, transport control, shutter angle, color temperature setting and ASA information overlaid in attractive anti aliased fonts.

For easy metadata entry, the built in LCD features fast and responsive capacitive touch screen technology. When the user taps the display with a finger, a data entry window called the "slate" appears. This lets the user enter shot information just like typing on a smart phone. This data is then stored in the files so can be accessed by NLE software when editing content later. Metadata is compatible with popular software such as Final Cut Pro X and DaVinci Resolve. All camera settings can be changed on this touch LCD, such as frame rate, shutter angle, color temperature, dynamic range, focus assist settings and more.

Blackmagic Cinema Camera includes an innovative industrial design built from solid machined aluminum metal which results in an attractive but rugged design. All of the camera, recorder and display have been shrunk down into a lightweight design thats very portable.

"This is one of the most exciting products we have ever created and its been a work in progress for a very long time," said Grant Petty, CEO, Blackmagic Design. "Ever since I was a telecine engineer back in the 1990's I have wished that video cameras would include features that allowed them to perform creatively similar to film. However current digital cameras are too heavy, way too expensive and need costly accessories to work. We felt there was a need for a camera that delivered these features in a design that's optimized for professional video shoots, as well as being a compact, elegant design that's easily affordable. We think we have achieved that!"

Blackmagic Cinema Camera Key Features
  • High resolution 2.5K sensor allows improved anti aliasing and reframing shots.
  • Super wide 13 stops of dynamic range allows capture of increased details for feature film look.
  • Built in SSD allows high bandwidth recording of RAW video and long duration compressed video.
  • Open file formats compatible with popular NLE software such as CinemaDNG 12 bit RAW, Apple ProRes and Avid DNxHD. No custom file formats.
  • Includes no custom connections. Standard jack mic/line audio in, BNC 3 Gb/s SDI out, headphone, high-speed Thunderbolt I/O technology, LANC remote control and standard DC 12-30V power connection.
  • Capacitive touch screen LCD for camera settings and slate metadata entry.
  • Compatible with extremely high quality Canon EF and Zeiss ZF lenses.
  • Supports 2.5K and 1080HD resolution capture in 24, 25, 29.97 and 30 fps.
  • Thunderbolt connection allows direct camera capture via included Media Express software and supports live waveform monitoring via the included Blackmagic UltraScope software.
  • Includes a full copy of DaVinci Resolve 9.0 color grading software.

Availability and Price
Blackmagic Cinema Camera will be available July 2012 for US$2,995 from Blackmagic Design resellers worldwide.



Re: News: Blackmagic Design Announces Blackmagic Cinema Camera
by Peter J. DeCrescenzo
Hi Palmer: The image area of the sensor in the Blackmagic Cinema Camera is slightly larger than S16 film, and slightly smaller than the GH2's 16:9 HD mode.

The BmCC sensor has a 2.3 crop relative to a full-frame cam such as the 5D.

So, a 11mm lens on the BmCC has the equiv. FOV of a 26mm lens on a 5D. A 23mm lens on the BmCC is equiv. to 52mm, and so forth.

In another format comparison, an 11mm lens on the BmCC has the equiv. FOV of an 18mm lens on an APS-C/S35 cam. A 32mm lens on the BmCC is equiv. to 50mm on APS-C/S35.

An example of a wide less which may prove popular on the BmCC is the Tokina 11-16mm zoom.

As for sensitivity and noise, that remains to be seen until the final production version of the BmCC ships in a few months. However, given that the BmCC sensor's active pixel resolution is slightly more than 3MP, compared to 16MP on the GH2, there's a real possibility that the BmCC's sensitivity may be higher and noise level lower. Likewise when compared to most DSLRs. But we'll have to wait and see how the final production version of the BmCC performs once it begins shipping.

Concerning the BmCC's built-in battery, I like to think of it as a built-in uninterruptible power supply. Like a laptop computer power system, it seamlessly switches power between the built-in battery and an external power source even when the BmCC is in operation. Whenever an appropriate 12-30VDC external power source is connected, the internal battery recharges, including while the cam is in use. I think most BmCC users will operate the camera from an external battery or AC source, just as they most pro cams now, but with the added benefit of a built-in backup battery that's always there.

If the internal battery ever requires service, there are reports that Blackmagic Design will offer a replacement service at a reasonable cost, as they do for their Hyperdeck Shuttle product.


Great choices in many cases, but a big flaw
by Palmer Woodrow
Too bad about the allegedly puny chip. The ability to use Canon lenses sounds great until you find out that it'll take fisheyes just to get "normal" wide angle on this thing. And the DOF will be excessive compared to APS/35mm.

And finally, the small chip seems likely to squander the noise advantage this camera would've had by being only 2.5K.

Given that there's a power jack, the also-poor choice of having the non-removable battery could've been worked around. But a sub-4/3-sized chip is really disappointing.
Re: News: Blackmagic Design Announces Blackmagic Cinema Camera
by Clayton Maddox
it will be interesting to see how its picture stacks up against the AF100 and its other competitors.
Re: News: Blackmagic Design Announces Blackmagic Cinema Camera
by MiƂosz Koziol
This was great until i noticed the sensor size = 15.6 mm x 8.8 mm. This and lack of external battery (easily fix probably) is making this camera unsuable for me . If it had even 4/3 size sensor and a 1k increase im prize I would reconsider
Re: News: Blackmagic Design Announces Blackmagic Cinema Camera
by Nate Hall
Hey Black Magic any way we could get a Micro Four Thirds Mount for the Cinema Camera?

A lot of people interested in this camera already own Pansonic Gh2s and Af100s and a nice collection of MFT glass.

Plus since the Cinema Camera uses a four thirds size sensor it will be very hard to find wide angle lenses for it in the EF and ZF mount. Plus I just dropped some serious cash on a 25mm 0.95 Voigtlander Nokton and it would great to be able to use it on your camera.

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