Chainsaw Sinks Its Teeth into "Teen Wolf"


Post facility has developed a unique workflow to deliver quality and quick turnaround for the fifth season of MTV’s popular high school drama.

Last Updated: September 25, 2015 8:17 pm GMT
(LOS ANGELES, California--September 25, 2015) Post production finishing for the fifth season of Teen Wolf is currently underway at Chainsaw, a SIM Group company. The MTV series about an awkward high school student who is secretly a werewolf, is among cable’s most popular scripted series among young adults and was recently renewed for a sixth season.

Chainsaw has been part of Teen Wolf since its 2011 debut and has developed a unique workflow for managing final post processing. Where most television series are fully conformed in an edit bay before final color grading, Chainsaw colorist Kris Santa Cruz colors the show on a scene by scene basis and then passes it along to finishing editor Mark Needham for the final conform, titling and effects.

“It’s the reverse of what’s normally done,” explains Needham. “The show’s producers spend less time in color and more time in editorial, but it provides them with much greater flexibility. Because I’m dealing with files of individual shots, rather than a render of the full episode, it’s easier to make those last minute changes, something we often do with Teen Wolf.”

This workflow also leads to faster finishing. While Santa Cruz is busy coloring scenes, Needham is preparing titles, editorial visual effects and other elements that will be added when the show is conformed. The overlap allows the team to complete episodes in just four days, including the production of marketing and bonus media and other deliverables.

This workflow does require an extra level of trust. The production team needs to have confidence that the finished product will meet its expectations as they won’t see a conformed episode until the process is complete. Having finished 70 episodes Santa Cruz and Needham have earned that trust.

“They are a phenomenal duo,” says Teen Wolf producer Blaine Williams. “They have a developed shorthand that simply works. They know what our show should look like and understand our aesthetic, which makes me extremely comfortable in the finishing process.”

One benefit of working more efficiently is that it leaves more time for creative finessing. That pays off especially during the grading sessions, where Santa Cruz enjoys the luxury of time to set detailed, nuanced looks that enhance the show’s moody suspense. “The show is extremely cinematic,” Williams notes. “The EPs of the show are film fanatics who bring a feature look to television.”

Santa Cruz’s coloring includes a number of feature-like effects. He takes a painterly approach in making the eyes of lead character Scott McCall (Tyler Posey) glow bright red when he is in his werewolf phase. Similarly, creepy “Dread Doctors” are given a subtle yellow-green hue.

Additionally, Santa Cruz uses Power Windows to highlight or suppress background details in keeping with the tone of the particular scene. He points to a sequence involving Gabriel Valack, a character locked away in the supernatural ward of a hospital. “He’s trapped behind a Plexiglas wall at the end of a long hallway and it’s very dark,” he recalls. “High on the wall are cyan lights that create a yellow spill effect, and there are emergency lights that flare up. We let those elements fall in place while keeping the overall scene dark and moody. There’s a lot going on.”

With MTV renewing the show for a sixth season, there will be plenty more such chilling moments to come. Needham, Santa Cruz and the rest of the team at Chainsaw looks forward to continuing the exhilarating ride. “Chainsaw is a multi-talented organization that brings resilience from their work in live television to scripted shows,” says Williams. “That’s just what our show requires: a no-holds barred approach from an energetic group of editors with eyes for both detail and aesthetics.”

About SIM Group:

Backed by Toronto-based investment firm Granite Partners, the SIM Group is a leading supplier of production equipment, workflow and post-production solutions, with offices across the US, Canada and China. Our diverse services can be utilized on any production at any stage. In Canada, our offices in Toronto, Vancouver and Halifax service grip and lighting from PS Production Services and can be complemented with SIM Digital cinematography and playback equipment for any production’s needs.

Bling, Chainsaw, Pixel Underground, Tattersall Sound and Picture and Post Factory NY provide an array of services from dailies, to online and offline editing, to final color/DI and visual effects, to sound editorial and mixing. Bling’s services, which include a comprehensive workflow solution, are offered at all offices across the US and Canada, as well as off-site service through POD (Post on Demand).

Chainsaw’s full-service facility in Hollywood provides creative editorial and extensive finishing services with some of the top colorists in the industry. Rounding out the family of companies are Pixel Underground, a Toronto-based post-production company, and its associated service, StationEX, which provides physical and file-based media fulfillment and encoding/distribution services, Tattersall Sound and Picture, a provider of sound editorial and mixing for motion pictures and television and Post Factory NY, one of the East Coast’s top independent post-production facilities. For more information, visit


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